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Month: October 2017

Feature: A Bigger Splash

Life imitates art imitates life imitates art in A Bigger Splash (2015). Whilst A Bigger Splash is, in fact, a – very faithful – remake of Jaques Deray’s  La Piscine (1969), it feels as though the director, Luca Guadagnino took more inspiration from David Hockney’s 1968 painting of the same name.

Like with Hockney’s paintings, A Bigger Splash feels isolated. This is no accident, as one of the major themes of the film is escapism. Marianne Lane (Tilda Swinton), a rock-star who has lost her voice, and her lover Paul (Matthias Schoenaerts), a documentary filmmaker and recovering alcoholic, are both retreating from the world. Together they shut out the chaos of reality and create their own idyllic universe in the remote Italian island of Pantelleria.

The opening shot of metal piping, harsh and cold, panning down to an obviously emotionally and physically drained Marianne, dressed in a sequinned catsuit walking backstage alone towards her audience – a filled out stadium chanting her name – feels impersonal. Compare this to the scene following immediately after: Marianne and Paul, nude and sunbathing beside their pool. Birds and cicadas can be heard in the background. Red flowers and green trees frame the pool. In two shots, Guadagnino tells us all we need to know; their lives before their escape were cold, and despite the crowds of adoring fans cheering, impersonal, and lonely.

When they are in each others company, and away from the too loud, too busy, too demanding world, they are content and the bright, sunny colour palette of the film highlights this. That Guadagnino was inspired by Hockney is evident not only because they share the same name, but in the fact that the Italian villa and swimming pool that become the central hub of tension and action within the film are strikingly similar to the Los Angeles home depicted in Hockney’s own painting. Indeed, many of the film’s locations look as though they were inspired by the artist’s  uniquely pared down, minimalist style. The meandering shots at the beginning of the film of tucked away, sun-bleached, white houses and gloriously blue pools and lagoons that usually only have a single occupant at any given time are incredibly reminiscent of Hockney’s paintings of LA poolsides and beaches.

Hockney once said that in LA, “the climate is sunny, the people are less tense… When I arrived I had no idea if there was any kind of artistic life there and that was the least of my worries.” And the same rings true for Marianne and Paul in Pantelleria. One gets the impression that even if Marianne’s voice returned, she wouldn’t want to go back to her old world of noise and discord, and that is where the tension lies. Unlike a painting, where one moment is suspended forever, and the quiet can stretch until the canvas crumbles, life in A Bigger Splash has to continue, and the arrival of Harry (Ralph Fiennes), Marianne’s former lover and his broodingly sultry daughter, Penelope (Dakota Johnson).

It isn’t only the colour palate that alludes to Hockney’s work. The feeling of solitude seeps through Hockney’s paintings, which predominantly feature vibrant, gorgeous landscapes devoid of people, people, when they do feature in his work are rarely the focus: they’re often seen from a distance, or their presence is merely hinted at. Whilst A Bigger Splash is a film about relationships, both the good and the bad, the easy and the complicated, Guadagnino and Yorick Le Saux, the head cinematographer, always focus on the space between the characters. How each character feels towards each other is shown in the distance between them.

This use of space and the environment of the home is brilliant in its simplicity, allowing for so much more to be said outside of dialogue. The relationship that both the film and Hockney’s paintings have with negative space is shown in two different scenes with Penelope and Marianne and Paul. In both, she is the only one in the pool, surrounded by water. She is unreachable. In the scene with Marianne, Penelope makes no effort to breach this gap, and so the water acts a metaphor for their lack of understanding and lack of desire to understand each other, yet in the scene with Paul, she swims to the edge of the pool, a challenge for him to join her. It is a seduction.

With Harry and Penelope, the outside world creeps in. Harry brings with him a vitality and energy that turns the idyllic – if somewhat sleepy – dreamworld Marianne and Paul have created for themselves into a riot of colour and action. Though Guadagnino is careful never to change the colour palate, the change of tone and Fiennes’ spectacular performance as the manic, passive-aggressive and jealous, but also seductively charming Harry, the bucolic backdrop becomes somehow frantic and aggressive.

Hockney’s influence shines throughout this film, from the colour imagery to the execution of the camera angles and cinematography. The themes of escapism and isolation intertwine heavily in both Hockney’s work and Guadagnino’s expertly crafted film, creating a film that feels like it could perhaps be hanging in a gallery.

A Student Life: David Jacob, co-author of ‘Uni Lifehacks’

As a quickly ageing dusty third year, I’ve come to realise a few home-truths about university life. Yes — you probably should do the readings. No — you don’t probably need to buy those textbooks. No — you shouldn’t put off paying the rent because two grand looks nicer sat in your bank account than £4.50. Technically, YES — you can survive a week on just pasta and a bag of frozen peas before student loan drops, but that probably isn’t the ideal situation to find yourself in.

A lot of university life is learning to live with around sixty percent health at all times and sitting in two-hour lectures realising you could instead be at home listening to the podcast in bed and doing other productive things at the same time, such as sleeping.

We can all agree university is a learning curve, but wouldn’t it have been nice to be able to come a bit more prepared as a wide-eyed fresher? To learn how to save money and keep healthy, to have a few “lifehacks” under your belt to better help you survive all this?

This is what the book — newly released this August — ‘Uni Lifehacks’ written by George MacGill and David Jacob aims to do. I chatted to David all the way from Atlanta amidst his year abroad because yes, David is a third-year University of Manchester student.

David is comfortable and easy to talk to. His book is clearly one of his proudest achievements and must’ve been somewhat of an obsession in the last few months in the run-up to its release.

He tells me about his chance meeting with co-author George MacGill in the Students’ Union; how they got to chatting, kept in touch, the friendly exchanges transforming into business-like meetings when George asked David to look over a book he’d been writing.

This book turned out to be an early draft of ‘Uni Lifehacks’. “I said I’d have a look over but I ended up giving him a 12-page edit. I really wanted to get involved, I wanted to be a consultant, doing the marketing, the writing and editing side of things. I went from a consultant to an editor to a co-author to starting a publishing company with George.”

Within a few months, David was hooked. The project began to consume all of his time, spending around seven to eight hours a day on the book  — you’d almost forget he was also a second-year Business Management student getting a degree. “I get myself into rabbit-holes” David explains, “when I’ve invested myself into work I can’t stop, I don’t do things alongside it, I have to go and just do it. I probably ended up pulling accumulatively around 20-25 all-nighters on the book from its start to its finish.”

So what does the book include? “It’s all about how to make university easy, beating procrastination, revision hacks, how not to gain weight, we have a whole section of cheap and healthy recipes by Mob Kitchen after I got in touch with them through their following me on Instagram. I had a similar thing with the creator of Save the Student, after getting in contact with him he ended up taking the lead on the money saving part of the book.”

If you’re a bit awful with money, the book has a lot of tips for the struggling student. There’s a chapter called ‘five apps and browser plugins that will revolutionise university finances’ and a lifehack which teaches you about ‘the maths of leaving your debit card at home”.

It’ll have you cringing in recognition with some pretty bloody enormous spending figures that you’ll have accumulated over the three years at university if you on average spend around a tenner more a week than you would if you hadn’t taken out your card (hint: over £3000).

A lot of expert voices have gone into ‘Uni Lifehacks’. David and George sort after students and experts who have excelled in their fields to get the best advice for their audience.

“There are interviews and insights from all kinds of people, those who have businesses; Luke Heart who started the first cancer research UK society, Morgan Lake whose a world junior champion in the heptathlon, Lucy Moon who is a vlogger. We’re trying to be as engaging as possible, we know that less and less, people pick up books to read for fun, reading has become a bit of a chore. We’ve written it so it’s broken up into bitesize chunks and made it knowledge and experience driven.”

It turns out the way Uni Lifehacks was written was thought to be perfectly translatable to video. The book was picked up by ‘Student Problems’, a Facebook community that has gathered over six million likes. The page has recently begun to make videos that depict George and David’s Uni Lifehacks, making the book’s audience reach more than the pair would have first thought.

“At first I was hugely sceptical,” David admits. “I just wondered why it was they wanted to use our stuff! But they’re leaning more and more towards non-traditional content, and really it was the perfect match — we needed marketing and they needed content for their new developmental channel. George writes and helps plan the video ideas with them. It’s really his domain.”

