Skip to main content

Month: February 2018

Patagonia comes to Manchester: an interview with Alex Weller

With the doomsday clock now 30 seconds closer to midnight, issues of social justice and political unrest are more pressing than ever. But in the midst of the 24-hour news cycle, it’s easy to forget one of the most important crises we face as a planet: the environmental crisis.

Patagonia is not only an outdoor clothing store, but a company dedicated to the pursuit of environmental sustainability. Through funding activism and raising awareness, the company hopes to affect change across the world. Ahead of the launch of their first UK mono-brand store, I sat down with Alex Weller, marketing director for Patagonia in Europe, to find out more about their ethos.

Regarding the decision to open their first mono-brand store in Manchester, Weller tells me, “we haven’t had an owned and operated store in the UK for four years now and we’ve been wanting to open a store here for a while. Our UK head office is here in the city centre, so having a retail store in our own backyard was quite important to us.”

More specifically, he notes, “Manchester is a really important city for a variety of reasons. One is, of course, its size — it’s the largest city in the north of England — but also for its proximity to outdoor sports. There’s a strong outdoors community here so whether it’s being up on the moors, running, mountain biking, or that we’re close enough to the peak district for climbing.

“In actual fact, you don’t have to go very far from here to surf on either coast of the UK, so it’s perfectly located for all of the sports communities that we serve. Ultimately, Manchester is a very dynamic city.”

Of the company’s core values he says “we as a brand have a lot of important things to say, we’re deeply committed to issues of environmental sustainability and social justice and we feel that the vibrancy and progressive mindset of this city means that communities here will engage with the same issues that we’re interested in.”

Environmental activism may not seem like the most obvious focus for a high street store, but Weller tells me, “we firmly believe that what we would define as the environmental crisis is the most pressing issue of our time. While some positive change can be affected from the top through political lobbying and petitioning the government, we strongly believe that the most effective change comes from the bottom, where environmental activism exists.

“There are a huge number of environmental activists, grassroots groups and NGOs fighting incredibly important issues with a limited amount of resources, and by supporting those groups we can enable a lot more change, a lot more quickly, and across a much wider range of topics than by trying to affect change at the policy level.”

Patagonia boasts its own coffee station Photo:
Patagonia boasts its own coffee station
Photo:

Patagonia is the original founding partner of 1% For The Planet, a pledge from Patagonia to donate 1 per cent of its gross revenue to environmental organisations around the world. Weller says “we currently support just under 1000 organisations globally, 100 in Europe and 20 here in the UK. Sometimes it’s one person or two or five but we also support some larger ones. Our front shop window at the moment has a big mural that says save our rivers, in support of an NGO based in North Wales.”

While a wider focus on environmental activism is admirable, to say the least, I was interested to find out the ways in which we’ll see Patagonia’s efforts manifest themselves in Manchester.

Weller tells me the store has already started on this: “we enable our stores to run grant programmes by themselves. Each store usually supports three to five NGOs at one time and they have their own individual grant-giving budget. With this store just opening, we’re starting our first round of grant applications right now and we will give away around 5000 euros to each grantee to use in pursuit of their issues.

“We primarily support them with cash donations that come with specific requirements in terms of what that money is used for but we also support them with expertise. Within the company, we have the environmental internship programme through which every Patagonia employee is able to spend two weeks of their working year directly supporting an NGO that we grant to.”

I was impressed with the scope of the company’s aims and nobility of their cause but wasn’t entirely sure on how this message would resonate within the student community. Weller, however, was confident.

“We’ve found that younger communities are more engaged, involved, and passionate about the environmental crisis than those who are older. People of my age weren’t born into the environmental crisis. It was something we learned about as we got older and as the issues became apparent. But the younger generation has known nothing else.

“There’s a large, young outdoor sport community in Manchester, we have a dedicated community space in the ground floor of the store and we will run frequent events to increase our presence within the community. Whether that be through athlete presentations, events with NGOs or even film screenings.

“I think beyond coming to experience our products here at the store, people will be able to get inspired about the things we as a company are passionate about.”

If that weren’t enough to convince you, Patagonia also houses an in-store seamstress, Martina Clarissa, who repairs clothes free of charge. Part of their pledge towards sustainability is encouraging people to repair and re-wear things, rather than throw them away.

The opening of the Manchester store brings Patagonia’s total to 8 owned and operated stores in Europe (with a further 12 partner stores). Readers wanting to learn more, try products, or join the fight for environmental sustainability can find them at 51 King Street.

Free Ahed Tamimi protest

Protesters met on Saturday the 6th of January at Piccadilly Gardens to protest the arrest of Ahed Tamimi and raise awareness of the wider campaign ‘Boycott, Divestment, and Sanctions’ (BDS).

Ahed Tamimi, a 16-year-old Palestinian activist, has been detained and charged with assault following a confrontation with two Israeli soldiers. She was arrested during a raid of her family’s premises after a video showing her slap an armed Israeli soldier went viral. According to The Independent, the charge sheet against Ahed includes ‘counts of aggravated assault against a soldier…obstructing soldier in the performance of his duty, and throwing stones at troops.’

Huda Ammori, a member of BDS University of Manchester, says she doesn’t believe Ahed should be detained at all. She defends Ahed’s actions, noting in particular how Ahed’s cousin had been shot in the head only moments before the video was taken.
When asked why student’s at the University of Manchester should be aware of Ahed’s detainment, Huda said ‘all students and people of conscience’ should be aware of the ‘university’s investment in Israel’s war crimes.’ Another student at the protest was also concerned that her tuition fees were contributing to the occupation.

After meeting in Piccadilly Gardens, the protest moved to outside Barclays bank. Part of the wider BDS campaign has involved a boycott of Barclays and HSBC. Barclays currently invest in BAE systems, who provide aircraft components to Israel. HSBC currently hold shares in Israeli arms company Elbit systems.

Adie Nistelrooy, who helped organise the protest, encouraged people to join the boycott. He talked of being in Gaza and seeing people being ‘dragged from the rubble,’ stating ‘the connect’ between these scenes and the investments made by HSBC and Barclays, ‘was very real’.

Huda said the boycott was a ‘non-violent means of pressuring Israel’. But specified, that if you were an HSBC or Barclays customer, this didn’t mean you had to leave the bank. ‘If you’re a customer, complain … or engage with them on social media.’

Huda then shared BDS Manchester’s plans for the future. She said ‘the number one goal’ was to pressure the University to divest from Caterpillar, who provide armoured bulldozers to Israel. They will also be launching a campaign against the university’s ties with Technion Israel Institute of Technology. According to Huda, these ties go ‘against Manchester’s own social responsibility code’ and said the ‘BDS campaign will continue until all links with Israel’s war crimes have ended.’

According to a document provided by BDS, “the University of Manchester invests approximately £2,113,435.79 in Caterpillar – according to the no. of shares (24900) invested and the share price ($107.49) at the end of the Fiscal year 2016.”

“By knowingly and consistently providing equipment used to enact systematic human rights violations, Caterpillar is complicit in these violations, as a co-actor in Israel’s actions. In doing so, Caterpillar are a company that exhibits corporate behaviour that amounts to:

  • Human rights violations
  • Racial or sexual discrimination
  • The institutionalisation of poverty through discriminatory market practices.
  • Armament sales to military regimes”

The above are listed as Environmental and Social Governance (ESG) issues the University seeks to minimise in corporate behaviour as part of their social responsibility code.

Despite these allegations, a University spokesperson said: ‘We do not believe any of our current investments or partnerships are in breach of our Socially Responsible Investment Policy’.

Huda Ammori encourages students to get involved with the BDS campaign by watching out for events, such as Israel Apartheid week, and by sharing the hashtag #UoMDivestNow.

Modern romance is broken

It is probably safe to say that we currently live in an era where the definition of romantic love is wider than ever before. In many parts of the world, there is a positive trend towards reforming both an individual’s legal and social rights to love freely. And yet, increasingly, the pursuit of an idealised and often distorted form of romantic love has become the centrepiece of ‘the good life’.

