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Month: February 2018

Review: The Log

Patrick Davenport’s The Log surprises and delights in all the best ways: genius comedy accompanied with moments of emotional poignancy.

Told through the eyes of Charlie, Davenport’s The Log recounts the friendship between him, Karl and Alex from the age of six years old when they meet by a log in Center Parcs, through puberty and the challenges of growing up. Davenport’s writing is devilishly funny, with humour that is entirely relatable, bringing out laughter in all sorts of moments – one most memorably as the six-year-old versions of the friends’ misunderstanding the term ‘racist’ to mean doing something wrong in a sports day race!

Will Vincent is likeable and engaging immediately as the conversational narrator (Charlie), bringing us out of the story with quips about how this is more than a cliché coming of age story, and guiding us the through the years of the friendship. Emily Brocklehurst is great as the inquisitive six-year-old Alex, who becomes a hilariously sarcastic and passionate teenager. A distinct Blood Brothers feeling comes with the first meeting of “Charlie Gray and Karl with a ‘K’” (the latter played by Roman Armstrong), an interaction that embodies the meetings of young children to the point where you forget that you are watching university students.

All three actors impress with their ability to command the stage with perfectly delivered comedic lines and switch to equally believable moments of pain and anger. My one and only criticism is that, at times, the serious moments are slightly lost in a lack of projection.

Davenport’s writing and direction are impeccably displayed in this play, leaving you questioning and qualifying what a ‘close’ friend is, and just how difficult it is to grow up. We watch Alex, Charlie and Karl grow and change, dealing with things that they never knew about each other. Roman Armstrong demonstrates versatility in his portrayal of the contrasting joker ‘Karl’ and the ‘Carl’ that is dealing with his dad leaving. An apparently trivial difference of a letter in his name means so much to Charlie’s character as it is the root of how he sees Carl, capturing the complications of friendship and the raw fact that we rarely show our whole selves to anyone.

The log itself looks impressively realistic in its central role in the simple set – representing a den, a meeting place, a playground, a safe haven and more. Chemistry and comradery between the cast is evident in every moment of the play. The portrayal of their coming of age is realistic, with subtle changes in their acting accompanied by wonderful scriptwriting. It was the perfect decision not to have forced costume changes to show the years passing, focussing on the talent of the actors. Simple and effective lighting takes care of the atmosphere in the intimate Three Minute Theatre.

It’s impossible not to laugh and relate to the hilarious, and difficult, moments of growing up experienced by Charlie, Alex and Karl. The show’s final line, “Do you get it now?” (delivered by Charlie), intrigued and delighted me, seeming to simultaneously remind the audience that this was a story told almost more for Charlie’s benefit than the audience’s and inviting us to take away a more personal explanation or lesson. I thoroughly enjoyed witnessing a play considering everyday things – from Clifford the Red Dog to tomatoes and stars – as it amazed me by provoking thoughts about becoming an adult, friendships and versions of identity.

Interview: Nightmares on Wax

To celebrate the highly anticipated release of the new Nightmares On Wax (AKA, George Evelyn) album, Shape The Future — his first studio album in half a decade — a new video for the album’s title track has been revealed.

The song is especially poignant as it features George Evelyn on vocals, something of a rarity throughout his 25-year career. The marriage of soul, hip-hop, dub, and timeless club sounds that Nightmares On Wax has been mutating and perfecting for years, finds perhaps its most fluid form yet on this album.

Energised by globetrotting runs of studio sessions and DJ sets, this latest salvo is a masterpiece of contemporary and classic genre-blending, that solidifies his place as an inspirational electronic music figurehead.

George took some time out to chat with us about his new album and upcoming tour…

So, you’re back with your first album in five years — why the break from the making music? 

I don’t think I really have had a break. For the last few years, I’ve been touring America and Europe and did the 25th Anniversary tour too. I was always making music, so I don’t feel as if I’ve been away.

How have you seen the electronic scene change?

I’ve definitely seen it evolve far and wide across the globe. I was at a dance festival recently and outside on the street were some female DJs outside an art gallery, and I just thought ‘wow, that would never have happened even five years ago, let alone ten’. Obviously, the underground scene still exists — there will always be an underground and overground scene — but electronic music has made it far more into the mainstream.

Has it been a different process for you making this record?

I find that every record is different and this one evolved over time. I always make music sporadically and an album seems to come together when a collection of songs start to have coherence; start to have a story or a message through them. This album was influenced by a lot of different parts of the world and it was definitely deep and enriching, but also very challenging.

Shape The Future is out now – how does this album compare to older material?

I don’t think that’s up to me to decide. I think that’s up to people like you. I think an album is always a reflection of where you’re at and the changing environment around you. I think each album is about mastering your craft and adding another level of maturity to your work.

So, you’re back on tour as we speak. How does it feel to be getting back on the road in the UK?

Well, the UK tour is completely sold out which is amazing. We’ve headed to Brighton and London and then we’re heading to my hometown Leeds, Manchester, etc. I think Leeds is special because I have such a strong affiliation with that place, and I’ll see old friends, but the best part is seeing younger fans get into my music, and that’s everywhere, not just Leeds. Seeing a younger crowd get into the music their parents listened to is really nice.

You’ve had a long career — what’s been a particular highlight?

Gosh… I think just the mental scenarios I find myself in, and it’s music that got me to those places. You know, going to places like Jordan, Beirut, Sri Lanka, Beijing. It’s music that’s allowed me to go there. I couldn’t narrow it down to one particular gig, but I think just the travelling and the gratitude I have for that.

Who is your biggest musical influence?

Most of my original influences were the old school stuff. The first records I collected were probably Scientist, the 1970s producer. More broadly, I love Quincy Jones, who just covered so many decades and crossed over so many genres. He was a big influence. My personal influence would be just the adventure of travelling and how that expands my perception of the world.

What are you listening to at the moment?

I’m going to give a shoutout to Acid Mondays who are making some amazing electronic music. Also, Illa Jay’s Home I’m a big fan of, and a group called Bon Voyage who are making hip-house. That’s all I can think of off the top of my head!

UCU strike sparks student outrage

Manchester University students are demanding refunds for the possible cancellation of three weeks’ worth of classes, when teaching staff are going on strike.

The Universities and Colleges Union (UCU) are planning to take strike action starting on Thursday the 22nd of February through to Friday the 16th of March, across 61 universities.

The UCU voted to take strike action on Monday the 22nd of January after talks with Universities UK (UUK) over the future of staff pensions ended without an agreement. An open letter authored by University of Manchester students states: “we demand that the University negotiate with the UCU and staff on strike, or pay each student a full refund for the contact time missed.”

The open letter claims if the strikes go ahead, the lost contact time for home students will be worth approximately £1200 in paid tuition and up to £2000 for international students.

The letter, written by student representatives for the English Literature course, has gained 316 signatures in 24 hours.

Another petition is demanding “a minimum of £300 of compensation for every student who loses contact time due to the upcoming strike action,” which 517 students signed within 24 hours of going live.

A university spokesperson responded to the students’ refund requests by stating: “since we charge a composite fee for our courses, we cannot reimburse for specific elements of missed teaching and assessment.”

