Will Robinson reviews Netflix’s aptly named Love, Death & Robots, the latest take on the growingly popular anthology-style of television.

Indy Burgess and Becca Miller review Lotus: an entirely vegetarian Chinese restaurant and takeaway. Will it satisfy both vegetarians and meat eaters?

Bombastic, sarcastic, critical and self-aware, José Luis Cuerda’s latest film is a criticism of Spain, and our world, through absurdism and wit

Grimmfest’s double-bill of Japanese horror films Ringu and Battle Royale at The Plaza in Stockport

Madeleine Peden reviews The Kindergarten Teacher, part of HOME’s International Women’s Weekender

Alex Holmes tells the incredible story of Tracey Edwards and the first all women crew compete in the Whitbread round the world honestly and creatively, writes Alex Walker

Cheat is a dark academia drama which chronicles the relationship between a Cambridge student and a lecturer who accuses her of cheating, writes Izzy Sharp

Jack Greeney reviews eight of MANIFF 2019’s finest short films

Firm ’70s favourites Steely Dan graced Manchester Arena as part of their star-studded European Tour, delighting both old and new fans with a packed set

Lily Martin reviews Irish trio whenyoung at the Manchester date of their most recent tour, supported by The Ninth Wave at The Deaf Institute

Letting grip loosen on his ‘one-man-band’ approach Jacob Collier took to the stage of Gorilla to produce a magical and memorable music experience

A round of short films courtesy of the Manchester Film Festival provide a heartfelt and hilarious look into extraordinary people and events in modern life

The tale of the Dominican Republic’s most famous wrestling duo is shown to the world through a magic realist lens

Twenty years onward, Hideo Nakada’s iconic existential video horror remains just as powerful, substantive and terrifying as ever

A Manchester-based political thriller with hidden depths, but deep flaws

In the wake of his latest release, ’11 Minutes’, Yungblud has been proving to the wider music industry that his impressive on-stage energy and driven, politically empowered tracks have a place in the current protest alt-rock revival

Nadine Labako has delivered an Oscar nominated gem of a film which holds all power to account with a deeply emotional story, writes Carl Fitzgerald

A sluggish and derivative possession-horror that’s only amusing so as to think of better films it steals from which you could be watching instead.

Erin McKay – Werner Herzog explores the rise and fall of the eighth and final Premier of the Soviet Union, Mikhail Sergeyevich Gorbachev.

Evuna NQ scores high on sangria but low on food. Izzy Sharp suggests you take your hunt for the best tapas in town elsewhere.