As a truly modern malaise, romanticism’s influence in how we conceive of our own happiness and how we form the other equally meaningful relationships is deeply damaging.

The modern conception of romantic love is incredibly defined: a life-long monogamous partner who serves as a nucleus of emotional support, spiritual fulfilment, and often sexualised passion. They are meant to understand and accept us in profound ways that no other person can, and the epitome of our romantic expression should always be — or eventually be — marriage.

Even when optimistic, it shouldn’t take much convincing for many people to accept that this understanding of love is unrealistic — life-long partners struggle to be their spouses’ single source of abstract happiness, and even after decades of being together, fail to know or love each other in the specific way their partner needs.

The temptation to believe in this myth of a romantic soulmate comes from our propensity to believe that, by ourselves, we are inherently incomplete. There is just a rather depressing truth that many of us grapple with in our everyday lives where we feel lonely, flawed, and desperately insecure. Therefore, we idealise a partner who will unconditionally accept us no matter what.

This is exacerbated by how difficult people find it to connect with others in an intimate way — due to fear or an inability to articulate ourselves to another person. We therefore often rely on the hope of a soulmate as a crutch.

This glorified illusion on which we become dependent damages our relationships with our significant others, our friends, family, and most importantly, ourselves. We hold our romantic partners to unrealistic — almost delusional — standards of perfection when catering to our needs.

We expect them to be able to know how we feel and our relationships to be able to sustain long-term passion without any concerted effort. Obviously, this leads to people undervaluing the time and commitment needed to make a relationship work, and often being insecure in the authenticity of their love.

In reality, often people find that the best relationships are dynamic — where there isn’t an expectation that we should be loved as we are but that love is a process of self-development and exploration with others. In this way, it is possible to define one’s life outside the confines of the pursuit of love.

Love acts as an amplifier or an enabler to more self-directed forms of fulfilment — like a career, or a passion. The value we find in our own lives isn’t just concentrated on the validation or performance of an idealised Other. It is possible to create our own happiness.

The conception of romance also detriments other relationships that we form. Its appeal works by artificially limiting the emotional intimacies we are allowed to explore with others. Our romantic partners should be the ones whom we reserve our deepest secrets for, our most vulnerable moments, as well as most expressions of physical affection.

If we were to expend these on our friends or family, our love for our partner would be less meaningful as they wouldn’t be the only cradle of comfort from the harsh outside world that we have. In this way, modern romance actively makes all other relationships less rewarding by making false promises of a future soulmate.

The artificial scarcity created is a toxic way for us to relate to the vast majority of people in our lives — it promotes unhealthy possessiveness over our romantic partners if they have other close bonds, and it arbitrarily sets limits on what could otherwise be intensely beneficial interactions we could have with others.

Most importantly, this illusion presumes that we should be frantically unhappy with ourselves. Our need for an easy and singular solution for the loneliness that comes with the human condition is often exploited by romantic narratives sold in the forms of Hollywood films and literature.

The illusion is not insulated from other oppressive structures of power either. Often, representations of idealised romance are hetero-normative and monogamous and put a premium on female ‘purity’ — both emotional and physical. Modern romantic love is a construct so deeply entrenched and powerful because it is rooted in personal insecurity, and we should rid ourselves of its shackles.

Shakira Martin faces allegations of bullying

The NUS is in the spotlight again after several officers have launched allegations of bullying and intimidation against Shakira Martin. Among them is campaigns officer at the University of Manchester, and NUS parents and carers’ representative, Deej Malik-Johnson.

Hareem Ghani, NUS women’s officer, has submitted evidence as part of an internal complaint into Martin’s behaviour. Ghani detailed to Varsity (Cambridge University’s student newspaper) her full allegations against Martin, which include:

  • Sending foul-mouthed rants in voice notes to officers
  • Reducing staff and officers to tears
  • Making gun signs at officers with whom she disagrees
  • Throwing out motions with which she disagrees
  • Threatening to beat someone up during an office Christmas party
  • Shouting and swearing at officers during meetings and conversations

Ghani said “The only reason I decided to air my grievances publicly was because her behaviour over the last two months has escalated, and it has been a breaking point for many officers and NEC members,”

However, Varsity reported that Ghani said that she has no “faith in the system” and does not believe the NUS will “respond effectively”.

Other members who have spoken out against Martin in the last four days also include NUS LGBT+ officer Noorulann Shahid, NUS National Executive Council (NEC) member, Myriam Kane, NUS NEC member Amelia Horgan.

Myriam Kane took to Facebook to accuse Martin. She said she has received abuse from both Martin and Martin’s mother. Kane attached a twitter screenshot to her post, in which Martin says “you’re not that important”.
Martin has called for the allegations on social media to be investigated.

In a Facebook live video posted on the 29th of January, Martin says the allegations are all “lies”. She talks of the “anti-blackness and racism” she has faced during her term as President and says her name has been “tarnished” “for election purposes”.

In a post following the video, she said: “I have been baited and provoked on purpose and recorded in my own workplace by those who claim to support working-class black women like myself but would happily push me to the limit and watch me break.”

Deej Malik-Johnson also took to Facebook on the 29th January, detailing the alleged abuse he received from Martin.
Malik-Johnson needed a character reference as part of a  “legal battle in an attempt to re-establish contact with my daughter”. After Martin agreed to write the reference, that’s when “things got weird.”

Malik-Johnson said Martin would “call me at weird hours on the phone about me being ‘funny’ and ‘knowing what side I’m on'”. Things escalated after Malik-Jonson attended the National Free Education Demo. Martin apparently called again.

“She stated that she would no longer help me or write a statement to help with Dillara. She said it was because we are apparently ‘enemies’ and I’m “on the wrong side”. And so I’ve received no support and I’ve stayed silent at the hands of a bully — because let’s call it what it is — because whilst if she had said no from the start for want of time or concerns she chose to agree and only then refuse after an attempt of political coercion.”

Malik-Johnson has been on leave this week and so has not been able to provide further comment for The Mancunion.

Whilst the investigation is still ongoing, the NUS has said: “all officers will be working from home this week”.

Wonder Women 2018

Sure, we’re all feminists, right? But feminism needs to become more than just a word we attach ourselves to, it needs to be productive — and this is the concept that the 2018 Wonder Woman Festival is founded on.

Throughout the month of March, the city will be taken over by a programme that puts women at the centre of culture and art in Manchester. Amplifying those voices which are so often unrecognised, this festival is a platform which recognises the female narrative.

As the birthplace of Emmeline Pankhurst — who lived just off Oxford Rd —, Manchester is bound inextricably to the legacy of the suffragette movement and the history of female liberation. This year is especially pertinent as it marks the 100-year anniversary of the Representation of the People Act, which was a landmark for gender equality and females entering the political sphere.

This historical moment will be felt from a contemporary perspective through a series of performances, screenings, exhibitions, and talks. All provoking us to consider how females are represented in our culture today.

Help forge a new historical moment by showing your support to the range of productions which will be running, here are our highlights:

  • Feminist Takeover and Wonder Woman 2018 Festival Launch
    Manchester Art Gallery, the 1st of March 6-8pm
    As the retrospective work of artist and campaigner Annie Swynnerton takes centre stage in the gallery, this opening evening is curated by Instigate Arts, who will hold a panel discussion asking whether feminist festivals are a form of activism in their own right?
  • Sylvia – Jacqueline Mulhallen
    Lynx Theatre, the 3rd of March 2-4pm
    A one-woman play looking back at the early life of Emmeline Pankhurst, immersed against over 250 projected slides of Pankhurst’s own photographs and paintings.
  • The Ongoing Nakba
    The People’s History Museum, the 8th of March 2-4pm
    An afternoon exchanging stories presented by Palestinian refugee women to commemorate the 1948 Palestinian Exodus; accompanied by a moving visual installation, this evening provides a platform for the plight and resilience of women refugees.
  • If this is the last thing I say? – Ruth Barker
    Castlefield Gallery, the 8th of March 6-8pm
    A spoken word and soundscape which enacts contemporary female anxieties surrounding motherhood, illness, and isolation.
  • Film Focus: Hooligan Sparrow
    CFCCA (Centre for Chinese Contemporary Artists), the 8th of March 6:30-8pm
    An exclusive screening of one of China’s most prominent female rights activists — Hooligan Sparrow —, who exposes female sex workers and the abuse of children in a shocking documentary.

