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Month: February 2018

Live Review: Puma Blue

Picture this. You’re sat on your friend’s sofa, beginning to sober up after the house party they’ve just thrown, and you can hear the faint retching noises of someone throwing up in the downstairs toilet. The couple that is supposedly on ‘a break’ are just muffled voices from the room next door, so you allow your consciousness to indulge in previously buried thoughts. You begin to romanticise past toxic relationships and poor decisions, you even try to pinpoint what experiences have led to the definition of your character…

Puma Blue provides the exact soundtrack you want to frame these kinds of moments. The moments that make your normally restless mind, pause and just reflect.

With London-based producer ‘Lucy Lu’ perfectly instilling a dreamy ambience into the intimate back room of the venue, it was clear that even before Jacob Allen/Puma Blue took to the stage, the audience of the 200-year-old Castle Hotel were in for an evening of transcendence. Lucy Lu firmly established his presence alongside his musical counterparts, particularly with his last 3 songs of the set which quickened the pace and really exhibited the instrumental talent of each musician.

South London singer and songwriter Jacob Allen produces a delicate persona, extracted from what I envision to be a lonely, bedroom-enclosed environment and brought to life through his stage name Puma Blue. By no means do I intend this as a criticism, in fact, the tightly enclosed feel that Puma Blue’s music possesses is exactly what makes it so genuine, raw and beautiful. There is nothing dishonest or fabricated infiltrating Puma Blue’s poetry. The exact same can be said about his live performances. His voice and ethereal guitar playing laced with the aid of saxophone gestures undoubtedly raised the hairs on the back of his audience’s necks.

Puma Blue is better live than on record. I mean if you’ve ever listened to ‘Only Trying 2 Tell U’ or ‘(She’s) Just a Phase’, you’ll know how outrageous this claim may be, but I can assure you that it is the truth. Allen’s vocals infuse the air with a hypnotic and graceful texture complimenting his reflective and poetic lyricism. His use of dubbed synth beats, haunting bass tones and outstanding sax parts create a particular form of communication. Almost as if each part is intrinsically woven into the main lyrical narrative to support Puma Blue’s emotional journeys and to reinforce the sense of torture and longing presented so clearly throughout each track.

Next time it’s dark and raining, plug your headphones in and put ‘Only Trying 2 Tell U’ on full volume. You’re welcome.

 

9/10

Live Review: Alvvays

In the current musical scene, there are many artists that transcend genres or are impossible to pin down. Indie pop is a very wide genre. I’d place Charli XCX as the perfect face for indie pop. Alvvays, however, have a bit more of a rock sound than most artists of the aforementioned genre. Therefore, I think it’s fair to classify them as dream pop.

Academy 2 had sold out and the audience was a mixture of all sorts of people of all ages, children and families included. The band’s following and popularity are interesting when taking into consideration that the first of their two albums were released in 2014. A quick look at Spotify reveals that most of their songs have achieved more than a million streams on average, with one track, ‘Archie, Marry Me’ hitting 15 million.

To be completely honest, their studio sound, characterised by echoing vocals and distant instruments, didn’t enthuse me. Don’t get me wrong, I enjoy Alvvays’ albums, but there seemed to be something missing. Even on good equipment, it feels muddy and soft.

Live, however, their sound is completely different — and better. The distance that their studio recordings have is completely eliminated. The drums and bass are loud and punchy while the guitars and keyboard are clear and easy to identify. Molly, the vocalist, also sounds much better live — and in her recordings, she’s pretty great. Their quaint yet playful dancing and pacing set to trippy, minimal background visuals rounded off the performance in a neat package.

The nature of the dream pop genre made for a very relaxed show up until the end where we were prompted to show them our “British bounce”. During the last three songs a small mosh pit started, it felt totally out of place at the gig but hey, live and let live.

With a discography of only 19 songs, the band’s set only just managed to last an hour but, in their defence, it felt like quality took the place of quantity, with every single track being a welcome inclusion to the show.

Ultimately, the most fitting description for the evening is: pleasant. With every element hitting the spot and no downfalls, the show was well worth the evening and perfectly memorable.

Score: 7/10

Grigg ends City’s quadruple hopes

In a weekend bereft of upsets, it fell to the Monday night fixture where Wigan entertained Manchester City for one last chance at some FA Cup magic. As much as Pep Guardiola was at pains to deny it, his team were gunning for the quadruple. Comfortably on top of the Premier League perch, they had one final already lined up and were progressing nicely in the Champions League when they arrived at the DW Stadium.

The fortunes of Wigan are rather different. Since their triumph in the 2013 FA Cup final (against City), they have slipped down the footballing pyramid and occupy third in League One. Put simply, they had no chance in this game.

Guardiola named a relatively strong side with only Ederson and Kevin De Bruyne being the regular starters left on the bench. With a hopeful rather than expectant crowd behind them, Wigan survived a Manchester City onslaught. Playing in a 4-3-2-1 formation, the most advanced Wigan midfielders would drop deep to form a 4-5-1 in defence with Will Grigg alone up top.

A City goal was coming and it was looking more a matter of if then when. İlkay Gündoğan, Fernandinho and Sergio Agüero all had good chances that were either missed or saved but then a small glimmer of hope appeared for the home side.

With the ball headed clear from a City cross, Fabian Delph galloped to make up the distance between him and Max Power. The result was an out of control Delph’s foot being raised and studs making firm contact with Power’s shin. Referee Anthony Taylor initially drew the yellow card from his pocket but upon hearing advice from the other officials in his earpiece, he swapped the cards and produced the red for Delph.

The decision caused a simmering tension on the sidelines to boil over as Guardiola and Paul Cook began gesticulating wildly in each other’s face. Guardiola later explained he was telling Cook to stay in his technical area and claimed nothing happened in the tunnel. Unbeknownst to him, the BBC had cameras in there and images were broadcast of both managers continuing the heated argument as they headed to the changing rooms.

Despite being a man down, City continued to be the dominant side. The introduction of De Bruyne added a few more degrees of pressure onto the Wigan back line as they hung on looking for that replay away at the Etihad.

Any Wigan fans dreaming of a visit to Manchester quickly had their hopes dashed but it was not because City found the net but rather because Will Grigg did. Kyle Walker seemed to switch off at the worst possible time as he let the ball roll under his foot and into the path of Grigg. The striker held off Walker and with an approaching Aymeric Laporte, he fired the shot off early. The ball beat Claudio Bravo and nestled into the bottom of the net sending the DW Stadium into an eruption of noise.

It was Grigg’s seventh FA Cup goal of the season in as many games and with 11 minutes left to play gave his side something to cling on to. City were powerless to overturn the scoreline and the whistle blew with the League One side progressing.

For City, the attention switches elsewhere but for Wigan, their FA Cup dream continues with a visit of Southampton.

