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Month: November 2019

International students to political leaders: “Represent our voices”

A group of international student activists have written a letter to leaders of all UK Political Parties demanding representation on current issues. In the letter, they urge the political parties to represent them and remember their voices whilst making their manifestos.

The letter, which was written on International Students Day, outlines five requests that they ask these parties to consider during their campaigning, ranging from the protection of certain study abroad schemes to nationalising visa services in the UK.

The first outlines their desire to have the two-year, post-study work visa extended to international students in the UK stating that “current international students miss out on this opportunity purely on the basis of implementation timings.”

In the second demand, student activists highlight the issue of uncertainty surrounding Brexit and the toll this has had on certain schemes. They ask party leaders to commit to “protecting the Erasmus schemes, cross-border study in Ireland, supporting inward and outward student mobility and ensuring that the UK and higher education institutions have access to research funding equivalent to the EU funding.”

Thirdly, they ask that parties abolish the NHS surcharges introduced in 2015, arguing that they impose an extra financial burden on students and cause them to feel “unwelcome” in the new chosen location of study. Concerns about financial burdens continue into the next demand, which asserts that international students should not be subjected to minimum salary requirements for employment.

Their last request is that the privatisation of visa services be ceased. Since privatisation has begun, they have stated that they have experienced a reduction in the efficiencies of the services.

The letter also highlights the importance of political parties acknowledging the contribution international students have made to the UK, and to ensure a fair immigration system that promotes a supportive society for international students.

Signed by 17 executive officers from universities up and down the country, Manchester’s last international officer Riddi Viswanathan and now the NUS Overseas Representative is first on the signatures list with Kwame Asamoah Kwerteng, the Students’ Union’s General Secretary, also a signatory.

Viswanathan explained the importance of the letter: “With the general election coming up, the open letter is an excellent opportunity for international students, specifically students from commonwealth countries to voice our concerns and make it clear to the political parties that we will be voting for the party that represents us and promises to address our issues.

“It’s quite assuring to see some parties actually taking a positive stance on re-introducing PSW visas in their manifestos. We are encouraging students from commonwealth countries to register to vote and this election will definitely see us voting in great numbers.”

General Secretary of the SU, Kwame Asamoah Kwarteng, told The Mancunion; “If you want to know the huge impact of international students on the United Kingdom, just look at how empty the cities become when school is in recess.

“Businesses in university based-cities literally close down international students leave. So when you add your voice to the issues raised by international students, you prepare the UK to be an inclusive country and it’s people to be enriched with the awesome benefits enumerated above.”

 

Consultation into ‘buffer-zone’ around Fallowfield abortion clinic ends

A public consultation, put forward by the Manchester City Council, into a Public Space Protection Order (PSPO) in the area surrounding the Marie Stopes abortion clinic in Fallowfield has now closed.

The consultation asked for the thoughts of the public on whether or not there should be ‘buffer-zone’ around the clinic, banning protestors. It also asked for their opinions on specific designated areas proposed by the council that would allow, with specific rules, pro-life or anti-abortion campaigners to continue to make their views heard.

The consultation is the result of numerous cases in which clinic users have been harassed by ‘pro-life’ demonstrators, many of whom are part of the ’40 Days Of Life’ prayer group.

The council took note of this harassment and passed a motion back in January 2018 ensuring that they would explore options to ensure those using, and working, at the clinic were protected.

It was not until June 2019, however, that the council agreed to have a public consultation into a proposed PSPO.

This was a victory for SisterSupporter Manchester, who are part of a larger anti-harassment group campaigning to end the harassment and intimidation of those using and working in facilities that provide abortions nationwide. Their actions were integral in bringing about the Council’s decision.

For 18 months the group had been collecting evidence of intimidation towards those using the clinic and the people working there; they submitted this evidence to the Council, alongside a petition with 1000 signatures, asking for a PSPO.

In the restricted area, the PSPO would ban campaigners from protesting, interfering with clinic users or workers, taking photographs or recordings of clinic users or workers, displaying images or text in relation to abortions, and any general attempt to harass clinic users or workers.

The designated protest zones would prevent campaigners from playing loud music or audio in respect of any a positive or negative messages targeted at clinic users; it would ban posters, text or images that appear singularly or collectively greater than one sheet of A3 paper and, in addition, would restrict the zones to no more than three people at a time.

While SisterSupporter Manchester are happy that there is progress being made, they believe that some of the suggestions put forward in the consultation are troubling.

Speaking to The Mancunion, Eabha Doherty, a founding member of SisterSupporter Manchester, said that while they recognise Manchester City Council’s commitment “to ending clinic harassment in Fallowfield”, they believe that the “boundaries of the proposed PSPO don’t go far enough away from Wynnstay Grove, where the clinic is located”.

For SisterSupporter Manchester, the location of the safe zones is problematic because the spaces in which “anti-choice protestors and vigilers would still be allowed to congregate, are all still in very close proximity to the clinic. This means people attending appointments would still be very likely to see protestors on their way to or from their appointment.”

While SisterSupporter Manchester hopes “to see a quick response and a sensible resolution to this problem”, beyond Fallowfield and Manchester, the group say they “will continue to campaign for the Government to bring about a nationwide solution to this serious problem by implementing safe zones outside every abortion-providing facility in the UK”.

Preview: Mahalia at Albert Hall

On November 21st, BRIT Award nominee Mahalia will grace the stage of the Albert Hall promoting her debut album, Love & Compromise.

Having already completed a huge North American leg, as well as performing at Glastonbury Festival over the summer, this is her second major UK tour, starting in her home town of Leicester before covering nine major UK cities and moving over to Europe.

Following on from her two hit singles, ‘I Wish I Missed My Ex’ and ‘Do Not Disturb’, her much-anticipated album was released on September 6th. It explores the development of her career since signing as an artist at the tender age of 13 and features collaborations, ‘Simmer,’ with Burna Boy, and ‘What You Did,’ with Ella Mai.

The lyrics on all her tracks encapsulate the messages she promotes on the strength and independence of women, covering topics such as bad relationships and personal growth.

The album also sees Mahalia working with a range of respected writers and producers such as Sounwave (Kendrick Lamar), DJ Dahi (Drake, Pusha T), Sam Dew (Zayn, Taylor Swift) and Pop Wansel (Ariana Grande). The executive producer was Felix Joseph, who allowed her to create a soulful, emotive R&B album without compromising on her signature style.

Mahalia first found success through her debut single ‘Sober’ in summer 2017, and quickly became one of the UK’s most anticipated up-and-coming artists, topping YouTube’s inaugural ‘One To Watch’ list. She was also the only person in 2018 to be nominated for both the BBC Sound Poll and the BRIT’s Critics Choice Award.

It goes without saying that her show is not going to be one to miss.

Peru Perdu Review: What is Tiger Milk and Why You Need It

Two issues ago, we hyped up the opening of the Cotton Factory’s newest 6-month venture Peru Perdu. This week, we got the chance to try their Peruvian offerings for ourselves.

