Andy Samberg and Christin Milioti shine in this sun swept, time bending romcom

Daniel Woods reviews Little Scratch, the debut novel by Rebecca Watson which navigates memory and trauma

Thanks in part to to a collection of great performances, Minari is an original film in a crowded genre

Alex Harris reviews a high concept sci-fi movie after sitting down with its creators

Pelé avoids being too deferential to its subject and engages with his political legacy

Lana Williams catches Shambolics’ live stream in aid of Kirkaldy Foodbank

Channel 4’s newest series, It’s a Sin, is a compelling portrait of 1980s gay youth, sexual freedom and the beginnings of HIV epidemic

Dragon Rider is a German take on the concept of humans and dragons coexisting in one world, but fails to add anything innovative to it

Electronic dance duet Bicep develop their unique sound on their latest release, Isles. Expected mesmerising tracks

With live performances on hold due to COVID019, can a livestream production live up to the energy of a Blossoms gig? Niamh Boorman investigates

Even though it has two iconic actresses at the centre, Hillbilly Elegy is unable to engage with the big ideas at its centre due to dull writing and bad characterisation

Aunty Donna’s hilarious Aussie mayhem perfectly manages to stay on just the right side of pure insanity

With a drawn-out plot and not enough scares, The Haunting of Bly Manor leaves a bitter aftertaste to its predecessor

A24’s latest psychological horror is a perfect portrayal of a character gone mad, and makes a good reason to venture out to cinema this Halloween

Sandleristas rejoice for the prodigal son has returned with his latest comedy caper, Hubie Halloween

Charlie Kaufman’s I’m Thinking of Ending Things has a lot to say but doesn’t give much reason to listen, writes Tom Kuson

Willie J Healey was jokingly once cited in an interview as the next Paul McCartney – His new album Twin Heavy without a doubt, has put him on the way to making that waggish claim a reality

The BBC adaptation of Sally Rooney’s ‘Normal People’ has recently burst on to our screens and gifted the nation with the perfect escape from the monotony of lockdown

This Is Not Berlin is a sensual portrait of Mexico’s underground scene amid the social and political turmoil of the 1980s, writes Michal Wasilewski

Manchester Film Festival 2020’s Narrative Shorts 2 were political, satirical and, at times, heartwarming, writes Harley Weng U Pun