Multiple students told The Mancunion they are sending emails directly to relevant university figures to insist upon personal refunds.

“I’m paying to get an education, not to have to teach myself all the material,” one student said.

“I was finally beginning to enjoy my lectures and now I’m stressed about failing this year because I’m not getting the support I need.”

Other students strongly oppose their peers’ refund demands. Matthew Caine, a second year PPE student, called the petitions “a shameless, shameless cash grab.”

“How can one be in support of the strike but then demand financial compensation, an action which directly undermines those that are striking? Maybe those in support of this [petition] should redirect their efforts towards reverting the commodification of uni education.”

Louisa Rae Reddin, a third year Philosophy and Politics student, lobbied students to show their support for the UCU’s strike to the university. She wrote in a Facebook post: “The fault lies with university management, who have failed to properly negotiate with the UCU, and have ignored previous shorter strikes by the UCU.”

88 per cent of UCU members voted to back the strike action, which will disrupt all Russell Group universities established before 1992. At Manchester University, 90 percent of members backed strike action.

Under their current pension scheme, the UCU estimates that lecturers at pre-92 universities are left £385,000 worse off than lecturers at post-92 universities.

The student representatives’ open letter also berates the University management: “The fact that our tutors have to resort to such drastic action suggests a complete disregard for their interests and highlights the bureaucratic nature of management.

“We completely support their right to strike.”

Cara Thompson, who is currently studying on a semester abroad, says she is “livid” on behalf of her former teachers and course mates. “This is the second time in two years our department’s experienced strikes as a result of staff dissatisfaction/injustices, and I feel like the UoM big dogs need to realise when they fail UoM staff they’re simultaneously failing UoM students too.”

Manchester Central MP Lucy Powell showed her support for the UCU strikes by cancelling a lecture she planned to deliver at the University of Manchester on Thursday the 22nd of February, the first day UCU members go on strike.

In a public statement, Powell declared: “I don’t cross picket lines.”

UCU general secretary Sally Hunt responded: “We welcome Lucy Powell’s decision to cancel her appearance at the University of Manchester as a show of support for striking staff.

“This is yet another disruption to university life which could be avoided if the employers step back from their damaging proposals. It’s time Universities UK listened to the many voices urging them to commit to meaningful negotiations.”

Some students, however, refused to support the UCU’s actions.

First year Caleb McCulloch said: “The fault lies with the UCU, which has failed to properly negotiate with university management and has already harmed our studies with previous shorter strikes.”

Second year Jasmine Ketch-Neumann expressed concern that the strikes will “alienate and anger the students who would otherwise be standing with their tutors.

“While I have the greatest respect for all my lecturers and will always defend their right to fair pay and pension, I sincerely hope this strike is called off.”

Certain groups of students feel particularly targeted through strike action. Language students complained that missing oral classes would hugely impact on their grades, and added to their anger at their teachers’ jobs “already being threatened.”

International students are also outraged at the potential three weeks of lost contact time. Hana Jafar, a student representative, emailed Vice-Chancellor Dame Nancy Rothwell directly, stating: “It is abhorrent that someone who is paying £15,500 a year should have to miss such a substantial chunk of valuable contact time.”

A University spokesperson sought to reassure students: “It is the University’s intention to endeavour to maintain normal operations during industrial action in order to safeguard the interests of our students.

“At this stage we do not know what the impacts of the strike will be as those on strike only need to inform us after they have taken strike action. However we are seeking to contain any disruption as best we can.

“We will therefore consider the impact and consequences of the industrial action for each student retrospectively and take any necessary corrective action where possible.

“Further information will be communicated to students as it becomes available.”

Manchester University deny houmous removal is part of BDS campaign

The University of Manchester has shot down claims that their decision to no longer stock a particular brand of houmous in its campus shop is the result of student activism.

The Boycott, Divestment & Sanctions (BDS) campaign at the University of Manchester described the decision as a “triumph” and believed it was a result of their campaigning.

Over 500 people had signed a petition calling for the University to no longer stock Sabra houmous, alleging that the “brand of hummus [is] manufactured in the occupied West Bank that is complicit in human rights violations in occupied Palestine” and that stocking the houmous “actively endorses Israel’s illegal occupation and human rights violations”.

In response to BDS’ claim, a University spokesperson said: “Sabra products are available from a wide range of shops in the UK and the decision to remove this product from the University shop was made by a new member of staff who was not aware of the correct procedure for making these choices.

“Coincidentally, and unconnected to the student representations, the shop has recently moved to a new supplier which does not have this product in its range. The decision to go with another supplier is in no way related to the student campaign.”

Sabra is a brand owned by PepsiCo and Strauss Group.

BDS claim that Strauss “invests in and financially supports the Golani Brigade of the Israeli armed forces”, who they allege “has carried out merciless human rights violations against Palestinians including arbitrary murders, assaults, incarcerations, evictions, and arrests of children, as well as the use of chemical weapons such as white phosphorus.”

BDS at the University of Manchester said: “We are delighted to hear that the university will no longer be financially supporting human rights violators like the Golani Brigade through their sale of Sabra products.

“However, the university still holds financial and institutional ties to Israel and its war crimes, which does not comply with their socially responsible investment policy. The university continues to aid Israel’s apartheid regime through its multi-million dollar investments in complicit companies such as Caterpillar, whose specially-modified armed bulldozers are used to demolish homes, schools, olive groves and communities in Palestine.”

Several students have questioned the significance of the product removal and were critical of the campaign’s description of their “triumph”.

Lawrence Rosenberg, a Jewish third-year History and Politics student, said: “The University has stated time and again it’s [sic] opposition to the BDS movement and has put out a statement affirming to students that it’s never a policy they could, nor would, adopt. It doesn’t surprise me therefore in the slightest that they’ve taken to trying to remove a single product from the shelves of a university shop in an attempt to try and blow wind into their sails.

“There is no context given to this little ‘who-ha’, it doesn’t make any sense to remove a single product from the shelves of a single store when the University of Manchester is legally obliged to not comply with their discriminatory movement.

“I’m not concerned about this, nor should anyone else be. Virtual signalling at it’s [sic] finest once again from everybody’s least favourite discriminatory movement.”

The BDS campaign group at the University of Manchester will protest on the 21st of February from 2 to 4 PM outside Whitworth Arch calling for “full divestment now”.

Sabra were contacted for comment but have yet to respond.

Manchester to unveil Emmeline Pankhurst statue in 2018

A statue of the one of the leading figures of the suffragette movement is to be unveiled in Manchester in 2018, the centenary year of the first women getting the right to vote.

Manchester City Council Planning Committee granted planning permission for a statue of Emmeline Pankhurst during a meeting held on 8th of February 2018.

Eleven year old Fatima Shahid, a pupil at Newall Green Primary School in Wythenshawe, spoke on behalf of the Emmeline Pankhurst statue at the meeting.

Fatima Shahid, speaking to Manchester City Council Planning Committee, said: “Having this statue in Manchester shows the rest of the country that we are a fair and modern city. I look forward to next year when I can visit the city centre and call to see Emmeline and say hello.

