Brian Corso’s directorial debut Public Figure is a visually stylish and extremely nuanced look at the public’s growing obsession with social media

Writer Josh Sandy had the opportunity to discuss HOME’s current year-long ‘Celebrating Women in Global Cinema’ programme, which is co-curated with Andy Willis.

Alien has thrilled audiences for 40 years and is a testament to challenging the status quo and achieving brilliance even with limited resources.

Josh Sandy explores the turbulent history and content of one of Fleetwood Mac’s most celebrated release, Rumours

Josh Sandy highlights Sports Team as a rising band to keep your eye on as they may just have missed the accumulating ‘indie-landfill’

The anthology is returning, argues Josh Sandy, and thankfully not in the form of a GCSE booklet

Josh Sandy discusses the successful sophomore release from singer-songwriter Nina Nesbitt, five years after her original debut hit the charts

The recent true crime obsession has brought with it significant controversy surrounding the balance between respect for a crime’s victims and their families and film-makers’ rights to tell these stories

Netflix’s recent documentary on FYRE: The Greatest Party That Never Happened, directed by Chris Smith, sheds light on this disaster.

Contributor Josh Sandy revisits one of Manchester’s greatest rock and roll stars Oasis as 25 years ago, they released their iconic debut Definitely Maybe

But the real question is: is Die Hard a Christmas film?

Assassination Nation is incredibly visually stylish and a clever film which features some of the finest cinematography of 2018.

Ce Magnifique Gâteau! (or This Magnificent Cake!) was a real highlight of the Manchester Animation Fesitval