The return of Once Upon a Time in the West is for the betterment of cinema, writes Harry Peate

If this year’s BlackKklansman served as a solid artistic insight into the roots of modern-day racism, then George Tillman Jr’s The Hate U Give makes for a fantastic following piece about the current state of American racial tensions

Night School is a dissapointing watch with Kevin Hart’s distinct brand of humour.

Goosebumps 2 has been released following the success of the first, but doesn’t seem worth the wait.

Izzy Sharp finds aspects of Tom Beard’s Two For Joy compelling and heartfelt, yet ultimately unable to strike home with its depiction of the tensions within a modern British family

The focus of discussion surrounding the 2011 tragedy is put back on the victims’ experience thanks to Poppe’s remarkable film. The question and answer panel, hosted at HOME, consisted of director Erik Poppe and lead actor Andrea Berntzen along with real survivors of the attack, Lisa Marie Husby and Ole Slyngstadli

Tetsuo: The Iron Man is a radical film that is profoundly shocking in both style and content, fostering a powerful sense of unease in the viewer. Almost 30 years after its release, it still has the capacity to disturb, writes Ashwin Tharoor

A review of Paul Greengrass’s drama depicting the 2011 terror attacks in Norway and their fallout among the survivors.

The Mancunion reviews Drew Goddard’s mystery thriller ‘Bad Times at the El Royale’ – a film reliant on aesthetics and shirtless cameos.

Brutal, strange, and featuring Nicolas Cage at his insane, over-the-top best, Mandy is an instant cult-classic.

Adrian Kanyoli lends his praise to Damien Chazelle’s latest feature-length but asks if it deviates too much from the norm for mainstream appeal.

Part-home invasion horror, part-jealousy melodrama, The Cleaning Lady is a an initially shocking film that struggles to stand out in its genre

Even with the best will in the world, national treasure Rowan Atkinson doesn’t have the comedic strength to keep this titanic failure afloat

The 80s themed tale of a killer-next-door was shown at Grimmfest 2018, shocking audiences with an explosive, violent final act

Review of Tehran Taboo; an immersive film of untold stories set in Tehran.

Tom Hardy’s much-anticipated Marvel debut doesn’t really live up to the hype

Emotional, funny, and featuring a killer soundtrack, A Star is Born will surely go down as one of 2018’s greatest films.

At first glance, the film may be seen as just another tale of a damsel in distress, but upon closer inspection, Casablanca is a romantic fantasy that has made an everlasting impact on cinema as a whole

Georgia Church reviews one of Netflix’s new rom-coms, Set It Up

Urussa Malik reviews Desiree Akhavan’s third project, The Miseducation of Cameron Post