Sam Bronheim reviews Matthew Bourne’s The Red Shoes at the Lowry, which stars Adam Cooper and Ashley Shaw

Anna Jin reviews Lady of Jazz at Hope Mill Theatre

Evie Appleson and Theatre Editor Jay Darcy interview BenDeLaCreme and Jinkx Monsoon, ahead of their show, All I Want for Christmas is Attention

Theatre Editor Jay Darcy reviews the jukebox musical On Your Feet!, which tells the story of Emilio and Gloria Estefan, at the Palace Theatre

Ella Broadbent reviews The Lovely Bones, the stage adaptation of the best-selling novel of the same name

Kayleigh Crawford reviews Awkward Conversations with Animals I’ve F*cked

Bayse Genc interviews Javaad Alipoor, the writer and co-creator of Rich Kids: A History of Shopping Malls in Tehran

Theatre Editor Jay Darcy reviews Curtains, a musical whodunnit, starring Jason Manford, Carley Stenson and Ore Oduba

Katie Hourigan reviews The Channel, an installation which is highlighting the stories of refugees

Anna Jin reviews Rambert – Triple Bill at the Lowry

Dolly Busby reviews PLAYLAND, the last play written by Athol Fugard under Apartheid

Dolly Busby reviews Gameshow’s Nuclear Future, the portrayal of family in a post-nuclear apocalyptic landscape

Sam Bronheim reviews Christopher Wheeldon’s Cinderella (English National Ballet)

Rosemary Russett reviews Reckless Sleepers’ Negative Space at the New Adelphi Theatre

Theatre Editor Jay Darcy reviews Rip it Up the 70s, starring Melody Thornton, Louis Smith CBE, Rachel Stevens, and Giovanni Spano

Anna Jin reviews Burnout at the King’s Arms

Anna Jin and Theatre Editor Jay Darcy review the first show of Kunst Kabaret’s third season at Albert’s Schloss, which was inspired by Prince’s Purple Rain

Rosemary Russett and Sophia Hadji-Michael review Baby Fever, which is part of this year’s SICK! Festival