“Then, in years to come, I can bring my children and my grandchildren and tell them Emmeline’s story and tell them how I had a say in her statue being here. There is still lots to do to make life more equal for men and women.

“Emmeline Pankhurst made change possible. Since then, our parents, grandparents and great grandparents have been working hard to carry on her vision and her principles. And my generation will make sure we have a truly equal world.”

Andrew Simcock, Chair of the Emmeline Pankhurst Statue Campaign, said: “Emmeline Pankhurst’s statue will represent her story and use her legacy to inspire people, particularly young people, which judging by the response from schools such as Newall Green Primary is already starting to take place.

“We wanted to carry forward this spirit and break with tradition by inviting a young person to speak in the council chambers about what this project means to them and Fatima’s words captured this perfectly.”

Born in Moss Side, Greater Manchester, Pankhurst was a British political activist who led the suffragette movement who helped women win the right to vote.

With the planning permission in place the statue of Emmeline Pankhurst, Rise Up Women designed by Hazel Reeves, will be unveiled on the 14 of December — the 100th anniversary of some women voting for the first time in a UK General Election.

Prior to this, during July 2018 the meeting circle on which the statue will stand will be unveiled.

This year’s Manchester Media Group’s ‘Women in Media’ conference will also celebrate the fact 2018 is 100 years since some women got the vote with its many keynotes speeches, events and workshops dedicated to celebrating inspiring women in media careers.

The conference will take place at The People’s History Museum, Manchester on Saturday the 3rd and Sunday the 4th of March, 2018, from 10 AM to 5 PM. Tickets can be found here.

Many students receive ‘paltry returns’ for their studies 

Many graduates receive “paltry returns” for their studies, despite incurring debts which can exceed £50,000, says the chairman of the Education Select Committee.

Chairman of the Education Select Committee and Senior Conservative MP Robert Halfon is set to say in a speech on Monday the 12th of February that between a fifth and a third of graduates take non-graduate jobs, and that returns for graduates “vary wildly”.

Halfon will also assert and argue that there should be an end to “obsession” with degrees. University leaders maintain that degrees are an excellent investment.

“The ‘graduate premium’ varies wildly according to subject and institution,” Halfon said in a keynote speech at the Centre for Social Justice think tank, stating that “for many, the returns are paltry,”.

Halfon instead will call for an expansion of degree apprenticeships and will say: “we are creating a higher education system that overwhelmingly favours academic degrees, while intermediate and higher technical offerings are comparatively tiny…..the labour market does not need an ever-growing supply of academic degrees”

He also suggests: “If we are going to continue to lavishly furnish universities with taxpayers’ money, we need to think about how universities can specialise in these areas.”

“Existing universities that do not provide a good return on academic courses could reinvent themselves as centres of technical excellence.”

His comments come as the latest University and College Admissions Service figures show a small percentage drop in the number of people applying to study undergraduate degrees in the UK.

Last year 559,030 people applied to UK universities, the lowest number since 2014. The overall breakdown of the application figures shows a drop of 2.6 per cent to last year and that this is the second annual drop in a row.

However, the admissions service said this should be viewed in light of a 2.5 per cent decline in the overall number of 18-year-olds in the UK.

Alistair Jarvis, chief executive of Universities UK, an umbrella organisation for universities, said: “This group makes up half of all UK applicants to universities. But the demand for courses from 18-year-olds across the UK remains strong, highlighting the continued demand for university education.”

A spokesman for the same organisation said: “Official figures are clear that, on average, university graduates continue to earn substantially more than non-graduates and are more likely to be in employment. A university degree remains an excellent investment.”

Since the opinion of the Education Select Committee was revealed, a spokesperson for the University of Manchester said: “The future prospects of our students is paramount for the University and we have an enviable reputation of producing excellent graduates that are targeted by leading employers in the UK and worldwide.”

“In the UK alone, we’re one of the most targeted universities by the nation’s top employers and our graduate destinations data shows that more than 94 per cent go straight into employment or further study after they leave Manchester.

“They then become part of the largest global alumni community of any campus-based university in the UK, with many of the 350,000 graduates we are in contact with holding top positions in every imaginable field of employment.”

The government has promised a review of Higher Education funding in England and a spokesperson for the Department of Education has said new legislation will ensure students and the taxpayer value for money.

Students’ Union launch Brexit survey

The Students’ Union at the University of Manchester has launched a comprehensive enquiry aimed at uncovering collective student consensus on the Brexit resolution.

The study is principally intended to get an insight into the student body with regards to the single market.

The campaign, “Students for the Single Market”, is a joint effort put forward by the Student Union’s Diversity Officer Riddi Viswanathan and Education Officer Emma Atkins.

A survey carried out by the NUS showed that 80 per cent of students want to remain in the single market.

The campaign aims to compile an updated report on whether the student body consensus on Brexit has altered, as well as gather insights into the expectations of those who support Brexit.

Riddi Viswanathan said: “Resources which are available nationally have been used to put together a list of questions for the survey. We have an insight manager who helps with data collection and launching.”

The survey is reportedly scheduled to be redirected campus-wide mainly via student email throughout the month of February.

Additional input has been collected through events organised as Part of Global Week, which was set to run on the 9th of February. Stalls have been set up in the Foyer equipped with small post boxes where students were able to write down comments, opinion and suggestions regarding Brexit.

“We asked students to write letters addressed to MPS in regards to Brexit. We intend to pass this feedback in an attempt to help lobby the government”, said Riddi Viswanathan.

The interactive event included a photo booth where students could stick post-it notes and take pictures with their opinions regarding Brexit as well as Brexit-themed games and debates, in an effort to promote discussion, debate and raise awareness of some of the socio-economic implications of Brexit.

The data collected through the campaign is set to be published after the local elections taking place on the 3rd of March.

Jacob Rees-Mogg’s UWE event disrupted

Conservative Party MP Jacob Rees-Mogg made headlines this week following a speaking engagement for the Politics and International Relations Society at the University of West England.

The 48-year old’s speech was ambushed after a matter of minutes, as a small group entered the lecture theatre and started to hurl anti-Conservative abuse in the direction of Rees-Mogg.

Students who captured footage of the incident on smartphones reported that the intruders were masked.

Witnesses present at the talk claimed that Rees-Mogg attempted to mediate and deal with the disruption in a calm manner but a scuffle ensued when he approached the protesters, with audience members reportedly becoming involved.

It is believed the North East Somerset MP was also physically attacked, although he denies these rumours, asserting that he intervened to prevent the outbreak of fighting

Mr Rees-Mogg’s visit was organised for the benefit of those studying Politics and International Relations and is considered likely that the demonstrators were not students at the university.

The University claimed they had carried out an adequate risk assessment ahead of Rees-Mogg’s visit, although a request for additional support three days in advance of the event went unanswered.

Responding to the incident via a twitter statement, Conservative Voice described the scenes in Bristol as “absolutely disgusting” and praised the father-of-six for how he dealt with the incident, saying that Rees-Mogg represents “the best of our democracy”.

As for UWE, the University has been forced to deny that it has issues with the promotion of free speech.

