From pub crawls to Freshers' events, drinking can feel unavoidable, and sobriety can feel isolating. Here's how to miss out on the hangovers, not the fun
Alica MacDonald's 'Finding Emily' provides an inventive spin on the rom-com for a modern audience thanks to a strong sense of place – and UoM's campus
Joscha Bongard's Babystar is a frightfully realistic satire on social media family channels that bites off more than it can chew
The Beta Test is a bloated and crude social commentary
Drawing on Colombian folklore, Tarumama is a surreal and at times poignant horror drama about a feuding family
Night Drive is a tonally inconsistent, funny but largely empty dark comedy
Horrifically bloody and gloriously violent, The Sadness revels in its apocalyptic setting and strangely relevant premise
The Pizzagate Massacre is an uncomfortable and unpleasant disappointment
A former priest gets caught in a nightmarish battle with a cosmic being after the tragic death of his daughter
Midnight narrates a tense chase through the cramped streets of Seoul
Review of French director Vanya Peirani Vignes’ tense and provocative debut feature Blast.
Combining social commentary and gory horror, The Night Belongs to the Monsters is a chilling horror that is entertaining and perfect for casual viewing.
Predictable jump scares and poorly written characters make Foregiveness a troubling and dull watch
Jason Fox reviews D.M Cunningham’s new post pandemic thriller
Mirabelle Lee and August Maturo star in Slapface and talk to us about their experiences on set
Inspired by hotel horror flicks like The Shining, Hotel Poseidon is an uncomfortable and surreal exploration of one mans psyche
A modern day Edgar Allan Poe novella, The Guest Room is a mysterious and aesthetically gothic thriller
The 3rd Day is a gruesomely fun watch which relishes its pulpy themes and unapologetic core
Be prepared to be horrified, disturbed and spooked at this year’s Grimmfest.
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