Alan reviews Earl Sweatshirt’s latest EP, Feet of Clay, where he continues to pen reflective, intricate verses over the abstract sound he crafted on last year’s Some Rap Songs
Flume’s new work presents a haphazard work of art
A devastating tribute to his dead wife, Phil Elverum’s reflection on love and grief still feels raw. It is his most powerful and complete work yet, and it is a tearjerker
Ollie Clack runs through a fun and idiosyncratic new week of releases
No closer to the kind of success their peers have enjoyed, Yeasayer’s latest sees confusion stand in for cohesion
Alan takes a look at Danny Brown’s fifth studio album uknowhatimsayin¿, which follows up 2016’s wild Atrocity Exhibition with a more mature, humorous record, cementing Danny’s place as one of the decade’s best rappers.
Catch an ’80s array of cult Japanese sci-fi, horror and action at HOME this October
The experimental outfit’s latest album benefits from its accessible approach to complex electronica, writes Jacob Hopkins
Danny Brown’s latest outing is as chaotic as it is brilliant, writes Cassie Hyde