Aesthetically, the restaurant bridges trendiness and cosiness in equal parts. The trendiness is displayed with YES-terrace-style hanging foliage, whilst the cosiness is evoked through a plethora of warm-lit candles. Although obviously South American in theme, this is only subtly enforced, which helps maintain the high-end restaurant atmosphere.

The floor caters for around 80 covers, with each guest greeted by exceptionally cheery staff.  Despite it being only their third week of service, the staff were incredibly knowledgeable about the dishes. This was extremely important as, unlike many other cuisines in Manchester such as Italian or Japanese, Peruvian is largely unknown to the customer and so requires guidance.

My friend and I asked for a cocktail recommendation and were brought two of the staff favourites. The first was a reinvention of Peru’s most famous cocktail, the Pisco Sours. The humble Pisco Sour is a short cocktail made with Pisco (a colourless spirit similar to brandy), lime, egg whites and sugar syrup. I tried the ‘Deepest Darkest Sour’, which was a Pisco sour tempered with marmalade and orange to provide an interesting bitterness to the already sweet and sour cocktail. Very moreish.

https://www.instagram.com/p/B4htKxjgMqV/

My friend had the ‘Clarified Cuba Libre’. The staff were very excited to talk me through this rendition of a classic Cuba Libre (or rum and coke). In clarifying the coke, this Cuba Libre is entirely clear like Sprite, but still tastes strongly of cola and rum. An interesting gimmick and play on the senses, serving them in their own little bespoke alpaca-adorned bottles. Cute touch.

One great provision of Peru Perdu’s was their extensive selection of Malbec! As a Malbec lover, I tried a Mendoza region Malbec which was deliciously full bodied and even slightly smokey with wood edging. If you yourself aren’t keen on red wine, maybe try a Malbec – it’s a good introduction to fuller bodied reds without having to pay extortionate prices.

Tiger Milk Fried Chicken. Photo: Elena Bradley

Next, the food. I was intrigued by the menu, I wanted to try every single ceviche, but eventually settled on the seabass. Cured with lime, the seabass was served with samphire, asparagus and tomato. Light, zingy, fresh and beautifully presented, this ceviche was everything I could have wished for. However, the dish I was the most excited for was the ‘Tiger Milk Fried Chicken’.

Tiger milk, as described in the last article, is a staple of Peruvian flavour; the liquid that forms from ceviche curing (fish stock and lime) was used to slick fresh fried chicken. The chicken was delicious although I think the breading needed to be crispier to prevent it from getting too soggy from the tiger milk coating.

My friend is a vegetarian and, as one of the co-owners explained to me, plant based food provisions are something that is very important to the Peru Perdu team. Their menu is sectioned into ceviche/raw, small plates, steak, larger plates and plant based.

To have an entire section devoted to vegetarians and vegans was great to see, as the common notion of veggie food as an afterthought was long gone. My friend tried the ‘humita’, which was possibly one of the naughtiest, most comforting dishes ever to pass my lips: fresh sweetcorn softened and reduced down with butter and cheese. I likened this to a Chinese chicken and sweetcorn soup-flavoured concoction.

My friend also had her own veggie ceviche which was a beetroot and green apple dish that was both zingy, fresh and palate-cleansing. Next to try was the ‘Pastel de Papas’, a deep-fried filo pastry of mashed potato which was crisp and satisfying. It could, however, have been slightly more seasoned to avoid the flavours getting a bit boring.

My friend then got the ‘Sweet Yam and Coconut Curry’. This for me was too sweet and I feel it could have been bettered by the addition of a little more salt or some acid from lime to temper the sweetness. I tried the £18 ‘Char grilled Red Prawns‘ (expensive I know). They were absolutely massive, cooked on a charcoal grill and were served with charred lemon (delicious). The prawns were charred and delicious but needed some more salt to bring out their flavour.

Red Prawns. Photo: Elena Bradley

For dessert, we tried the ‘alfajores’, a traditional Latin American sweet consisting of homemade shortbread sandwiched with different fillings. The three on offer were salted chocolate, lavender and white chocolate and dulce de leche. Very sweet, but the perfect finish to any meal after so many fresh, healthy flavours.

Alfajores. Photo: Elena Bradley.

Overall, I would definitely go back to Peru Perdu to get more ceviche before it disappears to the next business venture! The staff are amazing, the decor is beautiful and the small plates are expertly crafted.

My one gripe would be a general lacking of seasoning, but they provide great quality sea salt so this is easily fixed. It’s definitely for a special occasion as the food is very expensive but honestly, when dealing with very fresh seafood – I would rather pay more than risk being served fish that isn’t anything but the most fresh.

A fabulous cocktail menu and wine list pairs the food beautifully with drinks, while the dessert menu is unique and different (roasted pineapple or dulce de leche cheesecake, for example). See the menu for yourself online and head down to try it before it disappears!

7.5/10

 

 

International break: England’s 1,000th game

From the first international game in 1872, to ‘it’ officially coming home in 1966. From the heartbreak and tears of the 1990s, to the jubilation of that David Beckham ripper against Greece. From Sven Goran Eriksson, Fabio Capello, to things better left unsaid about Steve McClaren and Sam Allardyce. The spirit of the England men’s team has been inflected a myriad of emotions as it reached its 1,000 international game this November against Montenegro at Wembley.

Manager Gareth Southgate visited Manchester’s National Football Museum as they unveiled their new display, a celebration of the iconic moments that have defined the men’s national team. 

Though the occasion had an aura of nostalgia and optimism for that which is still to come for Southgate’s young side, the anniversary functioned as a minor subplot. Much of the focus was instead shifted to the training ground skirmish leading up to the fixture – a fracas ignited by Raheem Sterling involving England teammate Joe Gomez following on from Manchester City’s defeat to Liverpool, on the Sunday prior to the national team training sessions the next day.

Sterling was disciplined, dropped, and replaced by Jadon Sancho — Sancho, nonetheless, had been substituted after only 36 minutes in Borussia Dortmund’s defeat to Bayern Munich. 

England’s victory was comprehensive and, apart from forcing a few rudimentary saves from Jordan Pickford, Montenegro were toothless. Harry Kane’s hat trick means he surpasses the likes of Frank Lampard, and eclipses Vivian Woodward’s record as most goals scored by an England captain.

The scoring was opened by a fit and inform Oxlade-Chamberlain, before a blistering double from Harry Kane. Goals seemed no issue for England in the first half, with Manchester United’s Marcus Rashford also getting on the score sheet.

The second half was much more muted, with Aleksandar Šofranac scoring an own goal before Tammy Abraham finished off the 7-0 battering by scoring his first international goal.

A key talking point of the game involved the substitution involving Joe Gomez onto the pitch — a decision greeted by boos by a minority of the large Wembley crowd — which was immediately met with disdain by Sterling on Twitter.

Sterling, nonetheless, was reintroduced to the starting XI for the match in Kosovo the following Sunday. England fans found themselves warmly welcomed by the Kosovo fans who held up placards of the St. George’s Cross during the singing of ‘God Save The Queen’, a display of allegiance between the two nations following British military involvement with Kosovo’s liberation from Serbia in 1999.