The Vice-Chancellor for student experience, Joanne Midgley, admitted the university did not adequately manage the security ahead of the talk.

Despite this, the institution was ranked “Red” in the Free Speech University Rankings, heightening concern over their acceptance of diverse attitudes.

The incident has fuelled worries over a crisis of free speech on University campuses.

In 2017, former Universities Minister, Jo Johnson, proposed fining Universities for failing to uphold free speech, if their Students’ Unions attempt to no-platform speakers.

Trans-Tasman Twenty20 Tri-Series triumph for Australia

I would say that the fear — and genuine, deeply held fear it is — that Twenty20 cricket will drive out the Test game, has become misplaced. We’ve been playing T20 for only thirteen years, but the game has evolved far enough that it is now basically as close to baseball as it is to the traditional and superior five-day format.

When England first played Australia in T20, Paul Collingwood came in at six, and was actually the top scorer for either side. Most of each team played in the Test side. Watching Australia’s five-wicket defeat of England on Wednesday morning in the Trans-Tasman Twenty20 Tri-Series, it became clear to me that it satisfies fundamentally different desires.

Bourgeois philosophers like JS Mill have argued that there are two levels of pleasure — one higher than the other. I hope I don’t come across as class collaborationist when I admit to realising that, when you compare the hit-and-giggle world of Shaun Tait and Graham Napier with the noble jouissance of Graham Onions, the old liberal might have a point.

Certainly if there was one man embodying Barthes’s conception of plaisir, pleasure, it was Glenn Maxwell, who brought up his second T20 century and Australia’s five-wicket win with a six that went so high that the ball is now the property of Elon Musk. Maxwell’s unbeaten 103 from 58 balls followed on from his 3-10 in two overs in England’s innings, which got off to a good start before petering out somewhat in the middle overs.

Jason Roy characteristically bullied a few deliveries to the boundary before spooning one in the air, and Hales, Malan and Morgan all got in then got out. Malan, the one positive development of the cricket winter, should have been the man the innings could build around, but he didn’t get enough on a slog-sweep after bringing up his half century.

I used to joke hilariously that they should cut out the boring middle overs of T20 by adopting a shorter format. Now, there is a tournament in Hong Kong played across five overs. History repeats itself, first as tragedy then as that.

Jos Buttler and Sam Billings added little, and England limped onto 155/9. The Australian bowling unit in general were as disciplined as one can be expected to be given the circumstances, but Billy Stanlake’s costly spell gave lie to the theory that being visible from space is in itself is enough to make you a international bowler. England were bogged down by the spin of Ashton Agar and Maxwell, and perhaps should have picked a second spinner themselves.

David Willey took two wickets in the first over of Australia’s reply, the brute Warner leathering it to Alex Hales at deep square leg, followed three balls later with a delivery that pitched on middle and took out leg. This brought Maxwell to the crease. The jury’s out on whether T20 teaches us anything about anybody, but Adil Rashid arguably made a step towards the Test side with his spell, which deserved more than the wicket of D’Arcy Short, who fell caught and bowled for 30 – an instinctive take in front of his face. Rarely if ever has one hand produced such satisfaction. Indeed he should have had the key wicket.

What if there were no counterfactuals? English supporters might complain that they probably had Maxwell caught off Rashid on 53. One of the many things technology has made worse is the problem of the contentious catch taken down low. Video replays time and time again produce inconclusive results as to whether the ball hit the ground, with the benefit of the doubt going to the batsman.

In his post-match interview, England captain Eoin Morgan stated that there was ‘no solution’ to the problem of contested catches. I don’t think it’s the gripe of the defeated to argue that there is actually a solution, and that solution is to ask the catcher. Fielders know when they’ve caught the ball fairly, and the potential for incorrect dismissals under this system (from lying or mistaken players) would be greatly outweighed by correct dismissals currently not given because of inconclusive TV evidence. The game is too weighted in favour of the batsman as it is.

Chris Jordan and Tom Curran both failed to impress as the change bowlers, allowing Short and Maxwell to build a partnership and take the enthusiasm out of the visitors. In the context of the tournament — but who really cares about these mini-series? — the victory has cemented Australian dominance.

The two sides meet again in Melbourne on Saturday, in a match that one would imagine England need to win to stay in contention. They will need stronger performances from their change bowlers and a bit more grit in their batting if they are to do so.

UoM comeback seals derby win

The Manchester University (UoM) Women’s Football 1st team defeated their Manchester rivals Manchester Metropolitan University (MMU) 2-1. This is all thanks to goals from Elise Skelding and Emma Clarke. The win was UoM’s second win in as many games, as the team followed on from the previous week’s 4-1 win over the University of Chester while the visitors MMU suffered only their second defeat of the season.

At the start of the day, MMU sat on top of the Northern 2A league, seven points ahead of their UoM counterparts, and the opening stages of the game reflected this. Just one minute after a goal was ruled out for offside, MMU took the lead in the second minute. A chipped through ball found the MMU striker and while UoM goalkeeper Eza Doortmont did well to save the first attempt, she was powerless to stop the second as the MMU player slotted the ball into the net.

The goal increased MMU’s confidence which was already buoyant from their season so far and they looked to work a high press that confined UoM to their own half. The visiting side seemed very comfortable in possession which was in stark contrast to UoM who were restoring to unsuccessful long balls.
With 15 minutes gone, MMU were looking on track for a comfortable win and their number 14 was looking a real danger. However, the UoM coach implemented a slight tactical shift by assigning each UoM defender an attacker to mark. This switch to woman-marking helped limit the effectiveness of MMU’s number 14 and the home side began to force their way back into a game.

UoM’s first shot on target came from a deep free kick on the left flank. Whether the original intention was to be a cross is uncertain, but the ball was deep enough to reach the keeper who gathered it well.

There was danger at the other end shortly after. A bouncing ball couldn’t be held by Doortmont, and a last ditch block from Megan Clarkson was required to deflect the ball away from goal.

Approaching the hour mark and it was more of an even game than the opening stages and it was now UoM’s turn to have a goal ruled offside. Elsa Gougeon, whose influence on the game was increasing, was released in behind but the referee blew for offside. With no linesmen present, it was unclear whether this was the correct decision but if it was it must have been a very close call.

The disallowed goal seemed to boost UoM’s spirts though and they were unlucky not to equalise just a few minutes later. Gougeon was again involved as she beat her opponent on the left flank before firing in a driven cross. Daisy Stewart received the ball in the centre of the box but could not sort her feet out to generate enough power in the shot and it was an easy save for the MMU keeper.

With half time approaching, UoM scored a deserved equaliser. Again the danger came from a free kick as it was floated into the box. Skelding was alive at the back post to slot the ball past the MMU goalkeeper and into the back of the net. The goal came in the 43rd minute and the teams went in at half time with the score level at 1-1.

The break came at a good time for MMU as UoM were building up momentum. The early exchanges of the second half was a much more even affair. Neither side was creating any clear opportunities but it looked like if UoM were to score, it was going to come from the left flank where they were looking dangerous.

