From pub crawls to Freshers' events, drinking can feel unavoidable, and sobriety can feel isolating. Here's how to miss out on the hangovers, not the fun
Alica MacDonald's 'Finding Emily' provides an inventive spin on the rom-com for a modern audience thanks to a strong sense of place – and UoM's campus
Insidious is back with nothing further to say, leaving in the wake of the Lamberts a 'fresh' start only aiming to parrot its ghastly blueprint
Urussa Malik reviews the Creative Writing Society’s new zine, ‘Truth and Other Associated Works’, edited by Calvin Cheng, Adrian Kanyoli, and Toreh O’Garro
Ella Marsden reviews the final production in the Drama Society’s MIFTA season: Chloe Weare’s Do Not Disturb
Cathy Wippell reviews The Greatest Tory Ever Told as part of the Drama Society’s MIFTA Season
Anuli Changa talks to writer and co-director Roman Armstrong about the process of creating The Greatest Tory Ever Told
Devi Joshi reviews the Women’s Theatre Society’s ‘Uncovered: Monologues by Muslim Women’
Jess Johnstone is drawn in to the anonymous world of Martha Treves’ Myopia. Part of the Drama Society’s MIFTA season 2018.
Anuli Changa enjoys the angst and humour of Chloe Weare’s ode to teenage girlhood. Part of the Drama Society’s MIFTA season 2018
Amy Newell enjoys a night of new writing as Manchester Musical Revue presents two short musicals
Jessica Wiehler gets sucked into the totalitarian dystopia of Zoe Kent’s Alpha, part of the Drama Society’s MIFTA season 2018
Lily Brittain enjoys the witty dialogue and twist ending of Joe Large’s A Game of Two Halves. Part of the Drama Society’s MIFTA Season 2018
Alana Cook revels in the whimsy of Lucio Gray’s Aldo, part of the Drama Society’s MIFTA season 2018
Jess Johnstone reviews Action Man, the final play in the Drama Society’s Autumn Season 2017
Patience Kanjira reviews Returning, part of the Drama Society’s Autumn Season
Toreh O’Garro is poet of the week beginning the 6th of March 2017
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