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Month: December 2022

The Lowry claims its canal is an ocean

Greater Manchester and Chester have hosted quite a few premieres this year, such as the European Premiere of Mrs. Doubtfire (which nobody was allowed to review), the world premiere of The Book Thief, the World Premiere of The Time Traveller’s Wife, and the European premiere of Rodgers + Hammerstein’s Cinderella.

Now, The Lowry is set to host two huge premieres over the holidays. The Quays Theatre is hosting the World Premiere of Claus – The Musical, whilst the regional premiere of the National Theatre’s The Ocean at the End of the Lane will be playing at the Lyric Theatre.

Based on the best-selling Neil Gaiman novel of the same name, the play had its world premiere at the National Theatre in 2019, before transferring to the West End in 2021. Now, it is set to tour the UK, beginning with a month-long stint at The Lowry.

“This thrilling adventure of fantasy, myth and friendship, is a five-star spectacular which blends magic with memory in a tour-de-force of storytelling that takes audiences on an epic journey to a childhood once forgotten and the darkness that lurks at the very edge of it.

“Returning to his childhood home, a man finds himself standing beside the pond of the old Sussex farmhouse where he used to play. He’s transported to his 12th birthday when his remarkable friend Lettie claimed it wasn’t a pond, but an ocean – a place where everything is possible…

“Plunged into a magical world, their survival depends on their ability to reckon with ancient forces that threaten to destroy everything around them.”

Earlier this year, my old work, Studio Lambert North, sent me to London to drop off a drive. I wanted to see a show, but it was a Tuesday, a day with very few matinees. One of the few options was The Ocean at the End of the Lane, which was set to close the following week. I was not in the mood to watch a play so decided against it – then, to my delight, it was announced that the play was coming to Manchester!

So, come along to the canal at the end of the Lowry for a magical escape.

 

The Ocean at the End of the Lane runs at The Lowry (Lyric Theatre) from December 12 2022 to January 8 2023 and tours the UK until the end of September.

In conversation with Sacha Lord

Trigger warning: this article contains references to spiking.

I first became aware of who Sacha Lord was over Twitter. My curiosity was struck when I noticed he would tweet out updates of high-potency MDMA pills, with pictures attached. A further dive into his social media evidenced that he’s not afraid to call out outdated approaches and encourage common sense practices not only to drug policy but across the board.

Sacha Lord is the Night-time Economy Adviser for Greater Manchester and the co-founder of Parklife Festival and The Warehouse Project, also sometimes referred to as the Night Czar, or even Night Mayor. Although these are nicknames Sacha himself isn’t fond of as he jokes, “I am a nightmare to some people but [Night Mayor] just didn’t flow”.

Immediately, Sacha is a laugh, telling us about a recent interview at Freight Island where he had to read out troll tweets he’d been sent. As a first interview of mine, I was relaxed by how very conversational Sacha was from the get-go.

Having started off at the infamous Haçienda, next year Sacha will have been promoting events in Manchester for 30 years. He spoke of how he has “done everything that I see other people do now, whether it’s handing out flyers or putting up posters or running nights… I’ve gone through that and have the experience to help people.”

Sacha largely attributes his current advisor role to Andy Burnham, Mayor of Greater Manchester. Sacha asserts that, “I’ve seen so many things that have been done wrong throughout the years” in the city’s nightlife. It was thanks to this lived experience that, in 2018, the Mayor was keen to work together and created this advisory role for the combined authority.

Expanding on what has needed to improve over the years in terms of the city’s nightlife, Sacha explained, “[that’s] why we’re having a discussion regarding Reclaim the Night.”

Spiking and Reclaim the Night

We began the discussion with a focus on last October’s nationwide club boycotts. Sacha attributed to mainstream media attention on the conversation largely to, “girls and women of Manchester University… on a Wednesday boycotting nightclubs.”

Sacha detailed that for the first time in his lifetime, last year “the conversation was finally put at the top of the agenda”. With BBC, Sky and ITV covering these protests against spiking, including a march led by students and Exec Officers here in Manchester, Sacha explained how he was relieved to see the long overdue coverage that’s so vital to increasing awareness.

