Skip to main content

Month: October 2014

Live: These Ghosts

8th October

Soup Kitchen

7.5/10

Following the unveiling of their three-years-in-the-making second album Still the Waves last month, These Ghosts have been supporting the release on a nationwide tour with math rockers Tall Ships. The Soup Kitchen show was the first of four dates—as well being the band’s first ever appearance in Manchester—and all signs point towards the Norfolk three-piece being one to watch out for in the near future.

Despite being tonight’s support act, by the time These Ghosts began, the venue’s infamously tiny basement was already crowded. Relying heavily on their latest release, they opened with ‘The Great Unknown’, with its restless, fidgety rhythm section and nimble guitar work setting the tone for the rest of the set. In a live setting, the Radiohead comparisons ring even truer; every band member constantly juggled operating carefully layered samplers and synthesizers in addition to their main instruments, and frontman Calum Duncan seemingly came onstage equipped with both Thom Yorke’s expressive falsetto and hipster ponytail.

The shuffling beat and haunting lullaby vocals of lead single ‘Coat of Feathers’ was an early highlight, and ’Safe’ will no doubt quickly become a live staple for the band, with an airy, euphoric chorus and swirling guitars that would sound at home in venues much larger than their current billing commands. The piano heavy, glitchy rhythmed ballad ‘Gold Heart Green Skin’ followed soon after, before closer ‘Where Two Lines Meet’ showcased Harry Hall’s frantic drumming in what is perhaps the band’s most propulsive track to date.

Only two albums in, These Ghosts’ knack for intricate arrangements and soaring hooks is already impressive, and although seeing an up and coming band in an intimate setting is always enjoyable, it wouldn’t be surprising to see the band visiting larger venues next time they decide to venture up north.

Album: Yellowcard – Lift a Sail

Released October 7th

Razor & Tie

6.5/10

The Florida based pop-punk band Yellowcard released their new album Lift a Sail on their new record label Razor & Tie on October 7th, featuring what seems to be a rather different adaptation from their earlier sound, although vocalist Ryan Key’s punk vocals still soar just as they did during Ocean Avenue days.

This album is a more personal adaptation of the things going on in the band members’ personal lives with Ryan Key dedicating beautiful singles like ‘One Bedroom’ and ‘Madrid’ to his wife and ‘My Mountain’ to his departed Grandfather. This is the first album not featuring the band’s longtime drummer Longineu Parsons III, but the new drummer performs just fine with some crashing drum patterns on songs like ‘Transmission Home’—mixed with some soaring guitar riffs, it is definitely a recipe for a good rock song. Overall, the album’s sound is rather catchy and beautiful and surely a new turn for the the band’s long adapted alternative/pop-punk sound. The opening song ‘Convocation’ is quite interesting with violinist Sean Mackin taking the lead and again on ‘MSK’ which consisted of mainly violin and some electro synth keys work.

Up to this point the album is a rather evolved expression of the band’s musicality. Featuring heavy riffs on songs like ‘Crash The Gates’ and ‘Illuminate’, a feature that is popular with the band’s way of playing but in a different, new perspective. Memphis May Fire vocalist Matty Mullins provides guest vocals on ‘The Deepest Wall’. Both singers coordinate very well with vocals exchanged during the song. Guitarist Ryan Mendez’s commendable work manifests in the nicely anticipated built up to his solo in ‘One Bedroom’. So far the candidate for the crowd pleasing sing along song seems to be ‘Make Me So’.

The album has its drawbacks as well such as in ‘Fragile and Dear’ the lengthy running time makes it feel like its dragging. Eventually it can be concluded the tracks are of a slower tempo with a fair amount of ballads. It is a new turn for their sound which is bound to bring their audience back for more.

Album: Jamie T – Carry On The Grudge

Released 29th September

Virgin EMI

7/10

Let me take you back to September 2009. Oasis had just split up, Susan Boyle was a thing, and everybody I knew had a side fringe. This was also the month that Kings and Queens, Jamie T’s previous, much loved album was released. Now, he is back with the highly anticipated follow-up, Carry On the Grudge.

In the 5-ish years since Jamie pretty much disappeared off the face of the earth, the musical landscape has undergone a massive overhaul, and honestly, I was a little worried how Jamie T’s music would fit in to this new climate. However, it seems that over the last 5 years it wasn’t just the music scene that had changed.

Sure, there are times on Carry On the Grudge which almost seem like an ancient relic of those days of boys with guitars and chips on their shoulders. For example, tracks like ‘Rabbit Hole’ and Radio 1’s beloved ‘Zombie,’ still have that urgent, hip-hop, punky edge that Jamie became so well known for.

Despite this, the album as a whole has a chilled, almost melancholy sound. If I could use one word to describe it, it would be pleasant. Sure, it’s different to what I might have expected, but still thoughtful and tender and with a sinister edge. A prime example of this is first single ‘Don’t You Find’, a bold reintroduction to one of the most distinctive British musicians of the last decade.

The album itself isn’t a complete departure, but instead a boiled-down, reflective reimagining of his previous musical style. All in all, it seems like a new twist on the same old influences, rather than a completely different direction for Jamie T.

Live: Hawkwind

October 4th

Academy 1

8/10

Madcap ‘space rock’ troupe and overlords of the universe Hawkwind headlined their very own ‘Hawktoberfest’ at Academy 1. Okay, ‘overlords of the universe’ may be a slight overstatement, but that’s the kind of impression they give off. Dave Brock’s apocalyptic opening spoken word passage reduces the crowd to minions, enslaved by the interplanetary gods on stage.

“IN THE FACE OF SONIC ATTACK, EVERY MAN FOR HIMSELF.” “DO NOT ATTEMPT TO USE YOUR LIMBS.” “EVERYTHING ENDS HERE.” It’s finally happened. Hawkwind have tricked 2000 people into paying a £22.50 entry fee to their own mass execution.

