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‘Solidarity with Palestine’ Students’ Union motion face…
Students’ Union holds Union Assembly to debate &#…
MMU students set to pay £1,716 LESS a year than UoM stu…
Features
“There aren’t many outlets for undergrad wo…
Sign Language Week: Celebrating community and culture i…
How to shop sustainably: In conversation with Beg, Stea…
Opinion
Football and Capitalism: Is the trajectory of football…
Reclaiming what was stolen: The revival of Gaeilge
The return of Labour’s hostile environment
Science & Tech
The science behind procrastination
Could oyster blood be the key to eternal life?
Laptops: A misleading term that could be harming your h…
Investigations
University sees rise in reports of antisemitism during…
UoM Israel debate was organised by controversial pro-Is…
Reducing Welcome Week waste: Paperless freshers’…
Sport
Varsity Swimming 2025: MMU glides into victory
Football and Capitalism: Is the trajectory of football…
The Halcyon Age: Big wins and humbling losses for the U…
Politics
Green Parties in Europe: A close-knit group or a broad…
The countdown to conflict: What’s next for Taiwan…
Reform UK: A new force in Welsh politics
Students occupy the Simon Building on University of Manchester campus
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Lifestyle
Lifestyle
Year Abroad Diaries #5: Final year dread
How to get good at running (and enjoy it!)
Life as a humanities student. Why does my university experience seem so differe…
Food & Drink
A Review of Stockport’s First Vegan Food Festival
Electric Shuffle’s £12 lunch deal is well worth the money
Enjoy fresh fruit and veg at the SU eats farmer’s market for just £3
The art of solo dating
The best British comedy podcasts right now
Hangxiety: We’ve all been there
Fashion & Beauty
From Fallowfield to the front row: My first London Fashion Week experience
Is faux fur the solution? or is it causing more problems?
A revival of British fashion at LFW: Hector Maclean’s Bastard Aristocrat…
Year Abroad Diaries #5: Final year dread
11th April 2025
With the year abroad drawing to a close, it is hard not to feel apprehensive about returning to Manchester
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Culture
Music
Raise a glass (and some hell!): Lambrini Girls tear up…
Competition Is For Losers, yet Rizzle Kicks stay winning
An interview with Divorce: Felix Mackenzie-Barrow on dr…
Books
Ali Smith’s Gliff: Language, surveillance, and a…
Unlocking Creativity with EAC soc
Dissecting Manctopia: An ode to the voices of Manchester
Arts
Where women are in revolt…the three minute scream…
Review: Turner: In Light and Shade
Experiencing Valentine’s Day in Manchester throug…
Theatre
UMDS Cliffs: An enjoyably sentimental MIFTA weaved from…
New Leeds review: A compelling call for community in ou…
“Love mix’d with fear is sweetest”: U…
Competition Is For Losers, yet Rizzle Kicks stay winning
14th April 2025
Hip-hop duo Rizzle Kicks make their long-awaited return to Manchester's O2 Ritz
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On Screen
Film
CULTPLEX’s screening of A Field in England + Q&am…
Bridget Jones: Mad About the Boy review: Bridget is bac…
A conversation: Debating our picks for the 2025 Oscars
TV
Adolescence: A haunting exploration of modern boyhood
Saturday Night Live at 50: Nostalgia, new comedy, and t…
Remembering David Lynch
Games
Bubble Ghost Remake review: An inventive update on a fo…
Nubby’s Number Factory review: A chaotic, addicti…
“Behold! A Paleblood sky!”: A Bloodborne re…
Adolescence: A haunting exploration of modern boyhood
2nd April 2025
Adolescence is a gripping series that delves into the dark realities of modern boyhood, online radicalization, and the consequences of unchecked toxic masculinity
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Felicity Jones
Felicity Jones Articles
The Brutalist review: Succeeds in its ambition – mostly
Film
,
On Screen
Oscar contender The Brutalist is a gigantic film that almost entirely resists buckling under it’s own weight
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Review: A Monster Calls
Film
James Gill’s thoughts on the adaptation of Patrick Ness’s highly acclaimed novel
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Review — Rogue One: A Star Wars Story
Film
Rogue One is a beautiful love letter to the Star Wars mythology
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Cornerhouse Pick of the Week: The Invisible Woman
Film
George Bellamy reviews Ralph Fiennes’ second directing venture
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Preview: The Invisible Woman
Film
Film Editor Sophie James previews Ralph Fiennes’ next directing venture
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