Kayleigh Crawford reviews Opera North’s Street Scene, which is based on the play of the same name, at the Lowry

Sam Bronheim reviews Birmingham Royal Ballet’s Swan Lake at the Lowry

Tara Bharadia reviews A Monster Calls, which is based on the novel of the same name and was also adapted into a film, at the Lowry

Theatre Editor Jay Darcy and Claudia Langley interview Melanie Blake, ahead of the tour of the stage adaptation of her best-selling novel, The Thunder Girls

Ana Maria Ortiz reviews Tribe’s Still I Rise at the Lowry

Kayleigh Crawford reviews Mischief Theatre’s Peter Pan Goes Wrong at the Lowry

Theatre Editor Jay Darcy reviews Dr. Seuss’ How the Grinch Stole Christmas! The Musical, starring Griff Rhys Jones OBE, Edward Baker-Duly and Matt Terry

Anna Jin reviews The Little Prince, an adaptation of the Antoine de Saint-Exupéry novella, at the Lowry

Sam Bronheim reviews Matthew Bourne’s The Red Shoes at the Lowry, which stars Adam Cooper and Ashley Shaw

Rosemary Russett reviews Circus 1903 at the Lowry

Tara Bharadi reviews Nigel Slater’s autobiographical play, Toast

Anna Jin reviews Rambert – Triple Bill at the Lowry

Dolly Busby reviews Gameshow’s Nuclear Future, the portrayal of family in a post-nuclear apocalyptic landscape

Sophia Hadji-Michael and Theatre Editor Jay Darcy review Dada Masilo’s radical reimagining of the classic ballet Giselle

Cara Conte reviews Zoonation’s Olivier Award-nominated Some Like it Hip Hop

Ella Broadbent reviews The Lovely Bones, the stage adaptation of the best-selling novel of the same name

Camila Florencia Rusailh reviews Igor and Moreno’s BEAT at the Lowry

Alexia Pieretti reviews Hedda Tessman, a modern retelling of Henrik Ibsen’s iconic Hedda Gabler

Kayleigh Crawford reviews the RSC’s gender-swapped adaptation of The Taming of the Shrew at the Lowry

Jay Darcy reviews Mrs Lowry & Son, the new biopic about local artist L. S. Lowry, at the theatre named after him