You get the feeling the creators of ‘Spinal Tap’ may have been to a Hawkwind gig or two. Cosmic dancers dangle from drapes on either side of the stage in an intermission of droning synths and space gun noises. The videos being projected onto the backdrop are hilariously bad—one involves keywords like ‘WAR!’ ‘POVERTY!’ and ‘9/11!’ all spinning with powerpoint-level effects atop pictures of various humanitarian crises. The colourful patterns that fill the screen for the next song look like a kid is playing around on Paint. But it’s old school and the people love it. It’s also forgiveable when you remember that these guys are pretty old and probably haven’t quite got the hang of the internet yet.

Aside from the supplements, the music is thrilling. From their huge back catalogue they cherry-pick a setlist that spans 30 years while managing to sound remarkably coherent. ‘Orgone Accumulator’ in particular, from 1973’s Space Ritual, sounds phenomenal (as does anything from that album, 40 years later). Their material from the 70s has aged so well, sounding as if catapulted through the time warps and galactic worm holes they always sung of. I can see this brand of psychedelic music coming back into fashion, in a backlash against a tide of vague introspective bands labelled psychedelic just because they use lots of phaser effects. This is truly bonkers psychedelia with a punk edge. Long live Hawkwind.

One more thing—to Academy 1: kudos on the new air conditioning system.

Live: Childhood

4th October

Deaf Insitute

6/10

Having been working on tracks for over four years, Childhood only released their debut album Lacuna in August of this year. Since the record is made up of an accumulation of songs they’ve been sitting on for a while, Childhood enter onto the stage with an aim to prove the progression of their sound over that time.

This means interspersing catchy riffs with hints of the more experimental, as if dipping in and out of some psychedelic trance. ‘Pinballs’ epitomises this perfectly; progressing louder and louder until what sounds like a spaceship arriving splinters into disarray, butchering the tempo to within an inch of what it was before. This ebbing of fast and slow goes down well and although coming as a sweet surprise first time round, when repeated again in other songs such as ‘Pay For Cool’ and ‘When You Rise’, the magic is slightly lost.

Singer Ben Romans-Hopcraft’s vocals are lyrically indecipherable most of the time, but in songs such as ‘Right Beneath Me’, the dreamy contrast between his deliciously smooth bass and gentle falsetto forgives all with its velvety charm. Saving the best till last, ‘Solemn Skies’ keeps on growing, and this time isn’t reigned in at any point for dramatic effect as with earlier songs, making it somehow more dramatic.

Childhood straddle that fine line between appearing effortlessly cool and just lazy, as their dreamlike sound could be mistaken for blandness. Yet despite being shoved in the corner practically entangled in the backing curtain, it is the synth that takes control in turning potentially plain indie riffs into something quite unique, proving Childhood to be more than just another jangly guitar band.

From the Vault: Joanna Newsom – The Milk-Eyed Mender

Released March, 2004

Drag City

Made back when Newsom still made songs under five minutes, The Milk-Eyed Mender suggests at her precocious talent for beautiful arrangements and enchanted storytelling. ‘This Side of the Blue’ (once used on a ‘switch off your mobiles’ cinema advert) has always felt so familiar, even when it was fresh to my ears. Newsom has a capacity for soaking her songs in a comfortable nostalgia that evokes universal childhood pursuits of fairy tales and semi imagined worlds. At times, but just enough and not too much, her songs have a touch of melancholy, like the soft and slight ‘En Gallop’.

Her vocal style can tip in to the cat lady screech, especially when layered up such as on the ‘Sprout and the Bean’, or when wailing the chorus of ‘Sadie’ or all of ‘Three Little Babes’. The vocals become almost intolerable in the short ‘Peach Plum Pear’, but the sadness in the lyrics and descending vocals that sing “I am blue,” feel honest and sincere instead of fey and jarring. The final ‘Clam, Crab, Cockle, Cowrie’ hints at the Newsom that is to come, with more careful vocals and a space granted to the music, a space which means her later songs can bear repeated listening without getting boring.

For Newsom, her voice is another part of the instrumentation to arrange and listening to more recent work shows how such arrangements have evolved. Her most recent album, Have One On Me (with three CDs), features an almost classical approach to arranging. In it, Newsom offers variations both in the story telling and in the music that span the entire album, picking up themes on a later track.

Wise or incredibly naïve, affected or gauche, the tweeness sometimes riles as you yearn for something a bit less featherweight. For anyone who tires of Newsom’s earnest folking, the remix of ‘Book of Right-on’ by Clouds is beautiful and demonstrates her appeal beyond any initial antipathetic impressions. The whole album sounds like an aural iteration of some Baltic tapestry and the dreamed landscapes Newsom weaves with her harp are endlessly beguiling. It’s a perfect starting point to follow her to stranger lands in her subsequent albums.

Album: Electric Youth – Innerworld

Released 29th September

Last Gang Records

8/10

Three years after their initial exposure with the sleeper hit ‘A Real Hero’, their collaboration with French outfit College from the critically lauded Drive soundtrack, Canadian electropop duo Electric Youth have finally emerged from the studio with their first full length album, Innerworld. Filled with much the same retro stylings as their debut single—which gets an encore here as the album’s hypnotic closer—the record is a faithful throwback to the world of 80s pop; this shouldn’t be surprising for a band who takes their name from a Debbie Gibson song. Every track is carried by the familiar warm soundscapes of vintage keyboards complemented by haunting, ethereal vocals, resulting in an album which is both immersive and otherworldly in even measure.

