Theatre Editor Jay Darcy reviews 1927’s Roots at HOME

Anna Jin reviews Manchester School of Theatre’s The Duchess of Malfi at HOME

Rosemary Russett reviews Company Chameleon’s The Shadow at HOME

Alexia Pieretti interviews Anthony Missen, the co-artistic director of Company Chameleon

Kayleigh Crawford reviews Class, Scottee’s final solo show at HOME

Phosphoros Theatre, a refugee theatre company, bring their new show to Manchester

Patience Kanjira reviews Red Dust Road, the stage adaptation of Scots Makar Jackie Kay’s memoir

Georgia Carney reviews We Are Ian, part of Orbit 2017

• No Comments

Bourgeois & Maurice’s flamboyant neo-cabaret takes over HOME as part of Orbit 2017

• No Comments

Kate Ireland reviews Bryony Kimmings’ I’m a Phoenix Bitch at HOME

Anna Jin reviews Plant Fetish at HOME

Kayleigh Crawford reviews Out of Order at HOME

Bayse Genc reviews Javaad Alipoor’s “Rich Kids: A History of Shopping Malls in Tehran”

Claudia Langley reviews Pizza Shop Heroes at HOME as part of Orbit Festival

Anna Jin reviews La JohnJoseph’s A Generous Lover at HOME

Anuli Changa talks to Lily Sykes, director of ‘The Maids’ at HOME Theatre: discussing neoliberalism, feminism and more

Izzy Lewis reviews How To Win Against History, the final performance in HOME’s Orbit Festival 2017

• No Comments

A caravan plays host to an exploration of social mobility in 21st century Britain as part of Orbit 2017

• No Comments