He expressed admiration for the movement: “For many years people have spoken about [spiking], typed about it, posted about it, but your generation did something about it”. Hence, why he states “it’s so key next week that those same people take to the streets” at Reclaim the Night on November 30.

Sacha seemed conscious of how it might seem “patronising” for him “as a 50-year-old male” to speak on these topics relating to gender-based violence and emphasised the importance of men such as himself calling out their peers. He has generously offered to donate £10k financial contribution to the Students’ Union’s Reclaim the Night campaign.

Although he admits he isn’t personally aware of which charities the campaign is supporting this year, he explains that he is in a position to make a financial contribution but feels he is in no position to dictate where our execs decide to donate the money.

This donation will be directed towards Manchester Rape Crisis and Galop.

I then asked Sacha about what his work does to tackle to main campaign aim of this year’s Reclaim, which is encouraging a ‘Speak Up’ culture. He explained why he thinks Manchester is taking a slightly different approach to other cities. He and Burnham were keen to use drink spiking caps as a temporary measure but wanted to engage in more active long-term work to call out men and boys.

Sacha detailed a video, released by the combined authority 11 months ago, called (hashtag)IsThisOk? With 12 million views, the video shows women being catcalled, touched, and harassed whilst going about their day in typical settings. Sacha described how this campaign video, “shone a light on these big issues.” Whether it’s a park, a bus stop or a nightclub, Sacha asserted that men and boys need to take more accountability for their complicity and acknowledge “we are the issue”

Other cities have followed suit, with the London Mayor launching a similar Have A Word campaign video.

Sacha says he does feel like the support in place for those to speak up has shifted slightly, but “it’s certainly nowhere near where it needs to be”.

Circling back to the height of spiking coverage last November, a common feeling amongst students is that this moment in the spotlight was something of a trend. I ask Sacha if he feels this moment of virality has caused the conversation to lose momentum since.

“Look we all know how media works and it sometimes feels like they’re jumping from hot topic to hot topic. Yes, I think at the time it was all over the media and I think in other cities conversation has moved on.” However, Sacha believes that Manchester, Bristol, and Nottingham are still keeping up the momentum.

The Warehouse Project was, in fact, the first nightclub in the UK to work with paramedics and buy spiking test kits. Sacha explains how he saw this as a common sense approach, given the kits only cost £2 each. 28 tests were used out of roughly 140,000 people last Warehouse season, so stocking a small amount in each business is certainly the way forward.

“If you own a venue that has a capacity of 300/400 people, and you’re not going to spend £20-40 on some kits annually, you don’t deserve a license. You really don’t.”

Sacha detailed that at the end of this year 1/3 of nightclubs will have shut down compared to before the pandemic. He was certain, “your generation are going to start voting with your feet to those places that feel safer.”

In terms of Sacha’s other work to ensure safety on a night out, he’s started introducing Safety Havens. This measure had begun pre-Covid in Wigan, not specific to spiking but rather a general safe space, but certainly helps all round. He detailed these measures consist of a St John’s Ambulance presence on the high streets. People who go out are able to charge their phone, grab a cup of tea if they’re anxious, hang out while they look for lost friends, or have a safe space after instances of spiking.

Sacha explained that these are being “dotted across Manchester, and are something we’re going to start to roll out again.” Particularly given there are fewer police and NHS staff, a safer high street throughout the city presence could keep the conversation going.

I also asked about the Anti-Spiking Partnership with Andy Burnham, which consisted of our Union Officers and students also. Sacha talked about how, “ten years ago there was a real king of us and them… you had the authorities one side and the students and people going out on the other.”

He explained how he’s happy to see more of a partnership going on, asking me personally if I feel there’s more of a partnership between these two forces now, which I largely do. While Sacha does not attend meetings of the Anti-Spiking Partnership anymore, he believes these meetings still go ahead with students and Execs.