Fail: Manchester University apologises for exam errors

The University of Manchester has issued an apology after several exams taken in January of 2018 contained errors.

Third year Textile Science and Technology students were given only 20 minutes to answer a replacement question having noticed that the same essay title had come up twice in a row, in a set of seven sub-questions.

Some students, having left the exam hall early, simply believed it was a mistake and didn’t bother answering the question, whereas some answered it twice. Students later raised the issue as to whether the marks should count for that question or not.

The Spanish exam this year had a spelling mistake in translation which led to students contacting Emma Atkins, the Students’ Union Exec Officer.

Students have been advised to write to the Head of School and Programme Director, so if any students made errors with that particular question, they shouldn’t be accounted for in the overall mark.

Speaking to The Mancunion, Emma Atkins has advised that “if students ever have issues with their exams, they should contact [her] or the Advice Service offered by the University.”

Atkins also stated that she is “not aware of the exact process for creating exam papers, but each programme does it differently. However, it’s only fair for students to expect a well-written exam paper!”

“Mark schemes, model answers and examples are ideal for students to know what is expected of them, and if students don’t have access to any of them they should speak to staff, add those comments in unit surveys and raise it with student reps.”

When questioned about whether content taught during the period of strikes over staff cuts should be used in exam papers, Atkins stated that “strikes are meant to be disruptive — I think if the university wants to make sure students don’t miss out, they should negotiate better with UCU so strikes don’t happen!”

The recent Genes, Evolution and Development paper confused students, when they realised were given a question from content which had not been taught.

With a number of students having emailed their professor after the exam, it was later decided that the question will not be accounted for in the overall mark, although this makes each mark lost costlier, as the total number of marks has been lowered.

A University spokesperson said: “The University would like to apologise to the students affected by this error. It is most regrettable that these incidents should have occurred. They were dealt with in the examination room according to established procedure.

“However, any students who remain concerned should raise the matter directly with relevant staff in their School.”

Italy’s awakening

On the 4th of March, Italians will vote in a closely watched election that will no doubt shake the European Union and be seen as another test of the anti-establishment populist forces in Europe. 2017 was a good year for populist parties in Europe. In Austria, the right-wing Freedom Party entered government, and in Germany, the AFD entered the Bundestag for the first time with 12 per cent of the vote.

Italy has had four prime ministers since 2013 and a failed attempt to reform its constitution. Meanwhile, its economy has staggered and the influx of refugees has not been slashed. All this has created a flourishing environment for populism to thrive and it has become a powerful force in the run-up to the Italian election.

Italy is the next test for the European Union and if the polls are correct, the anti-establishment and populist Five-star movement will become the largest single party in the Italian parliament for the first time. However, despite this, they are not the favourites to win and instead it is one Silvio Berlusconi.

After years in political exile and personal scandal, he has returned and while his party will not have a majority, it is likely that the right-leaning alliance composed of Forza Italia, Lega Nord, and other minor right-wing parties will. Berlusconi cannot serve as prime minister or as a minister because of a ban that disallows him from serving in public office due to his past criminal convictions.

Despite this, whoever becomes prime minister will be someone of his choosing and under his influence, meaning he will be kingmaker once again.

Instability has plagued Italy’s centre-left government since it came to power in 2013, with four prime ministers and a failed referendum on reforming the constitution. The economy is sluggish despite reforms implemented by the Democratic Party, and it is unlikely the centre-left led by the former prime minister, Matteo Renzi, will return to government after this election.

His attempts to reform the constitution failed due to the public voting against it in a referendum. If other European elections are anything to go by, this election will be a battering for the centre-left, like in both France and Germany where centre-left social democratic parties suffered their worst results in recent history.

However, there is one party that is being underestimated in terms of its influence on the Italian political scene, and that is Berlusconi’s would-be coalition partner, Lega Nord led by Matteo Salvini. Lega Nord, emerged in the late 1980s as a separatist force for the wealthier northern regions of Italy and propped up many of Berlusconi’s previous governments.

However, both the migrant and Eurozone crisis have given the party a huge boost in support, and while, currently, it is likely to support Berlusconi, it could also prop up a coalition with the Five-star movement. It would be the first of its kind. Previously, the Five-star movement has traditionally ruled out any possibility of a political coalition.

For Brussels, either outcome is not a perfectly good outcome. If the right-wing alliance under Berlusconi is victorious, the only thing they will be smiling about is the fact the Five-star movement is not in power: the lesser of two evils. For Brussels, either scenario presents a problem for them especially when it comes to Eurozone reform and the refugee crisis.

Like the new coalition in Austria, the Italians have no interest in seeing a further integrated EU dominated by Macron’s France and Merkel’s Germany.

If the Five-star movement somehow are victorious in forming a coalition, which at this stage remains unlikely, it would be Brussels’ worst nightmare and would cause chaos as Italy would become a ‘rouge member state’ likely to resist EU measures over migration and debt reductions with an extremely eurosceptic outlook, doing its best to halt or block any reforms proposed.

They will most likely aim to make the EU un-workable and even more unpopular, and might even hold a referendum on EU membership as the party has stated it would like to take Italy out of the Eurozone.

If the current polls are to be believed, the election is a close race between the Five-star movement, the Democratic Party and its allies, and Berlusconi’s right-leaning alliance. At the current time, it is not even clear if a coalition between the centre-right and centre-left would receive enough votes to hold a majority in parliament.

Whichever party wins the largest share of the vote, Italy will likely be plagued by months of instability as a coalition of some sort is forced to come together. However, the success of the Five-star movement and the Northern League, both populist parties, will determine how pro-European Italy’s next government will be even if they take a place in opposition.

The only clear victor in this election will be populism; whether it is Berlusconi or the Five-star movement, Italy will be the next victim of the populist onslaught consuming Europe.

I.Am.Gia: a hidden story of drug addiction and celebrity

Australia’s darling has just been released in the UK. The enigmatic women’s fashion brand I.Am.Gia is fresh, sexy and, most importantly, affordable. I first discovered the label on Instagram at two in the morning. Scrolling through post upon post of cutting edge pieces modelled by ‘It girl’ celebrities I got that sinking ‘well obviously can’t afford this but cheers mate for tantalising me, nice one yeah’ feeling.

Yet another celebrity-endorsed, financially unattainable brand we drool over which eventually trickles down to cheap high street emulations so that Will from High Wycombe can wear a Topman hoodie that looks like one worth the same price as his parents car. There always seems to be a sort of glass ceiling between the ordinary folk like us students and quality high fashion.

Most of us don’t have a personal stylist with an unlimited budget and access to the catwalk samples. We have The Arndale Centre and three-five working days delivery followed by a note through the door from Keith the DPD driver saying I missed my delivery even though I specifically requested it be left in a safe place. Despite fast high street fashion, they always just miss it don’t they.

Well when I clicked on the link to the I.Am.Gia online shop for a laugh, I nearly rolled out of bed. For high quality, cutting edge fashion the prices were the same as you would find in any high street shop. My shopping bag frenzy began. IZAR TANK TOP £28? Add. JAGGER MINI SKIRT £45? Sold. CHER BANDEAU £34? Jackpot.

The clothes are named and based often on celebrities, for example the Uma pants based on THE yellow trousers in Kill Bill, the Cobain dungarees and the Gwen combat trousers. Visually, the website has all the trappings of a high fashion brand but without the price tag. For example, the Dazed magazine-esque photography and small collection make browsing feel like a classy, uncluttered and leaisurly shopping experience.

So what is this brand? A miracle sent from the cosmos? Well little is known about the labels origins, it remains tantalisingly secretive, adding to its allure all the more. What has been disclosed however, by the co-founder and designer Alana Pallister, is that the concept is based on the first supermodel Gia Carangi, a woman whose meteoric rise and catastrophic fall captured and embodied the fast living generation of the 1980’s. The idea is to create a ‘Gia of our time’ Pallister divulges.

