Carl Fitzgerald reviews Jessica Hausner’s “stunning” and “fantastically creepy” plant-based thriller

Featuring a standout performance from Elizabeth Moss, Leigh Whannell’s adaptation of HG Wells’ 1897 novel is a masterclass in updating a classic character for the 21st century, writes Carl Fitzgerald

A combination of Midnight Family’s thrilling cinematography and enthralling ethically complex subject matter make it a must-see documentary, writes Zofia Gryf-Lowczowska

Sam James reviews Greed, Steve Coogan’s exaggerated biopic of the life of Philip Green

Bong Joon-ho’s Oscar-winner is a brilliant satire on social inequality, and a mesmerising cinematic experience, writes Michal Wasilewski

Robert Eggers steers far from a sophomore slump with this atmospheric horror punctuated by sledgehammer performances from Robert Pattinson and Wilem Defoe, writes Carl Fitzgerald

Twenty years on from its original release, Stanley Kubrick’s final feature proves as baffling, bizarre and frankly dull as ever, writes Alex Ferguson

Political satirist Armando Iannucci assembles an all-star cast for this period epic adaptation of Dickens’ novel that’s witty, energetic and charming, writes Carl Fitzgerald

Carl Fitzgerald reviews the frustrating tale of two runaways, starring Jodie Turner-Smith and Daniel Kaluuya

The 2019 Toronto Film Festival winner is an unintelligent, unambitious satire on Nazi Germany, failing on a dramatic and emotional level, writes Michal Wasilewski

Following on from The Babadook, Jennifer Kent’s latest film The Nightingale proves a searing depiction of colonialism and the intersection of oppression fronted by stellar performances, writes Carl Fitzgerald

Written by Shia LaBeouf, Honey Boy is an autobiographical film reflecting upon troubled parental relationships and growing up in a socially excluded neighbourhood, writes Michal Wasilewski

Featuring an all-star cast and a brilliant script, Rian Johnson’s Knives Out is an innovative and enthralling take on the classic Agatha Christie-style whodunnit, writes Carl Fitzerald

Noah Baumbach’s Marriage Story combines a heartbreaking divorce story with witty comedic elements to create a masterful emotional rollercoaster, writes Michal Wasilewski

Despite the critically-acclaimed magic of its smash-hit predecessor, due to poor plotting, awkward pacing and musical mis-steps, Frozen 2 has certainly let it go, writes Carl Fitzgerald

Based on a true story, Scott Z. Burns’ film combines a socially relevant plot with stand-out performances to great effect, writes Zofia Gryf-Lowczowska

Despite its potential, Paul Feig’s Wham-quoting Christmas rom-com wastes its stars’ talent and fails at meaningful social comment, writes Carl Fitzgerald

Despite starring A-class talent, Bill Condon’s stylish crime thriller struggles under the weight of its often ludicrous plot twists, writes Carl Fitzgerald

Balancing thought-provoking questions about expectations with a consistently thrilling story, Luce is a well-acted, engaging and beautifully scored watch, writes James McCafferty

30 years after The Shining’s release, its long-awaited sequel proves, despite some flaws, to be a worthy successor to Stanley Kubrick’s masterpice, writes Carl Fitzgerald