From pub crawls to Freshers' events, drinking can feel unavoidable, and sobriety can feel isolating. Here's how to miss out on the hangovers, not the fun
Alica MacDonald's 'Finding Emily' provides an inventive spin on the rom-com for a modern audience thanks to a strong sense of place – and UoM's campus
Joscha Bongard's Babystar is a frightfully realistic satire on social media family channels that bites off more than it can chew
Alice Porter reviews ‘How To Keep Up With The Kardashians’, a UMDS production on body image and pop culture
Sam Whitehouse reviews UMDS’s Gorgon Westley’s Railway Circus, which was performed at the Peer Hat as part of the MIFTAs
Alexia Pieretti reviews dark comedic social commentary The Shadows, performed at the King’s Arms as part of the Drama Society’s MIFTA season
Ellie Klouda reviews Nut at the SU Theatre, which is part of UMDS’ MIFTA season
Scarlett Gorman reviews UMDS’ An Intervention, which was performed at John Thaw Studio as part of the MIFTAs
Alexia Pieretti reviews An Area of Outstanding Natural Beauty at the King’s Arms as part of MIFTA
Ella Marsden reviews the final production in the Drama Society’s MIFTA season: Chloe Weare’s Do Not Disturb
Alexia Pieretti reviews Caryl Churchill’s Love and Information, the penultimate production in the Drama Society’s MIFTA Season
Alexia Pieretti reviews Abandon Ship as part of the Drama Society’s MIFTA Season
Anuli Changa talks to writer and co-director Roman Armstrong about the process of creating The Greatest Tory Ever Told
Amy Hagan reviews We Have Sinned, new student writing as part of the Drama Society’s MIFTA Season.
Grace Currie admires the way in which the cast and creative team handle difficult themes in a challenging production. Part of the Drama Society’s MIFTA season 2018
Jess Johnstone is drawn in to the anonymous world of Martha Treves’ Myopia. Part of the Drama Society’s MIFTA season 2018.
Jessica Wiehler reviews the beautifully realised off-kilter world of Rory Calland’s Yellow Icing. Part of the Drama Society’s MIFTA Season 2018
Lily Brittain enjoys the witty dialogue and twist ending of Joe Large’s A Game of Two Halves. Part of the Drama Society’s MIFTA Season 2018
Jessica Wiehler gets sucked into the totalitarian dystopia of Zoe Kent’s Alpha, part of the Drama Society’s MIFTA season 2018
Alana Cook revels in the whimsy of Lucio Gray’s Aldo, part of the Drama Society’s MIFTA season 2018
The first in a series of previews for this year’s Drama Society MIFTA season
Annabel Cartwright reviews one of the picks of this years MIFTA performances; Bad Company, a comic drama by Tom Mackintosh
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