The first half performance was muted on both sides — with only a single goal, from man of the match Harry Winks, splitting the two sides. But the end of the second half featured a flourish of goals by Kane and Rashford, with Mason Mount scoring the fourth and final goal for England in stoppage time. 

Both matches were ruthless performances by an England team that, in Southgate’s own words, are ‘further ahead’ than where the team was in the qualifying stages for the 2018 World Cup. Whether or not his statement is true or just an optimistic fallacy on Southgate’s behalf remains to be seen with all the pressure now on Southgate to deliver at Euro 2020.

North London derby breaks FA Women’s Super League attendance record

Crowds continued to surge as the Women’s Super League experienced another milestone weekend.

Eight days on from a momentous evening at Wembley, where 77,768 supporters backed the Lionesses in their narrow defeat to Germany, the English domestic game once again took centre stage. Over 74,000 supporters flocked to the six top division fixtures which took place on Sunday 17th November.

Four games took place at the stadiums of the sides’ male counterparts and it was at the state-of-the-art Tottenham Hotspur Stadium where a record was smashed. Having previously been held by September’s Manchester derby, an unprecedented WSL attendance figure was posted by Tottenham.

Blitzing the early season fixture at the Etihad, 38,262 fans passed through the turnstiles as Arsenal stunned their local rivals with a clinical 2-0 victory, courtesy of second half finishes from captain Kim Little and forward Vivianne Miedema.

Over 23,000 also turned out to see a closely fought match between Liverpool and Everton, the first of its kind to be played at Anfield. The home side were left rooted to the foot of the table after the Toffees took home the three points. Elsewhere Chelsea and Man City continued to play the role of pacesetters with victories over Man United and West Ham respectively.

This hugely successful weekend will be an important bookmark in a period of immense growth for women’s football in the United Kingdom. Both the FA and the clubs themselves have capitalised on the euphoria generated by the Lionesses’ run to the semi-finals of the recent World Cup in France in a variety of ways. This includes playing fixtures during the international break in men’s football, hosting matches at the finest football arenas in the country, expanding the league to 12 sides and offering discounted tickets.

Speaking to the Mancunion, England under-21 international midfielder Connie Scofield hailed the “opportunities” provided by the FA which has seen an increase in “quality and competitiveness” in recent years. On the ever-increasing crowds the Birmingham City playmaker added “it definitely adds to the atmosphere and makes the game more exciting”.

Scofield also hailed the role of the media, suggesting that “the coverage of the World Cup in France has really put the women’s game out there” and has inspired many young girls who were “able to see their role models on TV”.

Photo: Joey Millington

A monumental factor in aiding the positive reaction to these methods, has undoubtedly been the excitement of this year’s league season thus far. It is all well and good devising strategies and investing capital to increase the scale of the WSL, but this is still reliant on gripping fixtures keeping fans coming back time and time again. This has proved no problem, with well-taken goals, stoic defensive performances and controversy aplenty.

This excitement is seemingly no more apparent than in Man City’s scintillating performance against West Ham, when the talented Georgia Stanway provided a two-goal masterclass before controversially seeing red late on to rule her out of next week’s clash with Bristol City. Goals also flowed in Brighton’s victory at the Amex Stadium and in a 3-3 draw at Reading’s Madjeski Stadium.

Whilst this weekend must be seen as a defining moment so far for the WSL, it is certain that in the coming years this will become the norm. What is clear then, is that women’s football is well and truly on the map and is here to stay.

World Para Athletics Championships draw to a close

With just a year to go until the 2020 Paralympics in Tokyo, the World Championships were of utmost importance to the 1,400 competing athletes.

Not only was it a fantastic chance to win some silverware (or ideally gold) for your country, it also served as a qualifier for all of next year’s Paralympic track and field events.

Dubai certainly took their opportunity to shine as the host nation, despite the announcement only coming in June of last year.

It was widely reported that London would attempt to reclaim the event following their successes as hosts in 2017. However, the UK Athletics committee confirmed that a follow-up bid would be unrealistic.

117 countries took part in a range of events, from the 100m sprint to the club throw, but it was China that came out on top. Claiming 25 gold medals, and 59 medals in total, they were truly dominant throughout.

Team GB also put on an admirable display. Though they only took home 28 medals – the fifth most – almost half of them were gold. 13 first-place displays meant that Britain took third place, just a medal behind Brazil.

Athletes of note include Hannah Cockroft and Sophie Hahn. Both women competed in sprint events, and each set new world records. Cockroft in the 100m T34 final, and Hahn in both the 100m T38 and 200m T38 finals.

Hahn, who suffers from cerebral palsy, was defending both the 100m and 200m titles from her previous wins in London, and really did so in style. It was the 22-year-old’s sixth and seventh world titles, as she continues to prove herself to be a real titan of the sport.

Cockroft’s 100m gold medal will certainly not be lonely in her trophy cabinet. She also took first place with a new championship record in the 800m, following her victories in the same events in London 2017 and Doha 2015, setting her in good stead for the Paralympics.

The five-time Paralympic champion now has 12 world titles across all distances and was particularly entertaining in her post-event interviews. She told the BBC that she “didn’t really have a plan” and that her only tactic was “to win.”

However, for Cockroft, these games were more than that. She admitted after winning her 100m gold that she had “fallen out of love” with the sport in 2018. Her return to top form will surely have given her the inspiration she needs to battle for her sixth Paralympic medal in Tokyo next year.

Decrim now: why sex work must be decriminalised

Sex work is an incredibly divisive issue among feminists. For some, the industry is symbolic of patriarchy, and thus should be criminalised for the sake of women. However, the dangers posed by the criminalisation of sex work mean that supporting it is not a morally legitimate stand-point for anyone who regards themselves as a feminist.

Feminism, as a movement concerned with the promotion of equality in every aspect of life, should be primarily concerned with the welfare of sex workers. Sex work is an undeniably complex issue that should continually be debated, just as many other working practices should be.

Arguably, telling a woman that her job is illegitmiate is a deeply misogynistic attitude to adopt that has real life consequences for sex workers. Although, it must be said, while the majority of those that carry out sex work are women, huge numbers of men and gender-nonconforming people also rely on sex work for income.

Criminalising a number of practises linked sex workers’ jobs condemns these people to a life of increased vulnerability and decreased safety. Sex workers are also further ostracised by society because what they do with their bodies is not conforming to what is socially acceptable.

Decrim Now is a campaign launched by sex workers, with support from various academics and politicians, that’s fighting for the total decriminalisation of sex work.

Currently in the UK, selling sex itself is not illegal, however, many activities associated with it are. For instance, sex workers are unable to legally live in housing together, leaving them isolated and consequently vulnerable to exploitation. Fear of arrest leaves workers fearful of reporting violence to the police, indisputably putting these individuals in jeopardy.

Decriminalisation means allowing sex workers to work without the threat of criminal sanctions. It is recognised by the likes of the United Nations, World Health Organisation and Amnesty International as the safest legal structure under which sex workers can work. Furthermore, it allows those who wish to exit the industry a much more viable route out, as they do not have criminal records due to their past occupation. 

