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Month: October 2013

Travel: Gardens of Versailles

Waking up in the Gardens of Versailles on a misty summer morning should be a joy. But you’re not allowed to sleep in the Gardens of Versailles, so my night hadn’t been the most restful. Every time something heavy crunched among the trees my eyes would be wide open again. What if it was the gendarmes? What if it was wolves?

At 3am there had been a thunderstorm right above my tent. My GCSE physics was telling me what a bad idea it was to be the tallest thing around, pitched here by Louis XIV’s enormous ornamental boating lake, the Grand Canal.

It was a scenic spot though. The whole Gardens are, though ‘gardens’ is perhaps a technical term here, since the plants and landscaping do their very best to imitate plastic ornaments, as if organic shapes are somehow shameful. Gardeners wander round with ten-foot cookie-cutters, which they place around the privet and trim. Renaissance music is piped through hidden speakers and fountains carefully tinkle. Barely a leaf is out of place.

As a jewel of the Renaissance, and an expression of man’s complete control of the landscape, Versailles must have been magnificent and awe-inspiring (and the Palace itself still is). These days its geometry, order and muzak make it an overly gilt rival to Homebase.

Despite this, elements of wildness manage to creep in. If you pause by the gleaming statues, you realise these are scenes of sex, murder and betrayal hidden beneath – the vicarious Tarantino thrills of the Sun King’s court. A slippery rat lives by the café, children don’t know the rules and flustered staff blow their whistles.

At night the tourists and sparrows return to roost, the muzak fades when the fireworks stop, and the wild things are free to roam. The mosquitoes emerge from the standing pools in the relandscaped woods. The thunder, presumably too polite to speak during the day, lets off steam. Badgers (or wolves?) crunch amongst the trees.

At 6.30am I strike camp. I swim in the Grand Canal, still hot from the day before. This is an uncommon moment of peace in a place that teems with 6 million visitors a year.

Autumn beauty trend report: coloured eyeliner

We all have our classic look. Be it piling on loads of mascara or a flawless face of foundation, it’s your go-to for casual days without much effort. Then there are days where you put on a nice little cute number and wished you had extra time to jazz up your look! Fret not, because the coloured liner is here! They are understated and underrated, because a good coloured liner can indeed spice things up. This could be your first step to trying out a slightly dramatic colour that you’ve always secretly loved but never took the plunge. I personally like to use them on my waterline for a pop of colour, now let me present you my top colored liner picks.

Urban Decay does a fabulous glide on eye pencil in ridiculous amount of colours (40 to be exact) so I’m sure you can find a colour to suit your inner wild child. They are called 24/7 for a reason because these babies don’t budge. If you’re beginning to dabble into colours, Rimmel London, Bourjois and Kiko too do coloured liners, they might not have 50 shades of grey but great nonetheless. Not forgetting how often Superdrug/Boots have 3 for 2, you could easily get a variety of them to play around with, at minimal cost.

Using the Make up Forever Aqua Eyes in 23L and Urban Decay’s 24/7 in Empire, this first look is fun and flirty. The idea behind is so that the shimmery pink eyeliner highlights your inner tear duct whilst the purple accentuates the eye.

The second look is a bronze navy duo that came to life with Kiko’s Glamorous Eye Pencil in 407 and 401.

Lastly, I used Bourjois Contour Clubbing Waterproof eye pencil in Green that is a great funky statement without being OTT. Don’t forget to smudge and blend it out with a Q tip to avoid harsh lines.

Live: Roger Waters – The Wall

Phones4U Arena

Monday 16th September

9/10

Who’d have thought a blank brick wall could ever symbolise one of the most ingeniously-conceived concept albums of all time, and arguably the most exciting and ambitious live show ever staged? Rock-opera The Wall was released by Pink Floyd in 1979 and is performed in full tonight by bassist Roger Waters. It tells the story of fictional character Pink, whose traumatic experiences through adolescence and early adulthood cause him to build a metaphorical wall, isolating him from the rest of the world and sending him into a spiral of mental decay.

