A year on from the release of their debut album Light Upon The Lake, Whitney are still on the road. Joe Casson speaks to singer Julien Ehrlich about tour vans, Elton John, and pole dancing at Islington Mill
A devastating tribute to his dead wife, Phil Elverum’s reflection on love and grief still feels raw. It is his most powerful and complete work yet, and it is a tearjerker
All good things must come to an end — it’s our last print issue of the year! Let Joe Casson’s selection of album closers help you to wipe the tears away
Duncan Macmillan and 59 Productions’ hi-tech stage adaptation of the Paul Auster novella combines detective drama with postmodern mania to impressively confusing effect
Xavier Dolan’s brutally honest and claustrophobic new work shows us “home is where it hurts”, but its emotional disconnection makes it hard to relate, writes Joe Casson
Twenty years on, head music editor Joe Casson revisits the Glaswegian indie darlings’ high watermark, a singular work of delicate loneliness and wry observation that demands your devotion
A poor choice of songs gives an unflattering impression of the folk-punk fourpiece — but they play with unbridled, endearing energy to an enthusiastic crowd, writes Joe Casson
After ten years out in the cold, Arab Strap’s comprehensive reunion show retains everything that made them great the first time around, writes Joe Casson
Joe Casson on this year’s well-rounded arts festival, which offers everything from balkan folk to cabaret, and finally gives a reason to get excited about Suffolk.
