Madison Emmett reviews Anna X at the Lowry, starring Golden Globe winner Emma Corrin

Born out of a post war slump and growing permissiveness, the genre of erotic horror remains one of the most controversial and influential in cinema history

From spreading good vibes to creating sustainable fashion: an insight into how Softer People became the brand it is today.

Production crew walk out prevented at last minute as union begins negotiations for better working conditions

Halloween Kills delivers thrills and gore but falls short on anything resembling an interesting plot

Is a pretty dress the right canvas for political messages? Can an exclusive event like the Met Gala be used as a political platform? Click here to see what Fashion writer Grace Oliver has to say

The Beta Test is a bloated and crude social commentary

Drawing on Colombian folklore, Tarumama is a surreal and at times poignant horror drama about a feuding family

Night Drive is a tonally inconsistent, funny but largely empty dark comedy

Horrifically bloody and gloriously violent, The Sadness revels in its apocalyptic setting and strangely relevant premise

The Pizzagate Massacre is an uncomfortable and unpleasant disappointment

Lucy Abbott explores the history of black female punk musicians and their underrepresentation in the mainstream

Kevin reviews synthpop duo Magdalena Bay’s first full-length album, Mercurial World—a modern masterpiece that amalgamates well-known genre characteristics into one impressive, fun, and cohesive package.

A former priest gets caught in a nightmarish battle with a cosmic being after the tragic death of his daughter

Midnight narrates a tense chase through the cramped streets of Seoul

Review of French director Vanya Peirani Vignes’ tense and provocative debut feature Blast.

Combining social commentary and gory horror, The Night Belongs to the Monsters is a chilling horror that is entertaining and perfect for casual viewing.

Predictable jump scares and poorly written characters make Foregiveness a troubling and dull watch

We can’t ignore the Saudi’s past just because they are investing in Newcastle

Jason Fox reviews D.M Cunningham’s new post pandemic thriller