I then asked about what measures are in place for students to get home safely from town, particularly given how crucial students are to keeping the industry functioning as workers. Sacha is working closely with UNITE on this, as he accepted “one of our biggest Achilles heels in Greater Manchester is we don’t have great transport at night time.” However, he does hope this will change in 2024.

It’s for this reason that Sacha thinks, “as an operator… you have to be responsible for getting the staff home”. Detailing further how venues must at least let staff wait for taxis inside as a bare minimum.

 

Cost-of-living

I asked Sacha if he feels students will be priced out of the nightlife scene. Given our own SU survey of 5000 students indicated that 63% of the student body are anxious about affording socialising during the cost of living crisis.

“I’m not going to sugar coat it, everybody is going to feel the pinch.”

Sacha detailed how with rising costs young people are more inclined to wait for big tickets like big weekends and festivals. “I think students are holding back now rather than going out every night, they’re waiting for big moments,” acknowledging he’s lucky that Warehouse is so often the event people will save and wait for.

After joking with me that he knew the Glastonbury line-up, he explained they’re going to take another look at food prices onsite at Parklife this year. Although these prices are out of organisers’ hands, typically, his team are going to look at introducing caps. Sacha was aware that students can often feel as though “11 quid of a pizza is an absolute rip-off” on top of already pricy tickets.

 

Harm reduction

The Warehouse Project and Parklife have worked with Mandrake Lab and the Loop respectively. Both provide large-scale drug testing services and a harm reduction presence at the events. Sacha himself has even tweeted out photos of high-potency MDMA pills in circulation.

“Any operator who has a night-time venue. If they sit in this chair and say to you, we never have drugs in this venue. Well, they’re either stupid or they’re lying.”

Sacha’s philosophy is that you’re never going to stop drugs from getting into your event. He explained that, particularly given Parklife and Warehouse are held in a field and a disused railway station, “if they can’t stop drugs getting into a category-A prison like Strangeways, how are we supposed to stop it. The simple answer is you can’t.”

You need to direct people to the safest way to do it, Sacha says he’s lucky, “in this city the police understand the philosophy”. If something is deemed dangerous by Mandrake, Sacha gets a WhatsApp notification which he then sometimes tweets out. He asserts, “I’m not scared of saying there’s a pink tablet that looks like Donald Trump with extremely high levels”. It might reach a million people across the UK, hence people need to “stop hiding behind talking about it. It’s backwards!”

 

 

Politics and the Labour Party

Upon asking about if a bid for mayor is pending, a straight no came from Sacha. The question is actually starting to annoy him. He insists, “Andy Burnham’s the best mayor we could possibly have”.

I then asked Sacha about his recent commitment to the Labour Party, as a member. He acknowledged that, “it would’ve been better for me to stay sat on the fence… but I had to wear my heart on my sleeve”.

“I had to support the Labour Party. I honestly believe, at this moment in time, the Labour Party are the future of the UK.”

He went on to say he’s sick and embarrassed by what’s happened in this country over the years, calling it “a global embarrassment”. You may not agree with everything Labour’s ever said but certainly, “for the night time economy, they are absolutely the right party to take us through this”. Attributing this stance to conversations he’s been having behind the scenes with politicians.

“Because I’m in this position, I owe it to give back to the city. We’re supposed to be a 24-hour party city, I don’t think we are. But I think I can certainly try to make it happen.”

Sacha, unfortunately, wouldn’t tease the Parklife lineup at the end of the interview, a bit of a cheeky ask from me. He will be joining students for the Reclaim the Night march on November 30.

How to claim the University of Manchester’s cost-of-living payment

The University of Manchester recently announced they would be providing cost-of-living support payments to students by December 16.

All full-time students fully registered on an undergraduate, postgraduate taught, or postgraduate programme can claim £170.

In order to claim the payment, students need a UK bank account, a UK mobile number, access to their student email account and complete registration for this academic year before December 1. 

The University  has encouraged those without UK bank accounts to quickly set up an account with an online-only bank such as “Monzo, Starling, Monese, or Revolut”.