Live Review: Seal

Seal needs no introduction. He’s a national treasure and an undeniable legend of the 90’s and early 2000’s pop scene. Hits like ‘Kiss From A Rose’, ‘Crazy’, his cover of Steve Miller Band’s ‘Fly Like An Eagle’ and ‘Prayer For A Dying’, among many other songs, are instantly recognisable by everyone, everywhere.

At the end of 2017, the superstar from Paddington released Standards, an album that pays tribute to, as Seal called them, “some of the greatest songs ever written”.

Sinatra, Ellington, Armstrong, Chaplin, Gershwin… it’s safe to call them titans of the pre-contemporary musical scene, having set a precedent that few have surpassed. Along with this album, the ‘Standards Tour’ is stopping by the UK, Ireland, France and, lastly, Australia.

The O2 Apollo was set up with seating for the evening, making it feel extremely classy. Our first treat for the evening was Tabo, a soulful singer with a heart of gold; he made sure to greet people at the end of the night and we made a point to snap a picture and gave him a warm hug — what a charmer! A soft synth keyboard was the single accompaniment to his voice, and that was already a hell of an instrument in itself. Foot stomping, tongue clicks and dancing on the spot rounded off his performance to the almost-full Apollo.

Tobias and Tabo — Photo: Tobias Soar
Tobias and Tabo — Photo: Tobias Soar

Seal’s arrival to the stage was welcomed with a round of applause before he jumped straight into a series of tracks from Standards. His style, charm and genuine charisma which shone through during and, mostly, in between songs made it a pleasure to watch.

Members of the audience kept screaming for Seal to sing his own songs instead of the classics and, quite surprisingly, he grabbed an acoustic guitar — which, interestingly, he played left-handed, as Paul McCartney does – and serenaded us with an acoustic rendition of ‘Kiss From a Rose’.

Earlier in the show he remarked “you’re all well behaved for a Seal show, this is very uncharacteristic of us”. Well, the naughtiness began as he took off his blazer, rolled up his shirt sleeves and hit us with ‘Crazy’. Now it was a Seal show.

I couldn’t help but notice and admire how he would walk the stage, right to edge, and make eye contact with audience members. This small gesture really makes a difference, it draws you in more than any crazy set piece or dance crew ever will.

Then, Seal took this immersion to the next level: he jumped off stage. He was quite literally less than 10 feet from where I was. Of course, the audience was delighted with a couple of people sheepishly walking up to him and embracing him. Seal was totally cool with this, taking people under his arm and then proceeding to dance with a young woman in front of us. She seemed to be at the concert with her partner but, unfortunately for him, no one can compete with Seal. It’s fair to call him “Mr. Seal your girl”.

I wasn’t aware of this being on my bucket list but it must have been because you can bet I’ll tell my grandchildren about the night I boogied with Seal.

Seal’s classics, his own songs, his charm, his swagger, his genuine affection towards the crowd and every factor of the show made for an undoubtedly memorable show and, ultimately, a perfect night out on Valentine’s Day.

10/10

Live review: Amenra

Sunday 18th February, Gorilla

There are few bands, nay, performers, that can instil total silence in an audience, and Amenra are one of those few. To the uninitiated, a metal band without mosh pits may sound like a lake without water, but it is here you will find it.

Let me preface this by saying I’m not a sludge (or doom) metal fan. I don’t know much of the genre and it’s not something I listen to personally. I first saw Amenra four years ago at a post-rock festival, Beyond the Redshift. I had never heard of them, but their absolutely breath-taking performance made me a lifelong convert.

Amenra drape themselves in religious symbolism; their name is the Egyptian god of the sun, their albums are numbered Masses, associated acts (including Oathbreaker) are members of the Church of Ra, their logo is a trinity and their music videos and artwork often feature churches, crosses, and crucifixion. Seeing an Amenra show is to me, an atheist, the closest to a religious experience I have ever been. Minutes before the show, the smell of Catholic incense wafted through the air, and thus the sermon began.

Amenra waste no time with pleasantries. The performance starts as soon as the band walk on stage, and ends when they finish their last piece. It’s important to highlight those words — it would be demeaning to say that Amenra make ‘songs’. It would be similarly degrading to call vocalist Colin H. van Eeckhout a ‘singer’. Amenra seem often disconnected from the audience, making the performance as much of a personal experience for the band as it is for each member of the audience. Van Eeckhout spent much of the performance facing away from the audience, only turning towards it at opportune times.

As I alluded to earlier, there were no mosh pits — each audience member is consumed by the music in a shared, yet personal experience. I often found myself in a completely trance-like state, unaware I was even in a crowd. Amenra use indescribably intense sections of the music to create an all-consuming wall of sound, a chaotic yet somehow ordered cacophony. More importantly they contrast this with quiet, brooding build-ups which are at times near silent. These silent sections really show the grip that band create on the audience with near silence (anyone who dares make noise is quickly shushed).

The band opened with ‘Boden’, from 2012’s MASS V. The piece begins with a dramatic clanging of metal bars, followed by a long, slow, tense buildup. Behind them, on a large screen, stark black and white images were projected: a girl with the band’s logo, a church, lava, water flowing, a body suspended in a forest. Each piece was roughly 10 minutes in length, but for the duration of the set, time lost all meaning. Finishing with the more recent ‘Diaken’, the sermon concluded. What happened in that hour and fifteen minutes is an experience that a simple text review could not do justice.

I cannot put into words just how good Amenra are. If you get the chance to see them, do it. Don’t like doom metal? Nor do I. Give them a try, and you have my word that you’ll become a follower.

10/10

Students lobby MPs on Fallowfield crime

Students have been urged to contact their local MPs in a bid to make Fallowfield’s streets safer.

Student anxiety about crime in Fallowfield prompted University of Manchester student Louis O’Halloran to email Manchester Gorton MP Afzal Khan.

After he was mugged outside his house and had an allegedly poor experience with the police, he then created a template email which he posted on Fallowfield Students Group on the 18th of February 2018, urging students to use it to contact their MPs to spur action.

O’Halloran stated: “Despite a petition to the Mayor of Manchester, these stories have not slowed down… My hope is that by contacting MP’s we can get something done.

“I’ve asked everyone I know to email, both relatives from around the country and for students to email their home and Fallowfield MPs.

“The hope is that by contacting MPs directly Fallowfield will receive greater attention and take meaningful steps towards making the country’s largest student community safer.”

He is urging police to follow through properly on reported crimes, as well as stressing that more street lighting and security cameras should be installed to deter criminals in crime hotspots.

O’Halloran’s last demand was for the police to improve their relationship with students, by talking directly to them and teaching them tips on what to do if they find themselves in dangerous situations.

Chief Inspector Helen Caldbeck from Greater Manchester Police (GMP), told The Mancunion that GMP consider “Students [to be] a vital part of our community and we want them to feel safe where they live and study. We will continue to work alongside key agencies to ensure this remains a priority for us.

She confirmed that they meet with the University regularly, as well as the local council and other public bodies to discuss strategies on how to improve safety in student areas.

