Kayleigh Crawford

Kayleigh Crawford reviews Opera North’s Street Scene, which is based on the play of the same name, at the Lowry

Kayleigh Crawford reviews Super Duper Close Up at the Royal Exchange Theatre

Kayleigh Crawford reviews Gecko and Mind the Gap’s Space at HOME

Kayleigh Crawford reviews An Act of Care at HOME Theatre as part of Push Festival

Kayleigh Crawford reviews Mischief Theatre’s Peter Pan Goes Wrong at the Lowry

The Mancunion’s Theatre section reveal their favourite shows of the decade

Kayleigh Crawford reviews The Astonishing Times of Timothy Cratchit, a musical sequel to Charles Dickens’ A Christmas Carol

Kayleigh Crawford reviews Out of Order at HOME

Kayleigh Crawford reviews The Escape Act – A Holocaust Memorial

Kayleigh Crawford reviews Class, Scottee’s final solo show at HOME

Kayleigh Crawford reviews Awkward Conversations with Animals I’ve F*cked

Kayleigh Crawford reviews Queens of Sheba, which is part of HOME’s Orbit Festival and Black History Month

Kayleigh Crawford reviews the RSC’s gender-swapped adaptation of The Taming of the Shrew at the Lowry

Kayleigh Crawford reviews the Royal Exchange Theatre’s adaptation of Macbeth, a new production that evaluates gender

Kayleigh Crawford reviews American Idiot at the Palace Theatre

Kayleigh Crawford reviews Scottee’s Fat Blokes at HOME

We all know that theatre isn’t just what we see on stage, it’s also what goes on behind it – Kayleigh Crawford reveals all on what tech theatre is like

Kayleigh Crawford reviews RAGS, reimagined by Stephen Schwartz and David Thompson, a story of immigration, identity and hope

Kayleigh Crawford reviews Sass Holmes’ A Place, as part of the University of Manchester Drama Soicety MIFTA season