After a short, instrumental opener, lead single ‘Runaway’ introduces the vast, cinematic quality that permeates much of the record, awash with synthesizers and chugging new wave guitars as vocalist Bronwyn Griffin, whose voice bears more than a passing resemblance to a young Madonna, delivers the first of many euphoric choruses. The wistful, nostalgic ‘Innocence’ is another early highlight, which laments the loss of youth over cascading keyboards and a restrained, pulsating beat. ‘Without You’ meanwhile, the album’s most unabashedly pop moment, is a Robyn-esque breakup song that melds dreamy, soaring vocals with twinking synths over a driving bass line.

As far as debut albums go, Innerworld is impressively well thought out and cohesive, though this strength is also at times its downfall; whilst the likes of ‘Tomorrow’ and ‘The Best Thing’ are both melancholy ballads whose quality justify the album’s tendency for sleepy tempos, ‘If All She Has Is You’ and bonus track ‘Modern Fears’ both overstay their welcome with plodding rhythms and hooks that, try as they might, never quite achieve liftoff. This is a small complaint—which, given the quality of the high points, is forgivable—but also one that keeps the album from achieving the status of an instant classic.

Anyone who enjoyed ‘A Real Hero’ will undoubtedly find Innerworld worth the wait, as each of its tracks follow roughly the same formula of hazy, intricately layered pop. Electric Youth have created a distinctive sound which, if they can build upon effectively next time round, has the potential to be welcomed by the mainstream and indie kids alike.

Album: James Yorkston – The Cellardyke Recording and Wassailing Society

Released 14th August

Domino

5/10

Cellardyke is a village in the east of Scotland, and there are two different traditions of wassailing, one equivalent to Christmas carolling and the other, the Orchard-Visiting wassail that involves visiting orchards in cider-producing regions of England to recite incantations and sing to the trees to promote a good harvest. The most original thing about this album is its title.

The Cellardyke Recording and Wassailing Society is pretty boring. I love folk music and have happily sat through some Yorkston before, but you’ll not find anything here that you wouldn’t find elsewhere – from the very Bill Callahan-like ‘Guy Fawkes’ Signature’ to the clingy female backing vocals (which I thought he would’ve lost by now) that I have come across too many times elsewhere with The Moldy Peaches, First Aid Kit, et al. There’s even a very good impression of Thom Yorke in ‘Feathers are Falling’. It’s very à la mode folk-y: akin to Fleet Foxes and all that, i.e. there’s more of exactly the same from Yorkston.

Of course there is always something in the bridging of different styles to create something new. But there’s nothing new here: there’s little combination, every song simply switches from one type/artist’s panache to another.

But from other reviews it seems that I’m missing something. Everyone seems to love it — but they talk mostly about the lyrics — the music itself has just been described as “haunting” and other such adjectives typically used for this genre of music. The lyrics are occasionally interesting when they’re not his typical style of nonsense rambling. For example it’s sweet when he quotes his “oldest” saying “when I grow up I will be the king of the moles and will build you a home…” on ‘Sleep on’, a song about losing a loved one. They’re an attempt to immortalise things in his life—experiences with his children and such, and why not? But this is only worthy of a hobby, to play to a familiar audience in his local bar perhaps—lose those stalk-y backing female vocals and that would be lovely to sit in on. But that’s it.

At least it’s not a painful listen—they go down quite smoothly. Just so bloody ordinary.

Album: The Marmozets – The Weird and Wonderful Marmozets

Released October 6th

Roadrunner Records

9/10

The hype surrounding Marmozets has been considerable, culminating in performances at Glastonbury and Reading and Leeds earlier this year. With the release of their debut LP The Weird and Wonderful Marmozets, the hype can be believed and the title of the album proves accurate.

Instantly, the quintet from Bingley grab you by the balls and tell you that they mean business with the heavy and exhilarating opener ‘Born Young and Free’, following it up with lead singer Becca Macintyre’s angry snarl on the punk-riff driven ‘Why Do You Hate Me?’ The album offers plenty of heavy punk compositions by the Macintyre boys on drums and guitar and the Bottomley brothers on bass and guitar, with lead vocals and screams that make it seem like the world is ending. This is shown on tracks like ‘Cover Up’, which has a bizarre staccato chorus, ‘Vibetech’ opening with the strangest intro riff I’ve ever heard, and ‘Move, Shake, Hide’ which will please fans of harder, almost metal, music.

Sadly, towards the end of the album the anger and weight of the punk sounds begins to wear. Fortunately, the LP isn’t just filled with music that angry teens like to mosh to in dark venues with sticky floors and a ubiquitous smell of piss; it is varied by the slower tracks like ‘Cry’. The track swells from a slow piano lead song to a climactic middle section and down to a slow outro, with Becca showing some impressive and more subtle vocals. The final track ‘Back to You’ also has a slow progressive ascension into a cathartic and uplifting final jam from the boys of the band.

The cheeky and playful attitude (e.g. giving the coffee and tea makers a special thanks in the back of the booklet) of the band and the downright bizarre riffs on some of the album’s tracks are worthy of the title of the LP and differentiate Marmozets from other hardcore punk rockers. If they can keep up the rate they’re going at it, won’t be long before they are among the big names in modern rock.

Profile: The Model Alliance

If I were to ask you to describe the life of a fashion model, you’d probably focus on glamorous parties, free champagne and designer clothes. I doubt you would consider sexual harassment, unpaid work, encouraged eating disorders and bullying.

As hard as it is to pity people who are paid to look good, the working conditions for most of these beautiful people are poor to non-existent. Most models aren’t earning millions. In fact, a lot of models will accept unpaid work just for the exposure. Yet in doing so they put themselves in a vulnerable position.

Take, for example, the scandal surrounding Terry Richardson. Countless models have courageously come forward to share their stories of sexual assault and harassment only to be met with derision from some of the most influential names in fashion. Many decide against coming forward for fear of losing future jobs.