She continued: “we have dedicated student safe patrols and have strong links with each of the universities and works throughout the academic year to look after them through early intervention and targeted patrols. This is supported by security staff at the universities and Manchester City Council. We also give a talk to students at the beginning of every academic year, giving advice on the issues that we know are most affecting people.”

Rebecca Neary, a student at the University of Manchester, thinks contacting MPs is a good idea, however, feels the responsibility for keeping University of Manchester students safe falls on the university itself.

She told The Mancunion that she hopes that if enough students were to email, then this pressure would stimulate a response, and perhaps MPs and the university could cooperate.

Neary added that she believes resources should be spread, as they are unevenly distributed in Fallowfield, with most security concentrated in University halls, neglecting older students who live in private housing.

In response, a University spokesperson said, “the University takes student safety extremely seriously. By working closely with the local community, maintaining excellent relationships with the police and through our own security staff, we take a proactive role in crime reduction and prevention.

“We have a number of measures in place to ensure students can feel safe and report any problems, including the free student shuttle bus and We Get It campaign. However, our students’ safety is always paramount and we will continue to work with the Students’ Union and other relevant stakeholders to develop our provision in this area.”

In October 2017, Matt Harvison created a petition which demanded increased police presence and strategies to combat crime in Fallowfield.

It received nearly 10,000 signatures, demonstrating the attitudes and feelings of students towards crime taking place on their doorstep. This was to be presented to representatives from the local council and Greater Manchester Police.

A Night Owl Scheme was proposed by Jack Houghton, the Students’ Union Communities Officer, which will involve student volunteers patrolling the streets, but, as The Mancunion previously reported, it received mixed responses from students.

Many felt that for it to be effective, more people would need to get involved, and some questioned whether the student volunteers themselves would receive appropriate safeguarding.

CI Caldbeck from Greater Manchester Police suggested visiting the student safety page of their website to find out more.

The Mancunion contacted MP Afzal Khan for comment and are hopeful of interviewing him in the near future about student safety concerns in his constituency.

Students criticise May’s higher education proposals

Following Theresa May’s acknowledgement that the education system is failing to “meet the needs of every child”, the government’s plans to launch a major review of higher education funding in the UK has been met with severe criticism by Manchester students.

The review, announced in a speech in Derby on Monday afternoon, will reassess what May deemed as “one of the most expensive systems of university tuition in the world”, including a potential for the return of maintenance grants, and a comprehensive evaluation of the divide between vocational and academic studies.

Over the course of the review, tuition fees and interest rate hikes will be frozen.

This is amidst a consensus of growing concern that poorer students are “bearing the highest levels of debt” in the current system,  with graduates racking a bill of up to £50,000 by the end of their degree. By the end of March 2017, total outstanding loans in England reached a total sum of £90 billion.

Controversially, the review will also press ahead with proposals to introduce variable fees for different courses. Currently, students studying a three-year course in England face an annual fee of £9,250. However, under new proposals, courses that run under the banner of social sciences and humanities may pay less than their fellow students studying STEM subjects, in-line with lower course costs, lower potential graduate earnings, and a lower economic value to the country.

However, critics have warned that the proposals do not go far enough to tackle inequality, with the NUS president, Shakira Martin, warning that “the prime minister is choosing to move the deck chairs around a ship she already acknowledges is sinking.”

This follows after May insisted that she remained committed to the notion that those students “who benefit directly from higher education should contribute directly towards the cost of it”, despite mounting pressure from the Labour opposition who have openly advocated for the scrapping of all tuition fees.

Furthering these critiques, Labour’s shadow education secretary, Angela Rayner, stated that: “Charging more for the courses that help graduates earn the most would put off students from the most disadvantaged backgrounds from getting those same qualifications.

“To make science and maths degrees more expensive flies in the face of what our economy’s going to need in the future.”

Speaking to The Mancunion, second-year PPE student, Dan Ramsell commented that introducing variable fees “could be fair because we are paying for a service, and if that service is cheaper to provide, then universities are making a much larger profit than necessary.

“But, if this would mean a negative impact on social mobility or the cost of repaying student debt, I would not support the proposed cuts.”

Echoing these claims, second-year Chemistry student, Frances, also berated that “this will reduce the number of people who will apply to do the more expensive degrees due to fear of larger debt.”

Leah Marlow, a second-year History and Politics student, went further, branding the PM’s proposals as: “Trying to make notion [sic] of tuition fees more attractive in order to gain electoral support from young people and students. Perhaps also a retaliation to Corbyn’s proposal to remove tuition fees, making this a superficial, and politically motivated claim, rather than a sincere one.”

Seeking to reassure students, a University spokesperson stated to The Mancunion: “The University will engage with the recently announced review of Higher education funding, and will be studying its findings carefully. The University is committed to helping people gain access to higher education, which is why we have the highest number of students from areas of low participation in higher education and lower socioeconomic backgrounds in the Russell Group.

“About a third of our new UK undergraduates receive financial support through our means-tested Manchester Bursary. Likewise, we are committed to providing the very best teaching and other support for our students, which is why Manchester is the most-targeted university in the UK for top graduate employers.”

Review: Lotus Vegetarian Kitchen

On the rainy evening of the 14th of February my friend, the meat-eater, and I, the vegetarian, hopped on the magic bus for a much anticipated meal at Lotus restaurant.

Although it took us 20 minutes or so to get there, the bus dropped us off right in front of the restaurant which was very handy. It opens at 5 pm and we reached there at 5.45 pm without any prior booking. The restaurant was already packed yet we still managed to get a table as the staff seemed reluctant to keep customers waiting.

The restaurant wasn’t extravagantly large yet the staff demonstrated a real enthusiasm for hosting their customers. The restaurant was obviously themed for Valentine’s Day and a pleasant ambience was created with heart shaped balloons tied to the chairs.

Once we were seated, the waitress came to ask for drinks and also handed us two roses, which was a really nice gesture.

After settling down, we sifted through the never-ending menu. As this restaurant is 100 per cent vegetarian and vegan, we expected a limited number of dishes on the menu but surprisingly it had quite a few choices.

These included soups, starters, mains, noodles, side dishes, rice dishes, noodle soup dishes, vegetables, and tofu dishes, drinks, and desserts. After much contemplation and discussion we finally ordered two starters of grilled veggie dumplings and sesame seed veggie prawn toast, three mains of sizzling veggie beef in black bean sauce, veggie chicken in Kung Po sauce, and veggie meat strips in peking sauce. Upon ordering our food the waitress also asked us whether we wanted our dishes to be vegan or vegetarian — yes there is a difference!

In less than ten minutes, the veggie chicken in Kung Po sauce and the sesame seed veggie prawn toast arrived. The veggie chicken in Kung Po sauce was probably the best version of the dish I have ever had in Manchester.