This is a controversial concept because the supermodel had a debilitating addiction to class A drugs, ultimately contributing to her tragic death at the tender age of 26. It is now known that the raised needle bumps from the crook of her arm had to be airbrushed out of photographs. She wept and raged on set. She left mid-shoot in desperation for her fix. The reality was quite far from the glamorous images we are left with and from which the brand takes its inspiration.

It would be easy to say that the company is promoting a bad image for girls, especially with the 16 year old Kaia Gerber as the brands top ambassador (also the chilling spitting image of Gia herself. An innocent coincidence? Who knows). However, I think what they mean to do is look beneath the taboo and the tragedy, instead focusing on the soul of a woman who’s vibrancy and individuality captured the fashion world.

The story of the brand’s concept was kept secret for a long time and is still unknown to many, perhaps for the obvious reasons. Whether young supermodels or indeed ordinary women are aware of this darker side to the brand, I don’t know. However, I think to openly state Gia Carangi as its main inspiration and indeed name the label after her is a statement we should be aware of for whatever reasons, good or bad. There is more to come from I.Am.Gia. Just you watch.

REVEALED: Pangaea loses shocking £120,000 in 18 months

The Mancunion can reveal that the once much-loved student festival has been racking up astronomical financial losses since at least June 2016.

Figures seen by The Mancunion indicate losses ranging from £19,000 to £56,000 at each event. This has been attributed in some cases to overspending on decorations and other operational material, but in most instances, it is due to a drastic underselling of tickets.

Staff at the Students’ Union has told The Mancunion that if the summer Pangaea follows the same financial trajectory, and receives negative feedback from students, there is a possibility that Pangaea will cease to exist in its current form in the years to come.

The Mancunion understands that, whilst Pangaea’s intention isn’t ever to make a profit (as this would involve dramatically increasing the ticket price, making it unaffordable for lots of students), the shortfall that is budgeted for each event, or ‘cushion’ that is allowed for, is only £5000. However, due to the ongoing construction in and around the Union building, this year the two Pangaea events (the freshers’ instalment and the summer one) were given scope in the budget to lose £50,000.

A spokesperson at the Students’ Union stressed to The Mancunion that the figures do not include additional income generated by sales on the night, such as on the bar. Furthermore, they said that Pangaea has always been about the positive student experience it creates and is not a profit making exercise.

There are some other reasons why the figures, according to the Students’ Union, may not actually reflect the financial reality. One is that, up until 2016, there was not a full-time events coordinator to keep a record of the budget, with the role of Activities Officer apparently notwithstanding.

Another is that, up until the most recent Pangaea, the ticket price of the September instalment has always been included in the Welcome Week Wristband, which makes it harder to calculate how much is generated through ticket sales.

When speaking to students at the university, many expressed apathy towards the festival.

Scarlett, a 3rd-year classics student, told The Mancunion that “it’s never really appealed in itself” and that if it were cancelled she wouldn’t be “particularly fussed”, however she mentioned that she knew people who had really enjoyed volunteering on its committee.

Will, a Human Rights Masters student, told The Mancunion that he hears “it’s pretty bad now” from friends who still go, and that it was “pretty harsh” that the ticket price remained the same when the venue size was reduced in September 2017, due to the on-going building works.

When asked if he would care if it were to be cancelled, he replied: “I’m not going to cry about it”.

Activities Officer Kitty Bartlett has so far not responded to requests for comment.

Investigation: are bill splitting companies taking you for a ride?

Students at Manchester University have accused bill splitting companies of overcharging and being extremely difficult to get in touch with in a crisis.

Second and third year students arranging to rent shared houses have to navigate landlords, tenancy agreements, and managing shared expenses including utility bills. Most energy and utility providers expect a single payment per month. Dividing up multiple payments with different due dates between housemates can be stressful.

Some students choose to use bill splitting services like Glide, Split The Bills, Huru, and Fused. These services attract students by offering to make life easier by contacting providers and setting up student houses with electricity, water, gas, broadband and TV licences.

Some of these companies claim that their rates will be cheaper than those of the ‘big six’ energy suppliers like British Gas, Npower, SSE, EDF, Eon, and Scottish Power. They offer to keep tabs on due dates, chase up individual students for payments, and make budgeting easier by combining all bills and splitting them equally into regular monthly payments.

However, are these companies really worth it? One of the biggest and most popular services, Glide, claim on their website that “people that hate bills love Glide” and market themselves as authentic, ‘quirky’, and reliable. On the ‘tariffs’ section of their website, the quote per month for a house shared by four students paying for gas, electricity, water, broadband, and a TV license is approximately £42 altogether. This sounds relatively reasonable, but many students who have used the service have had bad experiences, and felt exploited.

One Manchester student, Sasha, claimed that Glide did not give her and her housemates an electricity prepayment meter for months, and that the company was difficult to get in touch with.

Glide said that they, “had some challenges this year in the speed of exchanging prepayment meters. We have changed this process ahead of next summer and expect to be able to exchange them more quickly next summer.”

Oscar Kilpatrick, another second year with Glide, wanted to warn students about what they were signing up for. His house paid for fibre broadband, but had no access to it for over a month. Whilst it was being installed, their Wi-Fi was down for a week and a half, with the reimbursement amounting to just £2.42.

Glide replied, “over the summer, fibre broadband can take up to 4 weeks to install. This is based on availability of BT OpenReach engineers and is the same for most broadband providers. We always try and advise students to sign up to their broadband company in advance of their tenancy start date, rather than signing up to a broadband provider once they have already moved in.”

The bills sharing company, which was the first of its kind 11 years ago, boasts a 24/7 broadband support team, but Oscar claims that he and his housemates were promised calls that were never returned. “The organisation is poor, we were sent four letters threatening bailiffs which were revealed to have originally been intended for Glide — we had paid our bills but Glide hadn’t paid the water company [sic],” he said.

Glide said that because they, “work with all water companies across the UK”, difficulties in managing accounts can arise, such as water being sent to the property rather than Glide HQ. They said that “once we are notified of this issue, we will always contact the water company to ensure the bills are sent straight to us.”

Despite the experiences of some students, the company website claims it is a trusted service with positive reviews on verified rating websites like trustpilot. Some of the responses to complaints on trustpilot were made by Glide representatives, who claimed that they had attempted to reach out to and resolve student issues, and that some of the issues were caused by student mistakes.

Split The Bills, another similar service, includes a section on their website reminding students that issues can be avoided by joining them early, as they get busy between June and September, and late joiners may need to contact previous suppliers with meter readings. They also add that Gas and Electricity can take up to four-six weeks to transfer from a different supplier.

According to popular website Save The Student, “bill splitting services might sound like a great idea, but the amount they charge are not worth the minimal time that they save you.

“These companies also restrict you to certain suppliers for your bills, meaning you might miss out on the best deals — which could cost you even more money throughout the year.”

Save The Student recommends splitting bills independent from these companies, using apps like Splitwise, or starting a joint bank account. They also recommend putting everyone’s name on bills so that no one person’s credit score is at risk of dropping in case payments are late.

Save The Student add that students should try setting up services quickly, making sure to read the fine print on contracts for hidden charges and price hikes. Another option for students is renting a house inclusive of the cost of bills, which means landlords and agents will handle bills, instead of third party companies like Glide and Split The Bills.

A spokesperson for Glide said that “yes, we are more expensive than traditional providers such as British Gas”, and explained that the service they provide is for people looking to save time and the stress of splitting bills.

“Utilities is a tricky industry and each year we refine our processes and learn in order to reduce any mistakes. Inevitably, due to the nature of the industry and the amount of services we provide, there are always going to be a handful of issues.

“It is possible for students to save money by doing bills themselves and for some this is the method that they will take. For others, they are happy to pay a premium to be safe in the knowledge that they have to pay only their share and to bring all of their bills together in one place.”

For students who are struggling with budgeting and finances, the Students’ Union has a free and confidential advice service.