With the release of the book in August and Student Problems jumping on the bandwagon, the future looks bright for these two young entrepreneurs, but David doesn’t plan to stop at the book.

“I started my own professional CV writing company online called “wewriteyourcv.com” this past June. I surprised myself!” He jokes, “I’m really not a creative person but with the release of the book that part of me has kind of taken over. I did all the designing for the website myself and if I didn’t know what to do I just learned, I had to see it as ‘this needs doing, so, come on, do it!’ Now I’m a member of the national association of resume writers — I didn’t even know that existed till I joined!”

So David’s got a CV company, a publishing company with George called JMO Publishing and just released his first book, feeling incompetent enough yet? Well, Dave’s even talking about the possibility of a ‘Uni Lifehacks 2’, depending on how well the first one takes off.

“I know how useful the book is and there is definitely potential for a second just because there is so much to write about. We just need the audience. We’re looking to target parents in regards to who will buy the books, and George has been writing articles for national newspapers such as The Telegraph to break into that audience.”

Photo: David Jacob

Though the pair seem keen business men, some of the book’s profits are going back into helping students.

“10% of the profits from the book go to Student Mind. We figured that mental wellbeing is pertinent in today’s climate, we know how important mental health is and it’s included in the book, things like the importance of meditation and the science behind it, gratitude and gratitude training which leads to improved moods, how to get a good nights sleep, lots of stuff like that.”

With over 100 uni life hacks and insights from over 50 of the UK’s most successful students, ‘Uni Lifehacks’ is an admirable first venture for the UoM third year and his co-author.

Though David is now enjoying his time on his year abroad in Atlanta, it’s clear his thoughts are still deeply with the book’s release and its reception in the UK and is excited about the future prospects the book and his clearly studious drive will bring him.

You can buy ‘Uni Lifehacks’ on Amazon and find the Facebook page for the book here to keep up to date with the Student Problems videos and George and David’s next ventures.

Fast Fashion – A Sustainable Lifestyle?

The recent turbulent storms across the Western world left in their wake unprecedented levels of destruction. Now, the UN annual climate change conference turns our head sharply to the questions of climate change and the impact our decisions as consumers are having on the globe.

We’re aware of the immediate positive effect recycling and plant-based diets have on the environment in which we inhabit, but are we really aware of how our actions as consumers in the every growing retail industry with our easy to purchase fast fashion choices play a direct role in the sustainability of the earth?

In my bid to watch every Netflix documentary, I recently stumbled across The True Cost (2015), a feature-length piece that exposes and analyses how the nature of the fast fashion industry is negatively impacting our world.

The term ‘fast fashion’ refers to the phenomenon where the fashion industry is transporting the trends on the catwalk to the high street for low production costs at an undeniably rapid rate to meet the demands of consumers. This is not isolated to British high street retailers alone but wholesalers across the globe who are churning out garments faster than ever before with disregard for the environmental effects our compulsive shopping habits are creating.

A powerful piece of film, The True Cost juxtaposes the glamour of fashion weeks, our obsession with beauty, and the latest trends alongside the direct impact it bears on the underdeveloped societies propped up by this $2.4 trillion fashion industry. Harrowing incidents in Bangladesh such as the Rana Plaza travesty in 2013 emphasise this predicament. In this instance, despite hundreds of warnings regarding the garment factory as a “death trap”, the building collapsed killing 1,100 and injuring a further 2,000. Needless to say, the resultant attention helped shed light on global retailers across the world and their supply chain practices and mass production processes.

Facts:

–We consume approximately 80 billion pieces of clothing a year.

–1/6 people in the world work in the global fashion industry – the majority of which early less than $3 USD a day.

–Only 10 per cent of the clothes we donate to charity and thrift stores are re-sold. The rest go to landfills or are bought in developing countries such as Haiti which eradicates local retailing competition.

–There are approximately 5 other human beings involved in supplying your garment before it reaches the shelf.

This knowledge prompts serious questions regarding how we, as individuals, raise awareness and be increasingly clued up on responsible fashion. Efforts by the likes of Melinda Tually, responsible fashion and fair trade consultant and founder of ‘Eco-Age’ and Livia Firth, Global Oxfam Ambassador and founder of the ‘Green Carpet Challenge’ are creating fundamental waves in the sustainability and best practice adopted by retailers on all continents.

Eco-Age is an association that creates sustainable solutions for brands by developing environmental strategies utilising commercial and supply chain opportunities. As an organisation, it leads compelling initiatives in areas such as Columbian Mines, Bangladeshi Factories, and Italian silk mills to raise awareness of best practice.

In line with this ethical organisation is the Green Carpet Challenge, an initiative created to provide a compelling narrative to a brands environmental principles. In a sense, it marries the glamour of luxury fashion with ethics whilst partnering with relevant NGO’s, specialist academic institutions and experts in their respective fields.

Eco Age has partnered with the likes of Stella McCartney, who in 2015 was the first designer to produce an entirely ‘Eco Capsule Collection’. Net-A-Porter with the backing of their then CEO Natalie Massenet, collaborated with Victoria Beckham, Christopher Kane, Roland Mouret, Christopher Bailey and Erdem to create bespoke gowns in 2013 that championed sustainable excellence.

Gisele Bündchen attends the Green Carpet Fashion Awards in Milan earlier this month.
Photo Credit: Gisele @Instagram

Designers, brands, and initiatives such as these are awarded at the Green Carpet Fashion Awards in Italy. You may have seen this glamorous affair plastered on the Instagram accounts of fashions biggest names only a few weeks ago during Milan Fashion Week, but this is more than simply another society gala dinner. This programme aims to celebrate total provenance and sustainable innovation to actions carried out by the supply chain to preserve sustainable production and innovate towards a lesser footprint.

Awards within the programme include ‘The Art of Craftsmanship’ – awarded to the seamstress of Maison Valentino – and ‘The Best Supply Chain Innovation’ – awarded to Gucci. Supermodel Gisele Bündchen also walked away with the Vogue Eco Laureate Award whilst wearing the prevalent Stella McCartney. With the support of the industry’s most influential figures such as Anna Wintour, this movement is raising much-needed awareness about the impact of fast fashion on all communities involved in supply chains.Corporate reputation has spurred the likes of high street giants H & M to implement collections such as their ‘Conscious Range’ which promotes sustainable style through the usage of recycled and organic materials.

Corporate reputation has spurred the likes of high street giants H & M to implement collections such as their ‘Conscious Range’ which promotes sustainable style through the usage of recycled and organic materials.

But is this really enough? At the heart of this dilemma, is the direct impact that we have as consumers when placing our mass orders from ASOS, Missguided, et al.

Thinking about the prequel and sequel to the story of your purchases before and after they leave the confines of your closet is a message that I hope resonates with our readers.

Meet the committee: African Caribbean Society

Black History Month is upon us! Whilst the month has always held personal importance for me, casual conversation quickly revealed that for most people, this is not the case. This inspired me to sit down with the committee of the African Caribbean Society (ACS) to find out what the month means to them and what they’re hoping to achieve.

Let me introduce you to them:

Joshua Prah, President, a chemical engineering student from London by way of Ghana. A confident leader, he considered himself the only man for the job and hopes to bring a “relaxed atmosphere” to the society this year.

Rae-Kahlile Powell, Vice President, a Law student. An international student from Trinidad (and Tobago), Powell brings an unmatched air of mirth and enthusiasm to the group.

Tariq Chastanet-Hird, Secretary, a tranquil Politics and History student. Another Londoner, Chastanet-Hird is of St Lucian origin. This year he hopes to bring “organisation, perspective and calmness” to the committee as he facilitates the integration of black students, both to the society and the university.

Then there is Aminat Subair, the Cultural Officer.  A Londoner of Nigerian origin, she hopes to “provide members with more opportunities to explore their own culture” whilst making this year’s ACS “bigger and better”.

She is joined by Tihesia Riley-Bennett, Events Officer and budding doctor. Originally from Peterborough and of Jamaican heritage she hopes to “empower our members and allow them to celebrate and accept themselves”. Through arranging and hosting different events, she hopes to showcase the diversity that exists within the community and encourage members to develop their talents.

There is also Femi Jayeola, Treasurer and Politics and International Relations student. Thoughtful and well-spoken, Jayeola ran for Treasurer because he felt he could strengthen the links between students and sponsors. He hopes to highlight the plethora of career options available to members of the society.