My hard-to-impress meat-eater friend said that the texture of the chicken was good and the dish was a convincing replacement of the real deal. The Kung Po sauce was blended with peanuts and gave the vegetables and the chicken a juicy flavour. Next, with the right amount of crispness, the sesame seed veggie prawn toast satisfied my taste buds to a whole new level! It was not too oily which felt moderately healthy and really enhanced the flavour. All in all the portion sizes were generous and the food was delicious, I can not recommend enough!

Photo: Vaidant Jain
Photo: Vaidant Jain

Then came the ‘sizzling’ veggie beef in black bean sauce, which was nice and hot. It was a creative mix of cauliflower, carrots, mushrooms, veggie beef, and black bean sauce. We then tried the grilled veggie dumpling together with a ginger flavoured filling, unfortunately ruining the overall taste of the dumpling. The dip which accompanied the dumplings was disappointing and we had to request a different one instead.

Veggie meat strips in peking sauce was the last dish on our list. As it was marked spicy on the menu, we expected it to be fiery and blazing. To our frustration we found it sweet and although it had a good texture and flavour, it was not a convincing substitute for meat.

To our surprise, we received a complimentary dessert at the end of our meal! We were served two heart-shaped black bean jellies and a sweet potato flower cake — so romantic! The tasty black bean jelly melted in the mouth. However the sweet potato cake had an usual taste.

Once we were done, we paid our bill by cash — no cards accepted. I plan to go back to Lotus to try more of their tasty dishes. It is very reasonably priced so it’s apt for students and a must-try for people who don’t eat meat, who are trying to quit meat or even those who love eating meat!

Live Review: Don Broco

16th February 2018, Manchester Academy

Don Broco are not a band to do anything by half measures and that’s certainly true for their performance at Manchester Academy on Friday the 16th February.

The group bounded onto the stage radiating everything that’s weird, wonderful, and most importantly fun — with a special mention to Si Delaneys’ pants, or lack thereof — but I found out much later that his incredibly short shorts allowed him to do some incredible dancing during the set.

Don Broco opened their set with tracks ‘Pretty’ and ‘Everybody’  from their new album Technology. 

Despite there only being approximately 14 days between the album release and the Manchester performance, the dedication and admiration of Don Brocos’ fans was overwhelming. The fans give it their all and then some.

The was reception was reciprocated in the incredible energy given off by the band. Rob Damiani entirely submerged himself in the moment and kept the audience clinging on to his every word.

Every aspect of the night was mind-blowing. As the night went on, they played a selection from their diverse discography of previous years. Hits such as ‘Automatic’ and early days track ‘Priorities’. The set list was carefully crafted and flawlessly flowing from track to track, each song brimming with such energetic power and executed in a lavishly cool manner by all members.

Don Broco even debuted the track ‘Greatness’ from their new album. Damiani shouted that he thinks Manchester is just so great, and it feels right to play the track for the first time in this great city. He also mentioned how amazing Popolinos was as well.

The stand out track of the night for me had to be ‘Thug Workout’. One of their first songs, it only existed in YouTube form back before they were famous. The track encompasses sarcasm, fun, and being ‘cheeky’.

Not only this, Don Broco are known for when they play this song to get the audience involved as much as physically possible. Encouraging a pit and getting them all to do pushups through the intro and then generally just lose their shit in the pit.

“You know the drill” shouts frontman Rob, “If someone falls up you pick them straight back up”.

As the night draws to a close, Don Broco finish their official set list with ‘Money Power Fame’, before being screamed to come back for their encore.

Just as the night couldn’t get any better, Don Broco played ‘Come out to LA’, another impeccable track filled with humour and repetitive, catchy rhythms.  The performance concludes with ‘T-Shirt Song’, which is probably the ultimate finale song.

“They’re saying there’s one song left, no time for no regrets, I take my T-shirt off, swing it around my head”.

Light lyrics suddenly descend into booming head banging vibes, not only this it felt like the majority of the room, as told to do, took off their shirts and swung them around the room. Whilst it sounds probably a little bit gross — which it was — the way it looked, or must have looked from the front was a beautiful chaotic madness.

Photo: Hannah Brierley
Photo: Hannah Brierley

I knew when I heard the album that the tour and their performance would be mental, and they certainly didn’t disappoint.

Don Broco are just pure fun to watch and to listen to. They clearly enjoy and have fun with what they do and their fans certainly connect and love to be a part of that. This was the first gig in a long time that I left grinning from ear to ear, and I certainly cannot wait to see what’s in the pipeline for the future.

10/10

What can we expect from Kingdom Hearts 3?

2002 saw the release of Kingdom Hearts — a role-playing game for the PlayStation 2 that brought together characters and worlds from the Disney and Final Fantasy universes. It was a surreal game like no other and instantly won over a loyal fan base.

In the subsequent sixteen years, it gained scale and became the ‘Dark Seeker Saga’, with a direct sequel released in 2006 and several spin-offs games released across five different consoles.

After what has seemed an eternal interim, 2018 has been announced by Square Enix developer Tetsuya Nomura as the year which will see Kingdom Hearts 3 released on the PlayStation 4. The second sequel in the series’ main thread will be the closing chapter to the ‘Dark Seeker Saga’. Expectations and anticipation could not be any higher, but what specifically can we expect from Kingdom Hearts 3?

Considering there has not been a home console release for the series since 2006 (excluding the remastered re-releases), there is obviously going to be a gargantuan jump in terms of visuals. Kingdom Hearts 2.8’s ‘A Fragmentary Passage’ which offered gamers a chance to play through events immediately after the PSP’s Birth by Sleep, is probably the best indicator as to how the upcoming instalment will look and feel, previewing the new ‘Unreal Engine 4’ which now powers the gameplay. Movement will be fluid and the surroundings of the various environments will be infinitely more interactive and explorable — features which the series’ predecessors have arguably lacked.

The introduction of new worlds is also something which fans can drool over. Last year’s D23 saw Toy Story unveiled as another Disney asset making its debut in the series, and this year’s expo has recently revealed Monsters, Inc.’s involvement, with Mike and Sully joining Sora in his adventures.

The injection of Pixar properties has given Nomura a whole new host of characters and worlds to experiment with, and is ultimately a great relief. It almost seemed as if Kingdom Hearts was really scraping the barrel for material at times — Dream Drop Distance’s ‘Country of the Musketeers’, in which Sora and Riku encountered characters from Disney’s animated Three Musketeers adaptation, was a notable low.

I’m still waiting for the revival of the Jungle Book world which was cut from Birth by Sleep for reasons unknown, but it appears Nomura wants to utilise the more recent properties from Disney’s back catalogue, with ‘San Fransyoko’ from Big Hero 6 and Tangled’s ‘Kingdom of Corona’ already announced.

Which brings us to the question which every Kingdom Hearts fan is asking at the moment — will the worlds of Marvel and Star Wars be making an appearance in Kingdom Hearts 3? Due to Disney’s acquisition of both Marvel and Lucasfilm, there is speculation as to whether we could be seeing Sora wielding a lightsaber alongside Luke Skywalker, or teaming up with the Avengers.