Likewise, it’s been almost a decade since Ana Carolina Reston tragically died from the anorexia she developed after comments that she was ‘too fat’. At the time, the fashion industry reacted strongly with claims of massive change to follow. Yet, years later models are still pressured, even forced, to lose weight to get ahead.

In such a cutthroat industry, how does one avoid exploitation? In 2012, the not-for-profit organisation The Model Alliance was set up by Sara Ziff, a former model, who decided to take matters into her own hand. The Model Alliance works to establish a place of protection for female, male and child models of all backgrounds and ethnicities.

Although not a union, they aim to give a voice to the many models who feel helpless. They have a Bill of Rights which covers issues such as the need for a code of professionalism throughout all modelling jobs. Ziff states that “by giving models a platform to organize to improve their industry, The Model Alliance aims to enhance the vitality and moral standing of the fashion business as a whole.”

So why did it take so long for an organisation of this kind to come about? There was a Model’s Guild in 1995, but it failed so miserably that no one worth knowing ever registered its existence. Even the Model Alliance admits that this is merely the beginning and so much more needs to be done in order to improve working conditions for models.

Will it work? Hopefully; as unlike The Model’s Guild, this organisation has the backing of the CFDA (Council of Fashion Designers of America) which ultimately means they have the driving force of Anna Wintour behind them. However, until many others follow the example set by the CFDA, The Model Alliance has their work cut out for them.

One thing is for sure, things can’t get any worse.

Manchester student speaks at Birmingham University about the legal case of Meriam Ibrahim

The Manchester University student responsible for the change.org petition to save Meriam Ibrahim in Sudan, joined a panel of international experts and human rights lawyer to discuss her legal case at Birmingham University last week.

Emily Clarke, Law and Politics student, spoke at Birmingham University for ‘Meriam Ibrahim, the Case that Gripped the World’ in their series of City Talks lectures.

Emily set up the change.org petition which called for the Sudanese government to save mother Meriam Ibrahim from her sentence of 100 lashes and the death penalty.

Since its set-up, the petition gained over 1092000 signatures and attracted significant media attention to Meriam’s case.

Meriam was raised as a Christian but was charged with apostasy, or abandonment of faith, for maintaining her mother’s Christian faith rather than her father’s Muslim faith.

She was freed in July 2014 following skilled lawyering and political diplomacy, and landed safely in Rome with her husband and two children in July.

The list of panellists Emily joined at Birmingham University included Mr Elshareef Ali Mohammed, of the Sudan legal team on Meriam’s case and Birmingham City University alumnus, The Rt Hon Baroness Anelay of St Johns, Minister of State of the Foreign and Commonwealth Office, and was chaired by Manjit Singh Gill QC, Head of International Human Rights at No. 5 Chambers, London.

The talk covered Women’s and Children’s rights, freedom of thought and religion, and the role of civil society and multi-media for protecting human rights.

Emily spoke about how she discovered the Meriam case on Twitter, and the role that social media can play in defending international human rights. She explained how the campaign started on personal media and private network, and traditional media followed.

They talk also covered the death penalty and whether or not it is a negative policy, with Chair Baroness Anelay saying “What we take for granted here must be defended day in, day out.”

Interview: Professor Fred Loebinger

Ask any student around campus why they chose to come to Manchester and you’ll probably be faced with a standard response. Probably something containing the words “reputation” or “course structure.”

However, if you ask me the same question, my response will be a little bit different.

“A guy sat on a table waving his hands and feet told me to.”

A strange answer, you might think. But if you pose this question to anyone who’s studied physics at Manchester over the past few years, there’s a very good chance you’ll hear the same reply.

Professor Fred Loebinger is a well-known and much-loved member of the physics department here at Manchester. A particle physicist, he first came to the university as an undergraduate and never left. As the admissions tutor for the department, he has been responsible for convincing promising young students to come and study here.

Sadly for me and everyone else in the department, Professor Loebinger has just retired, ending an association with the university that has spanned for five decades. I managed to catch up with Fred just before he left.

I arrive at the sixth floor of the Schuster building, the home of particle physics at the university. Prof Loebinger is sat there with a group of students, who I assume are postgraduates. I am instantly beckoned over and told to sit down. It soon becomes apparent that they are not discussing physics, but rather are engaging in an intense session of word puzzles.

The next ten minutes or so involve me trying and failing to think up six-letter words ending in ‘r’ as I’m given hints by one of the other students. This bizarre start to the interview doesn’t even surprise me—Professor Loebinger is well known for his charismatic, if slightly quirky nature. After the puzzle is complete, we move to his office to continue our conversation.

GROWING UP

I ask Prof. Loebinger what sparked his interest in physics as a child. “There was no key moment, no epiphany,” he tells me. “What I had at school was an excellent physics teacher and a very boring chemistry teacher! And as it happened, my performance in school in chemistry was always better than in physics.

“But the guy that taught me physics was sufficiently inspiring to convince me that even though it wasn’t my strongest subject at school, it was the one I wanted to pursue. So I followed that stimulation through school and onto university, by then I’d decided that it was what I wanted to do.”

HIS TIME AT THE UNIVERSITY

Prof Loebinger first came to the university after finishing school and has been here ever since. After completing his degree, he stayed on as a postgraduate, then as a research associate before eventually being awarded professorship. I ask him why he decided to stay for so long.

“It’s a wonderful place!” he explains. “For me, every box was ticked. Manchester was doing everything I wanted to do.

“I always say that if where you are is particularly good, if you’re enjoying where you are, if they have a good reputation, if they’re doing the research that you want to do, if you think that the research group is a good group that you want to join, I think it’s wrong to artificially make yourself go somewhere else just to prove that you’re moving on.”

