Why Green Book’s Best Picture win is a good thing
Adrian Kanyoli argues that the time is right for him to suspend his hatred of white-saviour films like Green Book and Hidden Figures following the former’s recent Best Picture win

If you know me, it’s clear I’m not a fan of white-saviour films. I believe they’re condescending to people of colour, and use historical inaccuracies to perpetuate racial stereotypes. Frankly, I think this plot formula should be most offensive to white viewers, since it depicts them as complacent participants in a racist system who later gain a Messiah complex after meeting one extraordinary person of colour.
Most people of colour aren’t extraordinary. We can’t all play piano like Don Shirley, score like Mo Salah, or joke like Eddie Murphy. Going off the definition of the word ‘most’, most people of colour are average. And to truly cure the world of racism, white allies need to realise all people of colour need support, not just the special ones — look up black mediocrity when you have a second.
I am writing this in a positive light because we need you, white saviours. The politics of the far-right are only effective so long as the white majority supports them. The Windrush crisis only became a scandal because white people were outraged and phoned LBC. If there hadn’t been that outrage, if it was just Majid Nawaaz and David Lammy shouting into the wind without a response, Amber Rudd would still be Home Secretary.
As one of the few Black students on my course, I’m painfully aware that my equality and few unique privileges hinge on the tolerance of white liberals. In a day and age where we’re all taking necessary steps to add some colour and diversity to dusty white institutions dominated by straight, cis-gendered men, minority groups tend to forget that, outside our circle of allies, we’re outnumbered. The rise of the far-right shows this.
Now, by giving credit to our allies, I’m not undermining the steps taken by civil rights groups but it would be disingenuous to pretend that minorities succeeded on their own. While the courage of heroes like Dr. Martin Luther King and Marsha P. Johnson led the way, victory was achieved in the hearts and minds of their white allies.
The reason posting videos of racist attacks and police brutality is so effective is because white allies will see them, become just as outraged as we are, and demand consequences. They get to be our saviours. And that’s why white-saviour films like Green Book and Hidden Figures, are so popular today. There’s an appetite in the US and the UK to right the wrongs of the recent far-right surge.
That is why I’m temporarily suspending my hatred for white-saviour films, because we are at a crisis point. With the upcoming Presidential election and a possible second Brexit referendum in sight, we need white saviours more than ever to be active, use their numbers to take the reigns, and decide whether they want a future where British people of Caribbean descent continue to be deported or not.
So, if the majority believe a film about a racist white man befriending a gay Black man is the best picture of the year, I see that as a good sign for times to come.
More Coverage
An intro to the Manchester film scene
If you’re interested in film or a student looking for the cheapest place to see the latest blockbuster, Film Editor Sophie Potton has you covered
The Last House review: Netflix’s briny flashback to 2020 is five years too late
Sea beasts and silly attempts at a high concept leave The Last House feeling like a messy, overdue dud that misunderstands its own strength
Tony (2026) review: Kitchen chaos, teen angst, and the Cape Cod sea breeze in A24’s heartfelt Anthony Bourdain biopic
“If you’re fond of sand dunes and salty air / Quaint little villages here and there […] If you like the taste of a lobster stew / Served by a window with an ocean view / You’re sure to fall in love with old Cape Cod” – Patti Page, ‘Old Cape Cod’
The End of Oak Street review: A rip-roaring summer throwback
David Robert Mitchell’s The End of Oak Street leaves a bright footprint on the decaying island of dinosaur flicks.







