Derek Cianfrance’s new film offers a wide range of aesthetically-pleasing footage. Unfortunately, his character development is not as pleasing

An insightful and poignant look into the effect that the commericialistion of yage is having on the indigenous people of Putumayo, Colombia

Nosedive is a technically successful pilot episode for the new season of Black Mirror — but is it really all that original?

In a world devoid of original sitcom concepts, Donald Glover’s Atlanta provides a topical comedy with more heart and creativity than anything currently on TV

The concept of a spoken word song seems almost contradictory and yet these songs are arguably some of the most powerful and emotionally evocative recorded, writes Katie Shepherd.

Anticipation for the new sic-fi film Arrival — a possible oscar winner?

A chilling look into the future of warfare in the third season of Black Mirror

Alasdair Bayman outlines the best podcasts available to get your film-fix

Georgia Welch explores episode four of Charlie Brooker’s latest series of Black Mirror: San Junipero

The quirkiest film to come out of New Zealand soars to cult status as Waititi and Clement triumph once again

The season premiere sent shockwaves through The Walking Dead universe in what is by far the most astonishing episode of the series to date

Marvel-obsessive or merely a general amateur film buff, Doctor Strange’s lively plot will certainly get your heart racing

Black Mirror series three is exactly as expected: a clumsy and blundering criticism of the modern world

Ben Affleck’s latest venture shows promise yet ultimately falls flat

Andrea Arnold’s latest offering about a young girl who leaves home to travel with a free-spirited group of magazine sellers is a tense, yet perfect road movie

Stanley Kubrick’s classic reduces the horror of the Cold War into a dark but timeless comedy

Director Tom Ford’s second endeavour

The Greasy Strangler relies too heavily on contrived plot and crude imagery to succeed as a comedy

Kate Plays Christine explores the ethics of our fascination with tragedy and death

Not a fan of scary films? Here’s how to get in the Halloween spirit