Lloyd Hammett gives us his Top 5 scenes we’d probably all rather forget

According to Tom Bruce, the 1987 ‘Robocop’ was in no need of a re-boot

For Tom Bruce, ‘Rush’ was somewhat of a cinematic false-start

Matthew Thomas reviews Jamie Shovlin’s latest project, commissioned by Manchester’s Cornerhouse

Parizad Mangi looks ahead to the release of Disney’s ‘Sleeping Beauty’ spin-off

Ant Cornish gives us his top 5 sounds of the seventies

Film editor Sophie James discusses how the talent of one country is leaving its mark on the world of TV and cinema

Tom Bruce reviews this powerful documentary that should be on everyone’s watch list

Angus tells us why he believes Toy Story is the only truly perfect film trilogy

Will Ron Burgundy prove to be the ultimate comeback kid? Lloyd Hammett anticipates the return of everyone’s favourite news team in ‘Anchorman 2’

Zach Fuller bigs up an underrated and overshadowed gem from 2008, starring Ben Kingsley and Mary Kate Olsen

It’s a risky business, but sometimes one shot is all it takes to make movie magic. James Moules gives us his top 5 one take scenes

Suraj Vara discusses how, when it comes to comedy, animated movies cater for all ages

Jack Crutcher reviews the political drama ‘Parkland’

Hard living safe cracker Dom Hemingway (Law) is set loose in London after a 12 year prison sentence. Pairing up with best friend Dickie (Grant), Dom seeks out financial reward for his loyalty to underworld boss Mr. Fontaine (Bichir).    ‘’Crazy night, last night. Dickie lost a glove and everything.’’ Jude Law spent a summer […]

Was the second installment of ‘The Hunger Games’ franchise a sizzling success? Mark McGrath gives us his view

Jack Evans reviews the controversial Palme d’Or winner from this year’s Cannes Film Festival

I’d like to start this review by saying this: I really wanted to like this film. In fact, I wanted to love it. Unfortunately, The Counselor is just terrible. The film revolves around a lawyer (Michael Fassbender), inexplicably only known as “Counselor”, who involves himself in a drug deal with an extravagant drug dealer/nightclub owner […]

The box office bomb of Oliver Hirshbiegel’s royalist-bait Diana biopic to compliment it’s critical mauling shows the rare commercial failure of a genre littered with banal Oscar begging (The King’s Speech) and vapidly toothless portrayals of their muses (Notorious and The Iron Lady, which manage to transform The Notorious B.I.G into Mother Teresa and Margaret Thatcher into […]

Jack Crutcher discusses Darren Aronofsky’s cinematic turn from the balletic to the biblical