Calls for Manchester United to pay Living Wage

On Thursday the 1st of February students and local activists from the non-profit Citizens UK requested that Manchester United “move to paying a real Living Wage to all staff and contracts in 2018.” The local chapter of Citizens UK delivered a letter requesting Man Utd to “do the right thing.”

Citizens UK acknowledged “the vital contribution that Manchester United FC makes to the UK economy as a global brand.” However, they hope the club “shows leadership … to ensure the cost of living is met for low-paid workers.” Kate Green, MP for Stretford and Urmston, and many other community leaders were signatories of this open letter.

The current call for Manchester United to increase their wages for low-paid workers follows a successful campaign in Liverpool. In late October 2017 the Living Wage Foundation and Steve Rotherham, Liverpool’s Metropolitan mayor, successfully campaigned for Liverpool FC to commit to paying their staff at least the Living Wage of £8.45 at the time. Liverpool FC is one of just three Premier League clubs to make such a commitment.

Political pressure on employers across Manchester has been mounting for the past 3 years. Manchester Mayor Andy Burnham campaigned on support for the Living Wage, stating in 2015 “we need a National Living Wage for everyone, young and old.” Two years Burnham worked with the Greater Manchester Combined Authority (GMCA) and achieved a commitment to GMCA becoming a Living Wage accredited employer.

The Living Wage for the areas of the UK outside of London is currently £8.75. This figure has been assessed by the politically independent non-profit organisation the Living Wage Foundation. The wage is based on the cost of essential goods and services and calculated such so that low-paid workers can live comfortably.

Over 3800 organisations across the UK pay the Living Wage. One of these organisations is the University of Manchester’s Student Union, who recently commemorated their accreditation as a Living Wage paying employer with a plaque in the Steve Biko building. The on-going commitment from the SU has benefitted students across the University.

Students currently and previously employed by Manchester United believe that an increase in wages would “have a real impact on the student body”. Jack Swan, student and member of Greater Manchester Citizens leadership group, is part of the team organizing this campaign. Swan and others are in the processes of setting up a Citizens Society on campus and urges current students to join. Forthcoming campaigns include sustaining pressure for the Living Wage and ending hate crime.

Manchester United were unavailable for comment.

Sexual assault claims rock the fashion industry

2017 will go down in history as the year that women finally said ‘Time’s Up’. It will be remembered for the countless brave people who came forward to say #metoo and finally tell their story after being silenced for so long. 2017 has triggered a movement: women are starting to talk about their experiences of sexual assault without shame and their abusers were finally being held accountable for their abominable actions.

It is fitting that this movement has gained momentum in the Trump era — in which one of the most powerful men in the world has had countless allegations of sexual assault made against him. The Times Up movement unites all women and spreads the message that enough is enough, that women and men alike will stand together against abuse and harassment at every level. The Golden Globes was the perfect example of this united front in Hollywood, where women and men donned all black outfits in support of the movement.

The Times Up movement comes after the Harvey Weinstein scandal, which rocked Hollywood in the latter part of 2017. However, as the numerous allegations made against the director show, this was just the tip of the iceberg. The scandal triggered a wave of support from women and men all across the industry and sent the message that these women do not have to suffer in silence. However, it has also demonstrated that there has been abuse at every level in every industry, not excluding the fashion industry. Now, male models are coming forward to speak out about the abuse they have suffered by big-name photographers.

In the wake of the Weinstein scandal, Condé Nast International finally severed ties with photographer Terry Richardson in October 2017 despite years of numerous allegations of sexual assault swirling about in the industry. American Vogue stopped working with Richardson in 2010 and now a number of high-end fashion brands such as Bulgari and Valentino have ended their contracts with the controversial photographer.

Since 2010 a number of women have made claims against Richardson, stating that he propositioned them for sex and touched them without their consent. Richardson addressed these rumours in 2014 in which he claimed the allegations were “an emotionally-charged witch hunt.” The question is why has it taken the fashion industry so long to take these allegations seriously? In the backlash of the Weinstein allegations, the message is loud and clear that these accusations will now no longer be ignored and finally abusers like Richardson will be held accountable.

Photo:wearefamilyfoundation@Flickr
Photo:wearefamilyfoundation@Flickr

Further to this, allegations have also been made about Bruce Weber and Mario Testino, the Royal family photographer, that has seen them both suspended from working with big fashion names including Vogue. Testino has been accused of subjecting 13 male assistants and models to unwanted sexual advances, that in some cases included groping and masturbation. According to the New York Times Weber has also been accused by 15 models of exposing them to unnecessary nudity and coercive sexual behaviour.

The issue lies with the immense power these men have within the industry. Similar to the Weinstein cases, victims were afraid to come forward and challenge them because of the fear of never working again. In the fashion industry, it seems that young men and male models are perhaps the most vulnerable to exploitation by photographers. Former model Trish Goff said that male models are ‘the least respected and most disposable’, therefore a claim against a Testino or a Richardson would not have been taken seriously because male models don’t become a personality like female models do.

Female models are instantly recognisable, whereas it is difficult to think of many well-known male models. These allegations are also important in highlighting that men can also suffer abuse by others in a position of power, it is not always gender-specific, and their stories need to be heard too.

Now that there have been numerous claims of sexual harassment and assault within the fashion industry, will we see this same kind of solidarity that we witnessed at the Golden Globes or will it simply be brushed under the carpet and neglected to be acknowledged by the wider fashion circuit?

Despite accusations having been made for years, it seems that it has taken until 2018 in the wake of the Weinstein scandal for these allegations to finally be taken seriously. The world is now listening to the voices that have long been silenced and holding those abusers accountable for their actions by stripping them of the positions of power, except for the President of course. It seems that despite different industries making inroads in dealing with allegations of sexual assault and harassment seriously, as long as Trump remains in office we still, as a society, have a long way to go to make the phrase #metoo the exception and not the norm.

It’s time we talked about LGBT hate crime more

Hate crime is much more commonplace than you think. For many, we take the inclusive and metropolitan nature of Manchester for granted. We assume we are somehow insulated from horrible things like this, or that they’re a relic of the past. The reality, unfortunately, does not reflect this.

Last year, Stonewall completed a survey of the experiences of LGBT people in relation to hate crime. The results were stark. Their survey showed that one in five LGBT people (21 per cent) have experienced a hate crime or incident due to their sexual orientation and/or gender identity in the last 12 months.

The number of lesbian, gay, and bi people in Britain who have experienced hate crime has increased by 78 percent in five years, from nine percent in 2013 to 16 per cent in 2017. Two in five trans people have experienced a hate crime or incident because of their gender identity in the last 12 months.

Again, this is not something that LGBT students at a university are insulated from. The statistics show 33 percent of 18 to 24-year-old lesbian gay and bi people and over half (56 per cent) of trans young people of the same age, having experienced a hate crime or incident in the last 12 month.

Put very simply, if you have or know a lesbian or gay person in one of your seminars there’s a 1 in 3 chance that they will have experienced a hate crime or hate incident in the last year. If they’re a trans person, that rises to over 1 in 2. Just 12 per cent of these people report it to the police.

For anyone unfamiliar, I’ll break it down really simply. Hate crimes are acts of violence or hostility directed at people because of who they are or who someone thinks they are.  Police forces in England and Wales make a distinction between a hate crime and a hate incident.

A hate incident is defined as any act, which may or may not be a crime, that the victim or any other person perceives to be motivated by hostility or prejudice towards an aspect of a person’s identity.

A hate crime is an illegal act that the victim or any other person perceives to be motivated by hostility or prejudices towards an aspect of a person’s identity.

The focus is often on more violent hate crimes, which overshadow the more everyday verbal abuses or derogatory languages that many LGBT people experience in their everyday lives.

Sometimes it’s obvious that you’ve experienced a hate crime, for example, if someone hits you while making obviously homophobic, biphobic, or transphobic comments.

Less obvious examples can be threats of violence hoax calls, abusive phone or text messages, hate mail online abuse — for example on Facebook or Twitter —, or verbal abuse like name-calling.

Like anyone in their early twenties, many of my recent memories are from nights out. I can remember when the DJ in Thompsons’s played the Lady Gaga Megamix and the Britney Megamix back-to-back at 2am. I can remember the lights of the pop room of Poptastic on a Tuesday night.