Rocketing fireworks accompany the first thunderous chords of opener ‘In The Flesh?’ as Waters takes to an enormous stage already housing the beginnings of a colossal brick wall. ‘The Thin Ice’ brings proceedings down to a gentler level, with soothing harmonies providing a stark contrast to its foreboding lyrics. During the song, images of fallen loved ones lost in the war that fans sent in prior to the show are projected onto the bricks, until the whole wall stands as a monument to their sacrifice. It’s the first appearance of an anti-war theme that permeates through the music for much of the night.

Gone are the days of corporal punishment and intimidating, dogmatic school teachers, but “We don’t need no education” is a sentiment that will always be shared by future generations. Indeed, ‘Another Brick in the Wall Pt. 2’ is met with rapturous applause, as a huge puppet descends from the ceiling, revealing itself as the terrifying headmaster character so brilliantly designed by Gerald Scarfe in the ‘70s. Its slinking limbs move in a spider-like fashion, towering over both the band and a group of children from a local secondary school. It is perhaps the most disco-like Pink Floyd have ever sounded, with an infectious guitar riff leaving no doubts as to why it became their most successful single.

As the show progresses and the tone darkens, audience and band become increasingly separated as bricks get added to the wall. ‘Goodbye Cruel World’ sees the final brick put into place just before the brief intermission, signalling the beginning of a much darker, unsettling second half. The scale of the performance, both literally in terms of the wall size and logistically in terms of constructing a 400-brick wall while a twelve-piece band perform, is stunning to behold. A marriage of music and technology, the bombardment of sights and sounds brings the brain-child of Roger Waters to life, with the wall being employed as a projection screen for much of the show. It takes widescreen to a completely new level.

Musically, the highlight of the night is ‘Comfortably Numb’, the rousing guitar epic tailor-made for arenas. A huge spotlight illuminates guitarist Dave Kilminster in dramatic fashion as that electrifying guitar break rings through the stadium. Taking on a Gilmour guitar solo is no mean feat, but Kilminster executes it with aplomb. Midway through the meandering second guitar solo, Waters slams his fists on the wall and some clever projection tricks see the dull, grey wall shatter to reveal a psychedelic canvas of bright colours.

‘Waiting for the Worms’ and ‘The Trial’ bring the show to a rather theatrical end, with projections of Scarfe’s animated clips lifted straight from the film. Iconic imagery of the marching hammers and disturbing Judge character (who is, quite literally, a giant asshole) work to combine all three mediums of The Wall: the music, film and live show. It truly takes on a life of its own in a live environment, and concludes in a spectacular nature when the 40-foot wall collapses in a cloud of dust and heap of bricks.

The greatest compliment to the whole production, and the 1979 album itself, is that even after so long, the political and social commentary remains more ominously relevant than ever. Imbued with themes of isolation, abusive teachers, overprotective mothers, the horrors of war, and societal segregation, the show is relatable both on a personal level but also on a wider cultural level.

From mere bricks and mortar in the mind of one disgruntled bassist in the ‘70s, to a fully-fledged live experience the likes of which no other artist has attempted, the development of The Wall is something very special. “So ya’ thought ya’ might like to go to the show” Waters sings on The Wall’s opening line. After this performance, you’d be mad not to go.

Top 5: Leather look

No matter which shop you look in there is one clear trend that sticks out: leather. I for one love this look, there are so many different ways in which to wear it without looking tacky. Always stick to black. Although you can find leather look in other colours, black is a safe bet. The quality is usually higher and there is less of chance that the clothing will have that plastic cheap look. Be careful when choosing pieces – there can be a chance of too much of a good thing.

 

1. Topshop, £40

So you want to go out? Not feeling like wearing a dress? These leather shorts are an ideal alternative to that over worn pair of denim hotpants hiding in your wardrobe. The hem line makes these otherwise plain shorts more interesting and they can easily be paired with any top to create a day or night look. At £40 they may not be the cheapest, but with student discount who could say no? Luckily these shorts come in petite and tall sizing meaning that everyone can have a pair.