Then, Otteri Dowding – Sports Officer. A Jamaican-born Psychology student from Birmingham, Dowding is fun and funny. She ran for sports officers because she felt there was a lack of opportunities for girls to get involved with sports in the society last year. This is something she is determined to change.

Nicole Agyekum, a Politics and International Relations student from London, is Media and Promotions Officer. Being of Ghanaian descent, she wants to make the ACS a “more tight-knit community” as she felt it important to cultivate a safe space for black students.

Finally, there is Mubarak Tairu. A Physics student from South London and the son of Nigerian immigrants, Tairu is a self-described “opportunist”. This year he hopes to stay motivated and disciplined, something he is close to attaining with Metamorphosis. A project he hopes will challenge the lack of support given to youths in deprived communities across the UK and enable them to succeed in academia.

Photo: KeithTyler @Wikimedia Commons

The committee has already packed a lot into the month, starting with the Great Debate tour on October 5th, an event at which people can come together to discuss issues facing the black community today. Soon after, a media night on the 12th will include screenings of 13thHidden Colours and 42. The films have been specifically chosen with the goal of celebrating and empowering black people.

For the 17th, they’ve arranged a networking event with JPMorgan whilst the 26th will bring a collaboration with other BME societies including Aspiring Young African leaders (AYAL), Urban Lawyers North and the African Caribbean Medics Society. With a mind to working hard and playing harder, they’re rounding off the month with a Halloween party on the 28th. The theme? Black Power.

When asked what they hope to achieve during the month they said “with the events planned, we hope more people will be interested in joining the ACS. We hope they’ll get a greater appreciation and understanding of black culture. We want to promote awareness of our own history and achievements and make it a very interactive learning experience. We also want to empower our members. There’s a lot of focus on slavery when we talk about black history but we want to move the focus towards empowerment”.

Their personal favourite events ran the gamut but emphasis was placed on the networking night with JPMorgan. Tairu, the ACS Careers Officer, said “JPMorgan is a great platform. We want to use it to expand, not only in terms of sponsorship but we want to make sure that people understand that it’s not just a financial firm. They have various divisions and opportunities and they do a lot for people of colour so we need to celebrate that a bit more”.

Their own personal feelings on black history month varied. Powell, Vice-President and native Trinidadian said, “it’s a new concept for me, every day is black where I’m from.”

Subair, Cultural Officer, said “for me it’s a month where we can really reflect on what it means to be a young black person and celebrate our history. It means a lot to me”. Tairu said “I think it’s about celebrating ourselves. We’re always moving at 100mph but as a people we don’t always take enough time to stop and see how much we’ve progressed.”

We then stopped to think about some black figures we found personally inspiring.

Jayeola picked Barack Obama. He said “as President he overcame so many challenges. So many obstacles that other presidents never had to face. For example, the debate over where he was born. It’s hard to succeed as a black person in America so that’s something that really inspired me.”

Tairu picked Tupac and Skepta, saying “in terms of the progress they’ve made, they’re phenomenal. They came from volatile areas but they paved the way for black musicians now. In hip-hop and in grime. Skepta is independent and that’s changed the whole music industry. He’s broken down barriers for many other people.”

Prah chose Jesse Owens. He explained “he entered the Olympics surrounded by such controversy. But he still won 4 gold medals and he set records in all the events he competed in and those records stood for so long. He overcame what black people were facing at that time in America and he showed us that black people aren’t second rate. We aren’t second class citizens and we can do just as well as anyone. We can go above and beyond.”

Riley-Bennett said “its definitely changed over the period of my life. When you’re younger you learn the obvious ones like Martin Luther King and Malcolm X and obviously, they’re still important, they still inspire me. But now, I feel like a lot of people in the media such as Kendrick Lamar and Janelle Monae are really promoting being carefree and black and I like that.”

Subair chose Leomie Anderson. She explained “she’s a model from South London and she’s done Victoria’s Secret, she’s done high fashion but she’s also using her platform to empower young black girls. She has LAPP the brand, she has a clothing line that Rihanna’s worn and she was part of the Fenty Beauty campaign so to see her come from south London and break into a very white industry inspired me.”

Powell chose Rihanna, a fellow Caribbean, explaining “she got her break at a young age and she’s been able to take that and make a brand out of herself. Now she operates on a global stage”, before adding Usain Bolt. She said “if anybody knows Jamaica, they know when you’re poor you’re really poor and it’s really hard to excel there. But he did, against the odds and now he’s the fastest man on earth.”

Dowding said “any black person who is doing well for themselves inspires me because we all know it’s hard. We often feel that we have to be twice as better to get halfway as far, so any black person in a position of power inspires me.”

Chastanet-Hird gave an enlightened contribution in Kofi Annan. He says “he was the 7th secretary general of the UN and he’s really done a lot to help black people. He’s done a lot of work in international development, reducing HIV in Africa and he was also awarded the Nobel peace prize.”

My personal addition was Eartha Kitt. A singer, dancer and actress once described as “the most exciting woman in the world”. She found herself blacklisted and ostracised from Golden Age Hollywood for her views on Civil Rights and the Vietnam war. She even once made Lady Bird Johnson, who was FLOTUS at the time, cry at a White House Dinner after telling her “we raise children and you send them off to war.”

We then discussed the experience of black students at university. When I asked if they felt properly represented at university they said “Yes and No. On the one hand, you have statistics that are telling us that every year a record number of black people have made it to university but if you look deeper, you’ll see that not many of them have made it to the top universities. There’s a very low number of black people in Russell Group universities”.

Tairu said “there are hardly any black students in STEM courses. On my first day, I went to a lecture and I couldn’t find a single person of colour. I was completely out of my comfort zone and that made me a bit reclusive”. Whilst maintaining high spirits throughout the interview, they were notably subdued when we turned to the university’s current approach to black history month. Bluntly, they asked “is there an approach?’. The consensus being that the university does not do enough to promote or acknowledge the month. They said “they haven’t asked us. It’s not as big as something like Pangaea and we definitely don’t get as much funding or support.”

However, they kept inclusivity in mind acknowledging that it’s very easy for black history month to come across as “exclusive” and niche. They hope to change this perception. They said “it’s not just for us. Non-black people can definitely learn about black history and get involved during the month. There’s a bit of stigma around the African Caribbean Society, people often think ‘well I’m not black so it has nothing to do with me’ but that’s not the case at all.”

I then asked them to consider whether they thought equal emphasis is placed on African and Caribbean heritage, a point that sparked a lively debate. It was agreed that the two are often, erroneously, combined. Jayeola said “we’ve already said that there aren’t many black people at top universities, it’s even less if you’re Caribbean. In most cases, they lump us all together but realistically they mean African. West African more specifically. We need to be getting more Caribbean people to university”.

The lack of Caribbean students in Russell Group universities hasn’t gone unnoticed. Chastanet-Hird spoke of his involvement with Cariconnect, a non-profit organisation set up to mentor young Caribbean students in London schools. Through this, Caribbean students from Russell Group universities are visiting schools in London and mentoring younger Caribbean students.

Additionally, the different experiences of Caribbean and African migrants were discussed at great length. Many British-Caribbeans, starting with the Windrush generation, came to England during the post-war period. Riley-Bennett stated “When most Caribbean immigrants came here it was awful. They faced so much racism, people would brick their windows and graffiti their houses. They’d get attacked in the streets. My dad used to tell me stories of trying to play football and getting beaten up on the pitch”. She adds “that’s why there are so few Caribbeans at university now. You had trained doctors and teachers coming over and being made to drive buses and sweep streets, how were they supposed to prioritise higher education?”

Whilst it was generally agreed that African migrants (and their children) have had a largely different experience, it’s not to say it has been easier. Tairu, a South London native, talks of the changes he’s witnessed in his community, in his lifetime alone. He says “the government doesn’t help. Community centres, youth centres and libraries are shutting down every day because there’s no funding. People are getting left behind but they don’t care.”

In keeping with the theme of the month I quizzed the group on their heritage, and what it means to them. Powell said “my heritage means acceptance. Not a lot of people know the racial make-up of Trinidad but it’s around 49% east Indian, and about 45 per cent African so my culture taught me to be more accepting. When I hear people talk about racism and black issues I’m at a loss because in Trinidad it’s not the same. It’s like all these other cultures are my own and I appreciate them as much as my own culture.”