Monzo and Starling require proof of address in the UK whereas Monese and Revolut do not. If a student does not have a UK bank account they cannot receive the one-off cost-of-living payment. 

Students also need to make sure their UK mobile phone number is up to date on the student system by December 4.

It must be in the international format with the country code +44 preceding the mobile phone number.

For example, “447911123456” is correct, but “07911123456” is not. Students who do not have a UK mobile phone number can fill out this form.

Students also have to be fully registered to receive the payment. If registration has not been completed it can be completed here by the end of November. 

Furthermore, access to University email accounts is crucial as the University of Manchester has sent all of the cost-of-living Payment information to these accounts.

When the payment is available to claim, student email addresses will receive an email from [email protected].

This email will contain an individual link where students will have to enter their student ID number and a verification number sent to their UK phone number.

Emails will be sent in batches to reduce demand on the student system which means that some students may receive it before others.

If students do not receive an email from the NatWest Payit email address, they have been encouraged to wait until December 16 and if an email is still not received then they can complete this online form

If the deadline is missed then students can apply to the Cost of Living Support Fund saying that the cost-of-living payment was not received. 

If students need further financial support they can apply for more support via the same Cost of Living Support Fund, regardless of social background, nationality, or level of study. 

University Watch November: What’s going on around the UK?

University of Stirling SU goes vegan

The University of Stirling’s Students’ Union has voted to provide only vegan food by 2025.

In an attempt to tackle the climate crisis, the Union will transition to 50% plant-based food by September 2023, and fully by 2025, making it the first UK Students’ Union to do so.

The move has been praised by activists such as George Monbiot. However, the move could be overturned in a future meeting as only 127 members attended the vote at the Union.

Durham University announces new Chancellor 

Dr Fiona Hill will be the fifth Chancellor of Durham University.

Dr Hill grew up in County Durham, and has spent a large part of her career serving as a presidential advisor.

She served in a range of positions under three consecutive administrations: Bush, Obama, and Trump.

Dr Hill stated that she was “very much looking forward to becoming more involved in University life”, and in the place, where her family have “deep roots”, and where she spent her “formative years”.

Northumbria University awarded UK University of the Year 2022 at Times Higher Education Awards

The Times Higher Education Awards have named Northumbria University the University of the Year for 2022.

The University moved up 27 places to 23rd in the UK, a rise from 80th in 2008.

The University was praised for its ambition, “rigour and effectiveness” in achieving this ambition. In particular, it was singled out for its active involvement with the city of Newcastle and the surrounding region.

Professor Andy Long, vice-chancellor of the University, said that “to go on and win [the award] is a true milestone in the University’s history”, citing “the dedication of everyone at the University”.

Series of ‘teach-outs’ kick off first two days of UCU strikes

During the first two days of UCU strikes over workload, pay, and pensions, a series of “teach-outs” were held in the SU.

The teach-outs were put on in the Hive. The Students’ Union collaborated with lecturers to offer opportunities for learning and discussion on strike days, and ranged from informal conversations to lecture-like talks.

Thursday’s sessions focused on issues spanning from the need for industrial action to the breaches of human rights in Iran. The first teach-out, “Why we strike”, was led by Morgan Powell.

Only a small number attended, but the teach out saw discussions surrounding the successes of the trade union movement and its shortcomings in relation to race and gender.

Attendance began to pick up in the afternoon however, for the “Iran: Day of Discussion” session led by the Women, Life, Freedom Society and the sessions on inequality in education delivered by the UMUCU and The Forum with the Manchester Labour Society.

Manchester Free University held another teach-out on Friday on “Utopian Future”, to discuss alternative political models to capitalism.

Despite limited numbers at teach outs, the turnout for Friday’s protest as well as on the pickets was very encouraging for Manchester’s UCU branches.

The march began at 11:30am outside the Quad on UOM’s campus, continuing along Oxford Road and bringing traffic heading into the city centre to a halt.

At St Peter’s Square, a number of speakers, including UCU and CWU reps, students and local MP for Salford and Eccles, Rebecca Long-Bailey, addressed an enthusiastic crowd.

