Chloe Hatton spoke to Annabelle Devey and Jordan Vincent about why you should join the Comedy Society.
Actor and writer Nathaniel Hall talks to Issy Bolitho about his upcoming one-man play that is set to start an honest conversation about being HIV-positive.
Emily Tandy reviews Opera North’s production of Puccini’s ‘Tosca’ at The Lowry
What can you expect from the Pantomime Society? Chloe Hatton talks to its co-chairs to find out.
The cost of construction for the new arts centre will rise by almost £20m, taking the budget to a total of £130m
On the 27th October 2018, acclaimed poet and playwright Ntozake Shange died at the age of 70
As part of the Manchester Science Festival, ‘Sentinel’ is a performance of laser lighting, video, live vocals, and electro-synth music, creating a “multi-sensory journey through present and future effects of global warming.”
Scarlett Gorman reviews Rambert’s ‘Life is a Dream’ at The Lowry
Anuli Changa talks to Ben McFarland and Tom Sandham about the ‘Thinking Drinkers’ Pub Crawl’ ahead of its touring visit to The Lowry
Urussa Malik reviews The Manchester Collective’s ‘Pierrot Lunaire’
Sex, STDs, and Primark tops, Chloe Hatton reviews Annabelle Devey’s latest stand up.
Chloe Hatton reviews Fuse FM’s latest event, a CALM time, which was organised in collaboration with the Comedy Society in order to raise money for the Campaign Against Living Miserably
Evie Appleson reviews ‘One Hundred Different Words for Love’ at HOME as part of Orbit Festival 2018
Following the Women’s Theatre Society performance of ‘Uncovered: Monologues by Muslim Women’, Ellie Martin chats to Safiyya El Diwany
Rosa Uijtewaal takes us back to Victorian Manchester in an exploration of how theatre developed in the city
The internationally renowned performance company, Clod Ensemble, blur the boundaries of art and science, and explore the power of the placebo in their latest production
Encouraged to re-evaluate the proximity we all have with the struggles of refugees, Be//Longing breaks down the sense of detachment we feel from the refugee crisis through powerful performance