Warehouse

2. Warehouse on ASOS, £85

A LBD is an essential item in every girl’s wardrobe so why not vamp it up this season with this structured leather dress and strappy neckline. The simple shape makes the panels stand out and is sure to make you the envy of everyone in the room. Reduced from £120 to £85, this dress may take a chunk out of your student loan but it is definitely worth it as an investment for a special occasion.

Newlook

3. New Look, £19.99

I always find it hard to find a nice skirt that can be worn with a range of tops, but at the same time making a statement in itself. The asymmetrical hemline of this skirt makes an otherwise plain bodycon shape more interesting. For less than £20 this skirt is a bargain and could be dressed up or down making it a versatile staple for your wardrobe. It can be machine washed so no extra care needed.

 

ohmylove.co.uk

4. Oh My Love, £32

You can never have too many t-shirts, so why not add a new oversized tee to your collection. The leather look sleeves turn a simple top into a fashionable statement look. Easily turned into a night time style with the addition of chunky jewellery, it’s perfect for those on a student budget. The style will flatter everyone and it is ideal for an autumn day.

MIss Selfridge

5. Miss Selfridge, £28

It’s getting to that time of year again when jumpers are brought out, and summer clothes are hidden away. It’s time to add a contrasting jumper to your autumn wardrobe, the leather sleeves on this jumper contrast with the grey flannel, keeping with the current trends. This jumper ticks both boxes for comfort and style and is a must have for autumn. There’s no need to turn up to lectures in that old hoodie when this jumper is just as comfortable but far more stylish.

 

The Lady-Like trend

1.    Topshop Cami £18

2.    Leopard Skirt- ASOS £40

3.    Miss Selfridge Tapestry Skirt £35

4.    Miss Selfridge Boxy Bag £29

5.    New Look Nude Patent T-Bar Peeptoe Heels £27.99

6.    Top Shop Blue Knitted Angora Cable Jumper £46

7.    Warehouse Beaded Bracelet £8

Whether you’re dressing for lunch with friends or an evening out, this season the Lady-Like trend is on our radar. From patent midi-skirts to nude courts and yes, those pink coats we’ve been seeing everywhere, this trend is sure to be popular this season. Alexa Chung, Olivia Palermo and Mollie King are all celebrity fans of this trend as they embrace their girly sides this season. Look out for pastel hues, peter pan collars and silky textures to stay ahead of the crowd.

 

One skirt, three ways

The ever so versatile leather skirt is a modern wardrobe staple. Like any item of clothing that will be worn over the years, in multiple ways and for varying occasions, it is worth investing in. This is a simple leather pencil skirt from H&M that set me back £79.99, but was worth every penny. The high street is overflowing with some brilliant ones, for the best skirts look to All Saints, Whistles and Miss Selfridge.

The leather skirt is probably most suited to an evening look. This leather skirt has seen me through most pre-night out ‘I have nothing to wear’ panic attacks. This flattering pencil style will hold you in and accentuate your waist, whilst the leather fabric instantly adds some glamour. Here I’ve paired it with a bright crop top and heels for ideal drinking/ dining/ dancing attire.

Anyone who has walked into a high street shop will notice that ‘punk’ is having a bit of a moment. Your leather skirt will be your best-friend to emulate this current fashion. Worn here with a plaid shirt (of which there are also no shortage on thehigh street), a pair of dirty converse and a studded bag, the leather skirt proves to be perfectly on trend.

As gloomy winter days approach, the leather skirt will instantly refresh your winter wardrobe. Dig out your chunkiest winter knits and throw on top of a leather skirt for a stylish clash of textures and shapes. Worn here with an oversized jumper, a bright scarf, tights and boots- who knew the leather skirt could be so comfy and practical?

Editors’ Picks: The Manchester Literature Festival

With seven years of enviable line-ups under its belt, the Manchester Literature Festival promises to delight.

“Once again,” says Cathy Bolton, Director of the Manchester Literature Festival, “we are making Manchester the destination of choice for literature lovers this October; launching some of the hottest new books of the autumn season, and presenting an exciting series of bespoke commissions, talks and walking tours celebrating some of the city’s rich literary heritage and inquiring spirit.”