With significant student support and solidarity from up and down the country, Manchester’s UCU branches geared up for another day of industrial action on Wednesday, where pickets were held in addition to a large march in London.

The beauty behind Call Me By Your Name

After its initial release in 2007, André Aciman’s Call Me By Your Name made little impact in the 00s cultural sphere. Yet, in the years following, the book has become a modern classic in both the literature and LGBTQ+ community.

From its cinematic release starring Armie Hammer and Timothée Chalamet (and a peach), to inspiring Lil Nas X’s ‘MONTERO (Call Me By Your Name)’, the novel has firmly secured its position in 21st-century culture. But, in the whirlwind since CMBYN’s release, the beauty of the book itself easily gets lost, along with its quiet personable significance to each reader.

This month, Aciman has brought the novel’s attention away from the silver screen limelight and back towards its pages. Releasing a new cover, CMBYN has bid farewell to its blue summer hues, opting for a vintage Italian cover.

I’d read the novel after embarking on my lockdown Chalamet phase, watching every film the actor has been in. I was drawn to the dragged-out romance, particularly Aciman’s intricate weaving of classical music, literature, and philosophy, adding to the novel’s daydream likeness. It’s fair to say director Luca Guadagninio brought Aciman’s intense and intricate writings to life, with every rewatch being as encapsulating and refreshing as every re-read.

That’s what’s so unusual about CMBYN, it can be consumed over and over and over again endlessly. Every time I read it, it felt like a new book, questioning if the same passages had been there before. Every sentence was complex and thought out, at times stretching for half a page before reaching a full stop. The emotions behind the lines were themselves complex and up for subjective interpretation each time they are read.

I think that’s why I, like most frequent readers of CMBYN, found solace in the novel: It sold a dream rooted in reality. The drawn-out and painstaking emotions felt by Elio are both distant and familiar to readers, depending on their interpretation. Yet, it wasn’t until I began my American cultural exchange that I realised the silent significance CMBYN had, or how accurate it was in portraying the reality of summer flings.

Wrapping up my final exam and a tumultuous few months of heartbreak, I left dreary Manchester for the heart of Maine. For eight weeks, I was to be a camp counsellor, living and working with the same people every day. Camp culture is huge in the States, fuelled by sunshine, secrets, and summer bliss – resembling the summer bliss of Crema.

Photo @ timmy.reads [Instagram]
We had met on the first day, and I didn’t think much of it. Eventually, I couldn’t think of anything else. I don’t know when it changed from a friendly interest to secretly wanting something more, all I knew is that I’d keep it that way – a secret. Until it wasn’t.

She knocked on my cabin door one night, desperately demanding to speak to me. I looked at her blankly, mid-conversation with a camper, sending her away. By midnight, we met quietly, keeping our voices low and anticipation at bay.

“Sooo, what do you think this is about?” Frankie would say, over and over again. I knew, but I wasn’t going to say, not willing to risk embarrassing myself by being in the wrong. Over what felt like a lifetime of dropping hints that I did know, she finally blurted it out: “I like you.”

So, then it began. A foreign European in America for the summer. Days off escaping to whatever paradise we could find. A dragged-out build-up from both the confession to the first kiss. Hopping over law firm fences, a keg of flowers; drives home lit by the evening glow through rural Maine. Secret notes in letter boxes, or hidden by beds. Midnight meets in treehouses or by the lake. Those were how I spent my days for eight weeks, searching for intermissions to spend with Frankie. It was all-consuming, living in blind secret as merely ‘best friends’.

It made it feel okay, being in an alien environment in a job that had no breaks. We laughed at our similarities and the games we blatantly played. Wearing makeup, eating together, the hints we’d drop to each other to say that we liked each other without having to utter the words. The game of will they won’t they.

Like the novel, both of us knew it would end and when.

The reality of flings, allowing ourselves to fall in love without being in love, for admitting that you were in love only adds to the pain. Love is addictive and destructive; I was walking a fine line with Frankie.

