Jasmine Bennett

Jasmine Bennett takes a glimpse at the rising female stars in the new, mysterious realm of reinvented pop

Six years after The 1975 dropped Music For Cars, contributor Jasmine Bennett reflects on the EP

Jasmine Bennett reviews the dreamlike exploration of the human condition that is Everyday by Tourist.

A night tarnished by incessant chatter and even a brawl, HOMESHAKE’s performance brought little satisfaction, writes Jasmine Bennett.

Wicca Phase Springs Eternal’s latest release proves to be as long-lasting as his name suggests, writes Jasmine Bennett.

Jasmine Bennett reviews the debut EP from ’50s melody-makers FUR.

Jasmine Bennett writes that AJ Tracey proves he really is ‘Doing It’ again with his newly dropped eponymous debut album

Ghetts has been a mainstay of the grime scene since 2003, so do his performances still match the energy of fifteen years ago?

Far from a ‘Fuckabout’, Drenge’s new album is worth a listen

Jasmine Bennett scrutinises the latest from the world’s favourite pop queen, Ariana Grande

Jasmine Bennett reviews the work of seeyouinthesoil, the soft-sounding vocalist bringing you a six-track EP titled Don’t Talk Too Loud

Jasmine Bennett ends the semester with a trip to Manchester’s finest new festival, Year’s End.

The cardinal sin in live music is being boring: DMA’s are guilty as charged, writes Jasmine Bennett

Jasmine Bennett reviews the infectiously energetic and electric performance of Sports Team at Academy 3

Jasmine Bennett previews Kojaque’s arrival in Manchester at YES which is set to bless our ears with smooth Irish-accented hip-hop.

Jasmine Bennett returns to one of the best pop records of the 1990s in light of their reunion in a record reappraisal of Spiceworld

Jasmine Bennett reviews Yung Lean’s latest EP, Poison Ivy, which offers up eight-tracks of melancholic vocals and rhythmic beats.

Jasmine Bennett reviews Cat Power’s beautiful return to the music industry with her tenth album, Wanderer.

Jasmine Bennett takes a trip to see singer-songwriter Tom Odell fill the Manchester O2 Apollo with piano-led ballads.

Jasmine Bennett gives the details on Spilt Milk Society’s return to the indie scene for this week’s Hot Right Now