On 11th October, the author and American scholar Sarah Churchill explores the time, place, music and people that inspired and shaped F. Scott Fitzgerald’s seminal novel, The Great Gatsby in ‘The Great Gatsby Uncovered’. She is joined at Matt and Phreds Jazz Club by jazz troupe Alligator Gumbo who will provide the sounds of the roaring ‘20s.

On 13th October, Roddy Doyle will be talking about his new novel The Guts at the Royal Exchange Theatre. Doyle is perhaps best known for The Barrytown Trilogy, a series of novels centred around the Rabbitte family. Fans will be pleased to hear that Jimmy Rabbitte will be making a comeback.

Another well-loved character is set to return this year: Bridget Jones. Comic novelist and screenwriter Helen Fielding will also be at the Royal Exchange Theatre on 13th October, launching her latest addition to the Bridget Jones series, Bridget Jones: Mad About The Boy, and filling fans in on what their favourite singleton (not so single anymore?) has been up to.

‘I am, I am, I am: Reflections on Sylvia Plath’ on 13th October marks the 50th anniversary of the Bell Jar and her posthumous collection of poems, Ariel. Two contemporary authors, Jackie Kay and Ali Smith, consider the infamous poet’s legacy, as well as the ways in which she has influenced their own work and lives.

Jeanette Winterson discusses myths, wonder, storytelling and the imagination with Audrey Niffenegger on 13th October. Winterson is the author of Oranges Are Not The Only Fruit and is currently Professor of Creative Writing at the University of Manchester’s Centre for New Writing. Niffenegger has written three graphic novels: The Three Incestuous Sisters, The Adventuress and The Night Bookmobile. She is perhaps best known for the international bestseller The Time Traveller’s Wife and Her Fearful Symmetry.

Manchester Literature Festival and Manchester Camerata have organised a special programme marking the anniversary of Martin Luther King’s ‘I Have a Dream’ speech. Lemn Sissay has been commissioned to respond to the speech and create his own ‘poetic vision for our times’. Join him and witness something special at the Manchester Town Hall on 19th October.

GTA: Grand Torrent Auto

Last week’s hotly anticipated launch of the ambitious Grand Theft Auto V was slightly upstaged as the game leaked online four days before the September 17th release date. Savvy internet pirates managed to acquire the Xbox 360 version of the game in its entirety and share it via popular torrenting site, The Pirate Bay. Despite Rockstar’s best efforts to keep the title under wraps, videos and images of the game in play have been surfacing from all corners of the internet. The guilty parties are having their accounts banned and all content pulled as quickly as possible by Microsoft.

 

Image source: ToTheGame.com

Further problems arose when Amazon mistakenly shipped the game a day early to many customers who had pre-ordered, an embarrassing and possibly costly mistake on their part. Some have suggested that this may have been a pre-emptive move aimed at beating any work action taken by Royal Mail.

 

Rockstar shouldn’t worry, as best estimates place the total number of pre-orders at around 2.5 million and Forbes has predicted launch day sales to reach 6.5 million units. The game cost around £170 million to make, more expensive than nearly every Hollywood blockbuster, and is expected to be wildly popular in the coming weeks. GTA V was produced by Rockstar North, the Edinburgh-based studio responsible for much of the GTA series, including III and IV.

 

Days before, Rockstar warned gamers against the “inevitable game info and asset leaks” and made a point of outlining a strict policy on people posting game content and spoilers to their website.

Cornerhouse Pick of the Week: The Great Beauty

This week I went to see Paolo Sorrentino’s latest Oscar submission, La Grande Bellezza; upon exiting the Cornerhouse, I can see why it’s Oscar nominated. Sorrentino has teamed up with the fantastic acting talents of Toni Servillo to pay homage to the works of Federico Fellini and La Dolce Vita.

Servillo plays middle aged, high society journalist, Jep Gambarella, a man with an irresistible charisma who, after receiving a jolt from his past, goes out in search for something missing from his present.

The film has vibrant personality and a dark sense of humour which manifests in a critique of the superficiality and decadence in modern day society, religion, art, literature and the youth. Its subject matter can sometimes be a little disorientating, as in a particular scene when Jep addresses the audience directly, establishing the rules one must follow to show feigned grief when at a funeral; the disorientating part is in the next scene when he puts those rules into practice.