Alternative legal models, such as the Nordic Model or ‘sex-buyer law’ have been put forward. This model decriminalises sex workers themselves and offers them support for exiting the sex trade, whilst criminalising those who purchase sexual services.

This supposedly ‘progressive solution’ to sex work in fact pushes women into more vulnerable positions. In Ireland, where this model was implemented in 2017 with the aim of decreasing the use of sexual services, reported incidences of violent crime against sex workers have risen by almost 50%. Furthermore, the use of sex workers has not reportedly decreased as of 2018.

This lies in stark contrast to the success of the decriminalisation of sex work in New Zealand, which occurred in 2003. 90% of workers had more employment, legal and health and safety rights; 70% were more likely to report violence to the police and 64% found it easier to turn down clients, which is key to reducing exploitation.

Anyone who purports to advocate women’s rights can see plainly the need to adopt such laws. Criminalising sex work denies women rights in their workplace, and thus denies them their safety. 

We are within a neoliberal capitalist system which makes all kinds of unfair, exploitative working practices a reality for many people, so that they can put food on the table. Differentiating sex work from other work is part and parcel of a legacy of the demonisation of sex and, in the end, only results in, often working class, women suffering as a consequence.

Sex work is work, and under the current economic system we all need a way to survive. 

Is it Art?: Stand-up comedy

On a recent episode of Radio 4’s ‘The Now Show’, I heard a guest comedian bemoan the fact that stand-up comedy was not considered an art form by Arts Council England. The Council invests in artistic endeavours using a mixture of government money and national lottery funding.

The usual suspects are numbered among the disciplines supported by the Council: literature, visual art, dance, theatre, and so on, as well as museums, libraries, and cultural institutions. The craft of stand-up, however, is notable by its absence. In answer to the question “is it art?”, the investors seem to answer “no”.

Needless to say, the Arts Council is not the almighty arbiter of what is and isn’t art. That prerogative falls to me, and indeed to the rest of the concerned Internet, where stand-up has been called “the forgotten stepchild of the performing arts.” The title of one opinion piece on this question rather speaks for itself: “Standup comedy was and is an art form, and anyone disputing that claim is either making a joke or dim-witted.”

If stand-up is art, then it is indeed performance art. A stand-up comic presents you with a character, a stage version of herself. No matter how truthful she may claim to be, she is ultimately a performing artist, like an actor or a poet. And while a good comic will appear natural, confident, even artless, it only takes suffering through one or two bad performances to see the craft.

I’ve been to enough ropey open-mic stand-up nights around Manchester to know that there’s a difference between those who can and those who can’t. When you’re sat in the downstairs room of a half-empty bar, watching a compere drown in the silent wake of his own jokes, you realise that this is about more than repeating amusing anecdotes.

The road to stand-up comedy is especially painful. Those who we see on our screens performing Netflix specials or hear on Radio 4’s Friday Night Comedy have travelled a long hard road of practice, humiliation, and being the butt of their own jokes. It can be years before a single joke lands properly, let alone before a comic finds her unique act.

The material is of course a major part of any routine, but it is nothing without delivery. Timing, voice, movement, expression, pause. Persona is maybe even more important, because if the comic builds a character that we want to identify with, then we want to find them funny. We want their performance to work for us.

Some comics take the notion of performance to new levels which push past the traditional bounds of stand-up. Bo Burnham is particularly notable for his blend of narrative joke-telling, musical interludes, theatrical lighting, and voice-over skits. Is Burnham a one-man sketch show, a musician, a comedian, a performance poet?

His parody songs mock the genres in which they are written, and his entire act is hyper-aware of stand-up tropes and of the very act of performance itself. The humour won’t be for everyone (what comedy is?), but his idiosyncratic style is a sophisticated and hilarious comment on the ways in which stand-up is an art.

Perhaps stand-up is a taken-for-granted art form exactly because the craft is barely noticeable when it’s executed well, like in so many creative pursuits. You often hear that the best writing is that which doesn’t sound like writing at all. Good art immerses you to the point that you’re not thinking about it as art at all.

An artist is a person who creates an invitation to look at the world differently. A good artist is someone who manages to remove you from your own experience, however briefly, to see life from their perspective. Art takes the material of life, whether through lofty themes of love and death or daily observations, and adds some kind of layer to it, to complicate or simplify, or to help us enjoy it more.

Arts Council England may not fund it, but stand-up meets these criteria and more besides.

Verdict: It’s art. Joke’s on you if you think otherwise.

The Hamer LP launch and the state of Manchester’s emerging punk scene

Energetic psych-punk band Hamer released their self-titled LP on the 25th of October this year, a milestone they celebrated on Sunday night at The Peer Hat in Manchester with supports from Cassette Apes and Slap Rash.

The night was both a celebration of the band’s achievements so far and a statement on Manchester’s current punk scene, highlighting what life is really like for emerging artists.

Before the night of varied musical talents got underway, I sat down with both Hamer and Slap Rash to talk about their experiences as bands in Manchester, the punk scene and Hamer’s inspirations behind the LP that features stand out tracks such as ‘You Know’ and ‘No one’.

Manchester punk duo Slap Rash really epitomise what being punk can mean as a band. Amelia and Huw Lloyd, who hail from Somerset, came to Manchester to find their own sound and break into the scene. Originally the duo formed part of a funk band, whose subtle influences can sometimes be heard in Huw’s basslines when he’s not melting your face off.

Whilst sitting down with Huw and Amelia we spoke about their original singles ‘Zone A’ and ‘The Grind’ which were produced by the band October Drift. The punk duo were very happy with their first releases, but also expressed their desire to be “more hands on” with their next project which they hope to be a full EP.

Both members were keen to point out how the Manchester scene was “very supportive”, how everyone around them was very helpful and that they had an “easy time” to initially break in compared to what they were expecting when they left Somerset.

It is unfortunately imperative for new punk bands to come to the city in the way that Slap Rash have, the band commenting on “how dead the scene is back home” and now how “networking is a lot easier in Manchester”. Whilst this may mean there is always going to be a punk band playing in Manchester for us to enjoy it also creates barriers for the poorest bands to really practice their craft.

Although Slap Rash and their experience can tell us a lot about Manchester from the point of a new punk band it is hard to view them as such, with dreams of supporting Idles and Amyl and Sniffers that they seem destined to reach. These punks are full of all the eagerness in the world both off and on stage, a demeanour that is both uplifting and enticing to watch.

Their only complaint about the city they love so much is that established bands “always get booked first” and you need “a little luck to get recognised”.

They describe their band’s sound as very spontaneous, since “being a two piece makes it more raw” and that their best tracks always come from not overthinking writing. The stand-out feature of the band does have to be Amelia’s vocals and her control of the microphone as a front-woman behind the drum kit, coupled with Huw’s ability on the bass.

The headliners of the night Hamer are the perfect blend of energetic, humorous and mischievous. Current band members Hamish Watts, Thomas Shuff and “Jim” James Tkaczyk-Harrison seemed delighted with the “great reception” their self-titled LP has received and the amount of orders they received at resale.

