Izzy Sharp finds aspects of Tom Beard’s Two For Joy compelling and heartfelt, yet ultimately unable to strike home with its depiction of the tensions within a modern British family
Tetsuo: The Iron Man is a radical film that is profoundly shocking in both style and content, fostering a powerful sense of unease in the viewer. Almost 30 years after its release, it still has the capacity to disturb, writes Ashwin Tharoor