Baby Fever is an exciting new piece of theatre created by Contact Young Company and Theater DEGASTEN and presented by Contact and SICK! Festival

Sam Bronheim offers her personal top 5 reasons for why you should go to see the theatre

Theatre tickets are expensive, but Theatre Editor Jay Darcy explains how young people and students can take advantage of the schemes, offers and discounts in place

Jess Johnstone reviews Sarah Esdaile’s touring production of Mike Leigh’s 1977 classic suburban tragi-comedy Abigail’s Party

Ella Marsden reviews Sleepwalk Collective’s Kourtney Kardashian at HOME

Kayleigh Crawford reviews Sass Holmes’ A Place, as part of the University of Manchester Drama Soicety MIFTA season

Ellie Martin talks to Young Identity and the work they do for the creative spirit in Manchester

Chloe Hatton spoke to Annabelle Devey and Jordan Vincent about why you should join the Comedy Society.

Urussa Malik reviews The Manchester Collective’s ‘Pierrot Lunaire’

Actor and writer Nathaniel Hall talks to Issy Bolitho about his upcoming one-man play that is set to start an honest conversation about being HIV-positive.

Sex, STDs, and Primark tops, Chloe Hatton reviews Annabelle Devey’s latest stand up.

Emily Tandy reviews Opera North’s production of Puccini’s ‘Tosca’ at The Lowry

Chloe Hatton reviews Fuse FM’s latest event, a CALM time, which was organised in collaboration with the Comedy Society in order to raise money for the Campaign Against Living Miserably

What can you expect from the Pantomime Society? Chloe Hatton talks to its co-chairs to find out.

Evie Appleson reviews ‘One Hundred Different Words for Love’ at HOME as part of Orbit Festival 2018

The cost of construction for the new arts centre will rise by almost £20m, taking the budget to a total of £130m

Following the Women’s Theatre Society performance of ‘Uncovered: Monologues by Muslim Women’, Ellie Martin chats to Safiyya El Diwany

On the 27th October 2018, acclaimed poet and playwright Ntozake Shange died at the age of 70

Rosa Uijtewaal takes us back to Victorian Manchester in an exploration of how theatre developed in the city