Newest band member, Jim, joked that the LP is a “9.9/10” and could only get better if he were on it, alluding to the recent high bandmate turnover — yet another difficulty navigating a punk band through the late 2010s.

Hamer as a band are unapologetically individual, praising the Peer Hat as a venue for being “grassroots” and having such a “DIY” theme. The band were bold enough to state that they wouldn’t want to play Manchester Academy if offered the opportunity, something other punk bands are chomping at the bit for. Yet it isn’t renowned venues like Academy fuelling Manchester’s punk scene, its “Musician pubs” like the Peer Hat.

Hamer’s comments on other bands in the scene were that there were many more “post-punk” bands than there was traditional punk, and that it was often hard for Hamer to finds supports able to match their energy. By the end of the evening, however, it appeared that Slap Rash had convinced them otherwise.

Punk as a genre is always evolving, as are bands like Hamer with the recent addition of bassist Jim adding more Primus style bass to their sound. Overall Hamer are aiming for a slightly more psychedelic sound for their next project which they hope to send to “record shops in America then the moon.” As well as a European tour the band are sitting on three tracks that they really feel could be something special.

As well as the moon, Hamer said that they are aiming for a Christmas number one. They also note that their favourite thing about the Peer Hat is that the building is “tall”. This humour shines through during crowd interactions during their set especially from frontman Hamish, in a way that shows them as a band playing serious music that doesn’t take themselves too seriously.

The gig itself was easily enjoyable, the highlight of which being Amelia of Slap Rash breaking the kick drum pedal mid song during a set that simply stole the night. Hamer performed their new album with fervor, again with technically excellent drums. The LP itself felt repetitive in places yet did not feel so at all live, with the headliners still putting on a show to be remembered.

Both Hamer and Slap Rash are living proof that whilst Manchester’s punk scene may not be thriving as much as it once was, it is certainly alive and kicking. It is certainly worth checking both bands out with Slap Rash playing at a punk Christmas special at band on the wall on the 20th of November and Hamer playing on the 23rd in a show they promise will be “radge”.

Opinion: More must be done to tackle homophobia in sport

The British Olympic Association, British Judo, The Premier League and the Professional darts corporation. These are just four of the many sporting organisations which took part in last year’s ‘Rainbow Laces Campaign’. The charity behind the movement, Stonewall, is aiming to “make sport everyone’s game”, and seeks to raise awareness for members of the LGBT+ community competing in any form of sport. Events in the weeks leading up to the campaign, which will start on the 22nd of November, have highlighted, however, that homophobia is still casting a long shadow over sporting communities.

Disgraced ex-Australian international Rugby player Israel Folau was once again in the spotlight for homophobia last week, as he claimed that the recent bush fires in Australia are a result of the country legalising same-sex marriage and abortion. “You think it’s a coincidence or not?”, was his question to the church where he was delivering his sermon after pointing out how quickly the fires started once the Australian law had changed. He then called for this legislation to be changed “back to what is right by God.” This type of openly homophobic behaviour cost Folau his four-year contract with Rugby Australia six months ago when he was sacked after posting a picture stating that “Hell awaits” homosexuals.

Discriminatory behaviour has also once again found its way into English football last Sunday, during the League One clash between Tranmere Rovers and Wycombe Wanderers. A 24-year-old Tranmere fan was arrested after directing homophobic abuse towards the referee and the Wycombe goalkeeper, Ryan Allsop. Allsop has been praised for following the correct protocol of alerting the referee and not simply ignoring the abuse. Questions must be asked, however, about whether this protocol is enough.

In Ligue 1, France’s highest division of football, a new policy has been implemented this season whereby the referee has the ability to halt the game if there is homophobic abuse from fans. Although it is a much more prevalent issue in the French leagues, with a game in September being halted after a large homophobic banner appeared in the stands, it is nonetheless still a problem in England with 68 incidents of homophobic abuse being reported across the footballing leagues in 2017.

Although 68 reports may seem like a small figure in the grand scheme of things and supporters of Israel Folau may argue that Folau was simply expressing his religious beliefs, it is this open expression of homophobia which ultimately has no place at any level of any sport. Tackling homophobia within sport has indeed come a long way since the devastating suicide of Britain’s first openly gay footballer, Justin Fashanu, whose death in 1998, among other factors, was influenced by the hostility he received for being openly gay. However, with 43% of LGBT+ people still believing that sport isn’t a welcoming environment for them, the significance of the rainbow laces campaign is apparent. Considering that the campaign is aiming to make sport a more inclusive environment for everyone, regardless of sexual orientation, there is no excuse for any sporting organisation not to support it.

Truth in fiction: Arundhati Roy

That period of dissertations and long essays is looming, and I’m sure we’re all getting on with our masses of research. Beginning your preliminary reading can be a weird journey, leading you to a fairly different proposal than you may have originally had in mind.

Arundhati Roy has been my focus for reading over the past three weeks. She will probably be the focus of my long essay, if all goes to plan. It’s been nice to get familiar with the breadth of her studies centred around socio-political dynamics in India.

One of her most impactful ideas is that fiction is an expression of a truthful accumulation of lived experience, which I have found through reading her non-fiction – of which there’s plenty.

It’s interesting that Roy has only two pieces of fiction to her oeuvre. The much celebrated The God of Small Things beautifully paints a picture of how social relations affect personal relationships, and the way that love across social boundaries defies pre-set ideas of identity and social belonging. This was followed, twenty years later, with the much anticipated, but maybe less celebrated The Ministry of Utmost Happiness.

The distinction between the scope and the presentation of narrative in the latter book showcases the political activism Roy has engaged with over the twenty year period during which she was, seemingly, absent from the literary scene.

There’s a lot to say about Roy’s fiction, as I’ll probably struggle with in the coming weeks. However, there is also a lot to say about her non-fiction, which attempts to explore the different shades of Indian society. Roy interrogates caste, class and issues of sex and gender. She focuses on the issues surrounding India as a rising global power and what this may mean for small-scale communities in the country.

She works to expose the injustices occurring in her home-country for the sake of development, evaluating whether the costs to the lives of the ‘underbellies’ of India is worth rising up the ladder of development.

She is interested in the topic of censorship, in freedom of information and in the transparency allowed for citizens in the running of a country.

With increased militarism, and a government moving towards fascism in a programme of social exclusion and the prioritisation of Hindu nationalism, Roy shines a light on injustices, making things more visible for an outside perspective.

She uplifts the voices of those that aren’t paid attention to on a global or national scale. This is done perceptibly through her fiction, making, as she says, fiction a platform for the ‘truth’.

The importance of fiction goes beyond techniques. It’s about the importance of what you can discover while reading a book, and Arundhati Roy’s work is as good a place to start as any.

Live Review: Ezra Furman at the Albert Hall

Ezra Furman and her band stopped by the Albert Hall during their European Tour. With only four stops in the UK, the gig was highly anticipated, to say the least.

Opening with ‘Suck the Blood From My Wound’, a single from Transangelic Exodus, Furman started strong, bringing intensity right off the bat. A highlight of the performance was the more stripped back ‘I Wanna Be Your Girlfriend’ which came as a pleasant breather halfway through the gig.