Dowding added “I was born in Jamaica but because I don’t speak Patois I feel different. They ask me why I’m acting white. From the way I dress to the way I talk, they’ll laugh because it sounds funny”.

Finally, we reflected on the current level of teaching in British schools. On this, they were uniform and concise. “It’s awful” they said, “stop teaching about just slavery. The history that’s taught is white history and then there’s one little segment for black people. You can’t cover our whole history in one month and I’m tired of watching Roots. We learned about Hitler for a whole year so I’m sure we can learn about black history for a year too.”

The lack of depth and honesty was a recurring theme as many committee members noted that the current curriculum is biased. Subair and Riley-Bennett agreed “they don’t include enough British involvement and they erase the actions of the Empire”. Whilst Dowding continued “in secondary school I didn’t even really realise Britain’s involvement in the slave trade. A lot of the black history I know is things I sought out for myself. All you get is black people being kidnapped in Africa and taken to America, and then it skips to the civil rights. It’s like we didn’t exist for 30 years until Martin Luther King showed up”. We all agreed that this is something that needs to change.

The group can be found at @ACSManUni on twitter.

Foolproof banana bread

This banana bread is perfect to prevent the waste of overripe bananas and is ideal for a snack-a-holic. Preparation takes less than 15 minutes and it will save you money instead of nipping to the shop for a quick fix between lectures. The four whole bananas also give this treat some nutritional value and keep you feeling fuller for longer, helping you get the most out of your library sessions.

Ingredients:

285g plain flour

1 teaspoon bicarbonate of soda

½ teaspoon of salt

110g butter (plus some butter for greasing)

85ml milk

1 ½ teaspoon lemon juice or vinegar

4 ripe bananas mashed

200g caster sugar

Method:

  1. Preheat oven to Gas mark 4/ 180C.
  2.  Sift flour, bicarbonate of soda and salt into a large mixing bowl.
  3. Cream the butter and sugar together in a separate bowl until light and fluffy.
  4. Add the lemon juice/vinegar into the milk.
  5. Add the mashed bananas, eggs and milk to the butter and sugar mixture and combine all the ingredients well.
  6. Grease a 20cm x 12.5cm/8in x 5in loaf tin I would suggest lining the tin with greaseproof paper but this is not essential.
  7. Place in the oven and bake for around an hour or until golden brown. Use a knife to check the bread is fully baked before removing from oven.
  8. Cool the bread in the tin for a few minutes and then turn onto a cooling rack.

Easier and quicker alternative if you have a blender: add all ingredients to a blender and whizz

 

 

 

 

The creative space: Subterranean Thoughts with Tom Roberts

Sat cross-legged on New Wakefield Street at 11 pm was not the setting I initially imagined for my first Mancunion interview. But there I was, laptop precariously balanced on my knees, with Tom Roberts. Fresh from filming a scene in the Thirsty Scholar, Tom had found time in between their intense filming schedule to talk to me, and what a wonderful welcome to the world of investigative journalism it was.

Tom, who graduated from the University of Manchester last year, is now the assistant director of the up and coming film, Subterranean Thoughts created through the production company Odds On, which consists of three University of Manchester alumni and also Dylan Zarella, the director of Subterranean Thoughts.

Subterranean Thoughts is a full-length feature film following the life of troubled introvert, Allen Ward — portrayed by Corin Silva. As Tom describes it: “Throughout the course of the film, things start happening to him, people come into his life and it becomes very difficult to tell if he is off and the world is kind of normal, or if the world is going crazy and he’s the only sane one in it.”

As a result, we see Allen’s “downward spiral into this never-ending pit of despair.” No doubt you can tell, and as Tom admitted with a playful smile, “it’s a bit of a bleak movie.”

Tom Roberts

As someone utterly baffled by the process of creating a full-length movie, let alone making one with what he aptly named a “micro-budget”, one thing I was keen to ask Tom about was how he and Dylan were keeping production expenditure low.

We both agreed that money, or lack thereof, can be the determining factor in many people’s decision to walk away from the creative industry.

Odds On, the aforementioned production company of which Tom is a founder, have put out four projects now, all of which have been funded in different ways.

Everything from audience donations and outside investment to directors working jobs to cover production costs themselves. As Tom says: “Right there you have fundraising options for creating something with absolutely nothing, and all of those are very real and achievable options if you want it.”

The key to creating something on a low budget is being inventive and open-minded. The filming process of Subterranean Thoughts displays this imagination at every step.

They have explored all the beauty that Manchester has to offer in search of filming locations and have been using their contacts in the University of Manchester’s drama society for volunteers for extra roles.

Tom and Dylan’s links to the University of Manchester have been a huge help in the production of Subterranean Thoughts.

With Manchester students Stella Ryley and Sarah Teale managing their costume department as just one example. Tom describes the drama faculty and society at the university as a sort of “melting pot” of talented and passionate artists who “are not working professionally or for money yet, but are still all prepared to put the hours in.”

It’s this shared passion that creates what he calls a kind of “fringe society” that has been the University of Manchester’s most valuable contribution to his efforts to break into the film industry.

This led me to ask him what else, in a more general sense, had his Drama and English Literature degree contributed. “What the course did fantastically”, he says, “and what I’ll always be grateful for, was how they nurture the intellectual side of this kind of area. They will teach you about the people who have gone before you, what they did and how they did it”.

While this education is key to holding your own as a young professional in such a competitive industry, he concedes that “in terms of the doing it yourself, the practical side, that’s not what you should expect from this course, that’s not what you’re going to get”.

One thing Tom cannot emphasise enough is how integral it is that you have a real passion and determination to break into the creative industry.

Thankfully, Tom possesses this determination in abundance; it’s a passion and zeal that drips off of every word he says about his experience as a creator so far. Despite professing he is absolutely not wise enough to offer advice to anyone leaving university with dreams of becoming something within the arts, he aptly refers to the story behind his favourite film Fitzcarraldo for inspiration.

The film, set in the Amazon rainforest, focuses on an opera-obsessed man who wants to drag a ship up a mountain. It’s ever-so-slightly mad director, Werner Herzog, was adamant that they don’t use special effects so he dragged an actual ship up an actual mountain.

It’s this dedication that Tom says is essential. “If you want it enough, you will take it. And if you settle you’ll be thinking about that for an awfully long time”.

Subterranean Thoughts comes out in January when it will also be circulating the film festival circuit. Be sure to keep an eye out for it and also its sister film Hilda, which the two other quarters of Odds On (Michael Honnah and Rishi Pelham) are currently creating. Until then, to Tom and Dylan, happy filming!

Take a break without breaking the bank

Finding a cheap break abroad often feels impossible, especially on a student budget. But with some time, patience, and shopping around you could be jetting off in no time!
Top tips for finding a cheap city break:

–Be flexible.

For University of Manchester students, the winter break is longer than school holidays, making the week after New Year 2018 the perfect time to book a short break as flight and hotel prices drop considerably.

–Shop around!

Sites like TripAdvisor do the comparing of prices from numerous sites for you.

–Make sure you pick a cheap destination too if you are on a budget. It’s all well and good finding a great deal on flights and accommodation but you may spend a fortune when you arrive!
There are some great last-minute deals available but if, like me, you like to plan in advance then here are 3 great city break deals for New Year 2018 that you won’t want to miss out on:

 

Amsterdam

 

Image: Pixabay

Flying with easyJetManchester to Amsterdam: 14:10 on the 9th of January 2018

Manchester to Amsterdam: 14:10 on the 9th of January 2018

Amsterdam to Manchester: 21:15 on the 12th of January 2018

Flights for 2 people: £88.96

Price for 3 nights for a double/twin room: £204

Total price: £292.96 for two (£146.48 each)

 

Prague

 

Image: Pixabay

 

Flying with EasyJet

Manchester to Prague: 14:40 on the 6th of January 2018

Prague to Manchester: 21:00 on the 9th of January 2018

Flights for 2 people: £108.96

Hotel: Jurys Inn (£48 per night with Hotels.com)

Total price: £252.96 for two (£126.48 each)

 

Berlin

 

Image: Pixabay

Flying with Ryanair

Manchester to Berlin: 11:55 on the 6th of January 2018

Berlin to Manchester: 11:10 on the 9th of January 2018

Flights for 2 people: £67.96

Hotel: Select Hotel Berlin The Wall (£39 per night with Agoda.com)

Price for 3 nights for a double/twin room: £117

Total price: £184.96 for two (£92.48 each)

 

All hotel and flight details correct as of 28th of September 2017.