We can’t help but take to Jep Gambarella when we first meet him, holding a cigarette between his teeth in front of a broad grin. His opening scene is actually his 65th birthday, which is a decadent, raving rooftop party, filled with middle aged, and older, men and women, furiously dancing to the latest club music in a desperate attempt to reclaim their youth.

The further we follow Jep, the more we begin to love his soft approach and gentle demeanour, something which works well with his truthful and insightful commentary. His calm charisma in the dense and hectic nightlife of Rome draws in the audience who become powerless against his charming seductions, much like many of the women in the film. Soon, we find ourselves drawn into his search for a missing element in his life as he sifts through Rome, beyond its strings of clubs, strippers, alcohol and drugs.

Sorrentino’s script is far from vague or wasteful as it delivers sharp, witty dialogue in a refreshing explosion of dark humour, commenting on the experiences of getting old, especially in the privileged high society circles Jep often frequents. Furthermore, Sorrentino frames Rome’s beauty in a vibrant yet noir style giving the audience the opportunity to experience the city’s beauty culture as Jep does; the sculptured works of art within the palaces of Rome under candle light, Rome’s ancient ruins as well as a breath-taking view of the Colosseum from Jep’s apartment.

Although the film is abrupt at times and somewhat divergent from the plot, its exploration of the physical beauty of Rome, hidden beneath a seedy, intoxicated and decadent mask, pushed La Grande Bellezza into the realm of masterpieces; by the end of the film, we understand exactly what Jep means when he says “the trains in Italy are the best in the world, because they are the only ones that don’t go anywhere.”

TV Catch-up- What to Watch Last Week

 Welcome to the new Mancunion TV Catch up where we tell you all the best things you missed from the last week to watch online in your downtime.

 

  A Single Man: In the year before Colin Firth won worldwide acclaim and an Oscar in the The King’s Speech, he starred in Tom Ford’s directorial debut as a bereaved English professor in 1960s Los Angeles. A quieter performance from Firth but no less deserving of praise. (Available on BBC iPlayer)

Piers Morgan’s Life Stories: If you like Piers Morgan and his sycophantic interviewing then you’ll likely want to catch up on his new series of Life Stories. His first interview is with Coronation Street actress, Julie Goodyear, which should give you some idea of the level of ‘celebrity’ on offer. (Available on ITV Player)

The Newsroom: If you’ve been watching Aaron Sorkin’s recent return to television then you’re likely as conflicted as this writer is. You may love it, you’ll probably hate parts of it, but you still don’t want to miss it. Stay tuned for an in depth look in a future issue, but in the meantime you can catch up on Sky Player.

Review: Rush

“Men love women, but what men really love…is cars.” This is surely a sentiment that only the most fervent Top Gear fan could sympathise with. Many certainly won’t identify with these words and during the blistering opening stretch of this movie, it would be easy to switch off. Yet, anticipating a shiny, hyper-masculine love letter to the fast cars and loose women of the 1970s Formula One circuit would be a mistake. This is a film about death.

Genre-hopping director Ron Howard manages to convert what could easily be mid-life crisis porn, into a genuinely exhilarating and emotionally engaging motion picture. The narrative focus of the film is the 1976 World Championship races, during which the rivalry between British playboy James Hunt and the studious, precise Austrian Niki Lauda, was at its height. Importantly, however, Howard spends the first bulk of the film less on racing and more on the strengths, flaws and vices of the two rivals. Chris Hemsworth brings his Godlike qualities, fresh from Thor, to James Hunt. He constructs, at first, an invincibly cool womaniser but then gradually laces him with vulnerability – most notably by vomiting before every race. Contrastingly Daniel Brühl’s Niki Lauda is unflinching in his focus and rigour, yet he softens as he meets and falls in love with Marlene Knaus, played by Alexandra Maria Lara. By giving the audience the breathing space to invest in the fragility of these two men, the stakes are insurmountably high during the subsequent racing scenes.

