Bwana Devil was the first 3D feature film ever released. Unlike Gravity which is currently sitting on 97% on Rotten Tomatoes, the reviews of Bwana Devil weren’t too kind. One critic wrote “It is the worst movie in my rather faltering memory, and my hangover from it was so painful that I immediately went to see a two-dimensional movie for relief.”

As the seventies became the eighties, con man Irving Rosenfeld (Bale) and his cunning mistress Sydney Prosser (Adams) are pushed into the world of the Jersey mafia by the FBI.

The Film Editors countdown their favourite scenes which snap, crackle and pop

Robbie went to an advance screening courtesy of Experience 12

George Bellamy discusses alternative Jesus figures in cinema

Our Cornerhouse Pick of the Week is Stephen Frears’ latest cinematic hit

Jack Crutcher tells us why he believes that Mark Wahlberg is in the wrong job

Remembering TimeSplitters Future Perfect and its perfect blend of multiplayer mayhem and tongue-in-cheek humour

Jackson Ball gives us his top 5 christopher nolan countdown of leading ladies who didn’t make it to the end of the film

Jack Crutcher looks back on the revolutionary and influential career of Nintendo’s Hiroshi Yamauchi

Jack Evans looks ahead to the much-anticpated return of the Scorcese-DiCaprio duo

Tom Cottrell explores everything Los Santos has to offer in Rockstar’s latest ambitious offering.

Too often over-looked, the coolest fox in gaming made his Gamecube debut in the excellent Star Fox Adventures.

Damien Trinh speaks to Mike Geelan; a developer at Squad – the guys responsible for Kerbal Space Program, and former UoM student

Jane went to see acclaimed Chilean film, Gloria, and attended a Q&A with its star

Sarah countdowns the musical moments in movies which make you want to stand up and boogie

Parizad argues that far from being the great piece of cinema it is often hailed, Schindler’s List is in fact a poor attempt by Hollywood to portray the tragedy of the Holocaust

Lloyd endures the longest Britain’s Got Talent commercial yet

Tom charts the fall from grace of some of Hollywood’s greats to the pits of the advertising world