Review: Patti Cake$

Geremy Jasper has directed, written, and composed this uplifting hit, telling the story of Patricia Dombrowski, a.k.a. Killa P, a.k.a. Patti Cake$, a hopeful rapper waiting for her chance to make it big, played eloquently by Danielle Macdonald.

Patti rides around the town in her “Patti Mobile”, as advertised on her number plate, in a down-and-out area of New Jersey with her sidekick and quirky counter-part Jheri, played by Siddharth Dhananjay, searching, somewhat half-heartedly, for greener pastures. In one rap battle car park scene, Patti verbally slams those who regularly call her “Dumbo” and insult her weight. Her attempt to overcome all the odds is part of this story, but it is more so a film about personal uplift.

Patti’s fire, work ethic, and talent drives her and Jheri’s journey from the bottom to the top, conveyed with almost effortless skill by Macdonald. Patti is a lower class white rapper, like Eminem in 8 mile, and tells a similar story of the Hip-Hop underdog. That said, this empowering fairy-tale rings more like Tracey Turnblad’s story in Hairspray – Killa P’s larger-than-life talent is important and inspiring, but doesn’t take itself too seriously.

Set in “Dirty Jersey”, the mundane is brilliantly transformed into a neon wonderland; dingy bars illuminated in electric blue light and bold car headlights beaming in car parks, switch to in-your-face close-ups of Patti spitting bars. This film packs a punch. Stunning and unavoidable, Federico Cesca’s cinematography is wonderful and the soundtrack glorious and oh-so-catchy – you will leave the cinema with some witty feminist rhymes – and vibes – stuck in your head.

My worry before watching this film was that Patti’s size would not lend her effective credibility as an underdog – after all, look at Biggie Smalls; who says your size can hold you back in rap?  But this was also a story with femininity at its heart. Jasper delivered effectively on creating an empowering story of rags-to-riches which doesn’t take too seriously the connotations of privilege that go alongside being slightly larger and white.

I also feared that Patti Cake$ would not afford appropriate credit to the African-American contributors and pioneers of Hip Hop in the way 8 Mile, the semi-biographical story of Eminem, did so effectively in 2002.  But we are reminded throughout, albeit somewhat quietly, that Patti is “white girl” trying to make it in an African-American music style. Jasper gives what feels like a fitting nod to the important elements, including a short cameo from MC Lyte, one of the original black female rapper’s of the 80’s, who ends up being a vital piece of Patti’s puzzle: getting her crew “PBNJ” a play on the radio, so we know, in classic happy-ending style, that they’ve “made it”.

This was an entertaining and worthwhile piece of cinema, not sensationalized and certainly not to be taken too seriously. Patti Cake$ plays it’s context well for the type of film it unashamedly is, and with a stylish grace PC proves to be a musical joy, and certainly a triumph for director Geremy Jasper.

Beauty Consciousness – Glossier in the spotlight

With the awareness increasing regarding the treatment of animals, and the rise in vegetarianism and veganism, people are also looking outside of their fridges and towards other life choices, including what they are purchasing for their make up bags.

According to the Vegan Society in 2016, over half a million people in Britain are now labelling themselves as vegan. 22% of them are dwelling in the nations capital, so it’s there is money to be made by the beauty industry in addressing and meeting the beauty requirements of such consumers.

As conscious consumers it is essential for us to know the difference between vegan and cruelty free. Cruelty free brands promise that no animals have been tested on during the production process but may contain animal derivatives. This includes silk from silk worms that gives your favourite cream its soft and silky texture.

Help is at hand though — if you are looking for some key staples to place in your make up bag, there is one brand new to the market that will be sure to tickle your fancy.

Even if you haven’t heard of Glossier, you have probably seen its millennial pink and bold packaging plastered to your Instagram feed by some of the worlds most respected beauty industry experts, editors and bloggers. This New York brand was created by Into The Gloss founder, Emily Weiss, in 2014. Coveted by all of us beauty addicts in the UK, the wait is almost over for us to purchase it on home soil! The collection ranges from essential skincare, body hero products, beauty and everything in between.

My top recommended purchase from Glossier would be their Cloud Paint Duo. This smooth, creamy, gel textured blush is available in four shades inspired by New York sunsets; Dusk, Puff, Beam and Haze. It’s low maintenance application also won me over — only fingers tips required — and it provides a bright, colourful, dewy complexion, that doesn’t mask but enhances all of your natural features!

Photo Credit: Glossier @ Instagram

The efficiency of this product is off the charts — the tiniest drop goes the longest way. Your radiant cheeks will be visible for miles around! It’s the perfect antidote if you’re feeling a little washed out as winter looms.

Ingredient wise, it contains collagen — an ingredient renowned for plumping and hydrating your skin. Both the cloud paints, and the remainder of the eclectic Glossier range are paraben and cruelty-free, making them an even more attractive purchase.

The Glossier collection will be available to purchase online in the UK from October and their prices range from £10-£32.

Over half of UK students avoid the doctor when ill

55 per cent of students aren’t visiting their GP when ill, a PushDoctor survey in June found, resulting in almost half seeing their condition worsen.

The biggest factors named by 59 per cent of students were their lack of time to make appointments and the inconvenience of visiting a surgery. This is unsurprising given that 21 per cent claimed their top frustration in trying to obtain a GP appointment was having to take time out of their studies to attend the surgery.

Taking time out from working or missing a University class to attend an appointment is undesirable, but almost half reported their condition worsening as a result of their lack of medical attention. Not only harmful to their health, prolonged illness can affect their studies as well, preventing students from attending University classes and hindering their work efforts.

The students surveyed expressed that they were frustrated by the waiting times and two-thirds claimed to wait an average of between 1-2 weeks to see a GP. 35 per cent said the appointments were so long after the initial enquiry that symptoms had subsided when they were finally seen by a doctor.

The average national waiting time for a GP appointment is 13 days, according to Pulse Magazine, however, most respondents – 71 per cent – said they expected to see a doctor within a week and a prolonged waiting period is off-putting to many with health concerns that are time-sensitive.

Shockingly, one in five students were unable to get an appointment at all. Shortcomings such as these discourage young people from seeking medical advice, and many lose faith in the healthcare system. Some students said they were “feeling like a burden on the NHS” by visiting their GP without a serious problem, which prompts concerns that the primary care offered by a GP is beginning to appear as a more valuable resource.

A student from the University of Manchester shared their negative experience at a GP practice in Fallowfield with The Mancunion.

“I developed several different worrying symptoms… I called Bodey Medical Centre every morning for a week, trying to make an appointment with my GP. After exactly 50 calls on the last day, I finally got through, and they told me that my symptoms qualified for an emergency appointment – but… they gave me a telephone consultation instead.”

On requesting an ultrasound the student was told by a GP that “waiting lists for radiology departments in Manchester were 6 weeks long.”

The student visited a doctor abroad when they felt the Medical Centre was incapable of providing them with adequate care. They told The Mancunion that “the other hospital [they] went to abroad gave a full detailed diagnosis.”

This case exhibits both how the GP failed to see the student quickly and adequately fulfil the needs of the patient. Negative experiences also discourage people from using this area of the healthcare system again.

Recent figures suggest that waiting times are set to increase further still; already a third of students in Northern Ireland wait over 3 weeks for appointments and the rest of the UK is set to follow, which can only add to the obstacles faced in trying to encourage more students to seek treatment for illness.

At Home with Sex Blogger, Eliza Lawrence

In the age-of-technology, images of sex and sexuality are highly influential to a generation who is constantly surrounded by social media. Although sex is a topic that is still very controversial, we see a forthcoming of the younger generation that is not afraid to discuss the world of sex, whether attractive or unpleasant. ‘Wasitgoodforyou’ is a creative platform founded by Eliza Lawrence where sex is explored freely in an aim to dispel the taboos surrounding it. I sit down with her on a lazy day and ask her views on the boundaries of sex and how the world treats the discussion.

How was ‘wasitgoodforyou’ was born and what was your influence?

E: It was born after I fell in love and the rabbit hole I found myself in was beautiful, poetic and largely sexual. After a tough summer when the love was ruptured, I began to write all the memories down. I then realised that all those writers, artists and creative humans that I admire always explore sex and love through their respective platforms. Despite those we worship in our culture doing this, sex still seems to be ‘behind closed doors’.  We buy into sex so easily but when it comes to discussing it one to one, [but] in the public we become closed and frightened.