As the gig continued, a few members of the audience at Albert Hall noticed the absent saxophonist Tim Sandusky who contributed massively to the smooth and melodic sound of Furman’s earlier music. His absence did take away an aspect of the band’s live performance, as he played a key role in helping to fill out the band’s sound. However, the band were still able to create a seamless flow between new material and older hits. The whole setlist was met with an enthusiastic reception from the crowd, proving that the loss of the saxophone was not felt massively and that fans have joined Ezra in appreciating angst-driven rock ‘n’ roll.

Her 2019 release Twelve Nudes was a self-declared punk record. Ezra Furman made the influences on her recent music very clear by covering ‘Police On My Back,’ a song written by The Equals and transformed into an anthem by one of the most important bands in the emergence of punk rock music, The Clash – a band which Furman clearly has an affinity for, declaring “Joe Strummer, I love you” before launching into the ferocious cover.

Akin to The Clash, Ezra Furman does not shy away from getting political. During banter with the crowd she made blunt quips about the need for international corporations to take responsibility for the climate crisis. Furman’s penultimate track before the encore was ‘Evening Prayer aka Justice’, which hinted to the likes of Greta Thunberg and her movement in the first verse by declaring “The kids are getting started/They’ve only just learned how to howl”. Furman’s delivery of these lyrics spurred political participation from her fans with a passion that left a lasting impression by belting out “tell ‘em E Furman sent ya”. This proved that her voice is perfect for the newer material, which comes across more aggressively but still remains unique in tone.

A personal political statement punctuated the performance in the last song before the encore. Ezra ripped down her jumpsuit with ‘trans power’ written in lipstick across her torso. An artist who has so openly shared her journey with fans, she frequently documents her attempts to conceptualise her own gender identity in lyrics and interviews. This honesty with fans has in no doubt created a safe space at her gigs, with a diverse and inclusive crowd filling out the Albert Hall.

Ezra Furman played an impressive 22 songs throughout the gig, not shying away from older crowd-pleasers like ‘My Zero.’ Overall, Furman’s live performance was remarkable.

8/10

Death Row Dinners: starring The Mancunion

As a Criminology student, self-professed crime enthusiast and food-lover, Death Row Dinners fascinate me.

A well-known concept, the Death Row Dinner was a convention in US death penalty prisoners in which, 24 hours before their demise they would be granted one last wish: a meal of their choice. Oklahoma City Bomber, Timothy McVeigh requested two pints of mint chocolate chip ice cream, simple and concerning. On the other end of the spectrum, serial killer John Wayne Gacy chose 12 fried prawns (very specific), a bucket of KFC chicken, chips and a pound of strawberries. Murderer Ronnie Lee Gardner chose steak, a lobster tail and apple pie whilst watching Lord of the Rings (boujee).

The macabre curiosity of humanity means that when heinous crime is combined with a sit-down meal; so many of us are grossly intrigued. But for me anyway, this has become my opening gambit when meeting anyone: What would your death row dinner be? I want to know your favourite food!

So, here is a new weekly segment. I’m going to give you a weekly dosage of people’s favourite dinners. Exhilarating I know, but I’m nosy. To kick things off, I asked some of The Mancunion‘s Editorial Team. Here’s what they said. Enjoy.

  • Anja Samy, Editor-in-Chief:
    • Chicken satay with peanut Sauce
    • A chicken roast with an additional Yorkshire pudding

      Image: ‘Johnny_automatic’ @ publicdomainfiles.com
    • Key lime pie
  • Tobias Soar, Film Editor:
    • ‘Choripan’, an Argentinian sandwich of grilled chorizo and fresh bread.
    • Argentinian steak cooked ‘A Punto’ (in-between rare and medium-rare) with fries and two fried eggs
    • Tiramisu
  • Josh Sandy, Film Editor:
    • Tomato soup with a whole baguette (he has an appetite)
    • Two chicken-shop pizzas, specifically ‘as greasy as possible’ with chips and a can of lilt.

      Image: Gerald G @ publicdomain
    • Salted caramel pavlova.
  • Jay Darcy, Theatre Editor:
    • Vietnamese summer rolls
    • Vietshack’s ‘quack loaded fries’
    • Pavlova
  • Sam Bronheim, Head of Marketing:
    • Scallops with garlic butter
    • A Five Guy’s bacon burger
    • Tiramisu

 

Let’s not judge some of them too harshly. Stay tuned for next time for more, you guessed it, Death Row Dinners.

 

Opinion: Is money ruining football? It depends

Another week, another scandal in Premier League football. Though most controversy this year has revolved around the hotly contested VAR, this time it’s a financial matter.

Manchester City have lost an appeal to the Court of Arbitration for Sport over a UEFA investigation into a potential breach of Financial Fair Play (FFP) rules.

The investigation was launched after the German newspaper Der Spiegel leaked a number of documents alleging that City had misled UEFA to make it seem as though they were complying with FFP rules.

They were previously fined £49m in 2014, for a similar breach in the rules. However, this time could be much more severe, with many newspapers reporting about a potential Champions League ban.

While that seems like quite a severe punishment, however, it is worth noting that City did not really feel the effect of those missing millions, with it proving to be a mere drop in the ocean. The mancunian side have since gone on to splash the cash following the arrival of Spanish coach Pep Guardiola.

Since 2008, eight clubs have spent over £1 billion on transfers, and half of them are English. Considering the fate suffered by Bury at the beginning of the season, a club that needed £2.7m to survive, the disparity is massive.

It is not just the Premier League sides that are flexing their financial muscles. Salford City (owned by Peter Lim and United’s famous ‘Class of ‘92’) have financial clout which is clear for all to see. Their record signing, Adam Rooney, sent a sign of intent to the other non-league clubs of the time. The Scotsman decided to leave Aberdeen, and European football, behind, for a pay rise at a team who were yet to break into the football leagues at the time.

So, after all these negatives, how can the ridiculous amounts of money be justified?

Simple, really. Just observing the quality of football on display shows why these guys get paid the big bucks.

Last year was the first year that four teams from the same nation made it to the two major European finals. Chelsea, Liverpool, Manchester City, and Arsenal are no strangers to spending big money, and it paid off mightily for them.

The story is similar when looking at Salford City. Before 2014, they had 35 season ticket holders and were hardly a household name. Now, they’ve seen promotion after promotion and finally found their way to the football league.

So yes, of course, the amount of money in football is obscene. Of course, it is a massive negative for small clubs with ambitious owners, like Bury. However, if you support a club that gets lucky and sees investment, the possibilities are endless.

The Bolivian crisis represents the latest manifestation of American imperialism

The army of a sovereign nation calling for the removal of a democratically elected president, accompanied by growing mob violence, would typically sound alarm bells in our liberal parameters of what constitutes a fair and just political process.

Yet, there has been a absence of condemnation of these events in Bolivia, with US President Donald Trump praising it as a “significant moment for democracy” and the media reporting on it as an apparent election fraud.

On October 20th, Bolivia held the first round of its presidential election. Incumbent President Evo Morales gained the highest percentage of the vote with 45.3%, followed by Carlos Menas on 38.2%.