I found solitude in the simple circumstances of Elio and Oliver’s relationship, knowing mine too would end in the same way. It was a summer love, which brought both comfort and an impending end. For the first time, I wasn’t caught out or left behind. Instead, there was a risk of it being the other way around.

Breakups are akin to grief. That person you once knew no longer exists. What remains are merely memories tainted by either distorted warmth or despair. Grief is cruel and creeps up, with nature finding the weakest moments to wreak silent havoc.

I knew that was to come, but for Frankie, this was a blind game that was yet to be played. I didn’t want her to be caught off guard. I didn’t want there to be regrets or tainted memories. I didn’t want her to be stung like I had been so many times before. So, reminiscent of Oliver’s stolen postcard, I wrote to her my favourite passage: Mr Pearlman’s monologue.

Photo: Erin Botten @ The Mancunion

It’s been nearly four months since I’ve seen Frankie. We still text now and then, but it isn’t the same; I know it never will be. I know there’s a chance I won’t see her again.

That’s the beauty of CMBYN, it doesn’t sell you a fantasy. Instead, it sells the pains of reality and authenticity. Aciman could have easily wrapped up the novel when Elio and Oliver part ways, but instead he explores their grief in the aftermath and years down the line. Where there once was intensity is now careful reminiscence, tiptoeing around what was actually felt then and now. Will they won’t they?

Call Me By Your Name has continued to grow in prominence and has stood the test of time because of Aciman’s narrative of life, loss and emotion. It exposes love for what it is, and the unshakable memories that come with it. Ultimately, Call Me By Your Name is a novel that provides a quiet personable significance to each reader, and comfort in the wake of heartbreak.

Purchase the new edition of Call Me By Your Name or its sequel, Find Me, in-store or online at Waterstones.

Storyhouse is frozen

Following the success of the world premiere of The Time Traveller’s Wife, Storyhouse aims to wow audiences once again, this time with a Storyhouse Originals production.

The Snow Queen is based on the Hans Christian Anderson fairy tale of the same name (Danish: Snedronningen). Though one of the lesser-known stories in the fairy tale canon, it inspired one of the most famous fairy tale movies of all time: Disney’s Frozen.

This version, however, is closer to the original. As I recently explained in my reviews of Rodgers + Hammerstein’s Cinderella and Matthew Bourne’s Sleeping Beauty, straightforward adaptations of classic stories are kind of boring. However, beyond the title, few people are familiar with story of The Snow Queen, so this adaptation will be a bewitching introduction to the tantalising tale for many.

“Adventure to the mystical, frozen north in this unforgettable tale that celebrates the power of family and friendship. Join little Gerda on her epic journey through the seasons to save her best friend Cei from the icy clutches of The Snow Queen, meeting pouting princes and tap-dancing reindeers along the way!”

An hilarious and joyous adaptation of the classic children’s tale, this is sure to be a magical experience for the whole family – so wrap up warm and venture into the wild Northern city of Chester.

 

The Snow Queen runs at Storyhouse from December 10 to January 15.

Handling a Hangover (the Scandinavian way)

In September, I went to Copenhagen for a city break. As much as I enjoy poking fun at the classic ‘I found myself in Thailand’ gap year girlie, I did find myself in Copenhagen. As soon as I arrived back in Luton, I decided I wanted to be a Scandi girl. They just seem so organised, clean, fresh-faced, and strangely sprightly — essentially everything you are not when you are hungover.

As much as a Scandi girl autumn was pending, the classic university lifestyle of waking up weaker than a duckling before a 10am lecture didn’t go hand in hand. So, I compromised between playing my hangover safely like a Brit and stimulating myself like a Scandi girl.

Playing it safe

One of the first things I do when I grapple with emerging from bed land (bedlam?) is chug lemon water. The lemons are only added if I feel like treating myself, but lemon water has proven health benefits, such as promoting hydration and digestion. Everyone knows you need as much water as possible after a heavy night (don’t bother if you’ve gone to Cargo).