I wanted to expel this using creativity and a platform that can be a way of coping with this tumultuous topic through literature, art and other vehicles. I want to come out of the shadows and thus bring more beauty into this world. Thus my influence was my last boyfriend who showed me sex wasn’t just penetration, and to all the greatest love stories that we need to start telling again.

What are your views on how media views and portrays the topic of sex today?

E: I believe, in a lot of ways, that media portrayal is supremely superficial. They use sex to drag people in because we are all intrigued by it. ‘They’ – the advertisers/ celebs etc. are very clever and entice us. However, does it really talk about sex? It’s a selling point, but it does make sex very black and white, very primary colours.

The portrayal is dangerous as it doesn’t show sex can be extremely painful or that it is often biblical. Or even that sex is not just about sex. Then the real contradiction is that media makes money through sex but the way it often views sex is that it is scandalous and taboo. Something doesn’t add up!

In an ideal world, what attitude should society have towards sex and sexuality, and why?

E: Since I took my clothes off (metaphorically) and jumped into this beautiful and messy pool of sex I have found out that if we all breathe out and become more open, that it is relieving and massively empowering. I think society should recognise that there is more danger in saying sex is taboo. The lack of conversation causes problems when there is rape or when a person is exploring their sexuality. If society was more open, my sexual experiences at the first stage would have been much less complicated.

Do you think a line should be drawn when it comes to public expressions of sex? If so what are the boundaries?

E: Yes, as much as I want people to be open about it I still believe that sex is often a very private matter and that in this privacy often is where the beauty of it lies.

I believe if one is to express themselves as a sexual creature in the public eye, responsibility must be taken and correctly treated. I really disagree in censorship  – watching porn at a young age, I am actually thankful for it. If it isn’t all out there we don’t get to choose. I really don’t know what the boundaries are, as long as we have safety and openness.

When did you become interested in the topic of sex – did university have a part in this?

E: My father had a shed at the end of the garden. It was forbidden. So I went in! There in between the spades and the old drag outfits, I found a box of old porn magazines. I think this is why I don’t shave, those old porn mags told me a bush is better than a desert!

That is where it all started. As I explored, I noticed it made me very warm and dizzy, and still to this day, that is my most desired feeling. My experiences at university definitely gave me the confidence of exploration and creativity.

Check out the link below to slip into the chaotic world of sex.

www.wasitgoodforyou.co.uk

Muslim students harassed for praying on campus

A number of Muslim students have come forward with stories of being stopped from praying on campus by security staff, after which the University’s part-time BME officer conducted a survey to investigate how students felt about prayer spaces provided by the University.

According to the survey completed by 70 Muslim students, 86 per cent of students felt they had experienced wanting to pray on campus but feeling like there was no space to do so, 96 per cent wanted to see more prayer facilities on campus and 17 per cent said they had felt harassed for praying on campus.

Of these twelve students that felt harassed, some spoke to The Mancunion about their experiences.

Aishah, a second-year medic, claimed to have been stopped from praying at the Alan Gilbert Learning Commons (AGLC) during exam time and told The Mancunion: “I’d stay quite late and wouldn’t feel safe going out to find another place to pray as other buildings would be closed. The male guards would wait till I was done praying before telling me I couldn’t pray in the stairwell between floor 1 and -1.

“On one occasion the female guard shouted at me while I was mid-prayer so that I would stop. I wasn’t blocking anyone[‘s way] and there was plenty of room, but still she insisted it was a fire hazard.”

One witness to these events, also a Muslim student at the University, commented that the staff stopping students from praying cited safety reasons for it and said “as if in the event of a fire, you’ll just stand there and not move.

“If I can sit down and have a chat with my friends in front of a fire exit, I’ll pray there too.”

After hearing stories like this, the University’s BME officer conducted the online survey with the intention of proposing a policy at the Students’ Union senate for prayer spaces in every building on campus.

She added that this would include a segment on appropriate behaviour around students who are praying, commenting “certainly not [by] interrupting them, so disrespectful!”

Previously, a petition to have an official prayer space at the Main Library was signed by over 600 students in 2015. One student, Doyinsola, explained her reason for signing it: “Although I am Christian I know prayer is an integral part of religion, especially for Muslims. Travelling far to observe evening prayers can be quite risky and frankly unsafe. I can’t believe they don’t have one in the first place.”

Other students have reported feeling racially profiled by staff, who asked them to refrain from praying without any reason.

One student who experienced this and chose to remain anonymous told The Mancunion that she had been approached by a guard at the AGLC while she was taking a break from revision and talking to her friend. “She just came over to us and reminded us, irrelevantly past midnight, not to pray anywhere in the Learning Commons.

“Clearly it’s because she saw that we were both wearing the hijab because she’s singled out and done this to two of my friends who wear headscarves because they were visibly Muslim.”

When asked about these incidents, Deej Malik-Johnson, campaigns officer, stated that “it is deeply troubling to hear reports of students being denied access to pray[ing] on campus where prayer rooms are not available.

“Following on from a year where we have seen an increased number of attacks on visible Muslim women on and around campus, and with Jewish students reporting that they feel unsafe, the university should work towards ensuring [that] campus is a welcoming and safe environment for all of its students.

“I believe, for the university to live up to the standards of tolerance, education and justice that it purports to hold dear, it should commit to creating dedicated spaces for prayer, meditation or contemplation in learning areas that are accessible to all staff and students.”

According to a recently released statement, a University spokesperson responded to the allegations of staff misconduct and demand for prayer spaces, saying that “The University takes very seriously the report of harassment, particularly as we are not aware of any incidents, and would urge students to report this if it happens. Library staff are instructed to ask students to move only if they are obstructing a walkway.

“When designing the Alan Gilbert Learning Commons and improving the Main Library, student feedback has been to address the serious pressure on study space and access to enough books on the shelves. However, Library staff are happy to talk over the priorities for space usage in the regular meetings with Students’ Union Exec members.”

The University of Manchester’s Islamic Society is the biggest registered student society on campus and said to be the biggest in the UK. Their website states that there are two main prayer halls on campus, with ablution facilities: the McDougalls prayer hall on Burlington street; and the North Campus prayer room (also known as UMIST Mosque).

The website also mentions other places to pray during working hours only, including a room in the Ellen Wilkinson building, the Students’ Union safe space, the Stopford building and a quiet room at the St Peter’s Chaplaincy.

Review: Rubix Cube at Antwerp Mansion

23rd September 2017

As if the students of Manchester needed another excuse to dress up in their finest 80’s and 90’s get up, Antwerp Mansion gave us one more, with their night ‘Rubix Cube’. The disco and funk alternative to battle Pangaea.

The whole night itself reminded me of a psychedelic Doctor Who episode. Like the Tardis, the venue, at first, looks inconspicuous and discreet. For those who have never been, they probably begin to wonder if they’re in the right place at all. Which is one of the things I really like about Antwerp Mansion. This couldn’t, however, be more of the opposite when inside. Rubix Cube opened to be a whole new world which was inhabited with a muddle of creatures with glittery faces, psychedelic body dips and those who had raided their parents’ wardrobes as far as the eye could see.

The music was also a nice change. Most nights held at Antwerp normally fall into the house/techno/electronic genres, and whilst I love dancing to songs that have little to no words in them. I loved being able to sing my heart out to every word of old school classics such as the Eurhythmics, Michael Jackson and Phatts and Small.

This event knew exactly what people wanted and ran with it. The night was a booming success and was such fun from the start right until the last minute. There was honestly something for everyone and surprises around every corner as you ventured through the night. Bouncy castles, 4-foot Rubix cube, pole dancers and confetti cannons ensured that there were consistent surprises until the early hours.

Rubix Cube is returning to Antwerp Mansion on the 21st of October, where it aims to submerge attendees into an ‘electric dreams’ dystopian theme, still keeping the retro 80’s/90’s concept, as Halloween fast approaches

Antwerp Mansion has also undergone some lovely little developments now these days too — they finally have doors in their bathrooms. (Hoorah!)