MMU began to have a few more chances and came close from a curled effort that found the outside side netting. The visitors were beginning to regain some of that dominance they started the game with but any momentum was quickly cooled as UoM scored their second of the match in the 64th minute.

Another free kick but this time it was deeper and more central. Clarke looked to float a pass into the box but misjudged the power and the ball was heading towards goal. The MMU keeper attempted to catch it but made a mess of it and could only palm it into her own net. The unexpected goal came from a distance of approximately 35 yards and gave the home side a lead to defend for the final 20 minutes.

With fatigue beginning to become more of a factor, the final stages of the game consisted of a lot of injury stoppages. Several MMU players went down and this helped to break up any movements the away side were hoping to make.

MMU had a few half chances towards the end of the game but UoM dealt with them and hung onto a narrow 2-1 victory. With just their second win of the season, the result sees them move further away from the bottom of the division and they now sit level with UCLAN in fourth.

Dare to bare?

In Hollywood there has been a definite trend in the form of the #nomakeup selfie being posted on social media. Celebrities partaking include Gwyneth Paltrow, Lupita Nyong’o, and Tyra Banks.

These women and others have chosen to go bare-faced and share their natural complexions to contrast the touched-up industry images of themselves. In doing so, they are emphasising the importance of body confidence and rejecting the societal expectations attached to female image.

While makeup is certainly a hobby, as proven by the majorly successful male and female stars of the YouTube beauty community for instance, its connection with expectation has become troubling.

Makeup is something that we are expected to buy into. How many people do you know who are disappointed that they don’t have a Fenty Beauty foundation, or a Kylie Lip Kit? I know that I am certainly one of those people. To emphasise this conditioning of thought, a shocking statistic emerged last July that the average woman in Britain was spending around £4,454 on beauty products per year. The importance of wearing makeup enforced by society is undeniable.

This expectation has been identified by Alicia Keys, who recently wrote an article for Lenny Letter in which she explored her unhealthy relationship with makeup. By choosing to stop wearing makeup, Keys conquered the “insecure, superficial but honest” thoughts she had about others’ opinions of her natural look (mainly inspired by the media). Her incredibly empowering message highlighted the way in which makeup became an act of censorship on herself – by covering her face she felt that she was conforming to what ‘they’ wanted.

I just want to clarify the fact that I am not trying to dissuade anyone from wearing makeup. I love doing my makeup before going on a night out or to a big event because it gives me the opportunity to participate in something I enjoy. However, being pretty or desirable for ‘them’, whoever ‘they’ are, is taxing, and in respect of Keys’ message we may find that we feel our best when we are makeup-free. In light of this, is it time for us to uncover?

Read Alicia Keys’ full public letter at https://www.lennyletter.com/story/alicia-keys-time-to-uncover

Body Dysmorphia and the fashion industry

Body image and the fashion industry has long been a heated struggle. Along with the normal ‘does my bum look big in this?’ insecurity comes more serious and damaging issues such as Body Dysmorphia Syndrome.

Body Dysmorphic Disorder (BDD) is defined as the mental disorder identified by a deluded view of one’s own personal ‘flaws’ and an unhealthy obsession with thinking they should be hidden or fixed. This can lead to obsessive behaviours and thoughts which can result in much more serious disorders like Anorexia Nervosa and Bulimia.

According to The Guardian, one in 50 people suffer from BDD. The highest percentage of this is in young people and adolescents, typically beginning around the age of 12 or 13. But with the rise of social media these polluting thoughts begin entering the heads of younger and younger targets.

I know myself that scrolling down my Instagram feed on a day to day basis doesn’t exactly give me a self-esteem boost. The occupation of the youth could be said to be somewhat hedonistic; in this day and age we are increasingly concerned about how we look and how we are supposed to look.

I for one follow countless celebrities, particularly models and the likes of the Victoria’s Secret Angels with perfect bodies and personal trainers, not to mention the magic of airbrushing to make their photos appear flawless on our smartphone screens. We know deep down it can’t all be realistic but we aspire to achieve it anyway.

As technology advances, younger and younger people are in possession of a laptop, tablet, or smartphone which is, arguably the most elevated form of promotion for the fashion industry. Their young minds are more susceptible to the idealistic images we are constantly surrounded with. Take the catwalk and its walkers, multiply it with a few nasty comments on the playground and it is a breeding ground for a condition such as BDD to develop.

The promotion of ‘realistic’ models and the mindset of being happy with what we were born with is on the rise in the world of fashion with inspirational figures such as Ashley Graham who promote self-love and acceptance, however there is still a long way to go before we all accept ourselves completely and utterly and put an end to the ceaseless art of comparing ourselves to others.

Review: Justin Timberlake Super Bowl 2018

Who really lost the Super Bowl in 2018… Was it New England Patriots? Or was it the Philadelphia Eagles? Who knows.

Ultimately, with a performance that was generally underwhelming, the real loser was Justin Timberlake. He has a number of hits — most of which he managed to fit into his 12 minute performance. Yet, somehow it didn’t seem enough.

This was Timberlake’s third appearance at the Super Bowl, following his 2001 performance with N-Sync and his 2004 performance with Janet Jackson (maybe you know it better as the Super Bowl ‘Nipplegate’).

The previous years included Lady Gaga in 2017, who used the platform to voice the fact that she’s an advocate for the LGBTQ+ community, and Beyoncé back in 2013, using the platform to pay tribute to Black Lives Matter. Timberlake missed the opportunity to speak up. Not only that, but he also missed a trick when deciding on guest performances. He could have brought N-Sync back together, got Jay-Z up on stage or even Timberland — any of them would have really taken the performance up a level.

He did, however, ‘sing’ with Prince — a controversial move for many. Why? Because back in 2007 Timberlake dissed Prince on ‘Give It To Me’. This, along with the fact that Timberlake famously mocked Prince’s height at the Golden Globes back in 2007, made it a questionable move. Not only that, is this what Prince really would have wanted? It does have to be mentioned, however, that turning Minneapolis purple in honour of Prince was a nice way to honour the pop legend.

The performance began with Timberlake’s famous pal Jimmy Fallon introducing him. Maybe I’m just a little bit bias, and also a little in love with his new song ‘Filthy’, but the 2018 Half Time Super Bowl Performance started off great! But as soon as he left that room it seemed that, like a lot of performers these days, JT prioritised his dance moves over his vocals. This was obvious for the songs ‘Rock your Body,’ ‘Senorita,’ and ‘Suit and Tie.’ Out of all the songs he sang only two of them — ‘Filthy’ and ‘Mirrors’ — were up to the standard I’d expect from Timberlake.

All in all, the performance was good. It could have been a lot better, but at the same time, there were certain moments where he managed to somewhat pull it back.

Had N-Sync graced the stage as a unit, and had he chosen to focus more on his vocals than his dance moves, the rating would have been higher.

7/10

Review: Den of Thieves

Sometimes, you want a film to either be brilliant or terrible to the point where it’s comedic. Den of Thieves is, quite simply, god-awful – and not in the fun way. With a runtime of two hours and 30 minutes, about halfway through the film you just want to get up and leave because going for a piss and looking at the dirty wall of the cinema bathroom might be more entertaining that the terribly written cops-and-robbers story presented in the “it’s a gritty film” grey/blue/brown filter slapped on top the shoddy camerawork that manages to make car chases, gunfights, and a hostage situation boring.

