Adrian Kanyoli argues that the time is right for him to suspend his hatred of white-saviour films like Green Book and Hidden Figures following the former’s recent Best Picture win

This year at the BAFTAS is about whether Netflix is going to win its battle with movie theatres, writes contributor Adrian Kanyoli

Adrian Kanyoli reviews Adam McKay’s latest satirical biopic Vice

Despite some strong performances, the film is let down by poor writing and an unoriginal idea

The film provides impressive character development, writing, and score, writes Adrian Kanyoli

Adrian Kanyoli reviews the second installment of the boxing-based white knuckle ride franchise that is Creed II

Adrian Kanyoli gives his take on the final season of the hit TV series and explores its significance in this post-Weinstein world

Adrian Kanyoli reviews Bohemian Rhapsody, a biopic on the musical phenomena that is the band Queen.

Night School is a dissapointing watch with Kevin Hart’s distinct brand of humour.

Adrian Kanyoli lends his praise to Damien Chazelle’s latest feature-length but asks if it deviates too much from the norm for mainstream appeal.

While it’s possible to review Maniac without revealing too much, commenting on any plot details frankly feels like it would detract from the viewing experience. So, I’ll be avoiding all spoilers and if you want to truly enjoy this series, watch it like I did, with no background information. From the acclaimed director of Beasts of No […]

BoJack Horseman season 5 still keeps the witty, original ideas, and maintains the marriage of sincerity with character development

The unmissable hit drama is among the BBC’s recent wave of sublime television-making and features top-rate acting that will keep us gripped to our screens

Let down by its source material, Lyn Greene’s adaptation of Joël Dicker novel La Vérité sur l’Affaire Harry Quebert also fails to inspire, writes Adrian Kanyoli