 

Buy Tickets for the second installment of Rubix Cube here

https://www.skiddle.com/whats-on/Manchester/Antwerp-Mansion/Rubix-Cubes-Electric-Dreams-W-Psychedelic-dip-crew-/13060230/

 

Review: Borg vs McEnroe

The 1980 Wimbledon Final between Bjorn Borg and John McEnroe is arguably the greatest game of tennis ever played. Therefore, the decision to hinge all the drama on the notion the viewer won’t know the outcome of said match is bewildering and director Janus Metz’ film suffers greatly as a result.

How the tennis is presented was always going to be an inescapable issue for the film, as BBC’s Wimbledon coverage has such a distinctive style. Wide court and crowd shots are juxtaposed with close ups of players and fans. When the rallies begin the camera sits behind the players capturing play in its entirety from start to finish. Shia LaBeouf and Sverrir Gudnason through no fault of their own cannot reproduce the same level of tennis of Borg and McEnroe and the method of capturing the footage has to be different.

One singular, glossy shot of each point turns into a sea of rapid cuts and hardly any of the action is seen. The tension that should have built up throughout the match, especially during the nail-biting 20 minute tiebreaker, is non-existent. A potential solution to this problem is to weave the actual footage from the game into the film but that too has its own stumbling blocks.

Away from the court, writer Ronnie Sandahl tried to challenge the general perception of the two players being polar opposites: Borg, disciplined and collected, and McEnroe, unpredictable and volatile. He uses an array of flashbacks to show how they are instead two sides of the same coin, that Borg as a child was equally as volatile but learnt to hold it in. This story arc takes up the majority of the non-tennis runtime but gets lost deeper and deeper within itself, he is perpetually a ‘volcano ready to erupt.’

With Metz constantly looking forward towards the final to generate tension, he fails to find ways to make it in the present, every scene is overly-dramatic regardless of its real meaning. Even moments as simple as a small talk conversation feature a grandiose score that swells as the conversation reaches a mild climax. That climax is always a question destined to remain unanswered for eternity.

The orchestral soundtrack as an individual collection of music is undoubtedly fantastic. Drawn from four different composers it would not look out of place in Harry Potter or Lord of the Rings. One scene in particular as Borg finally defeats McEnroe in the fifth set tiebreakers features marvellous strings that would evoke great emotion had the film created it. Likewise the cinematography Niels Thastum deserves plaudits for his work in making each scene visually resplendent.

The core vision was to produce a film that would stand shoulder to shoulder with not just great sports films like Moneyball but great films in general. Sadly the failure to presume the viewer already knew about the iconic match, the over reliance on flashbacks and the weak plot arc about them being the same on the inside created a disparity in quality between the expected and realised films.

Review: The Killers – ‘Wonderful Wonderful’

Though familiarity may undulate throughout the middle of the record, this is an album with bite. Oozing with a soulful depth which sparks electricity into stand-out tracks, The Killers mean business, as it radiates confidence and experiments down synthesised avenues.

Immediately the record jump-starts into peculiar territory, but there is a depth to the rumbling bass and hefty crescendos of the title track, ‘Wonderful Wonderful’, which makes it a powerful opener. The second track, ‘The Man’, released in August, jangles with personality and captivates the album’s sense of rejuvenation.

Emotions fluctuate throughout the record, but it maintains a constant vintage quality which borders on 80s synth, recharging it with modern twists and turns. ‘Rut’ emanates this smooth anthem quality, from which point the album becomes rather saturated with monotony, and dips into repetition which is a shame for a band heading in such an intriguing direction. ‘Out Of My Mind’ redeems the album, saving the band with its electrical undertone and 80s sheen.

The standout track from the latter half of the record is undeniably ‘The Calling’, the penultimate song which resonates with retro rhythm and blues elements, combined with unexpected synth additions and a contagious bass. Opening with a spoken Biblical sequence, the song has the same confident snarl that dominates the beginning of the album, with Brandon Flowers’ attitude shining through. Final track ‘Have All The Songs Been Written?’ spotlights Flowers’ inherent sincerity and heart to his vocals, which are the focal point of the album’s close.

The Killers have certainly begun to move in an alternative direction and experiment with new genres which play a huge role in the undertone to the album. The record as a whole lacks a common thread to cohesively bind together the ‘wonderful’ individual elements, but the band have returned with a unique soulfulness which is rare to see in bands of their calibre.

A Student Life: Matthew Freestone

Missed out on tickets to Motherfunkers? Looking for Parklife set times? Found a decapitated pig’s head outside your window? Chances are you’ve used the Fallowfield Students Group. I sat down with the man behind it all to find out where it all started.

Matthew Freestone is friendly and confident. A History and Sociology graduate originally from Guildford, Surrey, he’s more than happy to talk to me about the group. From its inception to its current state of 19,000 members and growing.

On creating the group, he tells me: “Initially it was called Fallowfield buy/sell because at the start of my second year I thought there were a lot of communities based around halls but there wasn’t a group that was just for students in Fallowfield.” His main intentions were to create a community for students in Fallowfield and to make it easier for them to trade tickets.

As we chat the group hits 19,000 members and we consider the ways it has evolved. Freestone says, “I never expected it to grow as much as it has and I also didn’t expect it to diversify in terms of the content. It recently changed to Fallowfield Students Group because people are using it to ask questions, look for train tickets, and even advertise room vacancies. It’s become a platform for anything student related.”

Having recently graduated, the group has become his brainchild. He tells me “I’m still very involved in terms of moderating the group but I also have three students from Fallowfield who help me run things. They help me to control who can get into the group or who gets banned. This usually only happens if the content isn’t what I’m looking for or if it isn’t student related”.

The concept continues to grow. Freestone himself has had a hand in this, running frequent giveaways within the group. There are even now groups for Oxford Road and Salford and he hopes to unite the three soon. This way, he thinks, more students can come together to help each other solve problems and continue to trade tickets.

Whilst the group has become well-known around campus, it is still operated independently. When quizzed on input from the university Freestone stated “I don’t have much input from the university currently. I’m hoping to advise them on how they can improve their own outreach, particularly surrounding freshers week.

“After speaking to a lot of students I feel like there’s often a lot of confusion for students arriving at university, mostly in terms of event organisation like which events are official and which aren’t. I definitely think I can help with that.” He hopes this approach will develop into a collaborative effort with the students’ union.”

His personal aspirations, however, are decidedly less vague. He wants to work in marketing noting, “I’d like to work at a start-up because I feel like I have quite an entrepreneurial mind. Hopefully what I’m learning from the Manchester student community will be useful and will eventually help me develop something more profitable.” Currently, he makes no profit from the Fallowfield Students Group.

When asked for tips for other students hoping to launch their own projects or platforms, Freestone is shrewd and sure. He reflects, “starting something as a student with other students can create friction. There will always be people who don’t understand what you’re trying to do and who are going to try and put down your ideas. Ignore them.

“More often than not they’re not the people you should be asking. You should seek the advice of people who know what they’re talking about and don’t let negativity hold you back. If you put your mind to it and seek out the right people, you really can be successful.”

His advice for current third years however, is short and simple. Networking. He says, “when you’re in third year you really need to try and figure out early on what it is you want to do and what your interests are. Because in third year you’ve got to balance the stress of a dissertation or a final project with finding a job. My advice for people who already know what they want to do and what their passions are is to start networking and use university alumni to help you. Things like linkedin are invaluable because you can reach out to people who’ve been where you are. They can help you and they’re usually very happy to help. Something like 70 per cent of jobs are found through networking so it’s good to make contacts for the future”.

Back to the group, we trade laughs. His favourite posts range from the funny (the time someone had a fish posted through their letterbox) to the helpful (someone was once able to locate the people who had helped them escape a mugging in Fallowfield). My personal favourite remains the person who left Squirrels only to find that someone had chained a bike to theirs in Owens Park.

Readers looking to find Matt can follow him on instagram @fluff_freestone or, simply look up admin in the Fallowfield Students Group.

 

Women in Media to network in London

The growing success of the annual Women in Media conference in Manchester has resulted in a networking event being hosted in the capital on the 6th of October, which reached capacity in under 48 hours.

The event, hosted at Amnesty International’s UK headquarters, will be an opportunity to meet and network with the industry’s leaders in London next month.

The annual conference in Manchester will take place at the People’s Museum on the 3rd-4th of March with a range of women coming together to celebrate their talents and to encourage women to rise against the political, social and economic injustice that women in media face. This will be the third year of the conference.

