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Alexia Pieretti reviews a live-streaming of Monster/Monstrum, which was performed at NIAMOS Art Centre as part of the Drama Society’s MIFTA season but live-streamed in the wake of the coronavirus crisis

Review: Mame

Alexia Pieretti reviews the first production of Mame in half a century, starring 2 x Olivier winner Tracie Bennett

Alexia Pieretti reviews dark comedic social commentary The Shadows, performed at the King’s Arms as part of the Drama Society’s MIFTA season

Review: Hedda Tesman

Alexia Pieretti reviews Hedda Tessman, a modern retelling of Henrik Ibsen’s iconic Hedda Gabler

Photo: Alex Winward

Alexi Pieretti reviews UMMTS’ last musical of the year, Spring Awakening; a show which brings hope for societal change whilst condemning censorship and adults who stifle the minds of the young, as well as the criminalisation of abortion