Of course, looking at the works of Christian Gudegast, director and screenwriter of this film, it all makes sense: he’s also responsible for London Has Fallen and A Man Apart — may I add that they have 25 per cent and 11 per cent ratings on Rotten Tomatoes, respectively.

The editing is also bizarre. There are conversations that, while they go nowhere because of the writing, are cut short by the editor, leading to a feeling of an obvious lack of continuity between shots.

Lastly, on the technical side of things, the soundtrack is only present for 20 per cent of the film. The rest has no soundtrack, making things awkward. It sounds like a knock-off Vangelis. When the credits rolled and I saw that Cliff Martinez had scored this film I was very confused — his soundtracks are usually fantastically atmospheric.

Gerard Butler, 50 Cent, O’Shea Jackson Jr., and Pablo Schreiber are all entertaining performers, when seen elsewhere. Let me walk you through each of them, in this film.

Gerard Butler is hit-or-miss when it comes to his performances. In Den of Thieves, it’s a huge miss. He’s a tough american sheriff in LA who is always chewing something or smoking, making it disgusting to watch him speak while he gargles a half-eaten donut. His character also has a whole side-plot about his wife leaving him because he’s been fucking hookers. A very reasonable reaction, yes, but a completely irrelevant part of the story that only serves to show him to be a ‘macho alpha male’ who goes to the strip club before heading to the shooting range and then hitting the bar – yes, all that happens in the space of 15 minutes.

50 Cent is an atrocious actor and mumbles all his lines. I swear I couldn’t understand a single word of what he said. To his credit, however, he brings the best scene in the whole film which genuinely had me in tears. He intimidates his daughter’s prom date by taking him to his garage which is filled with 20 hardened criminals who just stare the poor lad down before bursting into laughter upon the scared youngster’s leave. Fiddy, stick to your Bitcoin success and stay off the silver screen

O’Shea Jackson Jr., playing Ice Cube’s son, is charismatic and genuine but the pathetic writing brings him down. To give you an idea of how bad it is, there are five conversations where two characters literally say “Fuck you”, “No, fuck you”, “Fuck you, you pussy motherfucker”. The same happens to Pablo Schreiber who is absolutely fantastic in American Gods but boring, bland and unlikeable in this role.

As for the plot, it’s a heist. It’s cops and robbers and it drags on for way too long with a lot of filler. The stakes are irrelevant and the pacing is flat and slow, like a snail that’s been run over by a car but seems to still be dragging itself along despite being practically soulless. And, minor spoiler, there’s an attempt at a M. Night Shyamalan-type twist that falls completely flat by the time it happens because you just don’t give a shit about it anymore.

And, strangely enough, UFC fighters Max Holloway and Manchester-born Michael Bisping make appearances that amount to a total combined screentime of 40 seconds. They were hyped up by the marketing because of contractual obligations, I suppose. Unsurprisingly, they can’t act to save their lives.

Honestly, there is no reason for anyone to watch this film. I’ll probably forget about it in a week or two, which is worse than me remembering it for being overly terrible. I feel as if my review is incoherent but I’m sure it makes more sense than Den of Thieves does.

Rating: 1/5

Sánchez bags goal on home debut

Following the loss at Wembley, Jose Mourinho would have been hoping his side can quickly bounce back to keep them ahead of the chasing pack for the final three spots in the top four. The Portuguese manager conceded after the Tottenham game that they could no longer catch Manchester City and the emphasis was now on keeping a top four position and going as far as possible in the Champions League.

There were four changes from that side which lost 2-0 during the week including for the first time this season Paul Pogba. De Gea played his 300th game for Manchester United behind a defence of Valencia, Smalling, Rojo and Shaw. Pogba’s place was taken by the youngster Scott McTominay alongside Nemanja Matic. Juan Mata stepped in for Anthony Martial in an attacking trio of Lingard and Sanchez and as usual the striker was Lukaku.

Huddersfield Town got the game underway and hoped to cause another upset similar to their first Premier League meeting in October last year. The Yorkshire side desperately needed to take away something from this game as they occupy the second of three relegation spots.

The first chance of the game came seven minutes in as Lingard surged through the Huddersfield defence. He drove a powerful shot towards the bottom left hand corner but Lossl got down well to stop it. United were moving the ball well but were struggling to break down a deep lying opposition.

Huddersfield were standing strong and keeping United at bay but were conceding a few fouls in the process. Two free kicks on the right hand side of the pitch were taken by Mata and both times the high defensive line utterly failed, yet the Huddersfield players seemed bewildered that the linesman doesn’t call offside.

In the second of those free kicks Scott McTominay headed the ball towards goal and was completely taken out in a late challenge by Kongolo, who had no real chance of getting to the ball first. The referee didn’t call the foul even with a perfect view of the challenge. Kongolo was very lucky to not have conceded a penalty there.

The dangerous defending continued as Billing took out Rojo to receive the first yellow card of the game. Manchester United were totally in control of the game with 82 per cent possession in the opening 25 minutes and mistakes were starting to seep into the away side. Moments later Mata receives a yellow card for an equally poor challenge.

Despite this possession, United had only created a few minor chances. Their decision to try and penetrate the centre of the defence had caused them a few problems with that area of the pitch being very congested. One touch passing was needed to cut through the well-drilled defence and United couldn’t move the ball quick enough.

In the last minute of the half Sánchez received a yellow card for a fairly tame tackle. His cause wasn’t helped however when he approached the Huddersfield player then walked away as the referee tried to talk to him. His frustration was most likely stemming from the lack of end product from his team. He would have been hoping that changed in the second half.

United almost scored a goal immediately in the second half. Sánchez and Lukaku link up brilliant to put the Chilean through on goal. His shot would have certainly gone in if it wasn’t for a fantastic block by Smith. Seconds later, though, Smith got a yellow card for hacking Sánchez down.

With every Red Devil’s attack the Huddersfield players seemed to defend with ever increasing desperation. They were struggling to keep United at bay to the same extent they did in the first half and it felt like a goal was imminent.

And just like that Manchester United went ahead. Matic passed the ball out to Mata on the wing who was given a lot of space and time to pick his cross. That cross was met on the volley by the left foot of Lukaku and the ball went into the bottom right hand corner. Mourinho would have been happy with his team’s intensity in the second half.

Yet another yellow card for Huddersfield, this time it was Hogg for taking Lingard out. They need to be careful with these clumsy challenges, especially with the abundance of talent sitting on the United bench. The first of those makes their way onto the pitch slightly after the hour mark with Paul Pogba taking the place of Jesse Lingard.

Hefele, who came onto the pitch not long ago, got a yellow card for a challenge on Sánchez. The Chilean has been on the receiving end of several fouls this afternoon. He’ll be hoping to take revenge by scoring a goal on this his home debut for the club.