To avoid a run-off, Morales needed a 10% advantage over Menas. The suspicions arose when the results count was paused for 24 hours. When the full results came in, Morales had won 47% compared to Menas’s 36.5% – ruling out a second round.

Consequently, an investigation was conducted through the regulatory body, the Organisation of American States (OAS), which found “clear manipulation” of the election on Morales’s part.

Despite Morales agreeing to fresh elections, opposition has mobilised, with the commander of the Bolivian armed forces, Williams Kaliman, calling on Morales to resign for “the good of Bolivia”. An interim president has been appointed – deputy Senate leader Jeanine Áñez, who was the most senior political figure – following the resignation of Morales and most of his political aides.

Based on Western media portrayals of mass popular unrest, and the widespread agreement on election fraud, it would be seductive to write Bolivia off as another sovereign nation dragged to its knees by a power-hungry despot.

Elected in 2006 on a left wing platform, Morales was the country’s first indigenous president. The OAS harks back to the Cold War and used to undermine leftist or anti-American governments, particularly those in America’s “backyard” such as Cuba, which in 1962 was sinisterly denounced as “incompatible with the principles and objectives of the inter-American system”.

Dig deeper into the political base behind Morales’ opponents and it reveals something even more threatening to Bolivian democracy. A previously unknown figure, Luis Fernando Camacho, is a huge player behind the coup. Long behind the official political scenes, this man is a powerful multi-millionaire and gas magnate who emerged as a kind of leader for the protests against Morales, in the weeks following the October election.

Despite being threatened for years by Morales’s nationalisation programme, Camacho did not centre his campaign on economic arguments, but rather on a desire to “bring the Bible back to the palace of government.” Upon Morales’s resignation he stormed the presidential palace proclaiming “Bolivia belongs to Christ”.

Once an underground Colonel Kurtz-style figure that trained Bolivian fascist paramilitaries in Santa Cruz, he and his economic capital as a gas millionaire mobilised support behind opposition candidate Carlos Menas, relying on him to protect business interests.

The removal of Morales from power marks a potential dark turn for the indigenous peoples of Bolivia. Under Morales and his party, Bolivia’s indigenous population saw a huge improvement in their financial status as income inequality (measured by the Gini Index) was lowered by an incredible 19%. Camacho’s supporters have since been documented on Twitter burning Wiphala flags, which symbolise the country’s Indigenous population and plurinationalism.

The situation is constantly escalating, with more and more footage and reports coming from the Bolivian media regarding the prospect of new elections, skirmishes between those supporting and opposing Morales and the newly appointed President Áñez.

The American reputation for intervening in order to bring about “democracy” at the behest of – you guessed it – democracy, precedes itself. As learned from its Cold War past and beyond, the US has a habit of releasing political and social forces beyond their control, with Bolivia being the latest terrifying example for those that truly hold democracy close to their hearts.

“The angriest black man in America”: The autobiography of Malcolm X

Malcolm X is a figure prominent in discourses of Black Power in the USA, and across the world, having described himself as the “angriest black man in America”.

His autobiography, written with Alex Haley, is a key piece of literature that provides insight into the life of a central figure in the Civil Rights movement.

Malcolm documents his life from his childhood in Nebraska, where his family experienced harassment from the terror group, the Ku Klux Klan, to being incarcerated and eventually a prolific member of the Nation of Islam. The book makes for an interesting read, vividly recounting the struggles he and those around him suffered at the hands of an anti-black USA, and how he turned his head towards activism. His activism is contextualised by the struggles he suffered, first-hand, as a black man in this setting, as well as by his avid interest in reading, reading anything that would give him insight into the workings of the world. He did this during his stay in prison, where he specifically began to read about the horrors of slavery, learning of black history around the world, and contextualising this knowledge in relation to his own experiences.

Born in Nebraska, Malcolm X moved to Michigan at an early age where family tragedy left Malcolm and his siblings to enter foster care. Following imprisonment in 1946, Malcolm X embraced the teachings of Nation of Islam, which promoted black self-reliance and freedom from white domination. However, Malcolm X became disillusioned with the teachings of the Nation, converting to Sunni Islam. In 1965, Malcolm was shot dead, leaving his autobiography as his sole published work.

For many, The Autobiography of Malcolm X was instrumental to their politicisation. As author and University of Manchester chancellor Lemn Sissay reflects, “Malcolm X’s autobiography didn’t change me, it saved me”. Malcolm X articulated an anger at the dehumanisation black citizens in the USA experienced. His anger, and importantly his determination as an activist, is one we can relate and aspire to as time moves on. However, his autobiography is not only an indictment of a fundamentally unequal and unjust society – it also is a tale of self-discovery and evolution. The reader accompanies Malcolm’s recollections alongside him, from the behaviours of Detroit Red, to the divisive preaching of Minister Malcolm X, and finally as El-Hajj Malik El-Shabazz, who took Mecca as an example of the possibilities of racial integration.

It is an honest and open autobiography. Malcolm X does not shy away from the less idealised behaviours of his past. The reader is given the backdrop to understand his journey in becoming an activist and devout Muslim.

Towards the end of his autobiography, Malcolm predicted his own demise, but concluded, “If I can die having brought any light, having exposed any meaningful truth that would help to destroy the racist cancer that is malignant in the body of America – then, all the credit is due to Allah. Only the mistakes have been mine.”

He also accredits books as tools of power, with another of his memorable quotes being “Read absolutely everything you get your hands on because you’ll never know where you’ll get an idea from”. Self-sufficiency requires books, because without them, you cannot truly get a wider understanding of the cultural and socio-political landscape we occupy at any time.

Fifty-four years later, The Autobiography of Malcolm X continues to shed light on the nature of US racism.

Consent: why do we still not get it?

Trigger warning: references to sexual assault and rape.

At the start of November, five men were convicted of sexual abuse but cleared of the charge of rape after what would have been, in the eyes of a British court, the gang rape of a 14-year-old girl in Spain in 2016. This incident was not an anomaly nor, in the eyes of Spanish law, a miscarriage of justice.

As the victim was unconscious when the attack occurred, the Spanish Court deemed that the lack of ‘intimidation and violence’ in the assault meant that the five individuals had committed sexual abuse rather than sexual assault, which would be the equivalent of rape in Spanish law. The five men were sentenced to 10 to 12 years in prison rather than the 15 to 20 years they would have received for sexual assault.

Following the trial, there were widespread protests in the country, comparable to the demonstrations that took place following a case in 2016; in which the rapists became known as the “the wolf pack”. “The wolf pack” were also convicted of abuse rather than rape. However, the Supreme Court overturned the original verdict, giving each of the offenders 15 years in prison.

This decision was not made on the lack of consent from the victim, however, but through a re-evaluation of the events of the case. The judges decided, due to the number of assailants and the fact that the incident was ‘prolonged’, that the nature of attack amounted to intimidation from the assailants and, thus, sexual assault.

While the “wolf pack” case has pushed the Spanish Prime Minister, Pedro Sanchez, to reform sexual assault laws, that has yet to come to fruition. In the meantime, women, or men, who have been raped while unconscious will not see their rapists be deemed as such by the law.