If you are drinking water, you may as well eat too. A breakfast dryer than the Sahara desert — toast, a buttered bagel, or cereal — is guaranteed to stay in your stomach and help you feel better. Food helps to increase your blood sugar levels, which significantly drop when you consume alcohol, so anything ranging from one piece of toast to a full English breakfast is essential to beating a hangover.

One thing I hate about hangovers is feeling hungover. Knowing that I can feel Allen’s peri-salted chips in my stomach or the cheapest white wine on my teeth is horrendous. Surprisingly, many people don’t brush their teeth after a night out and proceed to collapse in bed. My only response is to grab your toothbrush and get to grips with oral hygiene.

The final piece of advice to playing it safe is to admit to yourself that you’re hungover but lie into an un-indulgent time, say, 11am. You still have time to seize the day, but your body feels rested.

Stimulating yourself

One of the best things for me is to go for a walk. Just face the fresh morning air (and the public) and get some steps in. It is great for your body and brain and feels like you are cheating your hangover. Everyone always seems amazed when they spot me in the kitchen with a coat and shoes on while they are in a dressing gown with their feet raw-dogging the kitchen floor. AirPods in, cue SZA and The 1975, and get moving (or stumbling).

Although it feels like you will faint in the shower, a shower is key to stopping a hangover. In fact, the ‘breakfast-walk-shower-skincare’ pipeline makes it feel like you didn’t even go out last night. Grab that shower gel and give yourself a vigorous scrub before slathering skincare all over your face. You will feel a million times better for it — clean, fresh, and awake. Sooo Scandi.

This next one is the epitome of a Scandi girl: Fill a bowl with cold water, add some ice cubes, and submerge your face. This technique helps with literally anything — it relieves puffy eyes, gets the blood pumping around your face, and gives your face a glowy and natural look. Pale and clammy skin? Be gone!

Eating ginger biscuits in the morning seems random, but it does the trick. Ginger is known for its medicinal qualities; it reduces nausea, makes you feel less shaky, regulates your body temperature, and soothes your digestive system, so everything stays down and in. Plus, a sweet treat in the morning? What a win.

Finally, the ‘hair of the dog’ method. Back in the 1920s, advertisements for Guinness claimed that it was good for you — and it apparently is. Drinking a Guinness the morning after effectively reduces hangover symptoms, as Guinness is filled with all but one of the B nutrients and irons (who knew?). Guinness restores whatever your body lacks, but drinking during a hangover feels theoretically wrong. You decide where you stand on this.

A hangover is like a game of Russian roulette: you don’t know what you will get. Sometimes after a night at 42s, you feel nothing the next morning except a loss of dignity. Yet other times, after a night at XLR, you feel like the grimiest bin rat ever. But hopefully, these suggestions will help you cheat your next hangover while feeling like a Scandi girl.

Sail into Manchester Opera House this Christmas

It’s panto season! Manchester Opera House’s annual pantomime always puts the others to shame. Following the success of last year’s Aladdin, which starred singing sensation Alexandra Burke as the Spirit of the Ring, the Opera House is back with The Pantomime Adventures of Peter Pan, starring comedy legend Jason Manford as Captain Hook!

Manford, like Burke, is no stranger to theatre, having played the lead in Curtains at the Opera House’s sister theatre, the Palace, a few years back.

Comedian Ben Nickless – a staple of Manchester Opera House pantos, year after year – plays Hook’s sidekick, Smee. He often stole the show in Aladdin.

The goodies, meanwhile, are played by musical theatre stars Jessica Croll (Wendy), Samara Casteallo (Tinkerbell), and Ross Carpenter (Peter Pan).

With amazing special effects, stunning sets, beautiful costumes and barrel-loads of laughter, this panto will take you on a swash-buckling trip to Neverland like never before!

 

The Pantomime Adventures of Peter Pan plays at Manchester Opera House from December 10 to 31.

Interestingly, Regent’s Theatre, Stoke on Trent – a fellow ATG Theatre – appears to be hosting the same pantomime this year, minus Manford…