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Alexia Pieretti reviews a live-streaming of Monster/Monstrum, which was performed at NIAMOS Art Centre as part of the Drama Society’s MIFTA season but live-streamed in the wake of the coronavirus crisis

Review: Mame

Alexia Pieretti reviews the first production of Mame in half a century, starring 2 x Olivier winner Tracie Bennett

Alexia Pieretti reviews dark comedic social commentary The Shadows, performed at the King’s Arms as part of the Drama Society’s MIFTA season

Alexia Pieretti reviews the University of Manchester Drama Society’s production of Rory Mullarkey’s The Wolf from the Door

Review: Hedda Tesman

Alexia Pieretti reviews Hedda Tessman, a modern retelling of Henrik Ibsen’s iconic Hedda Gabler

Photo: Alex Winward

Alexi Pieretti reviews UMMTS’ last musical of the year, Spring Awakening; a show which brings hope for societal change whilst condemning censorship and adults who stifle the minds of the young, as well as the criminalisation of abortion