The Shakespeare Society bring The Tempest to Antwerp Mansion, reviewed by Anuli Changa

Hilariously funny and another triumph for the Royal Shakespeare Company

Love Labour’s Lost and Much Ado About Nothing have been paired sharing the same cast and set on different nights, after watching Love Labour’s Lost Jennifer Sterne argues that the impact of their pairing would be more effective if shown as a double-bill

In light of Shakespeare’s 400th birthday, this production of King Lear, with the lead role played by four-time Olivier nominee Michael Pennington, has been highly anticipated

As one of Shakespeare’s most notoriously difficult roles to play, there have not been many versions of high renown, resulting in steep pressure and intense comparison for any new production, in this case with the recent National Theatre version directed by Sam Mendes. Nevertheless, this juggernaut reading, celebrating Talawa’s 30th anniversary as well as 400 […]

HOME’s new interpretation of the Shakespeare classic Macbeth casts a dystopian setting against the violent play

Frantic Assembly’s modern adaptation of Othello hits the nerve of the generation despite stereotypical gender portrayal, writes Camilla Lindner

It’s time to broaden our literary horizons; Morrissey’s autobiography is not a Penguin Classic!

Joesphine Lane reviews the RSCs production of Julius Caesar and talks to star Adjoa Andoh