Sam Bronheim reviews Matthew Bourne’s The Red Shoes at the Lowry, which stars Adam Cooper and Ashley Shaw
Anna Jin reviews Lady of Jazz at Hope Mill Theatre
Evie Appleson and Theatre Editor Jay Darcy interview BenDeLaCreme and Jinkx Monsoon, ahead of their show, All I Want for Christmas is Attention
Theatre Editor Jay Darcy reviews the jukebox musical On Your Feet!, which tells the story of Emilio and Gloria Estefan, at the Palace Theatre
Ella Broadbent reviews The Lovely Bones, the stage adaptation of the best-selling novel of the same name
Kayleigh Crawford reviews Awkward Conversations with Animals I’ve F*cked
Bayse Genc interviews Javaad Alipoor, the writer and co-creator of Rich Kids: A History of Shopping Malls in Tehran
Theatre Editor Jay Darcy reviews Curtains, a musical whodunnit, starring Jason Manford, Carley Stenson and Ore Oduba
Katie Hourigan reviews The Channel, an installation which is highlighting the stories of refugees
Anna Jin reviews Rambert – Triple Bill at the Lowry
Dolly Busby reviews PLAYLAND, the last play written by Athol Fugard under Apartheid
Dolly Busby reviews Gameshow’s Nuclear Future, the portrayal of family in a post-nuclear apocalyptic landscape
Sam Bronheim reviews Christopher Wheeldon’s Cinderella (English National Ballet)
Rosemary Russett reviews Reckless Sleepers’ Negative Space at the New Adelphi Theatre
Theatre Editor Jay Darcy reviews Rip it Up the 70s, starring Melody Thornton, Louis Smith CBE, Rachel Stevens, and Giovanni Spano
Anna Jin reviews Burnout at the King’s Arms
Anna Jin and Theatre Editor Jay Darcy review the first show of Kunst Kabaret’s third season at Albert’s Schloss, which was inspired by Prince’s Purple Rain
Rosemary Russett and Sophia Hadji-Michael review Baby Fever, which is part of this year’s SICK! Festival