Nomura has been very coy when approached regarding this, merely responding “we are looking at all of Disney, the new ones as well”. Thinking about the tone and ethos of the previous chapters, the worlds of Spiderman, Captain America, and co might not gel well if introduced, but Star Wars could prove to be a lucrative and mouth-watering avenue for Nomura to explore if Square Enix can persuade EA to allow for shared licensing.

A greater issue for the franchise, however, is its narrative. Part of the beauty of the first instalment was the simplicity of the story — no matter how grand the adventure became, it was still essentially a story of a boy trying to find his friends. Numerous chapters down the line, it is becoming increasingly impossible to put a finger on what Kingdom Hearts is really about anymore.

It could be argued that the developers are sacrificing narrative coherence for pure enigma, which can only end in disappointment and anti-climax. As the closing act of the ‘Dark Seeker Saga’, Kingdom Hearts 3 will have to tie up all the loose ends which are currently flying around, so here’s to hoping Nomura has a few tricks up his sleeve and pulls it off with great aplomb.

‘Sleepout’ against homelessness to take place this March

After being postponed in November 2017, Manchester Raise And Give (RAG) are finally able to stage their annual ‘Sleepout’.

Taking place at St Peter’s House Chaplaincy on the 2nd of March, the event will involve members of the society camping out overnight to put themselves in the shoes of the increasing number of homeless people in Manchester.

Olly Goldsmith, Chair of Manchester RAG told The Mancunion that, “the number of homeless people rose by 30 per cent in Manchester from July 2016-May 2017 and 4,428 people do not have a permanent roof above their heads.”

The event launch follows a recent Manchester Evening News story revealing that “rough sleeping in the city had rocketed 13-fold since 2010.”

In light of these figures, Olly expressed that he didn’t believe students were doing enough.

He said: “most students fail to take any action to address this issue, or support the work of the incredible charities that are vital to live saving work done on the streets of Manchester.”

Ellen Exley, Sleepout coordinator,  provides details of the event, stating:

“Participants will be involved in a range of activities designed to help them to learn more about homelessness in Manchester and find out about the organisations working to tackle the issue.”

Their is a minumun fundraising target of £60, the “lowest of all RAG’s events”

Money raised will be distributed equally amoung three local homeless charities: Manchester Action on Street Health (MASH), Barnabus and The Big Change Fund.

RAG are holding an information session on the 21st of February, 6-6:30pm in SU Room three.

Tickets cost £10 and are available from the Manchester RAG website.

Students to re-assert fossil fuel divestment demands

A protest is taking place under the Whitworth Arch on Wednesday the 21st of February to demand divestment from fossil fuel companies and those allegedly involved in human rights violations.

Student groups have decided that “enough is enough” when it comes to the University’s ongoing investment in fossil fuels. The protest is also calling for complete divestment from companies they believe are complicit in Israeli war crimes, such as Caterpillar.

The protest will start at two o’clock, during the next Board of Governors meeting.

Huda Ammori (Chair of BDS) told The Mancunion that, “all of us are paying obscene amounts of tuition fees towards an institution which is profiting from Israel’s illegal occupation, the arms trade and environmental degradation.”

“We all need to come together for the largest divestment protest yet to show our strong objection to the university’s actions and to hold them to account on their own policies.”

The event page alleges that the University currently invests £7.5 million in fossil fuel companies such as Glencore, Valero Energy and Rio Tinto.

Lizzy Haughton, member of People & Planet and former Ethical and Environmental Student Officer, expressed in her blog how surprised she was by how “difficult it is to implement change in a University so stuck in its old ways.”

Despite campaigning for three years, students had only been told that the University will “review the issue” of their investments in fossil fuels.

60 universities UK wide, now including the University of Edinburgh, have divested from fossil fuels. The University of Manchester is now substantially behind, with a third of UK campuses being completely free from all gas, oil and coal holdings.

A letter containing a collective statement “representing the consensus view of the Sustainable Consumption Institute, School of Social Sciences” detailed reasons as to why the University should divest from fossil fuel companies.

Reasons include “consistency with the University’s social responsibility agenda; and the economic risks of a continued investment in fossil fuels.”

“Social responsibility is one of the three core strategic goals of the University’s Manchester 2020 strategy and commitment to environmental sustainability is a major aspect of that policy.

“We suggest continued institutional investment in the fossil fuel industry is incompatible with a credible commitment to environmental sustainability, and thus social responsibility.”

The University also invest approximately £2,113,435.79 in Caterpillar – according to the no. of shares (24900) invested and the share price ($107.49) at the end of the Fiscal year 2016.

According to BDS and CAAT (Campaign Against the Arms Trade), these investments are also violations of the University’s “socially responsible” investment policy.

A representative from CAAT believes that profiting from military regime “aka murder and genocide is not only a moral crime but it also breaks international humanitarian laws and Human Rights.

“Nancy Rothwell’s unwillingness to listen to the students she is supposed to be representing, particularly in this context, is disgustingly disrespectful.”

Between CAAT, BDS and People Planet we are continuing to make a case against these investments and Nancy’s leadership.

“We are putting together the research so it will be easily accessible for students and academics to access, but creating numbers at the protest is really important for driving the change.”

Deej Malik-Johnson, campaigns and citizenship officer at the Student Union, says he “fully supports students holding the university accountable for the way that it invests and spends our money.”

He adds, “the Student Union has policy to lobby the university to divest from fossil fuels, companies that are involved in the arms trade or who play a part in the occupation of Palestinian land.

“I will continue to speak to the university about these issues, students concerns and about the universities commitment to social responsibility.”

In relation to the protest, the University stated:

“The University announced significant changes to its Socially Responsible Investment Policy in May last year.”

“This will see the University change its relationship with its Investment Managers allowing it to pursue an ethical investment approach, whilst also minimising any potential negative impact on investment returns.

This includes a commitment to identifying and promoting low or zero-carbon investments.”

“In relation to the protests, as usual, the University recognises all students’ right to protest peacefully, providing that this does not unduly disrupt the conduct of the University’s normal business.”

Review: Winter Solstice

The Actors Touring Company, who are responsible for bringing David Tushingham’s translation of Roland Schimmelpfennig’s German play, Winter Solstice to Manchester, describe their ambition to create theatre which places “the actor at the heart of the work and employing a lean aesthetic which promotes environmental sustainability”.

This outlook is evident as soon as you enter the theatre. Instead of a stage the audience is confronted by school canteen tables arranged in a square, inside a rectangular area marked on this floor which demarcates the performance space.

At various moments in the play this space is the kitchen, living room, bathroom and bedrooms of the upper middle class family around whom the play is centred, sometimes it is two or more simultaneously. This effect is achieved through the actors describing the scenery and events  in an almost novelistic style; often one performer will explain an action or a sentence of dialogue immediately before it is delivered.