However, in those three years some people have been left wanting, as Kirstie O’Mahony, this year’s chair of the Women in Media conference and The Mancunion Editor-in-Chief explained: “freelancers from areas further south than Manchester had made it plain to co-founder Polly Bartlett that, whilst they’d love to attend, they simply couldn’t afford to make the journey. That’s why Polly, along with co-founder Jenny Sterne and previous chairs Elise Gallagher and Gemma Sowerby started planning this networking event in London.”

Kirstie added: “We hope it will not only bring a slice of the action to those who can’t make it to Manchester in March, but also serve as a great promotion for the conference too – get people excited who were already planning on attending.

“Women in Media is an incredibly important event, as it showcases all the fabulous female talent the industry has to offer and allows women who are just about to start their media careers get tips and start building their network.”

The Editor of DIVA magazine, Carrie Lyell, is among the list of attendees.

Carrie worked at the magazine for four years before earning the role of Editor-in-Chief, and is known for her publications, support towards the gay community, and maintaining the high expectations of her role at DIVA. Carrie Lyell was named the first lesbian editor of a magazine, which was seen by many as indicative of a more liberal, progressive and tolerant society.

Speaker and journalist Harriet Minter is a good friend of the conference, and is known for her work towards gender equality. She will also be attending the event. Minter encourages women to stand up to social and economic injustice within different communities,  and calls up against what she believes to be the wrong-doing of male cultures that harm women’s ability to thrive in various industries.

Another attendee, Megan Lucero of The Bureau of Investigative Journalism, “spearheaded The Times'” political data unit ahead of the 2015 General Election — making it the only one in the industry to reject polling data ahead of the election, as stated on her profile page. Lucero’s team brought many issues into the public discourse and won awards for revealing the widespread use of blood doping in the Olympics.

Whilst this event is full, there are plenty of exciting announcements regarding the conference to come very soon. Give Women in Media a like on Facebook to keep up to date.

Tuition fees an ‘extraordinary policy success’ says minister

The Minister for Universities, Science, Research, and Innovation has defended the current system of student loans and the government’s new policy of raising the repayment threshold to salaries of £25,000 per year.

Jo Johnson MP described Labour’s pledges to scrap tuition fees as “an extreme alternative” to a regime he describes as “an unsung and extraordinary policy success.”

“I do want to defend the way we share the costs of higher education between individual students, who go on to have higher lifetime earnings, and the general taxpayers.”

He also asserted that as it is not a commercial loan, the government is fully within its rights to change terms and conditions retrospectively, as it has a responsibility to providing value for taxpayers as well as graduates.

“We need to be vigilant about their interests too,” said Johnson of taxpayers.

Johnson made the comments at a party conference fringe debate, held by moneysavingexpert.com, and was joined by the site’s founder, Martin Lewis.

Lewis was most critical of the use of the term “debt” to describe student loans and proposed calling them “graduate contributions” in order to not put off students going to university.

“The language of debt is psychologically damaging, it should not be called a debt.”

Lewis stated that calling it a debt — linking it with other forms of credit such as bank loans and mortgages — has a negative effect on potential students’ and families’ approach to university, which Mr Johnson agreed with.

“We do need to work on the language and cease to use the terminology of debt.” the Minister added.

He also denied that the government is not clear on the means testing of maintenance loans after Lewis highlighted a “parental contribution” element which he says is hidden away on “page 32” of the student loan terms and conditions.

Johnson also confirmed that the government will be coming forward with more proposals to reduce regulatory barriers to universities offering two-year degree courses and that there was no change in the policy of having no cap on domestic student numbers.

The Minister has previously been criticised by Labour for comments he made suggesting students could more easily afford living costs during their studies by being more “frugal.”

Current student loan structure is “wrong” says Tory policy head

The chair of the Theresa May’s Policy Board, George Freeman MP, has told a fringe meeting at the Conservative Party Conference that the effects of post-2012 student fees are “clearly not what was intended”.

At an event entitled “How should the Conservative Party Tackle Intergenerational Unfairness”, organised by the free market think tank the Institute of Economic Affairs, he said that the reason loans will be changed for future students is because “it is wrong if that debt becomes a disincentive to get on and earn more”.

It came after the Prime Minister announced that, among a number of new measures aimed at winning over young voters, tuition fees would be capped at £9,250 for those stating university 2018-19, and that the repayment threshold would be raised to salaries of £25,000 and over.

Lord Willetts, who was Universities Minister from 2010 to 2014, welcomed the changes, telling The Mancunion: “the thing students should focus on is the repayment formula, and of course the main change today is to make that repayment formula even more generous.”

However, he also defended the current system saying that: “the so—called ‘student debt’ is nothing like an overdraft or a mortgage” and that access to university among those from disadvantaged  backgrounds had not been diminished since that fee regime was introduced.

When discussing what would attract young voters to back the Conservatives, Freeman said that it would not be achieved by “being trendy, and having Glastonbury-style things” — in reference to Corbyn appearing at the festival this summer — but admitted that there is a widespread cultural perception among young voters that the Tory Party is not for them.

He also told the audience that the election showed that there is a crisis in capitalism and that the unfairness between different generations is “the biggest domestic issue we face.”

“The markets are not working, and that’s why people are losing faith in capitalism…It’s about regulating the market so that it works.”

Freeman also dismissed any prospect of moving policy closer Labour’s after the opposition’s unexpectedly good performance in the general election.

“If we go down the road of offering a money tree, turn on the taps, all-things-to-all-people Corbyn solutions, they’ll vote for the real thing. We have to come up with conservative solutions.”

Cocktail bar brawl leads to death near Deansgate

A 21-year-old man has died after he was stabbed during a mass fight near Deansgate.

The man was stabbed and treated by paramedics at the scene for stab wounds to his neck but sadly died.

Another man was glassed and two women were punched unconscious, with several others hospitalised during the brawl.

Police told the Manchester Evening News that they believe the trouble started in the nightclub before spilling onto nearby John Dalton Street.

Footage has since emerged confirming a mass brawl broke out inside the Suburbia cocktail bar on Ridgefield near Deansgate.

The footage shows dozens of people fighting and bottles and chairs being thrown inside the cocktail bar.

Police were called at around 2.50am.

John Dalton Street and King Street South were temporarily closed, though GMP announced at 4:37PM on Twitter that John Dalton Street had re-opened.

Four men have been arrested by police including a 21-year-old man who has been arrested on suspicion of a section 18 assault.

Chf Supt Emily Higham from GMP’s Major Incident Team told Manchester Evening News: “What we were faced with during the early hours of this morning was a large group of men and women fighting in the street.

“Sadly, a 21-year-old man has lost his life, my thoughts go out to his family at this unimaginably painful time.

“We are appealing for anyone who witnessed the fighting to get in touch as soon as possible.

“We believe the fighting started in the Suburbia nightclub and spilled out onto the road, so there is potentially a nightclub full of witnesses who we want to hear from.

“I am asking anyone who has any information or concerns to get in touch with police as a matter of urgency. The level of violence people were using towards each other and police was shocking and this resulted in the tragic loss of a young man’s life. We cannot let those responsible get away with this.”

Speaking to the Manchester Evening News, an eye witness (who asked to remain nameless) said: “The fire alarm went off and the lights went up, then everyone started arguing.

“Everyone was a bit drunk and started fighting. There were chairs and bottles being thrown, people grabbing pieces of glass and going crazy.

“People were throwing anything they could find and picking up bits of broken glass.

“It was a stupid argument that turned into a big brawl.

“People were running to hide in the toilets because they didn’t want to get hit by the glass.

“They ended up outside. We were just stood in the girls toilet so that we didn’t get hit by any glass.

“It was horrible to see. Sometimes there is trouble in bars, but this is the first time I’ve seen anything like that

“There were about 30 people involved. Loads of people were huddled in the toilets. People were frightened.”

A spokesman for Surbia told the Manchester Evening News: “Suburbia Manchester has always operated a strict door policy and have zero tolerance towards any anti social behaviour or violence both within and around the premises.

“We are working alongside Greater Manchester police with their current investigation and will continue to do so throughout.

“As a team, we would like to send our deepest condolences to all those affected.”

For up to date information and updates on this story, follow GMP City Centre’s Twitter . Anyone with any information has been asked to contact police on 0161 856 4227, or alternatively can call 101 or Crimestoppers anonymously on 0800 555 111.