The Royal Shakespeare Company is launching an interactive, online play using the latest in gaming technology, based on Shakespeare’s A Midsummer Night’s Dream

Anna Jin reviews UOM Shakespeare’s society’s adaptation of King Lear at the Students’ Union Theatre

Jasmine Bennett debates whether new Shakespearean epic The King is deserving of majesty

Sam Bronheim reviews the Royal Shakeaspeare Company’s adaptation of As You Like It

Anuli Changa reviews Wise Children on its touring visit to HOME, an adaptation of the Angela Carter novel by Emma Rice

A Shakespearian tale lacking in Shakespearian substance

Anuli Changa reviews Antic Disposition’s cathedral tour of ‘Henry V’

Anuli Changa talks to Nathan Hamilton about his role as the lead in Antic Disposition’s Cathedral Tour of Shakespeare’s Henry V

Anuli Changa reviews Jude Christian’s unique retelling of two famous Shakespeare plays

Immerse yourself in a cosy, acoustic show from the comfort of your own sofa with James Bay live at The Globe Theatre

Rosemary Russett reviews Queer Lady M at Waterside Plaza

Theatre Editor Jay Darcy reviews & Juliet, a jukebox musical reimagining Romeo & Juliet, ahead of its West End transfer

Kayleigh Crawford reviews the Royal Exchange Theatre’s adaptation of Macbeth, a new production that evaluates gender

Anuli Changa reviews one of Shakespeare’s most famous plays, Twelfth Night, performed by the University of Manchester Shakespeare Society

It was an “evening full of laughs, action and breath-taking tragedy”

Jess Johnstone reviews the National Theatre’s touring version of Macbeth

Lauren Ellis-Stretch reviews ‘Queen Margaret’ at The Royal Exchange Theatre and explores how Shakespeare is told through a modern, female narrative

Harry reminisces about performing in Festivus Collective’s ‘The Henriad’ at this year’s Edinburgh Fringe