He talks about his career highlights, which he stresses have come in both teaching and research. I learn that his thesis involved disproving the existence of pentaquarks, a fact that is still used to this day. He beams as he tells me that he was in the group that discovered the gluon, an exchange particle that governs one of the four fundamental forces in the Universe.

In addition to his decades of teaching and research, Prof. Loebinger has also spent the past 30 years acting as the admissions tutor for the School of Physics and Astronomy. For most current undergraduates within the department, he is the first person they will have met, either on an open day or an interview day. I still fondly remember my first experience of him, when I came for my interview in November 2011.

As I mentioned at the start, he has a rather peculiar method of attracting students to the department. He sits on a table and starts to talk about the School’s key selling points. Each new point is accompanied by the waving of a limb. By the end of the talk, all four limbs are vigorously moving as he passionately explains why Manchester is such a wonderful place in which to study physics.

“To come clean, it’s meant to look a little bit spontaneous, but I’ve been giving the same talk, waving the same hands and feet, for many, many years,” he says. “The speech has changed a bit over time though!

“People don’t often admit to enjoying things which are seen as administrative rather than teaching or research, but I have to say that I also enjoyed doing the admissions bit.”

However, Prof Loebinger isn’t as thrilled at the popularity of his talk as you might expect. “It sounds as though I’ve been a very successful double-glazing salesman,” he laughs, “selling the place and encouraging people to come when perhaps they had better things to do!

“What I hope is that I opened their eyes to the opportunities at Manchester, which I honestly do believe is the best place to come and do physics.”

HIS WORK AT CERN

Prof Loebinger has enjoyed a long and varied career that has seen him travel across the world. I ask him about CERN, the famous research facility in Geneva where he spent many years working.

“I first went out to CERN in 1972, when it was a relatively small place compared to what it is now,” he tells me. “The accelerator that I went to work on was called the Intersecting Storage Rings (ISR) and that had just switched on.

“That was the first ever collider which collided protons against protons, which is the same as the Large Hadron Collider (LHC). I initially went for a year, because I had teaching duties back in Manchester, but that year got extended and extended and extended, and I ended up being there for six years!

“It was a really wonderful time, the community there was great. Geneva is a wonderful city, ideally situated in the middle of Europe, with easy access to everywhere. CERN was just a brilliant place to work—it still is!”

I was fortunate enough to visit CERN on a school trip back in 2011. Although I wasn’t able to head down into the tunnel to see the LHC for myself (it was running at this point), one thing that particularly struck me was the strong communal feel to the entire facility. I mention this to Professor Loebinger and he agrees heartily.

“There’s a real scientific buzz about the place, but it’s also very sociable,” he tells me. “There are people from all different universities, different countries, all collaborating together. There’s a wonderful feeling of collaborative spirit, everyone is working for the same goals on the same experiments.”

THE HIGGS BOSON

CERN has been the setting for many scientific and technological breakthroughs over the past few decades. Multiple particles have been discovered since the organisation was established in 1954, antimatter has been created and maintained, even the World Wide Web began as a CERN project. In recent years, however, one particular discovery has stood out above the rest.

The Higgs Boson was first proposed 50 years ago by six physicists including Peter Higgs, after whom the particle is named. A long and well-publicised hunt for the particle finally came to an end in 2012, when two separate experiments at the LHC confirmed that it had been discovered.

I ask Prof. Loebinger if, prior to the discovery, there was a particular outcome he had been hoping for.

“The Higgs Boson—the theory behind it goes back to the 1960s,” he explains. “It’s been a long, long search for it. We were homing in on it—there was only a very small window in which it could exist, we’d ruled out all the other possibilities. We were homing in on that very narrow window.

“There were some physicists who really wanted it to be there, since it would vindicate all their work and the theories and the model. But there are always lots of physicists who say, ‘wouldn’t it be even better if it wasn’t there?’ Because that would open up the opportunity for something unexpected.”

A notable example of this is Stephen Hawking. Upon hearing of the discovery of the Higgs, he remarked, “It is a pity in a way because the great advances in physics have come from experiments that gave results we didn’t expect.”

However, Prof Loebinger doesn’t share Hawking’s view on this particular matter. “Frankly I was hoping for it, because we’d spent many, many years looking for it,” he explains. “It was the sort of culmination of this big collaborative experiment.

“I was over the moon that we found it because it doesn’t shut off other opportunities, but it at least says that everything that we thought was happening is happening. It looks as though we’re on the right lines. So I think it was a very positive marker, it means that everything is slotting into place.

“It leaves open the opportunity for a lot more to be discovered, but it means we’re not going down some cul-de-sac or some diversion that turns out to be wrong.”

PUBLIC INTEREST IN SCIENCE

The hunt for the Higgs and its subsequent discovery really captured the imagination of the general public. I ask Professor Loebinger whether he thinks that it was a key moment in alerting people to the many wonders of the scientific world.

“It reached out to a huge audience, it had a huge public clamour when it was discovered,” he says. “To be honest, I was somewhat surprised by that, because it’s not the same in people’s minds as something like the first landing on the Moon. That was very tangible—you could see them standing there on the Moon.

“The Higgs Boson, however, is very non-tangible. You can’t see it and it’s a difficult concept to explain to people who are interested in science but don’t have a deep background in it.

“I was surprised how much they took on board. I was delighted, but it still surprises me. You can’t actually see the thing, you can’t really see its effects, you have to take the physicist’s word for it that it is this magical ingredient that we’re searching for. But the public have taken that on board and gone ‘Wow!’”

The more I think about Prof. Loebinger’s response, the more I realise how surprising the public’s interest in the Higgs Boson really was. It was subject to a lot of news coverage, but it’s not an easy concept to visualise. I remember seeing the same animation of protons shooting round the LHC on all the major news stations, but that was all that there was to go on.

