Why do K-pop fans stan BTS and BLACKPINK – are there skeletons in the closet?

Pelé avoids being too deferential to its subject and engages with his political legacy

Netflix’s new show strings along a series of secrets that makes for one of 2021’s first must-watch series

Following the success of the Netflix series, Aileen Loftus reads the first book in the Bridgerton series.

Despite a pair of solid performances and strong direction, News of the World falls short of being a great Western

The Dig humanises the groundbreaking archaeological discovery of the Sutton Hoo burial sites and is a heart wrenching account of friendship and love

Does Bridgerton give modern viewers everything they need?

Lauryn Berry shares her views on ‘The Prom’, Netflix’s adaptation of the hit Broadway musical starring Meryl Streep, James Corden and Nicole Kidman

‘Ma Rainey’s Black Bottom’ featuring great performances by Chadwick Boseman and Viola Davis is a powerful exploration of artistry, race, inequality and the American dream

Netflix’s limited series follows a chess genius at work, telling the story of addiction and loss in 1960s United States

Even though it has two iconic actresses at the centre, Hillbilly Elegy is unable to engage with the big ideas at its centre due to dull writing and bad characterisation

Aunty Donna’s hilarious Aussie mayhem perfectly manages to stay on just the right side of pure insanity

With a drawn-out plot and not enough scares, The Haunting of Bly Manor leaves a bitter aftertaste to its predecessor

Sandleristas rejoice for the prodigal son has returned with his latest comedy caper, Hubie Halloween

Aaron Sorkin’s latest film, The Trial of the Chicago 7, returns to a familiar period of US history through a well-constructed courtroom drama

Beauty editor Alex Bikard is French, and did not like new TV show ‘Emily in Paris’ – Here’s why!

Vibrancy and dynamism of growing up in London leap off the screen in this coming-of-age gem, writes Jonathan Hosking

Charlie Kaufman’s I’m Thinking of Ending Things has a lot to say but doesn’t give much reason to listen, writes Tom Kuson

Theatre Editor Jay Darcy problematises the wish-fulfilment fantasy approach that Netflix have taken with their new series Hollywood

Deputy Music Editor Georgina Davidson examines the difficulties in creating, distributing and funding short films