Anna Jin reviews Manchester School of Theatre’s The Duchess of Malfi at HOME
Rosemary Russett reviews Company Chameleon’s The Shadow at HOME
Alexia Pieretti interviews Anthony Missen, the co-artistic director of Company Chameleon
Kayleigh Crawford reviews Class, Scottee’s final solo show at HOME
Phosphoros Theatre, a refugee theatre company, bring their new show to Manchester
Patience Kanjira reviews Red Dust Road, the stage adaptation of Scots Makar Jackie Kay’s memoir
Georgia Carney reviews We Are Ian, part of Orbit 2017
Bourgeois & Maurice’s flamboyant neo-cabaret takes over HOME as part of Orbit 2017
Theatre Editor Sophie Graci chats to the company behind Edinburgh Fringe hit We Are Ian, now part of HOME’s Orbit Festival 2017
Anna Jin reviews Plant Fetish at HOME
Kayleigh Crawford reviews Out of Order at HOME
Bayse Genc reviews Javaad Alipoor’s “Rich Kids: A History of Shopping Malls in Tehran”
Claudia Langley reviews Pizza Shop Heroes at HOME as part of Orbit Festival
Anna Jin reviews La JohnJoseph’s A Generous Lover at HOME
Anuli Changa talks to Lily Sykes, director of ‘The Maids’ at HOME Theatre: discussing neoliberalism, feminism and more
Izzy Lewis reviews How To Win Against History, the final performance in HOME’s Orbit Festival 2017
A caravan plays host to an exploration of social mobility in 21st century Britain as part of Orbit 2017
The destruction of an ancient city inspires the breakdown of a relationship in Palmyra
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