Anuli Changa talks to Foxdog Studios’ tech-comedy duo Lloyd and Pete about their production of Robot Chef in Salford

Kayleigh Crawford reviews American Idiot at the Palace Theatre

Ella Marsden reviews Beneath These Tarmac Cracks premiering as part of Salford’s Not Quite Light Festival

Jay Darcy reviews Opera North’s production of Mozart’s The Magic Flute

Anuli Changa reviews The Ginger Snapped, the touring production by Jinkx Monsoon and Major Scales on their visit to HOME

Alexia Pieretti reviews The Funeral Director on its visit to HOME

The results are in – find out who won the awards at the Drama Society’s MIFTA ceremony

Ella Marsden reviews UMMTS’ production of Seussical the Musical

Sam Bronheim reviews Birmingham Royal Ballet’s Beauty and the Beast at the Lowry

Ella Marsden reviews the final production in the Drama Society’s MIFTA season: Chloe Weare’s Do Not Disturb

Kayleigh Crawford reviews Scottee’s Fat Blokes at HOME

Theatre Editor Anuli Changa reviews Manchester Musical Revue’s 48 Hour Challenge Musical

Alexia Pieretti reviews Caryl Churchill’s Love and Information, the penultimate production in the Drama Society’s MIFTA Season

Cathy Wippell reviews The Greatest Tory Ever Told as part of the Drama Society’s MIFTA Season

We all know that theatre isn’t just what we see on stage, it’s also what goes on behind it – Kayleigh Crawford reveals all on what tech theatre is like

Theatre Editor Anuli Changa reviews this year’s Vagina Monologues presented by the Womens’ Theatre Society

Alfie Clark reviews Mother Courage and Her Children in its re-imagined dystopian form, at the Royal Exchange Theatre

Theatre Editor Anuli Changa speaks to Hannah Hauer-King, director of The Funeral Director, written by Iman Qureshi

Jay Darcy reviews jukebox musical Motown The Musical on its touring visit to the Manchester Opera House

Alexia Pieretti reviews Abandon Ship as part of the Drama Society’s MIFTA Season