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Tobias Soar

Tobias Soar


Sundance London 2019: In Conversation with John Cooper and David Courier

Sundance London 2019: In Conversation with John Cooper and David Courier

Director of Sundance John Cooper and Director of Programming David Courier sit down to chat organising festivals, the wonders of streaming services, and their favourite films of Sundance London 2019 with film editor Tobias Soar
Sundance London 2019: In Conversation With Alison Klayman

Sundance London 2019: In Conversation With Alison Klayman

Alison Klayman sits down with film editor Tobias Soar to talk about her documentary, political filmmaking, Steve Bannon and humanising evil
Sundance London 2019: The Death of Dick Long

Sundance London 2019: The Death of Dick Long

In spirit, it’s Fargo: Alabama, in every other way. It’s a perfect dark comedy that had me falling off my seat in fits of laughter, writes Tobias Soar
Sundance London 2019: The Nightingale

Sundance London 2019: The Nightingale

Jennifer Kent leaps over the dreaded “sophomore slump” in her highly-anticipated brutal tale of revenge, Tobias Soar writes
Sundance London 2019: Corporate Animals

Sundance London 2019: Corporate Animals

Tobias Soar — Despite its underwhelming visual presentation, Corporate Animals is a hilarious dark comedy which might make you squirm in your seat
Sundance London 2019: Apollo 11

Sundance London 2019: Apollo 11

An audiovisual spectacle to behold, Apollo 11 is a documentary like no other, writes film editor Tobias Soar from Sundance London
Review: The Good, the Bad and the Ugly (Manchester Classic Films)

Review: The Good, the Bad and the Ugly (Manchester Classic Films)

Sergio Leone’s 1968 spaghetti-western is a rough gem that hasn’t lost its charm
Review: Grimmfest “Alien Invasion” Double Bill

Review: Grimmfest “Alien Invasion” Double Bill

The Grimmfest crew paid homage to two of the best alien invasion films at the Plaza, Stockport
Review: Us

Review: Us

If one word could describe Peele’s impeccable second venture into the cinematic world of horror, it’s clever, writes Tobias Soar
¡Viva! 2019: Tiempo Después (UK Premiere)

¡Viva! 2019: Tiempo Después (UK Premiere)

Bombastic, sarcastic, critical and self-aware, José Luis Cuerda’s latest film is a criticism of Spain, and our world, through absurdism and wit
Review: Grimmfest “Japanese Horror” Double Bill

Review: Grimmfest “Japanese Horror” Double Bill

Grimmfest’s double-bill of Japanese horror films Ringu and Battle Royale at The Plaza in Stockport
Preview: ¡Viva! Spanish & Latin American Festival 2019

Preview: ¡Viva! Spanish & Latin American Festival 2019

Celebrating its 25th anniversary, the ¡Viva! Spanish & Latin American Festival 2019 returns to HOME Manchester from Friday 22nd March to Saturday 13th April
MANIFF 2019: VENENO, Primera Caída: el Relámpago de Jack

MANIFF 2019: VENENO, Primera Caída: el Relámpago de Jack

The tale of the Dominican Republic’s most famous wrestling duo is shown to the world through a magic realist lens
Review: The Italian Job in Concert

Review: The Italian Job in Concert

The Quincy Jones-composed soundtrack came to life at the gorgeous Bridgewater Hall with an accompanying live orchestra for the perfect fan experience
Review: One Cut of the Dead (Kamera o tomeru na!)

Review: One Cut of the Dead (Kamera o tomeru na!)

From indie success in Japan to international adoration, One Cut of the Dead reanimates the horror-comedy genre with a wholesome tale
Girls on Film live at HOME

Girls on Film live at HOME

Film journalist Anna Smith brings her podcast Girls on Film to HOME for a live recording
Opinion: The Oscars are the film industry’s worst enemy

Opinion: The Oscars are the film industry’s worst enemy

In an effort to streamline their yearly awards ceremony, The Academy has flipped the bird to the film industry in favour of pleasing the masses
Review: Blindspotting

Review: Blindspotting

Oakland-born rapper Daveed Diggs of Hamilton fame joined forces with poet-come-rapper Rafael Casal to write and star in Blindspotting.
Review: Firewatch – Nintendo Switch

Review: Firewatch – Nintendo Switch

An impressive title, an unimpressive port
Review: Halloween

Review: Halloween

This Halloween film isn’t like the other sequels to the 1978 original: it’s good