THE FUTURE OF PARTICLE PHYSICS

Professor Loebinger has already told me about the wide range of opportunities that have opened up in particle physics following the discovery of the Higgs Boson. I ask him what he thinks the next major breakthrough will be.

“There are lots of avenues which people are actively pursuing, notably additional Higgs Bosons,” he says. “The one Higgs that we’ve found is a neutral Higgs, but there’s the potential for positively and negatively charged Higgs Bosons out there as well, we’re looking for those.

“We’re looking for supersymmetry, which would give us a whole raft of new particles that are partners of the ones that we’ve already found, but with different properties and different masses.

“Then there are a whole load of new areas of physics that have been opened up over the last decade or so involving neutrinos. As it happens, Manchester has a big involvement in almost all those activities. We’ve really positioned ourselves well to be involved in where we think a lot of the action is going to happen.”

This leads directly onto my next question. I ask Professor Loebinger how big a part he expects Manchester to play in the near future.

“Well Manchester already plays a very big part,” he explains. “We’re involved in a major way in two of the big experiments at the LHC, called ATLAS and LHCb.

“One of the big goals of LHCb is to work out where all the antimatter in the Universe has gone. Everybody believes that when the Big Bang happened, matter and antimatter were created in equal amounts. But if you look around, we don’t see large concentrations of antimatter.

“So somehow, that antimatter has disappeared. We have theories that might explain where it’s gone, but they haven’t been successfully tested experimentally. One of the big aims of LHCb is to try and experimentally verify what we can explain about where the antimatter’s gone.”

“We’re also in working parties involved in looking at the next high energy accelerators,” Prof. Loebinger tells me. “The International Linear Collider which is being proposed, and more recently, there’s the very large collider that’s being proposed at CERN. The LHC is 27km in circumference, but the one that people are now muttering about and starting to work on would be 100km! Manchester’s involved in all of these.

HOW THE DEPARTMENT HAS CHANGED

During his 50-year stint at Manchester, Professor Loebinger has seen a lot of change at the university. I learn that when he first arrived as an undergraduate, he was one of only 100 physics first years, just four of whom were girls! These days, the department takes in roughly 280 undergraduates every year, with roughly 20 per cent of them being female.

I ask him how proactive the department has been in encouraging girls to come here and study physics. “I was part of this drive to get more girls in back in the 80s,” he says. “We ran residential courses, we produced videos and posters, we had campaigns that toured round. We were very successful!”

He proudly talks about the growth of the department’s reputation. “It is now correctly seen as one of the top physics departments, certainly in the country, but I think we’re something like 13th in the world!” he states.

“We’ve got the Regius professorship—we’re the only physics department in the country ever to have been awarded it. If you look at why it was awarded, it was awarded for excellence in teaching and research.”

ADVICE

I conclude the interview by asking Professor Loebinger if he has any advice for people hoping to follow him into the world of physics.

“If you look at the areas of science that cover the range from the very smallest particles, which is particle physics, right to the very largest scales, which is astrophysics,” he says. “That is the Universe and that is all covered by physics.

“There’s nuclear physics, there’s medical physics, there’s environmental physics, there’s biophysics, there’s solid state physics—there’s a whole range that covers that. There is no other science that does it over that whole range. So from both the breadth of study that you can do and the consequential breadth of careers that you can go into, I would say that there is nothing to touch physics.

“But then again, I’m biased!”

This week in literature

On this week in 1957, Albert Camus was awarded the prestigious Nobel Prize for Literature “for his important literary production, which with clear-sighted earnestness illuminates the problems of the human conscience in our times.” Upon accepting the award in Stockholm, he made sure to give credit to “all those who, sharing in the same fight, [who] have not received any privilege, but have on the contrary known misery and persecution.” Camus was one of the key writers working for the underground magazine Combat in Paris during its occupation by the Germans in the Second World War and so rightly felt a degree of guilt that he was the one receiving the recognition for his bravery to prolong the freedom of literature when many others aided the fight with him and suffered much more.

But with his degree of guilt came a degree of pride and gratitude at the same time as Camus recognised his own privilege of being able to fulfil his writing potential in a more liberal climate after a long history of repression. Reflecting on the horrors of his century he said: “for more than twenty years of an insane history, hopelessly lost like all the men of my generation in the convulsions of time, I have been supported by one thing: by the hidden feeling that to write today was an honour.”

The decision for Camus to be awarded the prize was not without controversy. Although he never directly criticised the Algerian absurdist for it, Jean-Paul Sartre felt that the writer must always turn down such awards as he should “refuse to let himself be transformed into an institution, even if this occurs under the most honourable circumstances, as in the present case.” There is speculation that Sartre was jealous that Camus was offered the award seven years earlier than the French existentialist but no substantiated evidence supports it.

A more in-depth biography of Camus’ life by Aidan Gregory is available on The Mancunion website.

Dog loving millionaire to donate to dogs’ shelter

Daria Radionova, a student at LSE, is to sell her Swarovski crystal-encrusted car in order to raise money for the Manchester Dogs’ Home which was devastated by a fire in mid-September this year.

The car, a Mercedes CLS 350, was hand-encrusted by three of Radionova’s personal jewellers, whom she flew over from Russia. She stated, “it took them 12 hours a day for two months to complete.”

More than 60 animals were killed and around 150 were left homeless after a fire broke out at the Dogs’ Shelter on the 11th September.

Talking to the Tab, Radionova expressed “I want to raise money for the homeless animal shelter in the UK that was burned a few weeks ago, the one in Manchester. I cannot stay away from that situation.”

