Jasmine Bennett debates whether new Shakespearean epic The King is deserving of majesty
Sam Bronheim reviews the Royal Shakeaspeare Company’s adaptation of As You Like It
Anuli Changa reviews Wise Children on its touring visit to HOME, an adaptation of the Angela Carter novel by Emma Rice
A Shakespearian tale lacking in Shakespearian substance
Anuli Changa reviews Antic Disposition’s cathedral tour of ‘Henry V’
Anuli Changa talks to Nathan Hamilton about his role as the lead in Antic Disposition’s Cathedral Tour of Shakespeare’s Henry V
Anuli Changa reviews Jude Christian’s unique retelling of two famous Shakespeare plays
The Shakespeare Society bring The Tempest to Antwerp Mansion, reviewed by Anuli Changa
Love Labour’s Lost and Much Ado About Nothing have been paired sharing the same cast and set on different nights, after watching Love Labour’s Lost Jennifer Sterne argues that the impact of their pairing would be more effective if shown as a double-bill
Theatre Editor Jay Darcy reviews & Juliet, a jukebox musical reimagining Romeo & Juliet, ahead of its West End transfer
Kayleigh Crawford reviews the Royal Exchange Theatre’s adaptation of Macbeth, a new production that evaluates gender
Anuli Changa reviews one of Shakespeare’s most famous plays, Twelfth Night, performed by the University of Manchester Shakespeare Society
It was an “evening full of laughs, action and breath-taking tragedy”
Jess Johnstone reviews the National Theatre’s touring version of Macbeth
Lauren Ellis-Stretch reviews ‘Queen Margaret’ at The Royal Exchange Theatre and explores how Shakespeare is told through a modern, female narrative
Harry reminisces about performing in Festivus Collective’s ‘The Henriad’ at this year’s Edinburgh Fringe
Hilariously funny and another triumph for the Royal Shakespeare Company
In light of Shakespeare’s 400th birthday, this production of King Lear, with the lead role played by four-time Olivier nominee Michael Pennington, has been highly anticipated
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