A cohesive and well-paced ‘Nazi zombies’ movie, Overlord is a solid genre-mash up with impressive action sequences, and gruesome body-horror, writes Alfie Clark

Arts and Film editors, Bella Jewell and Aisha Al-Janabi, preview MACFest: a ground-breaking festival which will run from the 17th November to the 25th, created to celebrate Islamic culture

The highly successful producer blames female invisibility behind the camera on lack of participation. But, is he right? (Spoiler alert: no, he isn’t).

Four women must take over a heist after their husbands die on the job, yet seemingly Widows still focuses on the men, inexplicably

Georgia Church questions the award-winning film’s claim to supporting the feminism movement in the face of its starkly flawed characterisations

Adrian Kanyoli reviews Bohemian Rhapsody, a biopic on the musical phenomena that is the band Queen.

The difference in words to describe actor and actress should have no consequence on the prestige of the word, but it appears to.

Peterloo will be released on the 9th of November, and gives tribute to The Peterloo Massacre of 1918.

Marvel’s most successful foray into the streaming world comes in the form of the comic book adaptation of Daredevil, the man without fear, who upholds the high standard of realism and gleeful brutality established back in 2015’s season one

This Halloween film isn’t like the other sequels to the 1978 original: it’s good

The return of Once Upon a Time in the West is for the betterment of cinema, writes Harry Peate

If this year’s BlackKklansman served as a solid artistic insight into the roots of modern-day racism, then George Tillman Jr’s The Hate U Give makes for a fantastic following piece about the current state of American racial tensions

Night School is a dissapointing watch with Kevin Hart’s distinct brand of humour.

Goosebumps 2 has been released following the success of the first, but doesn’t seem worth the wait.

Izzy Sharp finds aspects of Tom Beard’s Two For Joy compelling and heartfelt, yet ultimately unable to strike home with its depiction of the tensions within a modern British family

The focus of discussion surrounding the 2011 tragedy is put back on the victims’ experience thanks to Poppe’s remarkable film. The question and answer panel, hosted at HOME, consisted of director Erik Poppe and lead actor Andrea Berntzen along with real survivors of the attack, Lisa Marie Husby and Ole Slyngstadli

Tetsuo: The Iron Man is a radical film that is profoundly shocking in both style and content, fostering a powerful sense of unease in the viewer. Almost 30 years after its release, it still has the capacity to disturb, writes Ashwin Tharoor

The Mancunion reviews Drew Goddard’s mystery thriller ‘Bad Times at the El Royale’ – a film reliant on aesthetics and shirtless cameos.

Brutal, strange, and featuring Nicolas Cage at his insane, over-the-top best, Mandy is an instant cult-classic.

Adrian Kanyoli lends his praise to Damien Chazelle’s latest feature-length but asks if it deviates too much from the norm for mainstream appeal.