Alana Cook enjoys the Royal Shakespeare Company’s song-filled touring production of ‘Matilda’

Libby Williamson reviews the return of ‘A Game of Two Halves’, the winner of Best Production at the Manchester In-Fringe Theatre Awards (MIFTAs)

Orla Quilligan reviews Headlong Theatre’s ‘Meek’, a story that captures the moral dilemmas and political implications face our own society

Anuli talks to Caroline Redman Lusher about the success of Rock Choir, Proms in the Park and what the future might hold

Libby reviews the annual LGBTQ+ comedy and drama night organised Hope Theatre Company

Anuli Changa reviews Jude Christian’s unique retelling of two famous Shakespeare plays

William Leah recounts his Fringe experience as a producer on the UoM Drama Society’s (HiveMCR) production of ‘Pomona’

Harry reminisces about performing in Festivus Collective’s ‘The Henriad’ at this year’s Edinburgh Fringe

Mary recalls her experience as a producer on Delicious Theatre’s ‘Little Shop of Horrors’ at Edinburgh Fringe

Chris reminisces about university life and his theatre-related achievements as a student

The Opera Shack are shaking up stereotypes with their production of the classic opera, Carmen

Charlie Diver reviews a play that offers some worthwhile moments but fails to live up to its potential

Elysium Theatre Company delivers a punchy, poignant, and darkly funny portrayal of Steven Adly Guirgis’ thought-provoking dark comedy in this performance at HOME

Katie Marriott reviews the touring production of Diane Samuels’ classic play on its 25th anniversary

Anuli Changa reviews Children’s Touring Partnership and Royal & Derngate, Northampton’s production of The Jungle Book

Amy Newell enjoys the final UMMTS show of the year at Partisan Collective

Sophie Graci enjoys a night out with the Royal Exchange Young Company

Jessica Wiehler enjoyed Selladoor’s production of the classic play, but found the experience challenged by differences from the much-studied novel

University of Manchester Musical Theatre Society’s production of A Chorus Line had the audience dancing in their seats

Rob Tomlinson reviews a production that blends tragedy and comedy by mother and child friendly company Abooo Theatre