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Review: Noughts and Crosses

Review: Noughts and Crosses

Sam Bronheim reviews Sabrina Mahfouz’s adaptation of Malorie Blackman’s Noughts and Crosses at The Lowry
Preview: Barber Shop Chronicles

Preview: Barber Shop Chronicles

Anuli Changa speaks to cast member Emmanuel Ighodaro about Inua Ellams’ Barber Shop Chronicles at the Royal Exchange Theatre in association with Contact Theatre
Preview: David Judge’s Sparkplug at HOME

Preview: David Judge’s Sparkplug at HOME

Race, Identity and Masculinity: Anuli Changa speaks to writer-actor David Judge and Director Hannah Tyrrell-Pinder about the touring production of Sparkplug
Crazy Rich Asians is not a victory

Crazy Rich Asians is not a victory

Crazy Rich Asians cements Chinese dominance in multi-racial Singapore, and panders to Westernised conceptions of Asian culture.
Review: Blindspotting

Review: Blindspotting

Oakland-born rapper Daveed Diggs of Hamilton fame joined forces with poet-come-rapper Rafael Casal to write and star in Blindspotting.
History departments branded ‘overwhelmingly white’

History departments branded ‘overwhelmingly white’

Sophie Marriott explores Manchester University’s reaction to recent revelations by the Royal Historical Society regarding the distinct lack of racial diversity in the study of history in higher education.
Review: ‘Salt’

Review: ‘Salt’

Sam McElhattan reviews ‘Salt’ at HOME as part of the Orbit Festival 2018
University rowing club starts year with gold

University rowing club starts year with gold

UoM’s rowing team get off to a winning despite unfavorable weather conditions
What the ‘N-word’ Means to Me

What the ‘N-word’ Means to Me

Anuli Changa discusses the use of the ‘n-word’ and how the double standard surrounding it’s use mean it remains both a racial slur and an example of linguistic protest.
Review: BlacKkKlansman

Review: BlacKkKlansman

Attempting to trace the career of Spike Lee and his cultural impact would prove somewhat tricky to say the least. His latest film – The BlacKkKlansman – proves no easier. Lee is most accomplished for his confrontational dramas based on various societal issues. From Jungle Fever discussing interracial relationships, to 25th Hour’s evaluation of post-9/11 […]
Objects of Obsession: Sonia Boyce

Objects of Obsession: Sonia Boyce

Manchester Art Gallery host Sonia Boyce as part of the Objects of Obsession collaboration with the Royal Academy, revealing what object has influenced and obsessed her most
Complacent like me? Read ‘The Autobiography of an Ex-coloured Man’

Complacent like me? Read ‘The Autobiography of an Ex-coloured Man’

After reading James Weldon Johnson’s 1912 book, Margherita Concina gives her thoughts on race and politics
Racial identity in Southeast Asia as a modern social construct

Racial identity in Southeast Asia as a modern social construct

Exploitative and divisive ideologies around race are a tool of power – just take a look at Southeast Asia

In conversation with Gary Younge

After the release of his book ‘Another Day in the Death of America’, editor-at-large of The Guardian Gary Younge speakas to Kizzy Bray about Black Lives Matter, the media’s role in reporting on race and violence, and coming face to face with alt-right leader Richard Spencer

Du-rags to riches – Exploitation of black culture in high fashion

Nicole Lloyd explores the exploitation of black culture in high fashion

We should stop using the word “race”

In light of his experience of the University’s registration policy, Lioui Benhamou pens his thoughts on the continuing use of the term “race”

To knee or not to knee?

San Francisco 49’ers quarterback Colin Kaepernick elected to sit during the national anthem which he claimed oppresses black people and people of colour

Is the “Oscars so white” boycott really a route to diversity?

Tristan Parson’s asks whether an elite group of film stars boycotting the Oscars as part of the ‘Oscars so white’ campaign is really a challenge to racist structures

American university offers three day “retreat” to discuss “white privilege”

Three day event organised by the University of Vermont for undergraduates who “self-identify as white” to discuss issues of race and “white privilege”

“Black History Month reminds me how important voice is.”

Ariel Nash reflects on what Black History Month means to her and the powerful potential of the BME movement in art and culture