Some of the play’s key comedic moments come from the use of improvised props which have been described by the actors in one instance a pink highlighter becomes a pair of glasses. This is reinforced by the wilful manipulation of the visual by the spoken narrative. However, for all its novelistic aspects and formal trickery the performances remain emotionally relatable. The relationship between intellectual couple Betina and Albert is beautifully acted and their non-verbal responses both to one another and the other characters are a delight.

The narrative revolves around the Christmas Eve intrusion of Rudolph, a man from Paraguay, into the home of Albert and Betina. It is made abundantly clear to the audience that both the couple and their home are resoundingly bourgeois. Albert is a historian and Betina a director of worthy artistic films; the tasteful excess of their apartment is a motif throughout the play. The introduction into this flat of Betina’s mother, Corinna, only adds to the fraught family dynamic. Rudolph is a dark figure; returning from a post war exile in  South America he represents the recent return to Europe of far right ideologies which we thought had been left in the past. He is extremely charismatic. Konrad, a painter, makes up the final member of an incredibly strong ensemble cast.

It is Rudolph’s Freudian slip when regarding a painting of Konrad’s on the wall of the flat – he refers to ‘The Struggle’ as ‘My Struggle’ – that gives the audience its first insight into the political orientation of the interloper. The play in centrally concerned with the inability of bourgeois liberalism to confront the rising tide of extremism, as Albert, who during the play changes his opinion of Rudolph from one of suspicion to disgust, is unable to challenge him in any meaningful way. Instead we see him turn to medication and silence. Actions which shine a light on the silent complicity of the intellectual classes in the return of nationalist extremism to Europe. This is play which is both challenging and thought provoking and is definitely worth seeing.

Petri dish humans: breakthroughs in lab grown human tissue

Recent research carried out at The University of Manchester and The University of Edinburgh has shed new light on how we may develop kidney tissue and grow human eggs to full maturity the need to re-implant the tissue.

The research raises the possibility of personalised kidney transplants and definitive cure for infertility.

University of Manchester scientists, Professor Sue Kimber and Adrian Woolf, have generated human kidney tissue from embryonic stem cells. The research, funded by The Medical Research Council and Kidney Research UK and published in the journal Stem Cell Reports, outlines how kidney glomeruli, tiny structures in the kidney that filter the blood, were generated from stem cells.

The cells were then transplanted into mice, where they filtered the blood and produced a urine-like substance. In future, this technology could be used to produce full organs to provide kidney transplants without the waiting list.

Kidneys are made up of structures, called nephrons, which contain up to 1 million glomeruli that filter the blood to produce a filtrate. Chemicals and water are added to or removed from this fluid depending on the body’s needs, which leads to the production of urine. When the kidneys fail, they can no longer perform important functions like cleaning the blood and releasing the hormones that control blood pressure. This can cause symptoms like nausea, fatigue and weakness, and chest pain.

In this study, the scientists generated glomeruli – one of the functional components of a kidney — from human embryonic stem cells grown in laboratory culture dishes with a nutrient broth, known as a culture medium, containing molecules to promote kidney development. These were combined with a gel-like substance, which acted as natural connective tissue, and then injected as a tiny clump under the skin of mice.

After three months, an examination of the tissue revealed that nephrons — which filter waste from blood and produce urine — had formed. The new structures contained most of the constituent parts present in human nephrons.

Tiny human blood vessels, known as capillaries, also developed inside the mice, which nourished the new kidney structures. The team tested the functionality of the new structures with “dextran” — a fluorescent protein which stains the urine-like substance produced when nephrons filter the blood, called glomerular filtrate. The dextran was tracked and detected in the new structures’ tubules, which showed that filtrate was being produced and excreted as urine.

“What is particularly exciting is that the structures are made of human cells which developed an excellent capillary blood supply, becoming linked to the vasculature of the mouse.We have proved beyond any doubt these structures function as kidney cells by filtering blood and producing urine — though we can’t yet say what percentage of function exists,” said Professor Kimber.

However, the scientists noted that the mini-kidneys lacked a large artery, which would severely limit the new organ’s function. Their next aim is to work with surgeons to put in an artery that will bring more blood to the new kidney.

Another major breakthrough in UK biological science this week has seen University of Edinburgh researchers extract and grow human eggs to full maturity without the need to re-implant tissue, a feat which has previously only been accomplished with mouse eggs.

The Researchers took ovarian tissue from 10 women in their late twenties and thirties and, over four steps involving different cocktails of nutrients, encouraged the eggs to develop from their earliest form to maturity. Of the 48 eggs that reached the penultimate step of the process, nine reached full maturity.

Although various teams have achieved different stages of the process before, this new work is the first time researchers have taken the same human eggs all the way from their earliest stages to the point at which they would be released from the ovaries. Before reaching this level of maturity, eggs cannot be fertilised.

The research could prove useful for girls who have not gone through puberty.  At the moment, to preserve their fertility, ovarian tissue is taken before treatment and frozen for later implantation.

“For young women, that is the only option they have to preserve their fertility,” saysProf Evelyn Telfer, co-author of the research from the University of Edinburgh.

But the approach has drawbacks. In the case of re-implanted tissue, “the big worry, and the big risk, is can you put cancer cells back,” says Stuart Lavery, a gynaecologist at Hammersmith Hospital.

Lavery believes this technique could also help women who have passed through puberty, “while these women can have mature eggs collected before treatment, that approach also has problems. With this procedure, you could potentially get thousands or hundreds of eggs.”

The new research, however, cannot be said to have succeeded in providing alternative fertility preservation treatments just yet. The researchers note that the eggs developed faster than they would in the body, while a small cell known as a polar body — ejected in the final stages of the egg’s development when the number of chromosomes is halved — was unusually large, which might suggest abnormal development.

“This latest breakthrough is valuable, but significant further research is now needed to confirm that these eggs are healthy and functioning as they should do,” says Professor Helen Picton, an expert in reproduction and early development from the University of Leeds.

B12: The vitamin we should ALL be talking about

As students we are all used to those long days where we feel so run down that even coffee has little effect in improving our energy levels. Well what if I told you that there is an essential vitamin which can be found in our food and in supplements which can put an end to just this. B12 is this vitamin and it benefits us in three key ways — with our energy levels, our stress levels and our digestion.

In regards to energy, B12 helps with your bodies production of red blood cells which carry oxygen around our bodies. If our organs do not receive this oxygen then they will slow down and you will end up feeling run down and fatigued. Therefore, increased levels of B12 can help you feeling spritely and energised, what every student needs! Our digestion systems are also key areas where energy is produced. B12 metabolises fats, proteins and carbohydrates into energy which also results in vital nutrients being absorbed by the body. With regards to our stress levels, B12 is essential in the proper development and functioning of the brain. Therefore, good levels of B12 can contribute to a healthy mind which in turn can reduce feelings of stress and anxiety.

I am sure you are now wondering where you can find this magical remedy. Well, our bodies do not naturally make B12 which means you have to find it in your food or in supplements. Beef, pork, cheese, milk and fish are all good sources of B12 which is good news for meat and dairy eaters, but bad news for vegans and vegetarians. If you are someone who is excluding these food groups then it is essential that you use supplements to make sure your B12 levels remain intact. Furthermore, a deficiency in B12 can cause a condition called anaemia which can leave you feeling fatigued and faint.

