White Lies play a divine set at the Albert Hall, but their bombast and lack of nuance leaves Ben Lomax looking for a higher power

Bastille captivated Manchester Arena with a bar-raising performance, writes Katie Shepherd

The Undertones delivered a lively performance, brilliantly reminiscent of old school punk, writes Gurnaik Johal

A sinister, enthralling set from the award-winning singer proves PJ Harvey’s worth as one of contemporary music’s greatest assets, writes Jack Ashworth

Benjamin Francis Leftwich delivered an emotional and reflective performance off the back of his latest album, writes Alex Halksworth

Distinctively inoffensive yet extremely catchy and relaxed

“Throughout most of her performance, she was leaping and pirouetting across the stage like a ballerina on a caffeine high”

Young Guns returned with a performance that showed that, old material or new, their music still has an eager audience

Echo & The Bunnymen and Inspiral Carpets topped a star-studded bill at the second Indie All Dayer

WWE star Chris Jericho brought his accomplished heavy metal act to the Ruby Lounge

The Grammy winning star’s show mixes his own hits with pop classics, with spine-tingling results

Yellowcard seem to settled into their groove a little too much, writes Callum Lunn

Their raucous, sold-out Albert Hall show was exactly what we expected from The Vaccines

With such a likeable sound and energy, you can’t imagine The Preatures will be playing small venues forever

Modestep return to the spotlight, and they’re not coming quietly

Ariel’s sarcastic lo-fi take on pop culture didn’t seem to fit with the relatively grandiose setting

Lonely The Brave gave their fans an intimate, personal show at The Ruby Lounge

This Is The Kit’s gentle folk rock makes for an intimate, friendly peformance

Tim Burgess and co. brought a vibrant Madchester party to the Albert Hall

Connor Schofield’s sunny indie pop deserved to make the transition from his bedroom to the stage