But I can also remember a night out in the Northern Quarter when a stranger decided I was too effeminate. And I can remember having insults shouted at me as I left the Village and walked to get the night bus home. The reality for many LGBT people is they have stories of evenings/nights taking a very dark turn for no other reason than the way they were born.

So what is to be done about this? To see a Manchester without hate crime, the most important thing is that every hate crime — whether you were a victim or just a witness — is reported. Action can only be taken if it is reported. The odds are that the perpetrators of hate crime will not only commit one in their life. They will go on to commit hate crimes again, and again, and again.

Most importantly, the victim of the hate crime — whether it is yourself, or another person — cannot get the support they may need to deal with what is a pretty harrowing or traumatic event if it is not known to the proper people.

Reporting hate crime to the police can feel like a daunting task – so third Party hate crime reporting centres are operating across Greater Manchester. If you take a report to them they can act on your behalf in this, anonymously if you wish.

LGBT Foundation on Richmond Street is one such centre, specialised in reporting LGBT hate crime as well as providing support to LGBT people. They can be contacted at 03453 30 30 30 between 10 am and 10 pm on a weekday or an email report can be sent to [email protected].

From the 5th of February to the 11th it is Greater Manchester Hate Crime Awareness Week. With more than 60 events taking place across Greater Manchester, the week is used as a signal that hate crime has no place in our city.

Everyone in Manchester, and in the country as a whole, deserves to be able to make those fun night out memories at university and to enjoy the nights they can reminisce about forever for solely positive reasons.

To sign the pledge to stand with the people of Manchester in combatting hate crime, visit http://www.letsendhatecrime.com/.

Manchester council plans to build ‘Tower of Light’

Manchester City Council and Vital Energi have put in a planning application to build a 40-metre high stainless steel tower that will, as well as creating a new sculptural landmark, encase the energy centre of the Manchester Civic Quarter Heat Network (CQHN) project. The project aims to provide an environmentally sustainable energy solution to Manchester city centre and has secured £2.87 million of funding from the Government.

The tower will provide heat and electricity to the network which includes key iconic city centre buildings such as Manchester Town Hall & Extension, Manchester Central Convention Centre, Central Library, Manchester Art Gallery, The Bridgewater Hall, and Heron House.

Councillor Angeliki Stogia, Manchester City Council’s Executive Member for the Environment and Skills, says: “This is a fantastic opportunity for Manchester to not only reduce energy costs and carbon emissions within the civic estate but also to offer those same environmental and financial benefits to local businesses.

“The council is fully committed to improving air quality and the environmental quality and attractiveness of the city, and we believe this flagship project will make a significant contribution to achieving those ambitions.”

 

Photo: Tonkin Liu
Photo: Tonkin Liu

London based award-winning architects, Tonkin Liu, designed what has been named the ‘Tower of Light’. Their designs were chosen over three other architect firms who were also shortlisted in a competition for the job. It uses the latest in architectural technology in its ‘shell lace structure’. The geometry of the tower allows the structure to hold stiff and strong with only 4 – 6mm of laser-cut steel to form the tower’s skin that also supports the 37-metre tall chimneys of the energy centre.

Lighting up the tower will also use minimal energy, as in the day the wind will move polished sun reflectors, giving the illusion of shimmering light. At night, LED lights will be directed at the reflectors.

It is planned to be built on the site of the former GMex building. Once plans are approved, work is expected to start in spring this year.

Book review: La Belle Sauvage by Philip Pullman

After seventeen years of waiting, fans of fantasy author Philip Pullman have been rewarded with an audacious new novel. Pullman’s new series, The Book of Dust, is to be a three part follow-on from the award winning trilogy His Dark Materials.

The first instalment, La Belle Sauvage, was released in late 2017. It is set ten years prior to the events of His Dark Materials and the following books will be set ten years later. As opposed to a prequel or sequel, the 71 year-old writer sardonically described the new trilogy as an “equel”.

La Belle Sauvage is an expertly crafted fantasy thriller, that undoubtedly does justice to the original series. Pullman takes us back to Lyra Belacqua’s world of sentient spirit animals known as Daemons, and of the church-like magisterium. Lyra and her ‘daemon’ Pantalaimon are again central characters and much of the action revolves around them, only this time she is a baby and Pantalaimon, a chirruping cub.

Pullman’s skill at writing children — giving them real purpose and depth — is exemplified in our new hero, Malcolm Polstead. Malcolm is an ordinary if rather bright boy with an undying curiosity. With the help of a fierce young woman named Alice, Malcolm watches over baby Lyra and sees that she comes to no harm with some astounding feats of bravery.

The characters’ story begins in the calm of rural England, an unlikely but engaging setting for the events to come. After some introductory chapters that lay foundations for an adventure, and on cue with the Gyptian’s (River Gypsies) premonitions, a flood of immeasurable proportion sweeps through the quiet Oxfordshire hamlet of Godstow. The deluge carries our protagonists from their homes down through the Thames valley and beyond in Malcolm’s stout canoe, La Belle Sauvage.

The journey presents many dangers, but none more chilling than encountering the new antagonist Gerard Bonneville, accompanied by his Hyena daemon. Daemons are an embodiment of their human’s inborn nature, which renders Bonneville’s Hyena even more unsettling.

This change of villain represents a change of tone compared to the original trilogy. Bonneville’s unhinged demeanour and disturbing actions wouldn’t go amiss in the horror section.

La Belle Sauvage is certainly not for the faint hearted. In comparison to Pullman’s previous works, the new volume is perhaps more suited to the older reader — as Pullman himself commented on the new series, “His darker materials, perhaps”.

If, like me, you were a fan of His Dark Materials, you might remember the mysterious and wondrous characters from the trilogy; the armoured bears, the angels, the witches and the soulless warriors. La Belle Sauvage has significantly less of this high fantasy as the book acts more as a medium for human connections, friendship and love.

Pullman again invades the familiar with the extraordinary but rather than using magical tools and mystical beings to guide and bolster the storyline, he lets the characters’ interactions and tale of hardship to be central in what is an imaginative narrative.

Though gripping from the first chapter, La Belle Sauvage is not perfect. Pullman’s quest for genuine settings and an innate homely composition is perhaps compromised when we run into characters of otherworldly origin, as they seem out of place and distinct in the swamped English countryside. The occasional references to the story of exodus also expects a biblical knowledge, again something that might pass younger readers by.

Despite these faults however, the main plot theme of the flood is executed with unerring precision. The delicate subtlety in the comparisons it makes to our planet and our Britain also lend the book real meaning and significance.

The whole story is set in Britain, permitting Pullman to explore the politics within this alternate universe. The parallel version of the UK is governed by an international theocracy, the ‘Magisterium’, which dominates all political and authoritative sectors. The magisterium’s increasing interest in Lyra, Malcolm and Alice plays a leading role in our protagonists struggles.

La Belle Sauvage evokes emotion and empathy throughout; as a reader you are passionately attached to characters, willing them to succeed in what is a perilous journey. Pullmans writing is so authentic, that the reader rarely questions the fictional nature of the flood. But at the same time there is no predictability, no expectation, the events unfold as they have to with the reader so engulfed in the scenery it’s as though you are standing in amongst it.

The vivid descriptions do well to place the novel’s action whilst creating enthralling atmospheres. Alongside the ambitious imagery, Pullman stylises elegant motifs that enhance the plotline. One of which is that of building, working and fixing things. From clockwise-opening screws to boarding up windows, the detailed intricacy of objects and manipulation of materials offers delightful metaphors for rebellion and protection.

In La Belle Sauvage we begin to explore the nature of the mysterious phenomena Dust, a notion that refers to what readers might know as dark matter. Dust had an important role in the first trilogy and we can with no doubt expect to explore its significance in the next parts of this one.

It has to be said that so far in the Book of Dust, we have not seen the overarching allegories of the human condition that was the case in His Dark Materials. Nor does Pullman so deliberately comment on the organisation of religion in its intangible forms. However, it hits home as an excellent precursor for the rest of the trilogy with part two The Secret Commonwealth, arriving in shops later this year.