However, whilst initially stating that half of the proceeds from the sale of the car were to be sent to the Dog’s Shelter, she has recently downgraded this figure to 10 per cent.

Although the car has been in the press for over three weeks now, it appears no members of the public have interest in owning the sparkling vehicle. It is still for sale online at autotrader.com at the time of going to press (10th October).

At £150000, the price is three times the original selling price of the Mercedes, despite the crystals only costing £20,000 to add to the car.

A staff member from the Manchester Dogs’ Home said: “Oh god. It sounds tacky to me, but money’s money.” The estimated donation from Daria will be around £15000, adding to the mass donations already seen by the shelter.

The Manchester Evening News set up a JustGiving account after the incident, which has received over £1 million in donations.

A spokesman from Greater Manchester Police said that a 15-year-old boy and 17-year-old boy have been arrested on suspicion of arson in connection with the incident, but that “detectives and investigators from Greater Manchester Fire and Rescue Service are continuing to investigate how the fire at Manchester Dogs’ Home started.”

Top tips for living harmoniously with the opposite sex

When I asked the boys I live with to share their advice for living with girls, they mostly just used it as a chance to complain. Partly about too much information regarding periods, but mostly about hair. It will forever be a mystery why as a combined entity on your head, hair is completely acceptable, yet when a singular strand escapes from the rest it becomes the most disgusting thing in the world. And they never let you forget it.

If you thought that moving in with girls would mean it would be like being back at home, having your mum there to magically stack the dishwasher and hoover the living room, I expect you had a bit of a shock. “Don’t be fooled into thinking girls are cleaner than boys. It’s a myth. And don’t expect them to take the bins out, either,” advises Phil, a Pharmacy student in his third year of living with girls.

Living with boys definitely takes some getting used to. A lot of farting, burping and a massive overuse of the word “fit.” Baking always goes down especially well if you want to put them in a good mood and ask them politely not to play FIFA. Of course, not all boys play FIFA. But if you are living with those that do, there are some ways to make things a bit more bearable. Compromise is crucial. Let them play a couple of games, and then later on they’ll let you watch the Great British Bake Off.

If your kitchen is dirty and your bedroom is cold and you just want to stay with your cup of tea in the living room without being bored to death, suggest that they mute it while you play some music. I don’t recommend constantly telling them how boring a game it is. They aren’t going to stop playing just because you think it’s duller than watching paint dry.

Boys often make out that they hate things like chick flicks, but living with girls is a chance for them to indulge in their secret guilty pleasures, such as watching Pretty Woman, The O.C. or doing the relationship quizzes in Cosmopolitan. A piece of advice for both guys and girls is to make the most of having someone of the opposite sex on hand when you have relationship problems or need help understanding why he/she hasn’t texted you back.

However, the biggest piece of advice I would give is to enjoy it! When else in your life are you going to live with your friends, just streets away from all your other friends?

Switch Off Social Media

Social media is now a billion-pound industry and we almost see it as indispensable in our daily lives. It’s now on your phone, your tablet and your laptop—there’s no escape. Someone who doesn’t utilise one on the three major social networking sites—Facebook, Twitter and Instagram—is not only a rarity but seen as unusual, even an oddity.

However, social media gives us the dangerous ability to create fake persona of ourselves: you can construct your own social image, a better ideal you, probably quite unlike the real you. Simply look to the recent story of Zilla, the Dutch student who faked an entire five week trip to Asia through the use of Photoshop. She quotes “my goal was to prove how common and easy it is to distort reality.” Through social media, you cannot ever get a true picture of a person; they can hide behind the screen and make you believe what they want you to. You can construct your own identity and your own reality.

Using social media promotes insecurity; you do not look at who a person is but who they appear to be. This insecurity is especially predominant in relationships: likes and photos can completely be taken out of context and insecurities arise causing rifts between people. Their relationship status has more likes than mine, therefore their relationship is superior. This correlation between likes and success is dangerous.

Stop comparing yourself to the seemingly exotic lifestyles of your peers. Just because you don’t have holiday pictures online doesn’t mean you never went on holiday. Just because your relationship isn’t ‘Facebook official’ doesn’t mean you’re not in one. You don’t need evidence of your experiences. Your experiences shine through you (the real you that is) by the way you talk, or see the world, by the conversations you hold and the friends you keep. Social media has diminished the value of communication. Stop hiding behind social media and go out and talk to people again, make the effort to meet them and see who is really worthwhile of your time.

Stop judging someone’s worth by their Facebook likes, re-tweets and Instagram loves. Who knows what lurks behind a computer screen!?

So have a go, switch off social media see if you like it more. We’re a generation that has grown up on social media and maybe now we’re effectively adults, maybe it’s time to turn the clocks back?

Recipe: Shakshuka

Great for a cheap, healthy, warming, vegetarian dinner. Shakshuka is a traditional north African dish, topped with gooey poached eggs and served with lots of chunky bread-bliss…

Ingredients

Serves 4

– ½ tsp cumin seeds

– oil

– 2 sliced onions

– 4 red and yellow peppers cut into strips

– 4 tbsp sugar

– 2 bay leaves

– 2 tbsp (plus extra to garnish) chopped coriander

– tin of chopped tomatoes

– a pinch cayenne pepper

– 4 eggs

 

Method:

In a large pan (which needs a fitting lid!) dry-roast the cumin seeds on a high heat for 2 minutes. Add a generous glug of oil and gently fry the onions for 5 minutes.

Add the peppers, sugar, bay leaves, coriander and continue cooking on a high heat for 5 – 10 minutes to get a nice colour. Now add the tomatoes, cayenne and some salt and pepper.

Reduce the heat to low and cook for 15 minutes. During the cooking, keep adding small amounts water so that the mix has a passata consistency. Now make four little egg size gaps in the mixture, carefully crack the egg in each of the gaps and cook with the lid on a very gentle heat for 10 minutes or until the eggs are set. Sprinkle the the remaining coriander and serve.

