The box office bomb of Oliver Hirshbiegel’s royalist-bait Diana biopic to compliment it’s critical mauling shows the rare commercial failure of a genre littered with banal Oscar begging (The King’s Speech) and vapidly toothless portrayals of their muses (Notorious and The Iron Lady, which manage to transform The Notorious B.I.G into Mother Teresa and Margaret Thatcher into […]

Anna Sopel reflects on one of the worlds most important fashion icons.

Ally discusses why film should turn from fact to fiction

The failures of Diana prove that trying to simply profit from a national tragedy, blindly retelling well known history, is lazy and in this case borders on emotional manipulation.

Whilst not quite awards season, we can certainly hear the engines starting as a greater proportion of independent and heavier films see release. Here is a slice of what you can see over the next couple of weeks.