Do you need to have read His Dark Materials to fully enjoy and understand La Belle Sauvage? Certainly not. But if you find this novel as captivating as I did you may well want to visit Lyra’s world ten years on.

United embarrassed by Spurs at Wembley

Jose Mourinho opts for a 4-2-3-1 formation for tonight’s game. In order to squeeze in Alexis Sánchez and without compromising in-form attackers such as Lingard and Martial, there are only two central midfielders. Such a formation indicates that Manchester United are going to Wembley for the victory with nothing else good enough to keep the pace with Manchester City.

De Gea is the goalkeeper once more with more clean sheets than any other keeper in the top 5 leagues this season (14). Helping him defend the goal is a back four of Valencia (C), Smalling, Jones, and Young. Matic and Pogba play in central midfield behind an attacking trio of Sanchez, Lingard, and Martial. Finally, Lukaku is the lone striker.

Only five passes into the game and Tottenham have scored. The goal is an obvious result of a preprepared kick off ritual and can only be compared to the infamous kick off glitch in the Fifa series of video games. Eriksen’s goal has been timed at 10.48 seconds and is the second fastest in Premier League history.

Less than a minute later Lingard gets one and one with Hugo Lloris and they would have been level if not for a fantastic reflexive save. It is a relentless opening to the game with both teams trying to gain the upper hand.

The first yellow is shown 12 minutes into the game to Mousa Dembele for a cynical foul on Lingard to stop the break. Spurs look slightly nervous in defence and United, trying to get back into the game early, are creating several good chances. It seems unlikely that the score will remain 1-0 and, at the current rate of fouls, it seems unlikely that the game will finish with 22 players on the pitch.

A very high line from Spurs has caused Lukaku to be caught offside multiple times cutting off potential attacks for the Red Devils. That coupled with just two central midfielders has resulted in an inability to hold possession for any substantial length of time. More than that though, it means that the lion’s share of the ball is given to Spurs.

28 minutes gone and it’s 2-0. Spurs thread together a series of delectable one-touch passes before giving the ball to Trippier in acres of space on the right-hand side. He assesses his options before choosing to drill the ball in hard and low. Phil Jones, who up until this point has stood firm in defence, knocks the ball into the back of the net.

After a series of fouls by United and an increasingly agitated crowd, the referee finally gives in an shows the yellow card to Phil Jones for something that remains unclear after four replays. There hasn’t been more than a minute of play uninterrupted by fouls for quite some time with 13 in the opening 40 minutes.

At halftime, the most important job for Mourinho is to reorganise his team to retain possession better. I would not be surprised if one of the four attacking players made way for Herrara or Fellaini. While this seems counter-intuitive if United can’t get the ball up to those players they naturally won’t be able to score. It will allow Pogba to roam further up the pitch too, rather than his unfavourable restricted position seen so far.

There have been no substitutions at the start of the second half, but United have rejigged their front four. Sanchez has moved from the left to the centre, Martial from the right to the left, and Lingard from the left to the right. It hasn’t changed Tottenham’s dominance though and it could have easily been 3-0.

Manchester United have, just shy of an hour into the game, begun to get a foothold in this game. Lukaku has a decent opportunity but shoots straight at Lloris. Mourinho decides to shake things up with a double substitution. Fellaini comes on for Lingard and Mata comes on for Pogba. Pogba looked unhappy on the pitch this half so it may have been a precautionary move.

Yet another good chance goes begging for Spurs and an exasperated Mourinho calls a player from the bench to make his final substitution. Rather than Rashford who was taking off his tracksuits, Herrera comes onto the pitch for none other than Fellaini who came onto the pitch less than eight minutes prior.

There were no visible problems with Fellaini who went straight to the changing rooms. Exasperation turns to vitriolic fury as Young gets yellow carded for a bad foul and there seems to be no hope of a Manchester United comeback.

Deli Alli, to the surprise of no one, loses his cool and hacks someone down for a yellow card. Even 2-0 up and entirely comfortable, his tendency for petulance rears it’s head once more. To avoid a comeback from United Pochettino takes him off in favour of Sissoko.

At full-time Tottenham are deserved winners. The only way the night could have been sweeter is if Harry Kane scored his 100th goal for the club. Mourinho will need to work hard to restore his team’s confidence ahead of their game against Huddersfield this weekend.

Review: Umezushi

If asked the question: ‘U – Me – Sushi?’ Do not hesitate in accepting. This eighteen seat restaurant will not disappoint. Discretely hidden away in a small industrial railway arch behind Victoria station, this little gem epitomises all things fresh and innovative about Japanese cuisine. A complete trust in the quality of produce facilitates a clean eating experience, leaving the diner feeling a healthy rejuvenation on departure.

The location of Umezushi in a non-residential area of central Manchester lends itself to a slightly corporate footfall. Other diners at the restaurant appeared to consist of clients, being taken out and schmoozed for potential business deals. No doubt impressed by the sense of exclusivity that comes from Umezushi’s incredibly intimate dining room, and the excellence of the food.

My dining companion and I ordered off the lunch menu for affordability, aiming not to get caught up in the business demographic and to aptly represent the requirements of the student market. After much deliberation, we settled on ordering Miso Soups to start, as a staple of Japanese cuisine, and Negitoro Don, Pork Rice, and the Umezushi Lunch Roll to follow.

The Negitoro Don I can best describe as the steak tartare of the sushi world. We ordered this as an attempt to push the culinary boat out. It was not met by unappreciative palettes, but the intensity of the raw egg and fish combination may have been better suited to a starter rather than a main course.

The rice in all the dishes had taken a small hit of vinegar to bring out its full flavour. It was light and fluffy in texture. The quality of this rice is something I have never been able to recreate, even with various experimentations in different types of rice cookers.

The sushi itself was completely delectable. High calibre Japanese cuisine is built on an ethic and trust in the freshness and quality of produce, and this really shone through at Umezushi. A point of note is that the wasabi was not overpowering, as is the case in mass-produced supermarket sushi, which generally tends to be horseradish died green.

I was meaning to ask how the restaurant sourced their fish, as having lived in Manchester for three years, I am yet to come across a thriving fish market. But, given the quality of the produce, my guess would be that they have some form of supply chain direct from the sea.

The sticky pork rice beautifully balanced sweet and sour and put in a valiant attempt to steal the show from the sushi.

The waiters and maître’d gave off no sense that my dining companion and I were being rushed through the experience, which is unusual in such a high demand restaurant with very little capacity. We sat at our table for the best part of three hours, letting idle conversation flow as we soaked in copious refills of green tea.

Taking in the authenticity of feng shui — created by the Japanese kitsch’s and pot plants which surround the walls. The interior design had the capacity to transport the diner away from the midst of the bleakness of the Mancunian winter, and into what had the feel of a high-end backstreet Sushi house, in which a grandmaster might have plied their trade.

The lunch menu is affordable, costing twenty pounds a head, which considering the precedence of the restaurant and the quality of the food was entirely reasonable. I could not recommend this restaurant enough. If you are feeling any weight in your pockets from the recent drop of student loans, the taster menu looks to be a complete and innovative journey through the depths of Japanese cuisine.

Interview: The Howl & The Hum

If you could sum up the past year or so in 3 words what would they be?

Reach (for) the stars. We learnt ‘Reach for the Stars’ by S Club 7 in primary school and it made me realise I wanted to perform in front of lots of people. Also, to bring out a CD and my own music and we’ve done a lot of that this year.

Where does your name ‘The Howl & The Hum’ come from?

There’s a really amazing poem by Allen Ginsberg called ‘Howl’ which is about an artistic howl in the 1950s when things were subdued, and people didn’t feel as though they could express themselves in the right way. It’s a really evocative poem.  Also, thinking about it I guess it’s almost like on a heart monitor when there’s movement of the lines and then pauses. It also does what it says on the tin, as a band we Howl, and we Hum.

What was the inspiration behind ‘Portrait I’ and why did it then frame your second tour?