Engage with current affairs at the Battle of Ideas

“Does student satisfaction make for happy pigs rather than potential Socrateses?”, “Has the Arab spring made us more polarised?”, and “Hashtag feminism: radical or banal?”: the Battle of Ideas returns to the Barbican for the 10th time with around 80 debates to get you thinking and discussing.

Over the weekend of the 17th and 18th of October, 350 speakers will argue with each other, angling to answer these questions and cover themes from Art and Culture to Technology and the City. A stretch away down the ever-faster Virgin Rail Link to London, and on that note—”From bullet trains to driverless cars: where is transport going?”, it is a journey whose assault on your student loan will at least be compensated with half-price student entry to the Battle of Ideas festival.

Fearing that the enlightenment ideals of freedom and democracy have nigh on flown out the window, the Battle of Ideas is challenging itself and anyone who dares participate, to answer, or at least ask more questions about, the challenges that face us in 2014. Acknowledging that “thinking itself is dangerous,” they advocate the virtue of philosophical thinking to seek deeper truths beyond political clichés or scientific evidence. With one of the key themes for this year’s battle being the problem of today’s avoidance of making judgements, they want to hear every opinion; ignorant, wise, shallow and kneejerk: the pre-requisite is a free thinker. They say that it is the potential for agreement that makes judgement powerful. The question is: can they convince you?

Speakers at the weekend will range from Ivan Krastev, Chairman of the Centre for Liberal Strategies in Sofia, to UKIP’s Janice Atkinson. Find out more, and indulge yourself in some interesting extra reading at their website http://www.battleofideas.org.uk/.

Recipe: Blackberry Mojito

We are often being told that the smartest way to food shop is to go local and seasonal. With blackberries being in season during autumn, why not try a fruity twist on a cocktail classic this October? Some supermarkets will try and charge you a bomb for nothing more than a handful of these berries, so scope out the frozen section of Lidl or some of the Curry Mile’s supermarkets for a cheaper option.

Ingredients:
makes one glass

– Half a lime, cut into wedges
– 5/6 mint leaves
– 1 and ½ tablespoons of sugar
– 5 blackberries
– 1 shot of white rum (or vodka)
– Sparkling water
– Ice

Method:

Firstly, fill a sandwich bag with ice cubes, seal and bash with a rolling pin until all the contents is crushed. Next, in a tall glass, mix the lime wedges, mint, sugar and blackberries with a wooden spoon until the sugar is no longer visible. Add a handful of the crushed ice and pour over a shot of rum or vodka. Finally, top with sparkling water and give it a stir—you could even add a whole sprig of mint and a few extra berries for garnish to impress your housemates. Or if you really want to go all out, invest in a pack of cocktail umbrellas and novelty straws!

Which video game company should you work for?

At some point in every (slightly nerdy) person’s life, there will have been consideration of the attraction of developing their own video game or working for a prestigious game company. Naturally, since most readers of this article will leave university with a first in Video Game Design, it is important to question which company it would be best to work for.

One industry favourite, which has always flourished in employee reviews and industry surveys, is Valve. Famous for its immaculate portfolio of developed games such as Half-Life 2 and Portal 2, Valve also possesses a unique design philosophy that their employees adore.

A defining feature of the management in Valve is that there is none. Supposedly, there is no “boss” and sick days/days off work, are not recorded. One employee submitted a review on the American career site Glassdoor, describing his experience as “Amazingly empowering. No management. No red tape. Salaries are above the top of the industry. And families come first.”

It is also worth noting that the company annually takes all of its employees and their families on holiday to Hawaii to “chill out”. After this discovery, I must admit, I did some research and discovered that The University of Salford offers a Computer and Video Games honours degree based in MediaCity. You can thank me later.

Another video game developer which has burst onto the scene in recent years is Riot Games. Well known for its multiplayer online battle arena League of Legends, Riot possesses a young and dynamic atmosphere in their company. As part of its company culture, every employee, whether they are in finance, marketing or game design, must play the game daily and are coached to get better. This results in competitive tournaments between different departments of the company, with a leaderboard recording wins and losses. The company claims this helps to foster a universal passion and understanding of the game and a common ground between all employees.

Another more unique characteristic of working at Riot Games is its commitment to its global staff. As one of the most played PC games in the world, much of Riot’s player base lies in Korea and China. As a way of building bridges with their Korean counterparts, Riot installed a ‘PC Café’. In these cafes they broadcast high level Korean matches, whilst offering vending machines full of Korean snacks and drinks (including alcohol). Although the connection with the Korean audience may appear superficial at best, it does seem to be a good excuse for employees to enjoy an exotic drink whilst watching TV.

Having established that holidays and snacks are important reasons to pursue a career in video game design, it also worth considering supporting locally based developers. Yippee Entertainment, based in Manchester, has seen great success with mobile titles such as Chimpact and Chimpact 2. In 2013 it was named the ‘Best Start-up’ at the Digital Big Chip Awards.

Lorraine Starr, commercial director at Yippee Entertainment, stated that with “the advent of games courses, particularly at University of Salford, and the BBC relocating to MediaCityUK—Manchester will continue to grow and soon become a powerhouse for content creation”

Whilst this article has indulged in the glamorous concept of game development as an industry that provides exotic holidays, such aspirations are a far too distant dream. The reality is that there are feasible pathways into video game development here in Manchester. Courses at Manchester Metropolitan University and the University of Salford provide pathways into an industry that used to have massive barriers to entry. Whilst Manchester may not have exotic Hawaiian beaches or Korean snacks, there is arguably no better place for you to turn your dreams of video game development into reality.