Spain is not the only country in Europe to place such emphasis on violence and intimidation, rather than an absence of consent, however. There are just nine countries, out of 31, that define rape as sex without consent; the others require some type of force, intimidation or an inability for the victim to fight back to be a factor in the assault. 

Recent changes in the law in countries such as Sweden, and a commitment from Finland and Denmark to change their laws, show that we are moving in the right direction. But law changes alone will not rectify the often troubling attitudes towards rape displayed across Europe.

A study conducted by the EU commission in 2016, in relation to attitudes on rape, showed that 27% of nearly 30,000 respondents said that sex without consent was justifiable in some circumstances. Percentages were as high as 55% when looking at individual counties. Reasons ranged from the victim wearing provocative clothing (10%) to the victim being intoxicated by drugs or alcohol (12%).

It is not just the countries that do not legally define rape as ‘sex without consent’ which lack regard for the importance of consent. Even in the UK, where rape is recognised by a lack of consent, British people’s opinions do not match up to the law. Many still see force, violence or intimidation as vital components to act of rape.

In a YouGov survey, conducted in December 2018, a third of respondents, from a total of 4000, said that it isn’t usually rape if a woman is pressured into having sex but there is no physical violence involved. Around one in ten asked were unsure, or do not think it is usually rape, to have sex with a woman who is too drunk to consent or who is asleep. 

Further, a third of men asked in the poll said that flirting on a date meant that a woman could not then change her mind about having sex later on, with the same number believing that a woman cannot change her mind once sex has begun.

Clearly, the myth that rape is committed violently by a stranger in a dark alley remains pervasive. 

When women, or men, have their bodies violated through sex without their consent this is, undoubtedly, an act of violence. But this act of sexual violation is not always committed with or through physical intimidation or violence. 

If a person is unable to consent because they are unconscious or intoxicated: it is rape. If they change their mind halfway through sex but the other person keeps going: it is rape. If you do not want to have sex with your significant other but you are pressured to anyway: it is rape. If you have flirted and danced with someone in a nightclub, returned to their place and are forced into sexual intercourse: it is rape. 

For students at university, victims will not only have to contend with troubling attitudes towards consent  – particularly in relation to intoxication, provocative clothing and ‘flirting’ – but investigations from the BBC have found that many students have had to follow a traumatic – and often drawn-out – complaints procedure at their university. What’s more, these often led to very minor punishments for some assailants; such as writing a letter of apology to the victim. 

Other investigations have revealed that reports of rape, sexual assault and sexual harassment from university students have risen dramatically – with 65 in 2014 and 626 in 2018. This may however be indicative of a rise in the number of people filing reports, rather than simply a rise in the number of cases.

In relation to how universities must record or investigate complaints of sexual assault, abuse or harassment, there are no mandatory rules for universities to follow. This means that students who are perhaps too afraid to go to the police may be let down by their university.

In a study conducted by the NUS, 61% said that the perpetrator of their sexual assault was committed by another person in higher education. Additionally, due to the high likelihood of a rape and sexual assault victim knowing their rapist – some reports put the figure at around 90% for victims of sexual assault – this may mean they could potentially see their rapist on a daily basis around campus.

Clearly, there is still lots of confusion or ignorance towards what is meant by ‘consent’. With women under thirty-four being those most likely to be sexually assaulted or raped and a student culture that often sees people unable to give consent due to intoxication, we need to be crystal clear about what consent means and we need to make sure we recognise that consent is ongoing in any sexual encounter. 

This means we need stricter guidelines for universities when approaching a complaints procedure, despite the fact that Universities UK believe there is progress being made in regards to this. It also means that, whether or not students think they ‘need’ guidance, we must continue staging and developing consent workshops at institutions throughout the country.

As a nation we may appear to be ahead of many countries in Europe when it comes to acknowledging rape as sex without consent, but we still have plenty of progress to make. We need to make sure our attitudes reflect our laws when a victim comes forward and we must continue to reject the pervasive myths about rape.

Student activists occupy finance offices in protest of University fossil fuel investments

Student group, People and Planet UoM, have staged an occupation of the John Owens building in a bid to put pressure on the University to cut ties with the fossil fuel industry. The protestors intend to continue their occupation until the University fully commit to the divestment of funds from fossil fuel companies.

Campaign group People & Planet moved into the building, which is home to the University’s finance team, on Tuesday morning. Around 16 students were involved in the protest, which they hope to continue for at least seven days.

They said staff initially attempted to stop them from entering the room, both through verbal warnings and by blocking access. People & Planet said the group had now split into two groups between the boardroom and the corridor. A tweet said some have no access to toilets and the university is not allowing food to be taken into the building.

In June, an occupation of Vice-Chancellor Nancy Rothwell’s office was cut short by the University’s management as protesters were denied access to food, water, and toilets. This time there are double the number of protesters and they have brought a week’s supply of food and the majority of the group have secured a location with a bathroom.

People and Planet says the university has around £12m tied up in fossil fuel companies. Last year The Mancunion discovered the portfolio included shares in BG Group, BP, Royal Dutch Shell, Imperial Oil, REPSOL, Rio Tinto, and Exxon Mobil.

People & Planet has been pressuring the University for eight years through petitions, open letters, emails and lobbying outside meetings, but says there’s been little response from officials. In February protestors interrupted a governors’ meeting.

Speaking on their protest at the John Owens building, the students said: “We’re bringing this to their doorstep so that they can’t ignore us anymore. We’ve tried hard to engage with the University Officers and the Board of Governors, but they refuse to open a dialogue with us. If we’re sitting inside their offices, they don’t have that option.”

The protest has received support from groups across the Greater Manchester area including the Manchester branch of the University and College Union (UMUCU) and the Manchester Green Party.

Lucy Bannister, Green Party candidate for Manchester Withington and University of Manchester alumnus, said: “I am heartened to see the energy on this campaign, which started whilst I was a student[…] I am disappointed that the University has made little to no progress and has failed to act on this urgent issue.”

This is not the first time the University have refused to allow discussion with student-led campaign groups. A campaign to reimburse students’ tuition fees took place during a series of lecturer strikes in early 2018. During this campaign the University disabled its Facebook ratings and blocked certain users after students deliberately gave the institution poor ratings and reviews.

Earlier this semester the group sent the University an open letter asking for a dialogue to be started about divestment and warned collective action if the University remained unresponsive.

A University of Manchester spokesperson said: “We welcome the chance to meet with students as it long as it is through the appropriate Students’ Union representatives. We have offered to meet on that basis.

“The University recognises that students have a right to protest peacefully, providing that this does not unduly disrupt the conduct of the University’s normal business. However, by occupying the corridor and meeting room they are causing significant disruption.

“On the issue of divestment, our policy is clear and in the public domain as part of our Socially Responsible Investment Policy (SRIP). We no longer invest in companies with more than 5% of their revenue from thermal coal (the type of coal used in power plants) or oil sands (also known as tar sands).

“We sincerely hope that the students will accept our offer and we look forward to meeting them in due course.”