Not even five minutes later Hefele, already on a yellow card, took out Sánchez again to concede a penalty. He is incredibly lucky to stay on the pitch and Sánchez immediately picked up the ball and headed to the spot. In front of the Stetford end, it seems like destiny. He fires the shot to the bottom right hand corner and Lossl saves it. Sadly for the keeper the ball rebounded straight into the path of Sánchez who makes it 2-0 to United.

The second Manchester United substitution saw Juan Mata come off for Rashford. Mata has had a fantastic game in the fluid attacking midfield trio most notably assisting the first goal. Lukaku made way not long after for Martial, Mourinho making sure all of his attackers get game time.

The game wound down in the final few minutes and the players would have been happy with their performances. Huddersfield need a quick change of fortune to stop them from plummeting back to the Championship. United’s next game is away at Newcastle and Huddersfield’s is at home to Bournemouth.

Live Review: Gus Dapperton

Sometimes, you don’t set high expectations for a gig. Not because you’re afraid of being disappointed but simply because you don’t know what to expect. Such was the case for Gus Dapperton.

Gus is the very definition of eccentric. He comes from a town dominated by farms, he has a bowl cut, he dresses like an art school student – to be fair, he wouldn’t look out of place wandering the streets of Manchester – he’s shy but in a charming way and has a strangely hypnotic voice. His music, for those unfamiliar with him, is best described as the perfect soundtrack to those talks about life with your mates over a six-pack of beers under the afternoon sun in mid-July.

The venue was changed from Soup Kitchen to Gorilla mere hours before the show, to the confusion of many. Despite the change, the room was packed for the evening. ‘Easy Life’ opened the set and blew us all away. Their chilled-out, trippy vibes with catchy bass lines and flashy saxophone-trumpet duets were a pleasure to experience and are indicative of great things to come.

To my disappointment, however, the band barely have 300 followers on SoundCloud and have only released one single. So, if you want to catch them, keep an eye out on their social media to see them live, they’re definitely worth your time.

Gus and his band came on almost sheepishly and introduced themselves to a cheering room. Synths, funky basslines, catchy guitar riffs and punchy drums filled the air for the next half hour and, I’m sure many others felt the same, I couldn’t help but smile and dance to every tune. The show felt intimate, personal and even cozy as members of the audience would interrupt Gus when he spoke between songs. He’d stop in his tracks and reply to the shouts, showing that he really cared for everyone there.

The stage was as simple as it gets. There were no screens, a couple of colour-morphing lights, the band, their instruments and amps. There was no photography pit and no security in direct view of the crowd, leaving the band, quite literally, at arm’s length from them.

Unfortunately for us, Dapperton’s discography consists of 8 songs. He played all of them, an unreleased song and two covers: first, midway through the set, ‘Let Me Love You’ by Mario and secondly, as the encore, ‘This Charming Man’ by The Smiths. Of course, the audience absolutely loved this gesture. Despite the short show, every second of it was pleasant and dreamy. And if Gus’ Facebook page is telling the truth, he’ll be back with his band soon.

Both acts caught me off guard. My expectations were either low or nonexistent – and I mean this in the most positive sense of the word. Not expecting anything, on purpose, is a great way to see things in the purest light possible – , as I was delving into the unknown. I walked away with a whole new level of love and respect for Gus as well as the giddy happy feeling you get when discovering something new and exciting thanks to Easy Life.

Rating: 8/10

Fashion profile of the week: Ashley Graham

Occupation: Model and Body Activist

Age: 30

Nationality: American

On the cover of: Vogue, Harper’s Bazaar, Elle, Glamour, Grazia, Cosmopolitan

Campaigns for: Levi, Liz Clariborne, Evans, Simply Be, Target

Ashley Graham is beauty beyond size and beyond belief, so much so she has been likened on multiple occasions to the iconic Sophia Loren.

At 5”9 and a UK size 16, Ashley has made her mark on the industry in the category of ‘plus size’ modelling. But 2018 has no room for categorising anymore.

As a dedicated body activist, in addition to spending much time behind the lens and on the catwalk, she is a prime example of how constraints regarding beauty and size are no longer relevant. Gracing the covers of Vogue, Harper’s Bazaar and Elle, she has a renowned presence and an extremely sought-after figure in the fashion world, currently represented by the prestigious IMG Models.

Since being scouted in 2008, Ashley’s portfolio is wholly impressive. In 2012, she was ranked New York’s Full Figured Fashion Week’s Model of the Year. In September 2015, she strutted down the runway in the Addition Elle x Ashley Graham lingerie fashion show, wearing a set of her own design. Breaking down all forms of discrimination, she notably became the first ever plus-size model on the cover of the 2016 Sports Illustrated Swimsuit Issue.

Her appearance on covers have also caused an air of controversy, for example the American Vogue March 2017 125th celebratory issue. Captured alongside the likes of Gigi, Kendall and Adwoah with the title hailing ‘The Beauty Revolution – No Norm is the New Norm’, many were perplexed by some conspicuous Condé Nast photo shopping which had elongated Gigi Hadid’s arm to fit around Graham’s waist.

Within the last year, Ashley has become an author releasing a book entitled A New Model: What Confidence, Beauty, and Power Really Look Like. Within this publication she re conveys her modelling experiences and calls for action against stereotypes and rallying for increased body positivity.

Most recently, Ashley has graced the US television screens as she has been named America’s Next Top Model’s latest addition to the judging panel as well as making a guest appearance on Khloe Kardashian’s hit transformation programme ‘Revenge Body’.

In an interview with Vogue UK last year she stated “as women, we immerse ourselves in ‘self-improvements, which becomes an endless pursuit to renovate our bodies. We are told that thick hair is beautiful, yet thick thighs won’t get you a boyfriend. That full lips are sexy, yet full arms should be covered and hidden away. But in reality, a lot of us actually like ourselves as we are!”

Although her line of work is a tad more niche than your typical gangly model, her success fills us with hope for the dawn of a new era in the size-ist fashion world, in the rise of body positivity and loving the skin you are in!

You can view Ashley’s full profile on the IMG website.

Sánchez-Mkhitaryan: the rise of swap deals?

The rise of transfer fees in football has been much discussed and highly documented. The amounts that clubs fork out to sign the best players had been rapidly on the rise even before the big-spending summer transfer window of 2017. Neymar’s move to PSG for £198 million, though, blew everything else out of the water. At over double the existing transfer record at the time, Manchester United re-signing Paul Pogba for £89m, the Neymar transfer was an indicative of a sharp escalation in transfer fees for world class players.

On the other end of the spectrum to nine-figure PSG payments, however, comes a transfer this winter involving high profile players in which no money was paid whatsoever. A straight swapping of players is a transfer deal that is almost never seen in football and yet Arsenal and Manchester United have done just that, swapping two high profile attacking midfield players for one another. Alexis Sánchez has gone to Old Trafford with Henrikh Mkhitaryan going the other way, no payments involved.

Not only is this an unusual deal, the swap is a particularly clean one that benefits both clubs, considering the circumstances in which they found themselves. United got a world class player, one who might have otherwise gone to rivals City, and lost a player who was struggling to get into the first team. Arsenal, meanwhile, in return for a player who had only months remaining on his contract, have received a highly rated player who has proven his ability to work well with new teammate Pierre-Emerick Aubameyang in the past.

