Oh, Sorry is a eloquently written and performed short film that beautifully captures the grieving process and the acceptance that follows, writes Lily Rosenberg
Alejandro González Iñárritu’s 2000 directorial debut Amores perros provides a look into the class structure in Mexico City that is still relevant today, writes Zofia Gryf-Lowczowska
Although Charlie Buhler’s pandemic-based Before the Fire may seem perfectly timed, it fails to recreate even a bad apocalypse film, writes Michal Wasilewski.
Featuring a standout performance from Elizabeth Moss, Leigh Whannell’s adaptation of HG Wells’ 1897 novel is a masterclass in updating a classic character for the 21st century, writes Carl Fitzgerald
A combination of Midnight Family’s thrilling cinematography and enthralling ethically complex subject matter make it a must-see documentary, writes Zofia Gryf-Lowczowska
Robert Eggers steers far from a sophomore slump with this atmospheric horror punctuated by sledgehammer performances from Robert Pattinson and Wilem Defoe, writes Carl Fitzgerald
Political satirist Armando Iannucci assembles an all-star cast for this period epic adaptation of Dickens’ novel that’s witty, energetic and charming, writes Carl Fitzgerald
The 2019 Toronto Film Festival winner is an unintelligent, unambitious satire on Nazi Germany, failing on a dramatic and emotional level, writes Michal Wasilewski
Following on from The Babadook, Jennifer Kent’s latest film The Nightingale proves a searing depiction of colonialism and the intersection of oppression fronted by stellar performances, writes Carl Fitzgerald
Written by Shia LaBeouf, Honey Boy is an autobiographical film reflecting upon troubled parental relationships and growing up in a socially excluded neighbourhood, writes Michal Wasilewski
Featuring an all-star cast and a brilliant script, Rian Johnson’s Knives Out is an innovative and enthralling take on the classic Agatha Christie-style whodunnit, writes Carl Fitzerald
Noah Baumbach’s Marriage Story combines a heartbreaking divorce story with witty comedic elements to create a masterful emotional rollercoaster, writes Michal Wasilewski
Despite the critically-acclaimed magic of its smash-hit predecessor, due to poor plotting, awkward pacing and musical mis-steps, Frozen 2 has certainly let it go, writes Carl Fitzgerald
Based on a true story, Scott Z. Burns’ film combines a socially relevant plot with stand-out performances to great effect, writes Zofia Gryf-Lowczowska
