Hope Abbott reviews the new English translation of Aimée de Jongh’s graphic novel: The Return of the Honey Buzzard

An energetic, pitch-perfect performance is the perfect gift from the Danish singer to her enthralled audience, writes Tara Bharadia

Danielle Kosky reviews The Book of Dhaka, a new collection of short stories from Comma Press

The one-time ‘biggest band in the world’ have little to lose or prove with their seventh output: Will the Nashville boys regain their title?

The punk two-piece deliver a sophomore album which, though impassioned, lacks imagination and fails to impress

Stockport’s Blossoms appear thoroughly uninterested by the prospect of a sold-out show at the Academy—so why should the crowd feel differently, asks Meg Roberts

An hour full of laughs, mocking and challenging the status quo

As one of the most hyped albums of the 1990s is reissued, Callum Oliver asks: should it be remembered as the most disappointing too?

Gears 4 feels like a great starting off point for a new trilogy, in places it even feels like this was what they were going for with the original Gears of War

To find yourself in life you need to lose yourself and… fart

The Privileged is a true work of art: Full of daring techniques to subvert the audience-actor relationship and break the ice when discussing race, rule-breaking, and respect

Mritunjay Sharma reinterprets Rainer Werner Fassbinder’s classic

The Kills thrill the Albert Hall with an electrifying rock show, writes Mattea Bubalo

A clever and compelling play which explores the struggles of living in a world that seems determined to undermine and disregard you

Ultimate Painting’s 1980s-indebted indie pop warms the band’s typically shy audience, writes Joe Taylor

Manchester’s 2016 Food and Drink Festival has some delightful new food and drink stalls, writes Miriam Mizzi

Alex Halksworth reviews an emotional new release from Benjamin Francis Leftwich

An exceptional performance that made every theatre-goer sharply question what they thought they knew, with stunning physicality, originality and respect for a troubling story

Jump scares, creepy sounds and bad lighting are key features of survival horror games, but they are not the entire basis of the genre

Bon Iver’s third LP challenges every preconception about the artist, but comes off all the better for it, writes Callum Oliver