Many Arsenal fans who would have preferred to keep Sánchez blame manager Arsene Wenger for allowing the situation to arise in the first place. Going into the new season he had failed to get key players Sanchez and Mesut Ozil to sign new contracts with their deals at the time expiring by summer 2018. Getting the pair to stay on for new deals though may have been more difficult than apparent. Normally if players refuse to sign new deals they may be resigned to the bench until the next transfer window. More essential players like Sánchez and Ozil however are much harder to leave out of the team.

So given the situation, Arsenal got a good deal — as did United. Is this a happy alignment of unlikely circumstances for the two clubs involved or is this a transfer too that foreshadows a wider trend in the ways transfers are made in modern football? Perhaps more of the transfers which involve the biggest names in football will be player swaps or free transfers as players run down their current deals. In the current transfer climate, any move for Sánchez in the summer of 2017 would surely have had to be within the top 20 most expensive transfers ever made. Months later and the story is much different.

In refusing a wage increase in the short term that would come with signing a new deal at their current club, top players could run down their contracts and receive huge signing on fees — some reportedly surpassing £25m — and eventually even higher wages at a new club of their choosing. Players could have clubs competing with one another to pay them the highest wages in bid for their services.

That’s not to say this practice will become commonplace right away. Özil has not followed his former teammate, signing a new deal to stay at the Emirates until 2021 and becoming the highest-paid player in the club’s history in the process. And, of course, as the wealth top football clubs command increases with newer and more lucrative TV deals, sponsorship contracts and competition prizes, transfers involving eye-watering amounts of money will still occur. Just look at Coutinho’s £105m move to Barcelona this winter.

In the future though, as players realise their value to the clubs they are signed to, things might change. The Sánchez-Mkhitaryan swap deal could be the first of many more compromising transfers we might see in future transfer windows.

EXCLUSIVE: The Mancunion visits Manchester’s animal research facility

After a Mancunion news article created somewhat of a storm in the Faculty of Biology, Medicine and Health last semester, I was asked to have a tour of the Stopford Animal Research Facility to see for myself the work they do there.

I was the first journalist to be given such unfettered access to the facility. To say I was apprehensive would be an understatement. I’d had lots of chats with friends and colleagues about the ethics of animal testing in the run up to the tour, and although I agreed with many people’s argument that it’s a ‘necessary evil’ in order to make some real tangible changes in the medical world, the visceral reaction to hearing animals being repeatedly experimented on in sometimes gruesome ways is something that I couldn’t really shake.

Nonetheless, I wanted to go into my morning there with an open mind, to try to understand what an animal testing facility does.

I was shown around by Graham Morrissey, Director of the Biological Services Facility (BSF). He is also the facility’s named animal care and welfare officer, or NACWO. He explains that it’s his job to, “make sure that… animals can’t be suffering”. I initially found this hard to believe because, to me, suffering would be an inherent part of any experimental procedure that is forcibly performed on an animal.

But he tells me that not only do all animals need to be anaesthetised (or a very good reason has to be provided if they’re not) but that there are people employed by the university to find ways in which less animals can be used in research. In fact, a lot of the aims of people on the AWERB board is to reduce the animals used as much as possible.

It seems an odd paradox that the majority of people working in animal testing both care deeply about animals and want to help abolish the testing of them altogether. Graham made a point of telling me that lots of the people working there were vegetarians, which at first seemed ridiculous to me.

But thinking about it more, it does actually make some sort of sense: whilst some of these experiements may seem cruel, at least they have a tangible benefit to mankind as a result (as of course, if they didn’t, the project licence wouldn’t be awarded in the first place). I myself eat meat, so it would be hard for me to get on my high horse about animal testing, given that I implicitly endorse the killing of animals for one solitary meal. At least in this institute, cures for cancer are the potential rewards reaped, rather than a full stomach.

The University of Manchester houses an extraordinary amount of animals. According to Graham there are 60,000 mice, around 2000 rats, over 80,000 Zebrafish, and about ten sheep. But I went to visit in their least busy period, as quite a lot of experiments fnish just before the Christmas break, so some animals such as pigs that would tend to be there were not when I was shown around.

Photo: FBMH
Photo: FBMH

I asked Graham what is a sufficient reason for needing to use a farm animal rather than “less sentient animals” (as he describes them) such as mice and zebra fish. He told me that, for example, cardiology work needs to take place on a sheep because the heart is a very delicate organ, and it’s too difficult to see what you’re doing when you try and do the same work on a mouses’ heart.

He explained that in the past, animal researches would have typically used dogs for cardiology research, and internally I squirmed at the thought. But this type of hypocrisy is something that really annoys people like Graham. He later lamented to me that people have a different moral standard with different animals – there are far fewer people who would get up in arms about a mouse than there would be for a dog.

He’s right, of course. I guess it comes down to the obviousness of the pain an animal feels. To put it bluntly, a zebrafish can’t really express pain or pleasure, and therefore we have less to react to. But whilst we were in the facility, I overheard a rat being injected with a drug that would induce schizophrenia in it, and it shook me to my core. It was such a high pitched and heartbreaking noise.

I don’t think it will ever be possible to fully separate the knowledge that animal testing produces an inherent good, from the visceral reaction of witnessing an animal in such suffering. But I think the common misconception that I myself have made in the past, is that people involved in animal research don’t feel the same way.

And there was so much in the facility that didn’t involve suffering. For example, there was an incredible experiment being done with embryonic Zebrafish, which were waiting to be hatched in different tanks with water at different temperatures, in order to measure how climate change affects growth. I was fascinated by this and hadn’t ever thought it was something that was done in a facility such as this.

Photo: FBMH
Photo: FBMH

I had an opportunity to pick Graham’s brain at the end of the tour. He (somewhat reluctantly) told me he had been working at the university for 39 years (since he was just 16) and they had been very good to him, helping him through a degree and a masters course. He told me that he “wanted to be a vet but didn’t work hard enough at school”, reiterating what he had told me earlier – that he genuinely cared about the welfare of animals.

I asked him what he’d say to those who don’t quite buy the idea that animal researchers can care about the animals they test on. He told me that welfare of animals is impressed upon every one of the 40 members of research staff from day one, and that people really need to look at the quantifiable benefits of the research that they’re doing.

“At the end of the day, if we don’t advance the medicines and the technology, then… you’re not going to find a cure for disease, prevent scarring… If someone suffers a scar through a street attack it could really affect the way that person looks at the rest of their life and if we come up with a wound healing technique at Manchester and better intervention then hopefully that would help that person.

“If we didn’t have these novel drugs coming through, then we’d be stuck in a rut.”

He also pointed out that there are organisations that will give funding for non-animal work, which he fully endorses.

I asked him if, in some far off hypothetical future, would he like to see a complete move away from animal testing? He replied: “Totally! I’d be out of a job if animals were never going to be used again, but I’d be more than happy.”

The university are also endeavouring to be more open about their research, with the release of a new 360 online tour coming soon, and the aim to have more tours of the facility like the one I had.

So, what’s Graham’s advice to those who still aren’t convinced? “Come and have a look!”