‘Portrait I’ is a weird one. There’s actually a few portraits so there’s the first one but we’re currently writing sequels, they’re all sort of coming to fruition. ‘Portrait I’ is about the way that you view things and I’ve always been really interested in the idea of perception. Like you hear of things being painted in a certain light or people being put on pedal stools. For example, if you see someone in a particular light, it’s very difficult to shake that. The portrait’s a bit like a mirror in that sense and allows reflection even of oneself.

Will the next few portraits be EPs?

They’re probably going to be singles and I’m not even sure if they’ll be released in order. Portrait II has been written but I’m probably going to release Portrait III first but they’ll all be linked thematically.

When you featured on Tom Robinson’s BB6 Radio show, you mentioned you tend to derive lots of song inspiration from short-stories? How does this sit with the songs you’ve written relating to personal experience?

It’s difficult to write songs without reference to personal experience, all of the emotions that are felt by any of the characters are emotions that I have felt to some degree. But equally, it’s nice to create characters which are experiencing something you haven’t. It’s difficult to completely make up an emotion but if you utilise it and put it in a different context or setting, it can form a really interesting song.

Where does inspiration for I Wish I Was A Shark come from?

Yeah so, the opening is ‘I wish I was a shark so I’d never know what it would feel like to stop knowing there was motion once before’ because there’s almost a little myth, I’m not sure whether it’s true but there’s the idea that sharks die when they stop swimming. So, I’ve taken that as if someone is constantly moving either from person to person or relationship to relationship or even just moving through life job to job but if they stop they’ll almost give up and die. It’s quite dark but I’m happy with it.

How did you achieve the effects at the beginning of the track?

Yeah, that’s actually quite a lot of weird stuff going on. A lot of it is reverse pianos, voices lowered and synthesised on computers, we used a lot of filters to really create the atmosphere of being underwater. We have Conor’s guitar which creates the noise you’d hear as a submarine lowers into the water

Where does The Howl & The Hum settle in terms of importance given your involvement in a swing band and your past solo career?

The Howl & The Hum is number one. I would sacrifice anything else I’m doing for that. My songwriting developed into The Howl & The Hum so I was Sam Griffiths but there became a point where I knew I wanted to be part of a band. I like the idea of gaining inspiration from people around me, almost like being in a creative bubble. But the Swing band I am in is how I earn money, it means I can work a few days a week and then spend the rest of my time writing songs. It’s a lovely way to make a living but it’s not something I’m wanting to do permanently. I used to work in a coffee shop called Coffee Culture in Goodramgate for example and that’s something I might end up doing again soon as busking wears out my voice.

What’s the songwriting process like, and does it vary depending on the song?

It’s different for every song but I have thousands of notes and voice memos on my phone. I could have little-hummed ideas or little weird poems. Sometimes if I’m drunk I’ll talk to my phone for an hour and then play it back the following morning. A lot of the time our songs are built from lyrics which may be taken from a short story.

Is the atmospheric and cinematic feel your songs possess entirely intentional? Many sound like they could be James Bond songs.

No, we’ve never sat down and thought we’re going to write a song for a James Bond film although I would love to do that and I reckon we’ve got some that would suffice. They’re just amazing songs but it’s usually just us trying to gain the atmosphere out of the lyric with our instruments. For example, ‘I Wish I was a Shark’ was about going under water and with ‘Only Other Living Creature in the desert’, we try and make our guitars growl. It’s the songs speaking to the instruments and the instruments replying. I really like film soundtracks though.

Who changed the music industry for you?

Bob Dylan because he basically invented Rock and Roll. When he went electric it was very important because his style of songwriting is vital to the way music has moved forward. It almost turned music into an art form and I think that’s amazing. It’s important to us because we love writing pop songs but we also like being poncey little nerds about it, for example, we sing about Fiat Puntos and he inspired that kind of thing for me.

Is a debut album on the horizon?

There’s a horizon but it’s a very distant one and it’s paved with various EPs. The album is so important. Take Kendrick Lamar’s albums, for example. They’re all unreal, especially in hip-hop. But albums are landmarks, we can release these EPs and they’re less intrinsic to what the band is about. An album could be a narrative, it could be a concept. It’ll come.

What can we expect from The Howl and The Hum as an upcoming band? Are arena’s what you aspire to play?

I would say no for playing arenas, but there’s always been a childish dream of mine to play big festivals such as on the Pyramid stage. It’d be amazing, but with arena’s it’s either a built-up career or an overnight sensation. The overnight sensations are usually driven in a weird zeitgeist. Usually, they’re very very pop whereas building a career of great music almost makes you feel like you deserve the arena spot.

Anokhi’s 15 minute meals: Vegan bean chilli and smashed avo

You know that feeling after a heavy weekend, too much overindulgence and lack of sleep. All you want is something comforting and hearty, certainly not another takeaway. This vegan bean chilli is ready in 15 minutes and is full off goodness, flavour and comfort. Perfect for a lazy sunday evening.

Ingredients:

  • Tin of cannellini beans
  • Tin of kidney beans
  • Tin of chopped tomatoes
  • 1 red pepper
  • half a pack of mushrooms
  • 2 cloves of garlic
  • 1 red onion
  • 1 avocado
  • Tablespoon of red chilli powder
  • Tablespoon of cumin
  • Rice or any desired accompaniment (tortillas/ couscous)

Method:

  1. Finely chop onion, garlic, pepper, and mushrooms.
  2. Add a tablespoon of oil to a pan and sauté the onions and garlic.
  3. Once onions and garlic are softened, add the cumin and red chilli powder and stir.
  4. Add mushrooms and peppers to the pan and stir until all the veg seems soft.
  5. Add the tin of tomatoes and both tins of beans, simmer for 5 minutes.
  6. At this stage put your rice to boil and smash up your avocado.
  7. Serve when the beans lose their crunch.

(Top with cheese if you’re not vegan or a vegan cheat)

 

 

 

The perfect library lunch: Spanish Omelette

Albeit with a struggle, we’ve made it through exam season. It’s time to treat ourselves once again to the finer things in life, like giving yourself time to cook a good, hearty lunch. Great for a packed lunch, this recipe says goodbye to the Sainos’ meal deal and hello to proper home cooked food, which won’t take up too much of your time or money.

These are the ingredients for a large omelette, at least 6 hefty servings. Just halve it if you want to do a smaller version. You can also mix up the vegetables according to what you like – try throwing a handful of frozen peas into the mixture before cooking. In the picture it is served with a chilli mayo.

Ingredients

2 tablespoons vegetable oil

1 large white onion

2 cloves of garlic

2 medium sized potatoes

6 eggs

1 bell pepper, thinly sliced

Cherry tomatoes, halved

Feta cheese (optional), crumbled

Salt and pepper

Method

1. Finely chop the onion and garlic. Put one tablespoon of the oil in a medium-sized frying pan and heat on a medium to low heat. Then add the onion and garlic and sauté until soft and beginning to colour, stirring occasionally to ensure it doesn’t burn. If it is catching too much, turn the heat down.

2.  In the meantime, bring a pot of salted water to the boil. Halve your potatoes and cut them into thin slices. Place the potato slices in the boiling water and par-boil, around two to three minutes until they are just cooked. Drain and leave to cool slightly.

3. In a large bowl, whisk five of the eggs together with a good grind of black pepper and a couple of pinches of salt.

4. Once cooled slightly, add your potato and onions, and half the sliced pepper to the bowl. You can also add other vegetables at this point; peas and cooked asparagus work well too. Mix together well.

5. Heat the rest of the oil in the pan on a medium heat. When the pan is hot, pour in the mixture and flatten. Whisk the remaining egg and pour on top, then scatter on the rest of the sliced pepper and place the halved cherry tomatoes, skin down onto the mixture. At this point, if using, crumble on your feta cheese.

6. Preheat the grill.

7. Cook the mixture in the pan until the bottom and sides are a golden-brown colour – about 5 to 8 minutes, depending on the thickness of your omelette.

8. Place under the grill for a further five to eight minutes, making sure the omelette is cooked all the way through and it is beginning to brown on top.

9. Slide out of the pan and onto a plate. Can be eaten hot or cold.