 

In many ways Rush has achieved what so many blockbusters have failed to this summer. Yes it is cheesy and occasionally relies on some dated cinematic tropes – blurry POV shots of a drinking binge? However it realises the full potential of character investment. This enables race scenes that don’t rely on CGI or even soundtrack to achieve maximum adrenalin. Rather the audience is truly convinced of the peril. We are behind the wheel as well and it is truly terrifying.

It would be wrong to say that Rush is the best film this year, however it is surely one of the most solidly enjoyable efforts. Howard’s direction is magnificent, purely down to how seamless it is. He soaks the film in glorious ‘70s nostalgia that gives the film the same sort of glow that Spielberg managed with 2002’s Catch Me If You Can. It is glossy to a point, it recycles many biopic clichés and the dialogue is corny at the best of times. Nevertheless, this is a film with pure adrenalin rushing through its veins.

Woman hospitalised after taking drugs at Warehouse Project

A woman was put into a medically-induced coma after taking drugs at the Warehouse Project on Friday.

The 32-year-old started to feel unwell after taking a small quantity of drugs with a friend at the venue, where a clubber died last weekend.

She reported to the event’s on-site doctor, who immediately sent her to hospital. After initially being put into a medically-induced coma, she has since been making a recovery and is now capable of sitting up and talking. Her male friend did not suffer any ill effects.

Police arrested a 32-year-old man on suspicion of possession and supplying of drugs. He remains in custody for questioning.

The event comes after the death of Nick Bonnie at the Warehouse Project’s opening night last Friday, September 27th.

The 30-year-old from Gloucestershire died after taking what a bad batch of ‘ecstasy’. Eight other clubbers were hospitalised over the opening weekend, but all recovered.

Owners of the Warehouse Project announced this week plans to start a new drug-testing initiative with the Home Office, testing any drugs found at the Trafford venue. They have also increased the number of on-site medical staff and police security.

Greater Manchester Police issued a renewed warning to club-goers on the dangers of drug abuse and said anyone found dealing drugs at venue such as the Warehouse Project would face the “full weight of the law.”

Chief Superintendent Mark Roberts said, “Following the tragic events of last weekend, officers from GMP have been working closely with the organisers at the Warehouse Project and partner agencies to look at the plans in place.

“It was due to swift intervention from medical staff at the venue that last night, a woman who was feeling unwell after taking only a small amount of drugs, was able to quickly receive urgent medical treatment at hospital.

“This once again highlights just what a lottery it is for your health if you choose to do drugs – you cannot know how your body will react to the chemicals you are ingesting, and more importantly, you simply do not know what chemicals are actually in the drugs you are taking.

“These unscrupulous dealers that sell drugs have no regard for people’s health and we need to work together to tackle this issue.

“Anyone found to be dealing drugs at The Warehouse Project, or any other venues across Manchester, can expect to be arrested and will feel the full weight of the law upon them – we simply will not tolerate it.”

Read The Mancunion’s report of last weekend’s event here.

Police also said for more information on the effects of drugs visit talktofrank.com.

Students’ Union bans The Sun

Students have banned The Sun from being sold in the Students’ Union shop following a Union assembly last week.

The motion to boycott the newspaper, coming on the heels of the ‘No More Page 3’ campaign, was voted on by a panel of twenty randomly selected students on Wednesday October 2.

Eighteen students voted in favour of a ban, while two voted against.

This makes Manchester Students’ Union the seventeenth university or college to ban the tabloid, which is the UK’s best-selling newspaper.

Women’s Officer Tabz O’Brien-Butcher took to social media to show her support, “Great to see that students at the University of Manchester want to take a stand against media sexism and the sexual objectification of women!”

The ruling has sparked new debate about the assembly process after it emerged that 18 students make up just 0.045% of the 39,165 student population at the University.

David Michael Howe, a Middle Eastern studies student, said, “Why have student participation when you can get the result you want by only telling people who already are actively involved?”

Becky Montacute, a PhD Neuroscience/Immunology student, said a mass vote would have been beneficial.