Photo: CCO Public Domain
Photo: CCO Public Domain

Given all of this, we should all definitely be talking about this wonderful vitamin and its wonderful effects! You may not have known it before now, but it can be found in many of the foods we eat, and can alleviate some of the most common ‘student illnesses’, like tiredness and stress. Something to bear in mind as deadlines loom…

 

 

The Rusholme Sketcher

The only place in Manchester to buy shawarma from, is Atlas Shawarma in Rusholme! January had been rather bleak, and upon returning to Manchester, I thought I’d visit my favourite place to drag me out of the merciless black hole that is January, and fill it with carbs.

Upon entering the small shop, I shuffled forwards and backwards, struggling to find somewhere to stand and I found myself looking over the shoulder of someone perched on a stool intently drawing. How strange! The last thing that you would expect to see in Rusholme, is perhaps an artist sitting at a cramped shawarma stand sketching away and quizzing the shop workers about their daily lives and backgrounds.

After some conversation, or rather blunt intrusion on my part (!), I learned that artist Len Grant, was completing part of his The Rusholme Sketcher project. It is a series of sketches, that depict the ordinary lives of the diverse people in the area, that go somewhat ignored by Manchester’s art scene. It is a series of sketches that document the Curry Mile, its workers, inhabitants and visitors through storytelling.
Len Grant, says

“Drawing is older than the alphabet itself and remains a powerful way of telling stories. Sketching is the most recent addition to my storytelling repertoire and one that fits many situations. People engage with the process of drawing.”

At the shop, Len allowed me to be part of the sketch. He struggled to copy the Arabic script that hung behind the counter on the wall, however, unfamiliarity like this does not scare him away. Rather, his work indicates that he is interested in asking questions about our surroundings, interested in minor details, and interested, above all, in people.

It is this inclusion, collaboration and openness that characterises much of his work and sets him aside from many current artists on the Manchester scene.

Back at the shop, it was heartwarming to see, otherwise excluded minorities, become part of art work that is both remarkable and simple simultaneously. The medium of Len’s artwork mirrors the subject matter of the work itself. By using just pen and ink, he manages to create busy scenes that capture the Curry Mile’s many facets, with a few lines and a splash of colour.

Aside from The Rusholme Sketcher, which is presented through a blog, laced with the tiny details of Len’s encounters, his work as a photographer and a writer in Manchester, is also available to view on his website.

0161 Festival: an interview with the founder of Manchester’s anti-fascist festival

This week I sat down with Joe, the main organiser and founder of 0161 Festival, and anti-fascist and anti-racist music and cultural festival that is celebrating its 5th anniversary this June. We discussed the birth of the festival, how it’s changed over its lifetime, and what we can expect in the future.

Joe was originally the main organiser for the event. “We started out five years ago now, doing benefit gigs throughout Manchester and then we decided to do the whole thing, a weekend-wide one. Now it’s got bigger there’s a committee of us just organising.”

Joe tells me that the aims and objectives set out for the festival were to “combat injustices as well as racism, fascism and xenophobia in various guises, as well as uniting divided communities.”

“We organise groups and events to bring people together and to raise money for antifascist organisations throughout Europe, community organisations, both in the UK and abroad, and specifically over the past couple of years, we’ve tried to engage overall communities and spread what we’re doing, regardless of the music you’re into; whether you like hip hop or drum n bass, punk, hard-core, whatever, then we’re all united under the anti-racist banner and to then further that, to do theatre, sports, poetry, art, all sorts of stuff under the banner of the 0161 Festival.”

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I was interested in what specific causes had been supported with the money raised from the festival so far.

“Over the years, we’ve made money for the anti- fascist groups in Manchester, the first couple of years we made a loss, it’s how things work, starting a festival it was something that we dealt with, and what was more important to us than losing money over the last couple of years was to ensure that we had the stepping stones to grow and empower more people.”

“There was a squat that was burned down that we raised some money for, also our friends in Poland and Russia that we gave money to, along with an anti-fascist football club in Belarus, a country where it’s very difficult to be left wing. And the point is now for us to go forward to not only raise money for groups but for us to go into communities and help people create new things, create new projects whether that’s art or music, to combat injustice and to move forward, creating a more free culture for everyone involved.”

Over the last five years the festival has grown considerably. “The first couple of years we had about 300 people turning up which was great, but not too many people are into punk or hardcore music, or the culture surrounding lots of anti-fascist events.”

Joe felt that the festival was essentially just “preaching to the converted”, which a lot of left-wing politics is, “so we realised we needed to attract people with different views, to bring people together and demonstrate how we’re all similar. We’ve realised we need to work more on community action, involving more local kids and encompassing more sport and art, so people think of 0161 Festival as a ‘cultural festival’ rather than just a music festival, where it runs maybe seven or ten days a year but throughout the year, we’re still doing things and the name of 0161 Festival is there.”

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There is still more to come though, and Joe believes that the festival has far more to offer in terms of development. “We wouldn’t want to put a limit on ourselves- the aim is just to keep going, encompass as many things as possible. We’ve has a really good past couple of years where a lot of organisations and groups have come to us and been like ‘Yo I wanna do this and do this,’ rather than us all working in our own little circles, we should encompass them all into a bigger circle, and all work together. We want to get our own space, to get our own venues that are run by the people rather than companies or corporations, and to do that across Manchester.”

The 0161 Festival website talks a lot about combatting the ‘cliquey’ nature of anti-fascist events. I was interested in whether Joe believes the festival has been successful in doing this, as well as making a more inclusive event.

“I would hope so, I’d like to think that we have. This year we have two hip hop and drum and bass after parties, and also a night that’s doing old school and reggae and acoustic nights and a lot like that. Being anti-fascist should not be weird or out there. It should be a general point of view, and we’re trying to keep the same people involved as well as bringing in young people. I was flyering the other day, and gave one to a couple lads and they were like ‘Woah I’ve never heard of it before’, you can do that to two kids who look completely different but believe in the same thing and get a positive reaction.”

The next big aim for Joe is to bring the festival to a student audience. “It shouldn’t be a closed, cliquey thing” he says, “being antifascist is a normal thing to be. If you look at Germany Spain and Italy, they have huge mass movements and counter-cultures, especially with young people. Here it’s not as big and it’s about knocking down those walls and divisions between cultures and uniting the people.”

You can buy tickets for the upcoming 0161 Festival, as well as find out more about the lineup and the festival in general, on their website here.

Citizen science project aims to unpick ‘Secrets of Happiness’

The 20 minute online test can be taken by anyone and is a series of questionnaires that delves into the factors that make you happy and what you can do to improve your personal happiness. Dr. Tai is working with Peter Kinderman, a psychology professor at the University of Liverpool, and the BBC programme Tomorrow’s World.

