Cara Conte reviews the stage adaptation of The Exorcist
Scarlett Spicer reviews The Full Monty at the Manchester Opera House
Jessica Wiehler enjoyed Selladoor’s production of the classic play, but found the experience challenged by differences from the much-studied novel
This dark and both vocal and visually spectacular is any Meat Loaf’s fan dream come true
Love Labour’s Lost and Much Ado About Nothing have been paired sharing the same cast and set on different nights, after watching Love Labour’s Lost Jennifer Sterne argues that the impact of their pairing would be more effective if shown as a double-bill
Theatre Editor Jay Darcy reviews & Juliet, a jukebox musical reimagining Romeo & Juliet, ahead of its West End transfer
Jay Darcy reviews ‘Kinky Boots’ as it visits the Manchester Opera House on its national tour.