“A referendum would have allowed for a discussion on campus on why Page 3 is so awful for women, that now won’t happen, and that’s a really sad thing,” she said, adding, “I also think it sets an awful precedent, there’s no reason why this couldn’t also happen to any other paper – even if you think it was right to ban The Sun.”

Student assemblies involve twenty randomly selected students tasked with voting on issues raised by their fellow students.

The panel must reach a three-quarters majority either for or against the idea, or the issue goes on to an all-student online referendum.

‘No More Page 3’ show their support of the move in a statement posted to their facebook page, “Yesterday the University of Manchester became the [17]th (including 4 Oxford Colleges) to stop stocking The Sun in support of No More Page 3.

“They stand in solidarity with the British Youth Council and Girl Guides making it clear that the young people of this country will not tolerate media sexism and the casual objectification of 50% of the population.”

In an interview with The Mancunion last month,  ‘No More Page 3’ campaign team member Stephanie Davies-Arai said, “I don’t think bans work.

“You change some things but you don’t change people’s hearts and minds. With the campaign as it is, people are becoming more aware of page three.”

The Students’ Union shop sold 722 copies of The Sun last year, generating a profit of £72.20.

In an effort to gauge student opinion on the ban, The Mancunion surveyed 155 randomly selected students on campus last Thursday.

Of those students, 129 – 83 per cent – did not think the Exec should be spending their time on getting The Sun banned from the union shop.

“It’s an issue that’s not particularly relevant”, said Philip Beetch, a third year Management student. “There are bigger issues that should be addressed.”

First year Religions and Theology student Amy Laithwaite said, “Time is better spent fundraising.”

Other students supported the time spent by Exec members.

Georgina Rawes, a third year History student, said, “The casual sexualisation of women is one of the greatest challenges we face, and I’m proud that the Union is aiding this struggle.”

Fifty-nine per cent of those surveyed also said that they did not agree with the Union’s banning of The Sun.

“People have the right to a choice, whether they look at it or not,” said Laithwaite.

Nick Mackris, a first year Chemistry student, said, “I think it’s a woman’s choice if she wants to be seen like that.”

Whereas fourth year Speech and Language Therapy student Sarah Cook said, “I agree with the ‘No More Page 3’ campaign and the move to ban The Sun in the Union.

“Half naked women are not news, and such an influential paper should not support the objectification of women.”

When asked for comment on the poll results, Women’s Officer Tabz O’Brien-Butcher defended the panel voting system.

She said, “Disagreement with the content of an idea and the method by which we undertake democratic decisions with the Students’ Union are clearly different.

“Given that the issue here seems to be our democratic process, the assembly system was passed with a huge majority in a referendum voted in by over 2000 students as the way in which students at University of Manchester wished to undertake Union democracy.

“Assemblies are now in use for their third academic year and are largely popular with students.”

Average student gains two stone in first year

A quarter of students put on up to two stone in freshers year, whilst nearly two-thirds have gained between 1 and 5 stone by the end of their degree, according to a new study.

Overall, 80 per cent of students asked gained weight during their university career.

Unhealthy eating and too much drinking was a leading factor of the weight gain, although 59 per cent of students blamed study stress.

Two thirds of students described their eating habits at university as either ‘very unhealthy’ or ‘quite unhealthy’.

Over half of those asked said that takeaways after a night out was a cause of weight gain, and the same number admitted to eating takeaways or fast food three to five times a week.

A third of students confessed to eating fruit and vegetables only once a week or less.

A lack of knowledge and culinary skill was also shown amongst the students asked, as one third said they were unable to cook spaghetti bolognaise from scratch and 15% would struggle with scrambled eggs on toast, whilst 5% admitted that they could not even prepare cheese on toast.

The biggest influences on food choices were shown to be cost, ease and speed of cooking, with only 10% of students saying they considered their health when deciding on a meal.

However, an increase in drinking once you reach university also appeared to play a large part in weight gain.

Over half of students asked said they drank at least three times a week, with 3% drinking every night.

The study was conducted by Slimming World on 1055 former students, who are now Slimming World members.

Of the students surveyed, 95% said that students need more help to learn how to eat healthily on a budget, and 94% thought more healthy food should be available at universities.