The data from the test will go towards a larger research project that aims to investigate whether our thinking style affects the risk of developing mental health problems. Past research suggests that even small and simple changes can help us feel happier and maintain happiness. This experiment aims to provide personalised tips to do so.

Dr. Tai said: “We know that biological, social, and psychological factors play a role in mental health and wellbeing, but we have little understanding of how these factors interact and lead to specific mental health problems.

“This research will help us to better understand why some people develop difficulties whilst others do not and also enable us to identify where we need to focus our efforts in developing treatments.”

Citizen science is a way for the public to take active roles in conducting scientific research whilst also providing a huge amount of valuable data to researchers. “We need large numbers of people to take part in this study so we have enough data to answer some complex questions.”

Professor Kinderman, adds: “Mental health is very complicated, with many factors contributing to how we feel. If we want to better understand how these different factors are related, then data from thousands of people is needed.

“By taking part, you will help us to gather data that would be hard to get in other ways that will ultimately help us to improve approaches to mental health in the future. All data is stored securely and anonymously.”

Other examples of citizen science can be found on Zooniverse.org where there is a large variety of research projects to get involved with. These projects can be anything from classifying distant galaxies, to unearthing the secret life of chimpanzees, or even transcribing Shakespeare’s notes.

“The BBC has run a number of citizen science experiments in the past. But this is the first we’ve attempted in the ‘smartphone’ era. We’re also inviting people to submit data twice, separated by six weeks.”, says Peter Harvey, BBC Producer on the project.

“Gathering two data sets from the same participant, many weeks apart, is of enormous value to scientists. We’re interested to see how many people will complete the second phase, and how effective our reminder methods are at getting people to return.”

You can find out more about the ‘Secrets of Happiness’ test on the Secrets of Happiness website.

Angela Merkel: Die Überlebende (The Survivor)

Despite the stories being flung around by the media and analysts, Angela Merkel, the ‘Queen of Europe’, still has a vast amount of both power and influence. Angela Merkel has been German Chancellor since 2005, and the leader of her Christian Democratic Union and Christian Social Union centre-right alliance since 2000.

Merkel’s tenure in power has been marked by her impressive ability to out-manoeuvre every single one of her rivals and tackle every crisis thrown her way. From my standpoint, what many analysts seem to forget is the amount of power Merkel still wields over both her own political party, government, and Europe as a whole. As a result of this, she is unlikely to be going anywhere anytime soon.

When Angela Merkel appeared on the German political scenes shortly after re-unification, she was grossly underestimated by almost everyone, including by her former mentor and the then-German chancellor, Helmut Kohl. With a degree in physics and a PhD in quantum chemistry, Merkel is without a doubt intelligent and analytical. During her time in Kohl’s cabinet she watched, observed, and learned. She tolerated the male arrogance of politics and after years, when the CDU and CSU where dragged into a corruption scandal, she seized the opportunity and stuck a dagger in Kohl’s back, publicly calling on him to resign and called for a new re-branding of the party in a newspaper article. This was an act he would never forgive her for. This was the first hint of Merkel’s ruthless skills of political operator.

She outwitted his closest ally and chosen successor, Wolfgang Schäuble, after he too was implicated in the scandal and was forced to stand down as the CDU party leader, a role she assumed after him. She even allowed another candidate from her party, Edmund Stoiber, to run for the chancellorship, and when he lost to Gerhard Schröder, her gamble had paid off and she was in control of her party and the position of leadership within that party. She later defeated Schröder in the 2005 elections for the Bundestag by exposing his arrogance and showing her clam style of politics after he publicly tried to humiliate her in a live TV debate, an act that proved unpopular with German voters.

Merkel’s survivability has been shaped by her ability to plan and think long-term and her non-ideological approach to politics. We see this in her handling of the Eurozone crises and her decision to close all of Germany’s nuclear power stations. Her calm, polite, and consensus-grounded style of politics have proved popular amongst voters and she still receives broad public support within Germany, much to her critic’s disappointment. It is clear to say that the heyday of Merkel’s career is past however, she is still in complete control of the German political landscape and political party landscape. That is the result of her ability, to outplay and wit her rivals on all fronts.

Merkel’s party’s loss of eight per cent of the vote and the emergence of the hard-right AFD in the 2017 German elections was not a uniquely German phenomenon. In most European nations, populist parties have gained influence and considerable shares of the vote in recent elections. Merkel’s decision to take in over one million refugees certainly played an important role in the losses suffered by the party.

However, like with every decision she makes, she was thinking for the long-term future of Europe and Germany’s economy, which seems to benefit from refugee workers now in the country. The very fact her country absorbed one million extra people and she is still in power is in itself astonishing, it too is a sign of how much control she actually has over the German political landscape.

Her out-manoeuvring of her rivals has allowed her to dominate her party for 18 years without any major rival and even to this day there is no clear successor to Merkel. This sends a clear message to her rivals in all German parties: Merkel will be the one who decides when she resigns and who will succeed her.

The formation of her fourth government with the Social Democrats is again an example of her political skill as she has almost blackmailed the SPD while making the deal too attractive to refuse.  The SPD itself also slumped in the polls with Merkel’s CDU/CSU still ahead by a wide margin, meaning that they would be the ones to suffer if a new election was called if their members were to refuse to approve the deal.

However, Merkel has given the SPD a very good deal. If the deal is approved by their members, the party will gain control of the finance, foreign, and justice ministries therefore giving it vast amounts of influence in Germany’s domestic and foreign policies for the next three years. For many in the SPD leadership and membership, propping up Merkel is a price worth paying if they can implement their own policies like Eurozone reform and stricter labour laws for workers.

Merkel’s personal authority over the governance of Germany is not as strong as it once was, but her personal domination over her own political party and the SPD, her closest rivals, means that the ‘Queen of Europe’ is not going to be de-throned anytime soon. Merkel’s ability to survive crises is simply staggering and after 13 years in power, she still has plenty of cards to play.

University football suffers double elimination

There will be no cup glory this season for either of the University of Manchester’s football first teams, as both suffered defeats and subsequent eliminations this week. Both the men and the women lost 2-1 at home on the 14th of February and will not be taking any further part in this year’s competition.

The men, competing in the BUCS Football 2017-2018 Trophy, faced a visit from Scottish side Strathclyde in the round of 16. The team from the North have been struggling in their respective league and find themselves at the bottom, but they will be buoyed by this recent cup victory.

The women meanwhile faced Edge Hill, a team from the division below them, in the quarter final stage of the BUCS Football 2017-2018 Northern Conference Cup. Despite being a league above, UoM women could not secure the victory, and also exited via a 2-1 defeat.

The elimination from the cup competitions means all attention now turns to the league. The women sit in fifth place in the Northern 2A league and need positive results from their final two games of the season if they are to avoid the bottom. The men are around mid-table in fourth but will be hoping to finish as high as possible. The final game of the season away at Leeds Beckett could prove crucial.