Kayleigh Crawford reviews Opera North’s Street Scene, which is based on the play of the same name, at the Lowry

Alice Porter reviews ‘How To Keep Up With The Kardashians’, a UMDS production on body image and pop culture

Sam Whitehouse reviews UMDS’s Gorgon Westley’s Railway Circus, which was performed at the Peer Hat as part of the MIFTAs

Anna Jin reviews UOM Shakespeare’s society’s adaptation of King Lear at the Students’ Union Theatre

Alexia Pieretti reviews dark comedic social commentary The Shadows, performed at the King’s Arms as part of the Drama Society’s MIFTA season

Alexia Pieretti reviews a live-streaming of Monster/Monstrum, which was performed at NIAMOS Art Centre as part of the Drama Society’s MIFTA season but live-streamed in the wake of the coronavirus crisis

Lily Rosenberg and Theatre Editor Jay Darcy review Vogue Ball of Atlantis at Manchester Academy

Sam McElhattan reviews Augmented at the Royal Exchange Theatre

Tara Bharadia explains why fans of the original film will love the musical adaptation of Back to the Future

Theatre Editor Jay Darcy, Ana Maria Ortiz and Alana Cook review the worldwide premiere of the musical adaptation of Back to the Future, starring Tony winner Roger Bart, at the Opera House in Manchester

Ellie Klouda reviews Nut at the SU Theatre, which is part of UMDS’ MIFTA season

Sam Bronheim reviews Birmingham Royal Ballet’s Swan Lake at the Lowry

Francesca McClimont reviews Bourgeois and Maurice’s Insane Animals at HOME Theatre

Kayleigh Crawford reviews Super Duper Close Up at the Royal Exchange Theatre

Rosemary Russett reviews Queer Lady M at Waterside Plaza

Alexia Pieretti reviews Indigo at the King’s Arms

Anna Jin interviews the award-winning playwright Winsome Pinnock ahead of her play Rockets and Blue Lights

Cara Conte reviews Ghost Stories at the Lowry

Lily Martin reviews Wuthering Heights at the Royal Exchange Theatre

Alexia Pieretti reviews The Last Temptation of Boris Johnson at the Lowry