Review: ‘The Political History of Smack and Crack’
Anuli Changa reviews Edinburgh Fringe hit, ‘The Political History of Smack and Crack’ at The Mustard Tree
Review: ‘Often Onstage’
Sophie Marriott reviews ‘Often Onstage’ at HOME Theatre as part of the Orbit Festival: a delightfully bemusing sail through the world of theatrical productions
Review: Dita Von Teese: The Art of the Teese
Jay Darcy reviews ‘Dita Von Teese: The Art of the Teese’, the burlesque review at Manchester O2 Apollo
Review: Antler Theatre’s ‘Lands’
Anuli Changa reviews Antler Theatre’s ‘Lands’ as part of the Orbit Festival at HOME
Review: ‘Gold From the Stone’ presented by Lemn Sissay
Anuli Changa reviews ‘Gold From the Stone’, Lemn Sissay performing selected poems from his works
Review: ‘Let It Be’
Evie Appleson reviews ‘Let It Be’, The Beatles musical at the Manchester Opera House
Review: Dante or Die’s ‘User Not Found’
Libby Williamson reviews Dante or Die’s ‘User Not Found’ as part of the Orbit Festival 2018
Review: ‘Propel’
Jess Johnstone reviews ‘Propel’, a scratch night as part of the Orbit Festival 2018 at HOME
Review: The Pride
A play that spreads its focus across several era whilst maintaining an admirable focus on its human subjects
Review: ‘Windows of Displacement’
A thoroughly moving, powerful piece, Scarlett Gorman reviews ‘Windows of Displacement’ at HOME, as part of the Orbit Festival 2018
Review: Antic Disposition’s ‘Henry V’
Anuli Changa reviews Antic Disposition’s cathedral tour of ‘Henry V’
Review: Keisha Thompson: ‘Man on the Moon’
Sam McElhattan reviews Keisha Thompson: ‘Man on the Moon’ as part of Contact at STUN
Review: ‘Death of a Salesman’
Orla Quilligan reviews ‘Death of Salesman’ at the Royal Exchange Theatre
Review: English National Ballet’s ‘Manon’
Tai Francis reviews English National Ballet’s ‘Manon’ at the Manchester Opera House
Review: ‘Rent Party’
Lauren Ellis-Stretch reviews ‘Rent Party’ at The Klondyke, presented by Contact Theatre, Darren Pritchard Dance and Black Gold Arts Festival